Top 7 essays comparing the image of the Da River ferryman and Huan Cao’s character in two works by Nguyen Tuan (grade 2) the best

Nguyen Tuan is a great author of modern Vietnamese literature with outstanding achievements in both the period before and after 1945. Nguyen Tuan’s compositions have a unique style in which his erudition is outstanding. . “The boatman of the Da River” is an excellent essay by Nguyen Tuan, which is believed in the volume “Da River” in 1960. The passage “the boatman holds the oars with both hands… They think so when they stop rowing” has shown. the full beauty of the boatman. When we think of the character Huan Cao in Nguyen Tuan’s short story “words on death row” before the revolution, we can see the stability and development in the author’s approach to people.

To highlight the beauty of the ferryman, Nguyen Tuan places the ferryman in an extraordinary context. The microlithic formations of the Da River are arranged by two forces: rock and water. The stone that has been ambushed for thousands of years has become a stone crystal, a demon jelly, every stone is “wrinkled and distorted”, the attitude is “unruly”. The water here shouts as reinforcement for the stones, they strike the most dangerous blows. It was a great scene, on which the ferryman appeared as beautiful as a brave general, an artist with a flowered steering wheel.

One of the prerequisite qualities of an artist is that he must be knowledgeable about his work, his field of activity, the objects he discovers and creates. If the ferryman is considered an artist, then he is a wall artist. “He firmly grasped the strategy of the river god, the rock god” and “belongs to the rules” of the river, the stone waterfall… With the words “military law”, “rule of ambush”, Nguyen Tuan turned rivers and rocks, Inanimate water turned into sea monsters, into ferocious generals. Two words “god of river, god of stone”, Nguyen Tuan turned those ferocious troops into a supernatural and metaphysical force. He passed through the words “holding firmly, belonging” to become a brave general who owned an army, a powerful force.

The boatman also appeared with talented beauty and bravery in the naval battle with the waves and waterfalls of the Da River. The first encirclement, the Da River opened four doors of death, one birth gate was lying on the left bank… The boatman “holds the oars firmly with both hands”, his legs “grip on the helm”, his face is “distorted”. because the wave is extremely painful. Command voice “short, sober”. The ferryman appeared extremely calm, determined to help him master the boat, as a solid fulcrum for his associates by defending, taming and immobilizing troops. At the second stone siege, the river increased to the death gate, the birth gate was skeated to the right bank, the tiger and leopard waterfall waterfall was dying… Waves and waterfalls of the Da River were like a wild animal that used up all its speed. level, strength in the pursuit of prey. The ferryman is not only aware of the risk when riding on the waves of the Da River, but also consciously conquers. He gripped the steering wheel, held the wave chamber in the right direction, and sped into the birth stream. When he met the marines, the lord “avoided, swam, rowed”, the grandfather “sprung up, cut in two, opened the way”. In this round, he attacks extremely flexible, has a soft hard, has a good defense. In the final encirclement, the wickedness of the stone waterfall was described by the writer in the talented metaphor of “open and closed stone gates”, right and left are dead streams. The ferryman’s task is to “straighten the boat, pierce” a single stream of life right in the middle of the defender’s door. The image of the boat soaring through the narrow gap is described in short sentences with a combination of verbs and nouns: “shoot, soar, the outer door, the inner door, the innermost door …” has shown. the virtuosity, dexterity and power of a “flowering” steering wheel.

Returning to normal life, the ferryman reappeared with a leisurely, idyllic beauty. After conquering the brutal nature, the ferrymen “ignited a fire in the cave, grilled bamboo rice tubes and talked about Anh Vu fish, blue girdle fish… No one else discussed the life. The recent victory at the gate of the country is full of fierce generals.” That calm attitude emphasizes the great stature of the heroes in ordinary life when they consider fighting and winning the evil Da River just a daily thing.

Going back in time to Nguyen Tuan’s literature before the revolution, we see a glimpse of Huan Cao in the short story “words of prisoners on death row”. He is a talented, meek, and pure, healthy man. He has the talent to write fast and beautiful letters, the word Huan Cao turned Huan Cao’s name into a famous name, and the word Mr. Huan also became a treasure to the prison guards. Huan Cao also led the rebel army, his mettle shined when he entered the prison, when he received the news. The explanation to the poet and the jailer also showed that Mr. Huan was a pure and healthy man.

Through the image of the ferryman and Huan Cao, Nguyen Tuan’s style has always been stable in approaching people in terms of talent and artistry. However, if before the revolution, the writer found beauty in the elite class, it was only a glorious period, then after the revolution, the author returned to the masses, existing in a simple, hard-working life. ordinary life.

Nguyen Tuan (1910-1987) was a writer who spent his life searching for beauty. Before the revolution, he thought that beauty was only in the past “Golden for a while” and that the talent of artists was only in the outstanding people of the previous era. But after the revolution, he did not oppose the past with the present and the beauty in both the past and the present, especially the talented qualities that can be found in the masses. Through the analysis of the two characters Mr. Huan Cao in “The Word of the Prisoner” and the character of Mr. Boatman in “The Ferryman of the Da River”, we can also see that clearly.

The word “prisoner on death row” is the best short story written by Nguyen Tuan before the revolution (1940) drawn from the volume “Golden ball once”. Artistic and ideological values ​​are revealed in the image of Huan Cao’s character.

Like the characters in “Golden Ball once”, the beauty of Huan Cao is first of all the beauty of talented people and artists. This talented artist’s quality is most evident in the talent of beautiful handwriting. During a period of Han studies, his father wrote Confucian characters, a type of script rich in shape. The ancient Confucians wrote letters to reveal their hearts and minds, and writing has become an art called calligraphy. And Huan Cao is a very talented artist in this art. “His talent for writing letters is very fast and beautiful” is famous throughout Son province. Even the prison warden of an unknown small district knows: “His handwriting. very beautiful, very square… to have the word Mr. Huan Cao and hang it in the house is to have a treasure in the world”. Therefore, “This prison warden’s wish is to one day hang a couplet sentence written by Mr. Huan Cao in his home.” In order to obtain Huan Cao’s words, the prison warden must not only work hard and be patient, but also risk his life. Because of Huan Cao’s special treatment, being a prisoner on death row is a dangerous job, sometimes costing your life.

Huan Cao is also a man with a pure and beautiful nature. That is, Huan Cao is very rich in words of heart. Huan Cao has a talent for writing, but not everyone he gives letters. He never forced himself to give words for gold, or power. He only appreciates those who know how to love beauty and talent. Therefore, in his life, Huan Cao only wrote two sets of quartets and a middle picture for three close friends. He showed disdain to the warden because he thought the jailer had some dark plan when he saw that the officer gave him special treatment. Then he “Thanks for the mutual understanding” of the prison guards and wrote a poem, knowing that they sincerely asked for letters. Huan Cao decided not to betray their hearts, so he acted out the scene for the words in the prison, which the author called “A scene like never before”

Huan Cao is even more beautiful in his indomitable and proud qualities. Beautiful in the qualities of talent, artist, with a heavenly spirit, a pure and beautiful heart, Huan Cao is even more beautiful in the indomitable and proud qualities of a heroic hero. Huan Cao dared to oppose the court that he hated and despised. Even if the great will fails, Coach Cao’s posture is always proud and indomitable. Led into the county jail, he was unafraid of those who held his destiny. He eloquently led six fellow prisoners, proudly entered the prison. In the midst of a prison full of death, he still calmly aimed at wine and meat brought by poetry to see “Like what he still does in the excitement of life”. And he was ready to answer the warden with the most arrogant sentences, knowing that he would receive terrible revenge blows. As a death row inmate just waiting for the day of his execution, Huan Cao still appeared in a relaxed, dignified, arrogant posture of a hero “Throwing the sky and stirring the water”; “Do you know who’s on your head?” However, this is a lost hero, a death row prisoner.

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The character Huan Cao reveals Nguyen Tuan’s aesthetic ideal: The unity of talent, heart and heroic mettle. Through this character, Nguyen Tuan wants to express his undying belief in the noble values ​​of man and the magical power of beauty, and also his secret patriotism. Therefore, Huan Cao has become a symbol of the victory of light over darkness, of beauty, of the sublime over the mundane, and of the filthiness, of bravery over the habit of surrendering to slavery. rate.

Huan Cao’s character is a short story character built in romantic style: To highlight Huan Cao’s beauty, Nguyen Tuan has put the character in a unique situation: The meeting between Huan Cao and Huan Cao. jailer. It is the meeting between the death row inmates and the prison warden, but also the strange meeting between the people “Lien Talented and Confidential” depicting the image of Huan Cao, to highlight the victory of talent and beauty. , with a proud mind and mettle, Nguyen Tuan makes full use of the power of the “Principle of contrasts and opposites of romantic writing”. In this short story, the writer has also shown the talent of setting up scenes and people with ancient, solemn and delicate language.

The essay “The Da River Ferryman” is one of the most outstanding works of Nguyen Tuan written after the Revolution, printed in the volume “Song Da” (1960). In this essay, the Da river ferryman is a unique and attractive figure bearing the mark of Nguyen Tuan’s artistic style. First of all, the ferryman is very talented and brave in dangerous waterfall trips. To highlight this quality, Nguyen Tuan has had a profound artistic intention to let the ferryman appear on a fiercely challenging situation. Nguyen Tuan affirmed, “He wanted to record in this passage the image of a boatman fighting on the Da River battlefield, on a naval battle in the Da River front”. Nguyen Tuan honestly described both respecting, loving, and admiring the character of the boatman who was extremely proud and brave in the fight against the waves and the dangerous and dangerous waterfalls. The waterfall crossing, under Nguyen Tuan’s pen, took place like a fierce battle with many episodes, many waves, each wave had different fierce challenges, the river presented different dangerous rocks: The stones here for thousands of years still ambush in the river bed…to grab the boat.The stone displays the stone formations on the river with sinks and floating fortresses, combined with stones, the waterfall water cheers as a reinforcement for The rock must destroy all the captains and sailors at the foot of the waterfall.” Nguyen Tuan’s rich vocabulary and rich cultural and scientific knowledge such as military, martial arts, sports, cinema… were mobilized to describe the fierce naval battle. between the boatman and the waves of the Da River “The waves pushed their knees into the belly and side of the boat…sometimes they put the whole boat on…the waves hit the most dangerous blow”. There was a time when it seemed that the boatman would be swallowed up by the extremely violent Da River monster. But the boatman still did not waver, on the contrary, he calmly actively fought bravely and cleverly like a great commander, controlling the boat in turn to pass through rapids such as “Breaking”. the bagua map of the violent river “…”The water of the leopard lobster is fiercely sacrificial on the Da River”. But the ferryman still “Riding up to the waterfall of the Da River… to the end is like riding a tiger”.

Amazingly talented ferryman. The ferryman is also a very talented person, with a relaxed demeanor, mixed with a little artist. The waves and waterfalls of the Da River are very harsh, as long as the boatman is inaccurate for a minute, a moment of lack of composure, a missed hand, a dizziness, he can pay the price with his own life. But the waves and waterfalls of the Da River, no matter how ferocious, are subdued before today’s ferryman. Because the ferryman is an artist with a wonderful art of ferrying. That art is most evident in the ability to grasp the inevitable law of the Da River, so that the ferryman becomes a free man, a winner. The ferryman firmly grasped the tactics of the river god, the stone god, memorized the streams of birth and death, and took the initiative in all situations. At times, “He rode the waterfall, grabbed the mane of the waves and rushed through the door of death” at other times, “Hold the reins and pressed up and cut the waterfall in two to open the way”. So, with perfect smooth movements very adept in his profession, the ferryman steered the boat “like a bamboo arrow through steam”, through many dangerous rapids of the river. this violence. Nguyen Tuan called his ferryman with “flowering steering wheel”. The ferryman becomes an artist, a hero conquering nature.

In the past, Nguyen was considered a writer with aesthetic views. Today, he directs his pen to ordinary working people who are silently dedicating to the country. He discovered their artistic talent was reflected in their extremely dangerous but also extremely noble work. Nguyen Tuan called it “The tenth golden thing available in the minds of people in the Northwest”. Through this, Nguyen Tuan wants to express a concept: the hero not only appears in combat, but also appears in ordinary working life.

In short, Huan Cao is a typical character for Nguyen Tuan’s romantic writing style before the August CM; The ferryman is a typical character for the style of Nguyen Tuan after the revolution. Through this, we see that Nguyen Tuan deserves to be a writer who spends his life searching for beauty, praising beauty and constantly creating, he always creates for himself a unique and attractive style.

Nguyen Tuan (1910 – 1987) is known as a writer who spends his life searching for the beauty of life and writing good works for posterity. Before CMT8 in 1945, Nguyen Tuan’s concept of beauty was something that only appeared in the past in talented people. And after the revolution with the change of the era, his view of beauty changed associated with everyday life from the most simple things. Through the two characters Huan Cao in “The word of a prisoner on death row” and the boatman in “The boatman of the Da River”, we see the most clearly the shift in the inspiration of writer Nguyen Tuan.

It can be said that, “The Letter of the Prisoner” is considered the best short story of Nguyen Tuan in the period before CMT8 in 1945. This short story is extracted from the volume “Golden ball once” which is a collection of stories about the Talented people are now shining for a while. The main character of the story is Huan Cao who has the beauty of a talented artist with the ability to write beautiful calligraphy that is famous near and far. Even the warden of an unknown small district knows: “His handwriting is very beautiful, very square… having the word Mr. Huan Cao hanging in the house is a treasure in the world”. Therefore, the wish of the warden is that one day his house will be hung with a pair of couplets written by Mr. Huan Cao himself.

Huan Cao not only has a talent for writing beautiful letters, but he also has a pure genius. He never forced himself to give words for money or power. He only gave words to those who knew how to appreciate beauty and talent. So in his life, Huan Cao only wrote two sets of quartets and a middle picture for three friends he loved. At first, he showed disdain for the staff. The prison guard because he thought he was going to have some dark conspiracy with him when he treated him in the cell. Then slowly Huan Cao felt the “distinctive talent” heart of the warden and the poet. Those who know how to love beauty sincerely ask for the word Huan Cao. And in order not to disappoint the jailer, he gave the word right in the prison. Nguyen Tuan described the scene for words as an unprecedented sight.

Huan Cao’s character is not only beautiful in talent but also beautiful in the heart and indomitable will of a gentleman. He has the mettle of a hero that not everyone can have. Through the character Huan Cao, writer Nguyen Tuan has expressed his undying belief in beauties with noble values ​​that even in the darkest and dirtiest places still shine.

If Huan Cao is likened to an outstanding talent built in a unique situation, the character of the ferryman is a bit more simple. In the essay “The Da River Ferry Driver” by Nguyen Tuan, the character of the ferryman is built very honestly through his work. The ferryman is a man with a very special appearance with his hands “wafting”, his legs “squatting”, his voice “as loud as the sound of water in front of the rapids”, his eyes “tumbling as always”. some distant wharf”…With such appearance, we can see that it is very suitable for his working environment on the river.

The ferryman is described by Nguyen Tuan as a very talented man with a leisurely demeanor mixed with an artist. He is a very conscientious professional who thoroughly understands every corner of the river as well as its character. He remembered as if hammering into his heart the streams and all the treacherous waterfalls. Capturing the battle map of the river god, the stone god. Belongs to the ambush rule of rocks in treacherous waters. In particular, he also commanded the crossings skillfully knowing each door of birth and death to pass.

Nguyen Tuan describes the boatman as a brave general who “shows conflict between the right and the right” in front of the waves of the Da River. He is a very brave person who knows how to bear the pain of the body due to struggling with big waves to overcome the evil waterfall with bold and extremely precise movements. We see the ferryman built as a true artist, not just an ordinary ferryman.

Both Huan Cao and the old boatman are built by idealization. Derived from the unique perspective of writer Nguyen Tuan. He looked at people in terms of their talent as an artist who could highlight the extraordinary beauty in their talent and personality. The writer has put the two characters in challenging situations to help them reveal their precious qualities.

If when building the character Huan Cao, Nguyen Tuan uses artistic knowledge, while building the character of the ferryman, the writer uses a lot of life knowledge. It is this that makes Nguyen Tuan’s pen convincing. His literary works are not only beautiful in terms of words but also have very special artistic value that posterity must recognize.

Nguyen Tuan (1910 – 1987) is known as a writer who spends his life searching for the beauty of life and writing good works for posterity. Before the August Revolution in 1945, Nguyen Tuan’s concept of beauty was something that only appeared in the past in talented people. And after the revolution with the change of the times, his view of beauty changed associated with everyday life from the most simple things. Through the two characters Huan Cao in “The Word of the Prisoner” and the boatman in “The Boatman of the Da River”, we see the most clearly the shift in the inspiration of writer Nguyen Tuan.

It can be said that “The word of a prisoner on death row” is considered the best short story of Nguyen Tuan in the period before the August Revolution in 1945. This short story is extracted from the volume “Golden ball once” which is a collection of stories. Talk about talented people who have been famous for a while. The main character of the story is Huan Cao who has the beauty of a talented artist with the ability to write beautiful calligraphy that is famous near and far. Even the warden of an unknown small district knows: “His handwriting is very beautiful, very square… having the word Mr. Huan Cao hanging in the house is a treasure in the world”. Therefore, the wish of the warden is that one day his house will be hung with a couple of couplets written by Mr. Huan Cao himself.

Huan Cao not only has a talent for writing beautiful letters, but he also has a pure genius. He never forced himself to give words for money or power. He only gave words to those who know how to appreciate the beauty and talent. Therefore, in his life, Huan Cao only wrote two sets of quartets and a middle picture for his three beloved friends. At first, he showed contempt for the prison warden because he thought he was planning something dark with him when he gave him special treatment in the cell. Then, slowly, Huan Cao felt the “distinctive talent” heart of the jailer and the poet. They are people who know how to love beauty and sincerely ask for the word Huan Cao. And in order not to disappoint the jailer, he gave the word right in the prison. Nguyen Tuan described the scene for words as an unprecedented sight.

Huan Cao’s character is not only beautiful in talent but also beautiful in the heart and indomitable will of a gentleman. He has the mettle of a hero that not everyone can have. Through the character Huan Cao, writer Nguyen Tuan has expressed his undying belief in beauties with noble values ​​that even in the darkest and dirtiest places still shine.

If Huan Cao is likened to an outstanding talent built in a unique situation, the character of the ferryman is a bit more simple. In the essay “The Da River Ferry Driver” by Nguyen Tuan, the character of the ferryman is built very honestly through his work. The ferryman is a man with a very special appearance with his hands “wafting”, his legs “swollen”, his voice is “as loud as the sound of water in front of the river”, his eyes are “tumbling as always”. some distant wharf”… With such appearance, we can see that he is very suitable for his working environment on the river.

The ferryman is described by Nguyen Tuan as a very talented man with a leisurely demeanor mixed with a bit of an artist. He is a very conscientious professional who thoroughly understands every corner of the river as well as its character. He remembered as if nailed to the heart of the currents and all the dangerous waterfalls. Capturing the battle map of the river god, the stone god. Belongs to the ambush rule of the rocks in the treacherous waters. In particular, he also commanded the overpasses skillfully knowing each door of birth and death that he crossed.

Nguyen Tuan describes the boatman as a brave general who “shows conflict between the right and the right” in front of the waves of the Da River. He is a very brave person who knows how to bear the pain of the body due to struggling with big waves to overcome the evil waterfall with bold and extremely precise movements. We see the ferryman built as a true artist, not just an ordinary ferryman.

Both Huan Cao and the old boatman are built by idealization. Derived from the unique perspective of writer Nguyen Tuan. He looked at people in terms of their talent as an artist who could highlight the extraordinary beauty in their talent and personality. The writer has put the two characters in challenging situations to help them reveal their precious qualities.

If when building the character Huan Cao, Nguyen Tuan uses artistic knowledge, while building the character of the ferryman, the writer uses a lot of life knowledge. It is this that has made Nguyen Tuan’s pen convincing many readers. His literary works are not only beautiful in terms of words but also have very special artistic value that posterity must recognize.

Nguyen Tuan is a talented artist, he has a knack for essay writing. Song Da is Nguyen Tuan’s best essay about scenes and people in the Northwest, the result of the writer’s trip to the Northwest in 1958. In the Northwest, he lived with soldiers, young volunteers, road workers and ethnic minorities. The practice of building a new life in the highlands has given Nguyen Tuan abundant creative inspiration. The Northwest landscape under the pen of Nguyen Tuan is both majestic and majestic, wonderful and poetic. In the article The Da River Ferryman, drawn from the Song Da essay, the poet not only praises the beauty of nature but also praises the beauty of the people of the Northwest, especially the boatmen on the fierce river. it’s beautiful and dreamy.

The beauty of the ferryman character in this essay is shown in many different angles. In the essay, the image of the Da River appeared ferocious: “At this time, the water of the Da River rang as if it had boiled to a hundred degrees, wanting to throw away a boat that had to act as a lid of a giant kettle of boiling water. . The side of the boat is lower than the outer waterline, the bow of the boat is submerged under the boiling water. The river surface also has potholes like the dry road surface, entering the pothole in the river will cause the boat to be pulled down and raised. It is called a waterfall, which means that the complex river section has many streams of water. If there is a wrong flow of water, you will die immediately, if there is a stream of water that goes into the right stream, but if you don’t hit the heart of the stream, it can still be a life of death as usual … “.

But the image of the Da River appears no less poetic and lyrical: “I have flown over the Da River a few times, and found it to be an additional perspective for me, a way of looking at the violent and reserved Northwest. love…”; “The Da River flows like a lyrical hair, the head of the hair, the hairline hidden in the clouds of the Northwest sky, blooms with rice flowers in February and billows with smoke from the Meo mountain burning the spring fields. I have watched passionately the spring clouds flying over the Da River, I have passed through the autumn clouds and looked down at the water of the Da River. In spring, the stream is emerald green, but the water of the Da River is not green, the mussels of the Gam and Lo rivers. In autumn, the water of the Da River turns as red as the skin on a person’s face bruised by alcohol, and the angry red color in a disgruntled person gets angry every time. Never before have I seen the Da river as black as the French colonialists who crushed our river and poured Western ink into it, calling it a liar Western name, and then smeared it on the map …”.

The image of the Da river that is both “violent and lyrical” is the background for the ferryman to appear. The boatman is a river hero: in the tough battle with the fierce river, he is a talented, brave and courageous commander. Overcoming all the whirlpools, death streams, death gates, … to bring the boat to a place where the waves are calm and the water is calm. About the posture: “the boatman with both hands keeps the oars from being thrown from the battle waves and launches them straight at him”, about the attitude: “awake, confident, trying to compress the wound caused by the water waves”, about the behavior. action: “two feet still gripping the stem”, “striking”, “striking the sound in a dangerous place”. After “breaking the microlithic array, the first round”, he did not “rest his eyes for a minute”, broke the second encirclement and changed the “tact”. When he grasped the right wave mane, After that, he “held the reins of the rudder, firmly grasped the right stream of water, and quickly entered the birth gate, and drove diagonally towards the stone gate.” So the dead streams “left behind the boat. The sound of the waves and the waves of the waterfall can be heard shouting.” Then he entered the battle with “a third fin.” He immediately “ran the boat straight through and broke through the middle gate” with the defenders of the waterfall. “Shoot, soar, the outer door, the inner door, the innermost door, the boat is like a bamboo arrow that quickly pierces the steam, both penetrates and automatically steers and glides.” That was the end of the waterfall. .

Moreover, the ferryman is also a talented artist. In the profession of rowing over the waterfall, the boatman firmly grasped the tactics of the river god, the rock god. He was familiar with the ambush rule of the rocks in the treacherous waters. In the first round, those rocks opened five battle gates, there were four gates of death, one door of birth, the birth gate was lying on the left side of the river, but he knew these gates by heart. In the second round, the death door increased to properly trick his boat into, and the birth gate was arranged to shift to the right bank, but he still understood the danger. He discovered how to conquer them: riding up the Da River waterfall, must ride to the end like riding a tiger. When four or five years the marines from the left bank of the water gate rushed out to try to grab the boat and drag them into the door to death group, thanks to remembering their faces, some he avoided and rowed up, others he pressed on and cut them in half. out to open the way forward, at the last fin, although there were fewer doors, he realized that to the right and left were all dead streams, right in the middle of the defenders of the waterfall. Therefore, he used the “straight forward” attack. So he won completely in the passage through the gate of the country with all the fierce generals and fierce troops. As writer Nguyen Tuan commented, the ferryman is a “flowering driver”.

The ferry driver is a passionate, courageous, resourceful Vietnamese woman whose soul is full of emotions and full of poetry: “…Another Quynh Nhai afternoon, I went to another woman. The ferryman used to carry a boat along the way to bring resistance rice from Quynh Nhai to Ta He waterfall and pour it into the military depot. The boatman Chau Quynh Nhai explained to me more about the architectural significance of the swift-tailed barge on the Da River: “You guys said the boat was like a fish, said the boat was like a fish and it wagged its tail on its face. River is fine. We only know that the stern of the boat is wagging so high to have a place to hang the cock. This live chicken, which has beautiful feathers and a good crow, must buy ten new silver coins. The live chicken is the clock of the Da river boatman. Going a long way, crossing this shore or wharf, there is the sound of a rooster crowing, it helps him to remember the fields in his village. On both sides of the Da River, everyone knows how to sing. While growing upland, looking down at the Da River and seeing the boats passing by, we Thai women all sing a sentence or two and sometimes sing a whole song. During the French occupation, women’s songs were far away from the shore. Many songs ran far to the top of the mountain. Now there is peace, the enemy is gone, and the song is gradually coming down to the wharf … “.

In general, Nguyen Tuan’s art of characterizing is very talented. The writer omitted most of the details about the private life of the ferryman, she drove the boat to deepen the character’s appearance and actions. Let’s try to compare the character of the ferryman with the character Huan Cao (word of death row prisoner). The character Huan Cao in Nguyen Tuan’s story “The word of a prisoner on death row” is a talented, indomitable, indomitable, “heavenly luong” man. Huan Cao’s handwriting is very beautiful: “Mr Huan Cao’s handwriting is very beautiful, very square (…). Having the word Mr. Huan hanging it is a treasure in the world”. In the aesthetic tastes of the ancients, from China to Vietnam, writing beautiful letters is an artistic trick and playing beautiful words is a noble and elegant hobby. Therefore, through the doubts, calculations, tricks, favors, patience, suffering, panic, hope, despair, suspense, fear, devotion, talent is rare. of Huan Cao’s character is exalted to the glorious peak.

In terms of mettle, Huan Cao refused to go in and out and bow, refused to live the scene of “fish in pots and birds in cages”, he went to work as an enemy of the court. When he was taken to death row, he showed no fear or regret. With his neck in shackles, his feet in shackles, he entered the death row inmate waiting for the day he was released from the court, he was still proud and dignified as if he were walking on a highway. It was his unusual meekness that made the prison official – a man full of authority for him – to appear “closed” when he entered and met him at the prison. His “Thien Luong” is very pure: Huan Cao’s talent is the place where his mind is revealed. Money and authority could not shake him: “I was born not because of gold or power, but forced me to write a couplet.” He is truly an ideal personality: “The poor can’t move, the rich can’t have sex, the mighty Vu can’t hide”.

Therefore, when he did not understand the good qualities of the mandarin (knowing to appreciate and truly love beauty despite living in a bad situation), Huan Cao had a tough attitude towards him. When feeling the “distinctive heart” of the prison officials, Huan Cao softened his heart and said: “I don’t know if a person like this teacher would have such noble hobbies. A little less, I lose a heart in the world.” And Huan Cao ready to give the prison officials the last words of a talented man, a heroic martyr in a scene “unprecedented in prison”: “That night, when the prison was awake. Only the sound of the muzzle above the watchtower remained, a scene that had never been seen before, presented in a cramped, damp dark room, walls covered with cobwebs, and the earth was littered with rat and cockroach droppings. In an air that radiated like a house fire, the crimson light of an oiled torch shone on three heads, fixed on a sheet of intact white silk. The smoke filled their eyes, making them rub their eyes. A prisoner, with cuffs on his neck and shackled legs, was boldly painting letters on a pure white silk stretched over a plank. When the prisoner finished writing a word, the warden hurriedly put away the crossword-marked zinc coins on the shiny silk. And the poet was thin again, trembling and holding the ink pot. After changing the pen and writing the wrong item, Mr. Huan Cao sighed, sadly helped the jailer to straighten himself up and calmly said:

“Ỏ this is confusing. I advise Mr. Quan to change his place of residence. This place is not a place to hang a white silk picture with fresh square strokes, it speaks of the ambition of a human life. Come on, where did you buy it, it’s so good and so fragrant. Do you see the fragrance in the ink pot rising?… I’m telling the truth, Mr. Quan should go back to his hometown to live, he should get out of this job first, and then think about puns. Here, it is difficult to keep the heavens healthy and then come to ruin the whole life of honesty.” The fire burned in the forest, the fire fell on the damp ground of the cell, the smoldering sizzling sound of the fire extinguished. The three of them looked at the wand, then at each other again. The prison official was touched, bowed to the prisoner, clasped his hands to say a sentence that the tears leaked into his mouth, making him choke: “This ignorant man please bow”.

The paragraph describing the scene of Huan Cao gives the above word the most complete expression of the shining beauty of Huan Cao’s personality. In the solemn, sacred atmosphere, in the intense creative inspiration and passion, Mr. Huan Cao completely forgot the shackles, the cramped, dark, damp prison, forgetting the death that was waiting for him. His soul is completely directed towards the immortality of beauty, the pure “heavenly salary”. His advice to the warden demonstrated his dialectical conception between mind and talent, between beauty and goodness. In his lofty outlook on life, an artist who is passionate about beauty must first of all know how to put “Thien Luong” on the ultimate position. That sacred exhortation of Coach Cao on art and human morality was respected by the prison officials with all his sincere heart and respectfully listened to by the world.

It can be said that the scene of Mr. Huan Cao’s words is the heroic victory of light over darkness, of “heavenly salary” over evil, of truth – good – beauty over evil and vulgarity. Moreover, it is also a symbol of talent taking the throne in prison. The death row inmates are slowly approaching death, but their talents are enthusiastically and leisurely entering the immortal, eternal realm. In general, the beauty of Huan Cao’s image is a romantic beauty that has the power to conquer and empathize strongly with people who have a “distinctive and multi-talented” heart.

From studying some features of the image beauty of Huan Cao’s character, we can easily see the unity and difference in Nguyen Tuan’s approach to people before and after the August Revolution. About the common feature (unity): Nguyen Tuan still approaches people in terms of talent and artist. He is still a talented, erudite, elegant writer, applying general knowledge of many different cultural and artistic disciplines in description and expression: cinema, painting, sculpture.. He still uses Using very refined, rich, unique, rich vocabulary. The ability to organize prose sentences full of visual value, have low-pitched music, know how to stretch rhythmically. On the other hand, similes, comparisons, metaphors, metonymy, personification, symbolism, objectivity, enumeration… are extremely skillfully coordinated by the writer, in terms of their own characteristics (distinction): Before the August Revolution, the people Nguyen Tuan tended to and praised were “special people with extraordinary personalities”. The characters Mr. Nghe, Mr. Cu. Mr. Huan Cao (Golden ball for a while), Mr. Thong Phu, and Ms. Tam (Lu dong with crab eyes) are vivid examples. After the August Revolution, Nguyen Tuan’s talented artist can be found in the people’s daily struggles and labors. It was the Northwestern soldier disguised with peach blossoms, chasing the enemy in the middle of the peach forest.

It was the communist soldier To Hieu planting peaches in his cell or the lady at the Quang Binh restaurant sitting at the back of the plane under the apricot tree. Those are the girls who drive the Da River boat on the tall swallowtail boats… Especially the Da river boatman who crosses the Da river waterfall “flowering steering wheel”. Before the August Revolution, Nguyen Tuan was an amateur, liked to play “goof”, suffered from the disease of passion for sound, liked to admire, save the Beauty and savor new sensations. At that time, in Nguyen Tuan, almost everything became “theism”: formalism, aestheticism, displacementism, hedonism, sensationism, amateurism, fundamentalism. culinary sense…, and covering it all is originalism. After the August Revolution, the writer was sensitive to the new man, the new life from its aesthetic perspective. But no longer an “art for art’s sake” Nguyen Tuan. He saw the beauty of people from the perspective of social issues (Xoe). Specifically, the beauty associated with the working people, with the flourishing life; at the same time condemning and denouncing the old regime, affirming the human and cultural nature of the new regime.

Through the ferryman of the Da River and the character of the ferryman, we see a unique talented Nguyen Tuan, profound, enthusiastic, with a loving heart, proud of the beauty of nature and people. remote northwest of the country. Praise the bravery, intelligence, courage, resilience, talent and kindness of Vietnamese people in the work to build a new life in the highlands. The Da River ferryman is really a romantic, pure and generous song about labor and the beauty of people in work.

Nguyen Tuan is known as “a great artist, a great culturalist” with a strong and goofy personality. He is a writer with a unique artistic style, an artist who spends his life searching for beauty. And it is with such a unique view of people that he has built his character’s image in the talent of an artist, typically mentioning two characters: Huan Cao (the word of the death row inmate) and the ferryman. (Da river boatman). These are two characters portrayed in two different periods of writing (before and after the August Revolution) of the writer. In these two characters, there is unity and difference in Nguyen Tuan’s approach to people.

First of all, the first consistent point in Huan Cao and the ferryman is that they are all approached from a cultural and artistic perspective, according to the standards of artist talent. These characters are all talented artists in their profession, they are all resilient and indomitable heroes. And more importantly, their souls are always pure and beautiful. Huan Cao has a natural beauty, rebelling not for personal gain but for the people, for the country, the purpose of expressing a desire to build justice, to erase all injustice and injustice in life. It is not because of the powerful gold and jewels that force me to write letters and only give words to those who are close friends, including the jailer. When Huan Cao saw the pure heart of the jailer, he was ready to admit his mistake and give the word “a little less I have betrayed a heart in the world”. Coach Cao has a personal view of living that is to live in a way that is worthy of the hearts and hearts of others, which is unforgivable. He is truly a beautiful personality combining mind and talent. Just like Huan Cao, the ferryman is also depicted with ten gold in his soul, but it is the ten gold of an ordinary hero who works on the river. After going through three dangerous waterfalls, the boatman did not discuss a word but only talked about Anh Vu fish and blue beam fish. This is the beauty of a great artist, the heroic qualities that make up many extraordinary but very ordinary feats. That is also the beauty of the people of the Ho Chi Minh era in the construction of a new society and a new person.

But even when describing their talent and erudition, Nguyen Tuan still shows the difference. First of all, in the way of introducing these two characters, if Nguyen Tuan indirectly introduces Huan Cao, the writer stands on the sidelines, he does not give any comments that the reader only knows about Huan Cao through the conversation. with the prison officer and the poet, this is a talented man in writing, while the writer introduces the ferryman as “My friend Lai Chau has been a ferryman along the Da River for ten years in a row. and stopped working as a boat for a couple of decades”, a full but not specific resume. Unlike Huan Cao, the ferryman does not have a name of his own. Thus, if before the Revolution, Nguyen Tuan only found lost flowers left in the past, then after the Revolution, the writer found flowers, in the real life of the majority of the people, and consumed them. He is said to be the boatman.

The next difference is shown in the talents of the two characters, which means that although looking at people from the perspective of talented artists, the talent in Huan Cao is different from the talent in the ferryman. Huan Cao was built to be a talented calligrapher and a super-beautiful handwriting talent. That talent is famous, famous throughout the region. He writes very quickly and is very beautiful. His words are “very square, very beautiful”, having the word Mr. Huan hangs on the house is a treasure in the world. Not being able to ask for letters is the lifelong regret of the jailer. And that talent is further confirmed through the special attitude of the warden, Huan Cao, who looks at death row inmate Huan Cao with gentle eyes, respects, sends someone to clean the cell, patiently and bravely asks for permission. Huan Cao’s words, even though Huan Cao chased away “people ask me what I want, I just want you not to step foot in here anymore”. Huan Cao’s talent is reflected in his handwriting, which is a handwriting but also a human stroke, which is not only square and fresh, but also speaks to the ambition of a human life. It can be affirmed that Huan Cao’s writing is a work of art dedicated to people who wear guests, who have a good sense of culture and aesthetic, and know how to love beauty. But not only talented with handwriting, Huan Cao also appeared to be a brave, brave and indomitable hero. He dared to stand up alone to lead against the corrupt feudal court. When he raised a large army and failed, even though he had the ability to break the prison, he did not run away, but still had a calm and peaceful demeanor to the last moment. Half a month in the cell, still calmly receiving wine and meat like at birth. This proves that he considers death as light as a feather, despises evil, so he despises the jailer. Before death tomorrow in the sutra, the dharma is established there, but Huan Cao still calmly takes the initiative to accept death, dares to do it, and still gives birth to beauty in the heart of evil, evil is reigning. That is truly the character of a resilient, indomitable hero.

Unlike Huan Cao, the ferryman is talented and brave in his boat-carrying profession. He has worked as a ferryman for ten years and is extremely knowledgeable about the Da River, which he still carries passengers every day. To highlight the talent of the boatman’s boatman, Nguyen Tuan described three challenging stages of the waterfall. In the first stage of crossing the waterfall, the waves of Da Giang appear with the character of a marine species, giving malicious blows to “squeeze the boatman’s lower body”, they display the heavens and the earth, shouting to the heavens. oppress the opponent’s morale. However, the ferryman still appeared to be an intelligent and talented person when he suppressed the pain to support the most dangerous blow of the river, bravely and bravely overcome the chaos even though this war was unequal at times. put him in a passive position, but he still broke the first microlithic array. At the second stage, when the waves of Da Giang became more sinister and cunning, it appeared as an animal that wanted to eat the boat. But thanks to his boating experience and knowledge of the Da River and his talent for ferrying, he was undeterred, soberly launching right into the birth gate, making the stone boy’s face pale. He drove the boat like a brave warrior on the battlefield, always wisely responding in time to change tactics to tame the wild, malicious, and deceitful waterfall. So in the first leg he drove the boat in defensive position, then in the second leg he was in the offensive position and then in the third leg made his victory, he won the war, bringing the victory. light for your life. It is the hero who works hard in ordinary life. In the ferryman, talent and bravery are always reflected, what Nguyen Tuan calls “the ten-thousandth of gold that has been tested by fire”.

Thus, by comparing the two characters Huan Cao and the boatman, we can see that Nguyen Tuan always focuses on extraordinary and unusual people. Those must be talented people and artists, bringing a sustainable cultural perspective in Nguyen Tuan’s approach to people. But through this we also see a difference in the writer’s approach, if before the Revolution, beauty appeared in nostalgia and nostalgia, it was opposite to the harsh reality, then after the Revolution, beauty appeared. is seen in the existence of everyday life, in reality and it integrates into the vast life of the people. But regardless of the difference, both Huan Cao and the ferryman are represented by a talented and erudite pen. Talent in making people, setting scenes, talent in using artistic language, bold and unexpected comparisons and associations; He is erudite in applying many different disciplines and fields to enrich and increase the expressiveness of literary art, increasing the ability to organize prose sentences rich in shapes and rich in vocabulary.

In general, the depiction of two characters Huan Cao and the ferryman showed the stability and consistency of Nguyen Tuan’s approach to people, and at the same time saw the movement in style in the two characters. period before and after the August Revolution. From here, we can see the talent of the artist who is passionate about the profession. That is a Nguyen Tuan full of personality, talent, and wisdom, with a passionate heart of love and appreciation of beauty.

Nguyen Tuan is a talented artist, he has a knack for essay writing. Song Da is Nguyen Tuan’s best essay about scenes and people in the Northwest, the result of the writer’s 1958 trip to the Northwest. In the Northwest, he lived with soldiers, young volunteers, road workers and ethnic minorities. The practice of building a new life in the highlands has given Nguyen Tuan abundant creative inspiration. The Northwest landscape under the pen of Nguyen Tuan is both majestic and majestic, wonderful and poetic. In the article The Da River Ferryman, drawn from the Song Da essay, the poet not only praises the beauty of nature but also praises the beauty of the people of the Northwest, especially the boatmen on the fierce river. it’s beautiful and dreamy.

In the essay, the image of the Da River appeared ferocious: “At this time, the water of the Da River rang like it was boiling to a hundred degrees, wanting to knock away a boat that had to act as a lid of a giant boiling water pot. . The side of the boat is lower than the outer waterline, the bow of the boat is submerged under the boiling water. The river surface also has potholes like the dry road surface, entering the pothole in the river will cause the boat to be pulled down and pushed up. It is called a waterfall, which means that the complex river section has many streams of water. If there is a stream of water that goes wrong, you will die immediately, if there is a stream of water that goes into the right stream, but if it doesn’t hit the heart of the stream, it can still be a life of death as usual.. “.

The images of the Da River appear no less poetic and lyrical: “I have flown over the Da River a few times, and found it to be an additional perspective for me, a way of looking at the violent and reserved Northwest. love.. “The Da River flows like a lyrical hair, the head of the hair, the hairline hidden in the clouds of the Northwest sky, blooms with rice flowers in February and billows with smoke from the Meo mountain burning the spring fields. I have watched passionately the spring clouds flying over the Da River, I have passed through the autumn clouds and looked down at the water of the Da River. In spring, the stream is jade green, but the water of the Da River is not green, the mussels of Gam River and Lo River. In autumn, the water of the Da River is as red as the skin on a person’s face bruised by alcohol, and the angry red color in a disgruntled person gets angry every time. Never before have I seen the Da river as black as the French colonialists who crushed our river and poured Western ink into it and called it by a liar Western name, and then spread it on the map …”.

The image of the Da river that is both “violent and lyrical” is the background for the ferryman to appear. The ferryman is a river hero: in the tough fight with the evil river, he is a talented, brave, courageous commander, Overcoming all the whirlpools, death streams, death gates, .. . to bring the boat to a place where the waves are calm and the water is calm. About the posture: “the boatman with both hands keeps the oars from being thrown up from the battle waves launching straight at him”, about the style: “awake, confident., trying to compress the wound caused by the water waves”, about action: “two feet still gripping the stem”, “striking”, “striking the sound in the dangerous place”. After “breaking the microlithic array, the first round”, he did not “rest his hands and eyes” for a minute, broke the second encirclement and changed his “tact”. When he grasped the mane of the wave in the right direction, he “held the reins of the steering wheel, firmly grasped the right flow of water, and quickly entered the birth gate, and drove diagonally towards the stone gate”. So the streams of death were “left behind the boat. Only the sound of the waves and streams of life can be heard.” Then he entered the battle with “a third fin”. He immediately “launched the boat and broke through the middle door” with the defenders of the waterfall. Then “jump, soar, the outer door, the inner door, the inner door again, the boat is like a bamboo arrow that quickly pierces through the steam, both through and automatically driving and gliding”. That’s the end of the waterfall. The waves are calm again.

Moreover, the ferryman is also a talented artist. In the profession of rowing over the waterfall, the boatman firmly grasped the tactics of the river god, the rock god. He was familiar with the ambush rule of the rocks in the treacherous waters. In the first round, those rocks opened five battle gates, there were four gates of death, one door of birth, the birth gate was lying on the left side of the river, but he knew these gates by heart. In the second round, the death gate went up to the right dike to trick his boat into, and the birth gate was arranged to shift to the right bank, but he still understood the danger. He discovered how to conquer them: riding up the Da River waterfall, must ride to the end like riding a tiger. When four or five years the sailors at the border gate on the left bank of the Soviet Union tried to grab the boat and drag them into the door to death group, thanks to remembering their faces, some of them, he avoided and rowed, while others he pressed on and cut them in half. out to open the way forward, at the last fin, although there were fewer doors, he realized that to the right and left were all dead streams, right in the middle of the defenders of the waterfall. Therefore, he used the “straight forward” attack. So he won completely in the passage through the gate of the country with all the fierce generals and fierce troops. As writer Nguyen Tuan commented, the ferryman is a “flowering driver”.

The ferry driver is a passionate, courageous, resourceful Vietnamese woman whose soul is full of emotions and full of poetry: “..Another Quynh Nhai afternoon, I went to a girl again. The ferryman used to carry a boat along the way to bring resistance rice from Quynh Nhai to Ta He waterfall and dump it on the military depot. The boatman Chau Quynh Nhai explained to me more about the architectural significance of the swallow-tailed boat on the Da River: “You guys say the boat is like a fish, say the boat is like a fish and it wiggles its tail on its face. river is fine. We only know that the stern of the boat is wagging so high to have a place to hang the cock. This live chicken, which is beautiful with feathers and beautiful girl, must buy up to ten new silver coins. The live chicken is the clock of the Da river boatman. Going a long way, crossing this shore or wharf, there is the sound of a rooster crowing, it helps him to remember the fields in his village. On both sides of the Da River, everyone knows how to sing. While growing upland, looking down at the Da river and seeing the boat they were passing by, we Thai women all sang down a sentence or two and sometimes sang a whole song. During the French occupation, women’s songs were far away from the shore. Many songs ran far to the top of the mountain. Now there is peace, the enemy is gone, and the song is gradually coming down to the wharf … “.

In general, Nguyen Tuan’s art of characterizing is very talented. The writer omitted most of the details about the private life of the ferryman and the ferryman to deeply portray the character’s appearance and actions.

Let’s try to compare the character of the ferryman with the character Huan Cao (the word of the death row inmate). The character Huan Cao in Nguyen Tuan’s story “The word of a prisoner on death row” is a talented, indomitable, indomitable, “heavenly luong” man. Huan Cao’s handwriting is very beautiful: “Mr Huan Cao’s handwriting is very beautiful, very square(…). Having the word Mr. Huan hanging it is a treasure in the world”. In the aesthetic tastes of the ancients, from China to Vietnam, writing beautiful letters is an artistic trick and playing beautiful words is a noble and elegant hobby. Therefore, through the doubts, calculations, tricks, favors, patience, suffering, panic, hope, despair, suspense, fear, and respect, talent is rare. of Huan Cao’s character is exalted to the glorious peak.