Top 8 Essays analyzing the tragedy of Truong Ba in “Truong Ba’s soul, butcher’s skin” by Luu Quang Vu (grade 12) best

Drama is a unique literary genre of Vietnamese literature. Referring to the typical Vietnamese drama, it is impossible not to mention “The Soul of Truong Ba Da Hang Butt” by Luu Quang Vu – one of the most talented playwrights of the national literature. The play “Soul of Truong Ba Da butcher” has left many thoughts in the hearts of readers about the tragedy and the desire to live as himself of the character Truong Ba’s soul.

The first haunting highlight in the play is the tragedy of Truong Ba. The series of tragedies began with the unjust death of Truong Ba due to the negligence of the heavenly mandarins. Truong Ba is an old man in his sixties, likes to plant gardens, is good at chess, is gentle, loves his wife and children, and has a pure soul. Just because Nam Cao was in a hurry to go to the party, he was caught by mistake. Living a peaceful life with his family and suddenly died, this is a heartbreaking tragedy.

Following the advice of “Fairy Flag De Thich”, Nam Cao and Bac Dau “corrected the mistake”, wanting to return justice to Truong Ba by allowing Truong Ba to live again. Not fully alive, but the soul continuing to live in another person’s body – the butcher who recently died near home. It was this change that pushed Truong Ba into a series of tragedies full of suffering and torment. Man is inherently a unified whole between soul and flesh, but Truong Ba can live without being fully himself.

Because he lived in the body of others, he fell into the tragedy of personal corruption. Previously, Truong Ba was a hardworking and skillful gardener who always cared for his wife and children, took care of his grandchildren, and helped the village in harmony. In the eyes of his loved ones, he is an exemplary husband, father, and grandfather. And now, since the soul resurrected in the body of the butcher, he has become rude, mundane. That flesh, though murky and blind, still has its own strength. There are times when a pure, kind soul must compromise with the instinctive demands of the body. More frightening, that pure soul was gradually poisoned by the butcher’s mediocre flesh. Truong Ba himself also realized his own change despite trying to deny: “No! I still have a separate, intact, clean, straightforward life…”. But in the end, you still have to implicitly admit that you are gradually losing yourself: “You have prevailed, the body is not mine, you have found all ways to overwhelm me.”

Not only tormented by his gradually corrupt personality, Truong Ba also had to face a tragedy that was not acknowledged by his own family. Returning in the body of a strange man, his wife was extremely distressed, wanted to find a way to avoid her and was about to leave. The spoiled son, his niece, who loved him very much, expressed hatred and fiercely chased away “You are so ugly, so evil! Go away! Old butcher, go away!”. His daughter-in-law is the only one who sympathizes with him, but “…how can I keep you, gentle, cheerful, good like our teacher in the past? How, teacher?”. No one shared, no one understood for the tragedy of his life. Truong Ba’s soul in the butcher’s skin also unintentionally caused disturbances and insecurity in the family, causing relatives to suffer. In his own family, he became lonely, alone.

However, falling into this tragedy, Truong Ba was not easily resigned and surrendered, but had extremely strong aspirations. The first burning desire is to escape the adversity of having to live in the butcher’s body. Truong Ba is aware of the irony of living with one side inside and another on the outside. He understood the pain and torment when he gradually tended to corrupt, his family suffered, and could not accept the disparity between soul and body. His resolute, unequivocal attitude is emphasized by a series of words: unable to continue, impossible, unable in his lines.

The strongest desire that burns the heart of a pure soul is the desire to live as yourself. Truong Ba wants to be himself completely, wants to be a harmonious body and soul, looks inside and out, thinks and acts in harmony. Truong Ba aspires to live, but a meaningful life, not mixed with vulgarity and mediocrity. His aspiration is evident in the controversy between soul and body. This is a bitter struggle between two sides of man. On one side is the instinctive voice of the body, on the other hand is the rational voice of the noble and pure soul, expressing the desire for good and the aspiration to overcome the trivial and gloomy desires.

Not wanting to continue living a dependent life, dominated by the butcher’s body, Truong Ba tormented and decided to resist by separating from the flesh. He returned the body to the butcher, chose a real death so that his soul could be pure, incarnated into dear things, and lived forever beside his loved ones. That death is the most expensive detail that reveals Truong Ba’s desire for a good life.

It can be said that Luu Quang Vu has built a tense dramatic situation, brought the play to a climax and then resolved the conflict in a logical and reasonable manner. Sharply created dialogues and monologues not only help the characters express their thoughts and personalities, but also help readers understand the deep thoughts and philosophies that are sent.

In particular, the author skillfully combines current issues and eternal issues such as a false lifestyle, between dark and lowly desires with noble and good desires. Thereby clearly recreating the tragedy and cherishing the character’s noble aspirations. At the same time, it sends a meaningful human message: material and spiritual in human life need to be in harmony in parallel, should not discriminate against trivial material requirements, respect individual freedoms, live the right way. but also try to be better.

With these artistic and content values, the play “Hung Truong Ba Da Hang Them” deserves to be an excellent drama work of Vietnamese literature. So many years have passed, the profound human values ​​of the work still shake the hearts of readers.

The Spirit of Truong Ba is a butcher, a work written in 1981 and premiered in 1984 in the atmosphere of the country’s renewal and the transformation of literature. As one of the most outstanding plays by talented playwright and poet Luu Quang Vu, it has been performed many times on domestic and foreign stages. From a folk plot, Luu Quang Vu has built it into a modern play with a new look, posing many problems, ideological meanings, and profound philosophies. All those noble humanistic philosophies are clearly depicted through the tragedy called: Truong Ba’s soul butcher’s skin.

Luu Quang Vu’s dramatic situation starts from a folk plot. After being mistakenly killed by Nam Cao and had to live a new life in the borrowed body of the newly deceased butcher. Truong Ba’s soul has encountered countless difficult and tragic situations, the fierce conflicts between a pure soul and this foul body. This contradiction culminates when the noble soul is gradually violated and degraded, realizing that Truong Ba’s soul gradually becomes disgusted with the life of thanks, living temporarily “outside one thing, inside another. ” this. Because he was also rejected and feared by his own wife, daughter-in-law and niece and friends. The despair and fatigue made Truong Ba’s noble soul want to be freed and live his own life. He chose death to protect his soul. All of that is taken from the seventh, final scene of the play.

Through the excerpt, the tragedy of Truong Ba’s soul is revealed one by one, awakening readers to the profound human values ​​of the noble life philosophy that Luu Quang Vu brings. The first tragedy of Truong Ba’s soul in the butcher’s body was the metamorphosis of his soul, a change in such a way that even Truong Ba himself and his relatives no longer recognized him. From the mistakes of the people of the Troi, Truong Ba was also resurrected, but lived in the body of a butcher. A body is depicted as a terrifying symbol formed from a vulgar life situation: a bulky and rude figure to the stomach demanding eight or nine bowls of rice each meal, craving for good food, craving for alcohol. meat… to the evil desires. But all of these things, a person who takes care of bonsai, is gentle in his gestures, someone who cares for each tree branch and flower bud gradually becomes corrupted. Truong Ba is no longer the grandfather of the past. A pure soul now succumbs to the logic of this mortal body? A person who was once loved by friends and respected by his descendants, but now relies on this rough “hand of killing pigs” to beat his children? No, “I’m tired of this place that’s not mine, I’m tired of it! This rude bulky body, I’m starting to fear you, I just want to leave you at once!” But how now when he looks at life with the eyes of this body, perceives the world through these senses. That is the tragedy named Truong Ba’s soul, butcher’s skin. Luu Quang Vu has posed a problem that makes readers sob and ponder. A person who wants to live must defy all costs? Even if you can’t be yourself like how Truong Ba’s soul is gradually losing its honest nature? Living at any cost, is there happiness, and who will people become, what will happen when they can’t live their own way? The beauty and the good no matter what, when living for a long time with vulgarity, there will be a day when people will lose their honesty to satisfy trivial desires. Then when we go wrong with morality, we blame the body to wash away the dirt in the soul? That is also mentioned clearly by this talented playwright: People like you who have many words and many books often believe that the soul is precious, advise people to live for the soul, and then neglect the body. Their bodies are miserable, disheveled…

The second tragedy in the patchwork life of Truong Ba’s soul was rejection and alienation. Because even the wife that he cherished also wanted to leave him. Has your soul caused suffering and fatigue to your loved ones already? “You are no longer you, you are no longer the old gardener Truong Ba… Maybe I have to go… go away…Let you be at ease with the butcher’s wife…Better than this…” And right now? Isn’t the moment that Truong Ba lay down and was buried, it was better than coming back to life and suffering for everyone like now? It was this rough body that made the Girl call her respectable grandfather “the butcher”. An unequivocal childish denial. Even the filial daughter-in-law of the past, even though she felt sorry for her teacher’s harsh situation now, had to honestly say: “The teacher is changing day by day, gradually losing, everything seems to be deviating, fading away. Go”. Only a rude, mundane Truong Ba remained in his large body, in these pig-killing hands. Even the pragmatic son no longer respects him: “The father now is no longer the father he used to be. My father never hit me back then, so I respect him very much. My father is also a liar now, living off the evil of stealing other people’s money.”

All the feelings and emotions stemming from the sincere hearts of those he loves is a tragedy in this worthless existence. Just pain, helplessness, and rejection. That suffering of Truong Ba’s soul is also a clear awareness of his own tragedy. He will not make wrong decisions again. His soul will no longer have to live in the temporary body of the butcher or the Ti, even though that means his soul will be nothing. Rather than “I will be helpless and lost, or will become pathetic and obnoxious like a greedy person, someone who should have died a long time ago but still lives”. “Not borrowing anyone’s body, I’m still here, in our garden, in the good things of life, in every fruit that a girl cherishes…” That decisiveness is like an affirmation of the author. : “There are mistakes that can’t be fixed and forced, only making more mistakes”. The end of Truong Ba’s life is a song full of meaning and beauty for life. Even though it is lost, it is better to be remembered and respected by everyone than to live with suffering and add mistakes.

In short, the excerpt of Truong Ba’s soul is imbued with profound humanistic philosophies. The character’s tragedy is close to the problems of today’s society. A person who, for his own rights and interests, despite everything, in the end is really happy or not? Humans, regardless of whether they live for the wrong purpose, will have to pay the price for their own choices.

Poet and playwright Luu Quang Vu is famous for his works with realistic content, deeply offensive and deeply humane values. One of his most famous plays, which must be mentioned, is the work of the butcher’s soul. In this work, the key issues and story situations are centered around the character Truong Ba, a person who has to live by living in someone else’s body.

Before his sudden death, Truong Ba was a gentle and virtuous man in the family, he was a role model for all members to follow. That’s why he was loved by his wife and children and respected by his children and grandchildren. He is a man who is not only elegant, elegant, but also very intelligent and knowledgeable, the move he played can only be solved by Emperor Thich. It can be seen that this is a man of knowledge, with a beautiful background in his personality and civilized behavior.

However, because of an error of Nam Cao, Bac Dau, when he was in a hurry to go out, caused Truong Ba to die unjustly. Truong Ba’s death was so sudden and unreasonable that when Truong Ba’s wife met Emperor Thich to claim justice, Emperor Thich was also confused. That justice was repaired and patched by allowing Truong Ba’s soul to enter the butcher’s body. But this is also the beginning of Truong Ba’s tragedy.

Truong Ba gradually became more crude, had rude actions, no longer similar to the person he was before. He became greedy for food and drink. Truong Ba did things he had never done before: slapped his son, “broken the young bud” of the orange tree, stepped on the precious ginseng that had just been planted, “broken the spokes, torn the paper, ruined the beautiful kite” of Cu Ti. Not only that, in one time the butcher’s wife insisted that her husband stay with her, Truong Ba almost obeyed.

Truong Ba’s change made his own family unacceptable, Truong Ba’s wife accepted to leave so that he could live with his butcher’s wife. The daughter-in-law did not accept him, the most understanding and obedient daughter-in-law finally blamed her father. Truong Ba is very sad. It’s not that he doesn’t know about the changes that have happened to him, it’s just that there’s nothing he can do to change reality. His situation was truly a force of disobedience. Even if his soul wants to but his body refuses to obey, he cannot control it. What’s more, being in the butcher’s body for a long time during the day made him corrupted, becoming crude, clumsy, more and more like a butcher.

Truong Ba was extremely sad and tormented about this fact, so he met Emperor Thich and expressed his feelings. It can be seen that he is a very personable, self-respecting person. He bluntly told Emperor Thich that he only cared about how people lived, but Emperor Thich didn’t care. Truong Ba’s criticisms are very harsh but also extremely accurate about Emperor Thich and his ways. Truong Ba ultimately chose to die rather than accept to exchange his soul into a new body. This is a noble choice and a true expression of his personality. He could not accept falsehood, exchange, could not live but one side and the other. No matter what body you change to, it’s a borrowed body and then you’ll have a lot of trouble again when you can’t be yourself. This choice brought Truong Ba back to himself, even though it meant he had to leave his wife and children forever.

The tragedy of Truong Ba has shown a problem that is living in the body of others. Man must live to be himself, consistent, in harmony between soul and body. It is impossible for one person’s soul to live in another’s body.

The way he chooses to solve the problem also shows the beautiful personality in Truong Ba, he chose death to be himself rather than trying to hold on to life while he was gradually corrupted and transformed. . In the end, Truong Ba still returned to being a loving husband to his wife and children, an exemplary father, and a respected grandfather of all children and grandchildren in the family.

Truong Ba’s Soul, butcher’s skin is one of the most famous plays of Luu Quang Vu. The play raises many hot issues of society at that time – in the eighties of the twentieth century. Luu Quang Vu cleverly borrowed an old folk tale to interweave new and profound humanistic thoughts, concepts, and philosophies.

The story begins when Truong Ba’s life begins to be reincarnated in the body of a butcher. With fairy tales, it is a happy ending and Truong Ba continues to be happy with his new form and body. However, in the eyes of Luu Quang Vu, the reality of life is reproduced in the way that it exists. Therefore, a new tragedy arose, that of a noble, pure soul who had to live cramped in the body of a vulgar, rude, instinctive flesh-and-blood guy. However, after three months of living in the butcher’s body, with the seductive arguments of the body, Truong Ba’s noble soul was sometimes corrupted, had to do things contrary to ideology and religion. own reason to satisfy the body. That is the inner tragedy of the character.

Living in the butcher’s body, Truong Ba found himself increasingly corrupted and suffering more than Truong Ba’s soul could not resolve that conflict. Tragedy is deepened, creating conflicts through dialogues. The first is a tense, fierce dialogue between the soul and the body. The body with compelling arguments and solid evidence has shown the soul that its existence is also interesting. It is the feeling of thirst for the flesh, the feeling of hunger for food, the victory over violence. The butcher’s corpse was equally astute when he pointed out: “Those who are literate and many books like you often believe that the soul is precious, advising people to live for the soul, and then neglect their bodies. forever miserable, disheveled”. Short, quick exclamations: “No! I still have a life of my own: intact, clean, straightforward! I need no power that makes me brutal; Lie! You are just a shell, no meaning at all, no thoughts, no feelings…!

The tragedy is not over yet. However, through the butcher’s argument, the author also implies that the body also has its own voice. It is the voice of instinct, passion, and lust in everyday life. Therefore, people must have a desire to live a noble life, but they cannot separate the soul from the physical body of everyday life. It is also the contradiction between aspiration and human instinct.

After all those dialogues, each character by speaking in his own way, his own voice made Truong Ba’s soul feel unbearable. And the soul has decided that it cannot submit to the body anymore. Truong Ba’s soul protested fiercely: “There is no need for the life you bring! No need!. This is a decisive dialogue leading to the act of burning incense to call De Thich definitely.

Through the tragedy of Truong Ba’s soul, writer Luu Quang Vu wants to send messages to readers. That man is a unity, soul and body must be in harmony. There can be no noble soul in a mortal, sinful body. When people are dominated by the instinctive needs of the body, don’t just blame the body, can’t comfort and comfort yourself with the metaphysical beauty of the soul. However, the author also pointed out that, really living a human being is not easy and simple. When you live off, live on, live in patchwork, when you can’t be yourself, that life is meaningless.

At the end, Truong Ba returned to the butcher’s body, accepted death so that his soul could be pure, incarnated into dear things and lived forever with his loved ones. Life returns to the cyclical law of eternity. The ending with deep poetry has brought a peaceful sound to an optimistic tragedy, and at the same time sent the reader the message and the victory of Good, Beauty and true life.

From folk tales, Luu Quang Vu has created a play with strong appeal, sending readers a profound message about the philosophy of life. The multi-layered, multi-meaning, bar in this play is a new creation of Luu Quang Vu. It is that versatility that makes the play attractive and abundant life for the play Truong Ba’s soul, butcher’s skin!

Luu Quang Vu’s plays are famous for being plays with philosophical depth and always putting the reader in a state of need for dialogue, always asking questions and making the reader wonder and can’t be reassured. The play Truong Ba’s soul is considered the greatest drama in Luu Quang Vu’s career, in which the tragedy of Truong Ba’s soul is the tragedy of any individual in this world, with a humanistic character. and great depths of thought. Truong Ba’s soul is a monument to an immortal character in Luu Quang Vu’s playwriting career, and that image, built by the writer, carries with him the tragedies of people for all time, regardless of the ancient times and the East. West.

The most painful thing is the tragedy of the alienation of Truong Ba’s soul. Truong Ba was originally a gentle, kind gardener with a clean lifestyle and a noble soul, his hobby of playing chess and his passion for nature and plants is the clearest proof we see in this character. But since living in the butcher’s body, that gentle and honest gardener gradually changed, gradually becoming violent, corrupted into the hustle and bustle of materialistic desires, not very healthy and proper. Through the butcher’s words, that change appeared as soon as Truong Ba stood near the butcher’s dead wife: trembling hands and feet, hot breath, choking throat… That’s a very normal part of a child’s instincts. people rise, but inherently those expressions and actions do not belong to Truong Ba who has a pure soul, pure by elegant pleasures. In addition, Truong Ba was no longer a gentle and gentle father to his children like before, but in the body of a butcher because he was so angry, Truong Ba used the butcher’s strength to beat his son to blood. nose. For family members, who are familiar with the image of an upright, upright, gentle, and noble Truong Ba, Truong Ba’s obvious negative change is a mental blow. destroys and afflicts loved ones. Witnessing that change, that alienation, can’t help but feel heavy heartache. More painful and tormented than Truong Ba himself saw the change growing bigger and bigger, and the level of the bog became more and more terrible, so much so that he himself felt disgusted, disappointed, and miserable because of the forgiveness. make it. Truong Ba became corrupted, took on a different nature when he lived in a chaotic, tumultuous and sensual environment that the flesh brought. But that blind and murky flesh could make him perform actions against his conscience, contrary to the honest and good nature of Truong Ba’s soul. In the confrontation with the butcher’s flesh, the anger of Truong Ba’s soul when he constantly had to lose his reason before the mean reasons of the butcher’s flesh showed somewhat the acceptance and logical defeat of Truong Ba’s soul with flesh, when the philosophies and ideals he pursued were no longer strong enough to disprove the arguments the flesh produced. Truong Ba’s tragedy of alienation is perhaps the most painful and dialogue-filled tragedy that readers can witness. Each person when they exist in this world, actually changes, the change can be based on circuTaxances, or change from within oneself. But here, for Truong Ba, it is the tragedy of losing oneself, alienating and immersing oneself in an evil environment, it is also the loss of the human part to fall into the abyss of the “child” part. . And literature was born to hold on to the human part and to prevent the child from falling into that mire.

Alienation and being deeply aware of his own alienation was already a torture for Truong Ba, but through dialogue with family members, Truong Ba even fell into a more painful tragedy, that is: lose the fulcrum of the community, the fulcrum from the family – the fulcrum that anyone in this world needs. Even the tragedy of Truong Ba is painful because the rejection, rejection and alienation he has to endure do not come from strangers but from loved ones in the family. Before Truong Ba’s rapid changes, his wife was extremely sad and wanted to leave to leave Truong Ba with an unclear relationship with the butcher’s wife: he was no longer a grandfather, he was no longer a grandfather. Truong Ba was a gardener in the past.

Cai Gai, the grandchild who always loved Truong Ba, also resolutely rejected the grandfather who now appeared in front of her, the simple heart of the child also recognized the changes from Truong Ba, because of the gentle grandfather, who The gardener who loves nature and is full of artistic flair when taking care of the plants of the past has now become a criminal to destroy the young sprouts and precious ginseng plants. Even the Ti also called Truong Ba an old butcher, chasing Truong Ba with a fierce attitude: “You are very ugly, very evil. Go away! Old butcher, go away”. The sister-in-law who understands and respects Truong Ba the most can’t help but be disappointed when she sees the father she loves and respects has changed and deviated, even though “knowing my teacher now is more miserable than before. a lot, but in front of the family that was about to fall apart, the daughter-in-law couldn’t hide her disappointment” when ….. The pain of a loved one is also the struggle that broke Truong Ba’s soul, the family is the fulcrum and is a place that never turns away from each person, but Truong Ba is being rejected in the very source of love.

And finally, what makes the value and symbolism of the tragedy of Truong Ba’s soul is because this tragedy is also a universal tragedy of all mankind, regardless of age and age. had to go through in the process of trying to get two human words capitalized. In the work, Truong Ba has to endure the tragedy of not being able to live as himself, having to live full of lies and pain when the inside is one side and the other is outside. If he chose life, Truong Ba’s soul would continue to live in the body of a butcher that he hated, rejected, shunned by everyone, gradually alienated and became more evil. In the midst of the fierce and fierce struggle of the inner and the outer world, between the eternal problem of life and death, between being alive or simply existing. Truong Ba finally decided to return the body to the butcher, and died in peace because at least then he could live as himself, return to an honest Truong Ba, a noble soul, a gardener that everyone loves and admires, no longer has to torment himself in corruption and sin. From there, Luu Quang Vu sends the reader a message that life is precious, but life is priceless when you can live to be yourself, not by wearing someone else’s mask. It is not living, it is merely existence, and so life is just as stagnant as an easy, flat pond of life.

The tragedy of Truong Ba’s soul as generalized by Luu Quang Vu is not only a personal tragedy, but also a great tragedy of people of the era, so the playwright can not only pose a big question of humanity, but also evoke empathy, listening and dialogue because the problem he raised is a common problem of human existence.

Luu Quang Vu is a multi-talented artist, not only writing literature and poetry, but Luu Quang Vu is also the most talented playwright of Vietnamese literature and art. In his dramatic works, Luu Quang Vu often focuses on hot social issues, thereby expressing his profound conceptions of human life and human life. In which, the work “Truong Ba’s soul, butcher’s skin, is a butcher’s skin.” ” is the most famous play when it comes to the tragedy of people having to live inside one thing, outside another.

The play revolves around the central character Truong Ba, because of the negligence of Nam Cao and Bac Dau, Truong Ba was unfairly killed, in order to correct his mistake, Nam Cao listened to the advice of Emperor Thich, allowing Truong’s spirit to enter. butcher’s corpse. However, since living in the body of a butcher, Truong Ba has to face many bitter tragedies. First of all, the tragedy of Truong Ba is the tragedy of alienation. Truong Ba was originally a gentle, kind gardener with a clean lifestyle, but since living in the corpse of a butcher, Truong Ba gradually changed, gradually becoming violent, materialistic and having inappropriate emotions. when he was with the butcher’s wife, “her hands and feet were shaking”, “the breath was hot”, “the neck was choking”… There were times when Truong Ba was so angry that he borrowed the butcher’s strength to beat his son to “” blood in the mouth, blood in the nose.” Truong Ba feels more miserable when he is self-aware of his own change and feels ashamed of himself. Truong Ba gradually became corrupted because he had to live in a chaotic, chaotic environment with many markets of butchers, on the other hand, although he was only a blind and murky body, the butcher’s body had personality and needs. own and have the power to influence Truong Ba to fulfill those needs for himself.

During the conversation with the butcher’s corpse, Truong Ba was extremely painful when he had to live a life that was not his own. “No. Are not! I don’t want to live like forever! I’m tired of the place where it’s not for me.” It is the torment and suffering of a person who is alienated and is aware of his own alienation.

The tragedy of Truong Ba Soul is culminated in a dialogue with the butcher’s corpse and with his loved ones. It is the tragedy of being rejected. Before Truong Ba’s rapid changes, his wife was extremely sad and wanted to leave to leave Truong Ba with an unclear relationship with the butcher’s wife “you are no longer you, you are no longer your grandfather.” Truong Ba was a gardener in the past.

Cai Gai, the grandchild who always loved Truong Ba, also resolutely denied the grandpa who now appeared in front of her, the simple soul of the child also recognized the changes from Truong Ba, because of the gentle, caring grandfather. Its previous mind did not have the hands to kill pigs, the big feet like a shovel and the clumsy actions that broke the young shoots of the newly nursed ginseng tree or broke the kite of Cu Ti. Even the Ti also called Truong Ba an old butcher, chasing Truong Ba with a fierce attitude: “He is very ugly, very evil. Get out! Old butcher, get out.”

The sister-in-law who understands and respects Truong Ba the most can’t help but be disappointed when she sees her teacher getting different every day, even though she knows that her teacher is suffering a lot more now than before, but before her family is about to fall apart. I couldn’t hide my disappointment when… every day he changed, gradually lost, everything seemed to be deviating, fading away, until sometimes I didn’t even recognize him anymore…”

Uncle Truong Hoat also did not want to play chess with Truong Ba anymore because if before, Truong Ba’s moves were smooth and flexible, now Truong Ba’s moves are as petty as the butcher himself. Before the disappointment and rejection of his relatives, Truong Ba was extremely miserable and wanted to escape from the ironic situation of reality because he did not want to live outside on one side, inside another.

Truong Ba’s tragedy is also the tragedy of people who cannot live as themselves, must live outside on one side, inside another. To continue to live next to loved ones, but Truong Ba has to fulfill the responsibility of a butcher with the job of killing pigs and selling meat every day. Not only that, but the butcher’s corpse has the power to dominate Truong Ba’s actions and thoughts, making him unable to live as himself, gradually losing his good qualities and making his loved ones unhappy. hope, sadness.

In the end, Truong Ba chose death to live as a whole, giving his chance to live for the butcher’s corpse, returning the complete butcher’s wife to his wife, giving him the chance to live. Cu Ti himself said goodbye to his relatives and family to be himself and protect his good values.

Through the dialogue between the spirit of Truong Ba and the body of the butcher, the author Luu Quang Vu has raised concerns about the relationship between the body and the soul, between the material and spiritual needs inside a person. Life is very precious, but living by yourself, living according to the good values ​​that you pursue is even more precious. To be happy, people need to balance material and spiritual needs.

Luu Quang Vu is one of the most talented playwrights of modern Vietnamese literature and art. During his writing career, he left many valuable works, the most typical of which can be mentioned the play Truong Ba’s soul, butcher’s skin. Through the story of Truong Ba’s tragedy, author Luu Quang Vu has shown many profound human conceptions about life and people.

“Truong Ba’s soul, butcher’s skin” was composed based on an old folk tale, but if the folktale only ends in the detail of Truong Ba’s soul returning to his body, the play by Luu Quang Vu developed from the end of that story to convey profound human concepts.

The story revolves around the tragedy of Truong Ba when he was killed unjustly, in order to continue living, he was forced to live in the body of a butcher. It is worth mentioning that the butcher’s body is just a blind and murky body, but it has its own needs, its own personality and has the power to fulfill its needs, since living in the body of the butcher. meat, Truong Ba gradually changed in everyone’s eyes.

Truong Ba had to live on the corpse of a butcher, who was a hard-working gardener, rich in love, a knowledgeable and responsible intellectual, but when he lived in a butcher’s body, Truong Ba dominated by the corpse, gradually became a clumsy, vulgar person with trivial desires, gradually became rude when using the butcher’s hand and strength to beat his son until he drew blood. Also since living in the body of a butcher, Truong Ba no longer cares about his neighbours.

Truong Ba’s changes made his relatives disappointed, Truong Ba himself also noticed his change but could not control his seemingly murky body. Truong Ba was completely helpless in controlling his own improper actions and thoughts, although he tried to solve it, he still suffered because he could not deny that he was gradually losing himself. Truong Ba’s words to the butcher’s corpse in despair expressed his pain and helplessness to the extreme: “You have won, the body is not mine, you have found enough. in every way to overwhelm me.”

Not only suffered with the tragedy of not being able to live as himself, living inside one side, outside another, but Truong Ba also faced the tragedy of being rejected. Before Truong Ba’s changes, his relatives and neighbors could not understand, the more they loved and respected his former self, the more they could not accept Truong’s current person. Three.

The wife was jealous of the unclear relationship between Truong Ba and the butcher’s wife and wanted to leave. Granddaughter cried and resolutely refused to admit that Truong’s father now was the gentle and loving grandfather before. The sister-in-law, who loved and understood Truong the most, couldn’t hide her disappointment when she saw her father changing more and more “every day… a different change, a loss, everything seems to be deviating, fading away” .

Truong Ba himself could not accept his own change, in order to end the tragedy of living that was not himself, and to protect his good values, Truong Ba decided to choose death. to return the butcher’s body to the butcher, so that he could live fully and unify.

Through the character Truong Ba and the tragedy of living outside on one side and another on the inside, author Luu Quang Vu expressed concern about the relationship between body and soul, between material needs and needs. morale. To live happily, people need to reconcile these needs.

Luu Quang Vu is talented in many aspects such as writing, poetry, painting…but he is considered one of the most talented playwrights of Vietnamese literature. His plays caused a stir in public opinion and were warmly received by the audience. Most of his plays are staged by art troupes, in which the play “Son of Truong Ba butcher’s skin” is the most outstanding. Luu Quang Vu had a lot of creativity. He poured new wine into an old bottle to tell an old comedy as a philosophical tragedy today. Through the play Luu Quang Vu conveyed a lot of his thoughts and life concept to the audience.

The title of the story expresses a concept: There must be a harmonious compatibility between the soul and the body, but here there is an irreconcilable limp. Especially the soul of a noble, pure, honest person lives in the body of a commoner, mundane, instinctive, rude. This tragedy was born from there. Thus, the name of the play captures the inner conflicts of a person. What arises is that the soul is a pure soul that is gradually being corrupted. From the high place to the place where there are trivial desires. The title captures the contradictions identified within a person. This is an internal contradiction.

Tragedy of Truong Ba: he died for no reason because of the irresponsibility of the holy fairy. The fairies who corrected the mistake were even worse. Tragedy happened since Truong Ba was resurrected. So it’s not just a matter of how to live, but also how to live. Living in the corpse of a butcher, Truong Ba finds himself corrupted: a pure and upright soul is being tempted by a rough, sly, flirty, mocking body. Sometimes the soul has to compromise with the instinctive demands of the body. Now I no longer like to play chess – an intellectual, noble pleasure. The chess moves are no longer liberal but soulless. No longer a man with dexterous hands, but a clumsy one. Inside one way, outside another. Being aware of that makes the soul even more miserable. This is the suffering of not being in control of yourself. This is also the suffering of people when they have to live in situations that do not match their wishes, not themselves.

Truong Ba’s tragedy is not only a personal tragedy but also a family tragedy. Returning to the body, Truong Ba’s soul must face another conflict that is unrecognized tragedy. The gentle wife was very distressed, tried to avoid her and was about to leave. The son is spoiled, the grandson is hostile and sends him away. The daughter-in-law is the one who sympathizes with him the most, regretting a former father-in-law is entangled with a kind of question that is difficult to explain: “…how can I keep the teacher to stay, gentle, cheerful, good as good as our teacher in the past? How, teacher?”.Truong Ba fell into the misery of not being shared and understood. The hateful grandson refused to accept him and sent him away, even though he made excuses. He caused turmoil and insecurity in the family, and the family suffered because of the corruption of ideals.

Thus, Truong Ba fell into a lonely situation at his home. Truong Ba realizes that this suffering of his wife and children is greater than the suffering of burying him in the ground. He was self-aware of it all and felt sorry for his family. That shows us that Truong Ba is a very selfless person. Truong Ba’s tragedy is that he is not himself. Suffering from the fatal bondage of the body to the soul. This is Truong Ba’s ultimate suffering. To show this, Luu Quang Vu created an intellectual battle between the soul and the body. The voice of the body is the voice of instinct. Truong Ba’s voice is the voice of a noble, pure, self-aware human being. It is a fierce struggle between the two sides of human existence, demonstrating the desire for good and the importance of self-awareness and overcoming oneself.

The butcher is no less wise, his reasoning is also somewhat correct: “Those who are literate and many books like you often believe that the soul is precious, advise people to live for the soul, and then neglect it. give their bodies dishonorable misery…”. Therefore, conflicts are also difficult to resolve quickly. Through the butcher’s argument, the author also wants to say one thing: Man must have a desire to live a noble life, but he cannot separate his soul from everyday material, as well as legitimate human needs. On the other hand, the author also wants to say that people who overcome their circuTaxances have encountered many obstacles that sometimes make them discouraged. That is reflected in Truong Ba’s seemingly unreasonable lines. Then Truong Ba’s soul had to compromise and merge into the butcher’s body, weakened by arguments that were both unpleasant and contained a piece of truth. The dialogue is both comedy and tragedy. The dialogue exudes both a solemn tone and a sense of irony. It is a mixture of comedy and tragedy by the talented artist. This tragedy has a contradiction between aspiration and ability.

Truong Ba’s soul was aware of his adversity, so he was tormented with pain and influence from the outside: chief, family, so Truong Ba had to meet Emperor Thich to solve this problem. The dialogue between Truong Ba and De Thich is also very special. The language of De Thich is the language of persuasion: wise arguments seem reasonable, enhancing Truong Ba’s value, refuting the falsehoods that exist in heaven. The saints are not allowed to live according to what they think inside, even the Jade Emperor has to force himself to be worthy of the title of Jade Emperor. It’s all the same in heaven and on earth. Emperor likes to correct mistakes even more wrong. Truong Ba resolutely denied: “Gods can accept such a life, but humans cannot” and insisted on dying, refusing to enter anyone’s body anymore. His tragedy began when he was resurrected in the butcher’s corpse. Thus, as a human being, everyone wants to be themselves but does not want to live temporarily and patchily. Truong Ba is aware that the problem is how to live, not just living is enough. Truong Ba bravely accepted death to protect the truth, protect his personality, protect human values, and even die an immortal death. Although it is a paradox, it is the way to revive human values. It is the victory of the eternal struggle between the sacred and the profane. Truong Ba won his victory and actively criticized and advised Emperor Thich. It was an extraordinary thing, for a fairy to be weak before humans. Finally, he had to utter a sentence as if he had discovered something new: “You people on earth are strange”. It turns out that supernatural and divine forces can decide human life and death, but cannot interfere with human freedom. Luu Quang Vu has shown a deep belief in people in their ability to rise above all harsh realities. It was very emotional when Truong Ba’s soul appeared in the middle of green with sincere words. Truong Ba’s death is an immortal death, his soul still lives in the green garden. Truong Ba’s tragedy is an optimistic tragedy.

Through the tragedy of Truong Ba, writer Luu Quang Vu wants to send to readers the message: People need to live in harmony between the material and spiritual sides. Should not discriminate against the material requirements of people, need to respect individual freedom, help each person to be himself, to live true to himself. And must correct the mistakes to build a good future.