The article analyzes the title of the work “Zhang Ba’s soul, the butcher’s skin” number 8
Luu Quang Vu is considered an excellent playwright in the modern era. During his lifetime, his plays were always present on the stage of many art troupes throughout the country. In the history of the theater of our country, the period of drama by Luu Quang Vu is perhaps the most vibrant and lively period. In the 80s, the appearance of plays by Luu Quang Vu changed the minds of performers as well as of the theater-loving public. Many articles by researchers and critics have highly appreciated Luu Quang Vu’s talent, enthusiasm and contributions to the theater in particular and to literature in general. He is also one of the “forerunners” in the cultural and artistic renewal movement, using his pen to contribute to bringing good things to people and society.In which, the play cannot be ignored. Right from the title, it makes a big impression on readers.
Although Luu Quang Vu’s script was quickly composed with a large number: more than 50 plays in a period of less than 10 years, most of them reached a certain artistic quality. Even plays that are considered unsuccessful once on the stage have an undeniable literary value. We all know that if a play is separated from theatrical activity, it will lose the “dynamic” part, leaving only the “static” part. The stage gives the play a second life, lively, attractive and theatrical. also stipulate certain characteristics for plays, so plays have their own characteristics that are different from poetry and novels.Before coming to the stage, Luu Quang Vu was a poet and writer with his own style. combining and promoting his strengths when coming to an art form that has a general meaning such as theatre.From poetry and poetry in prose, then from the prose quality of life, Luu Quang Vu has transformed He turned to play writing and achieved great success. There still continued to be sources opened up quite early, but Luu Quang Vu was more mature and sober. Drama is where Luu Quang Vu can express himself. more directly his discoveries and perceptions, where he can make a more positive contribution to life. hi lost: “In my opinion, poetry and drama are very close to each other. Those are the two great genres of literature, the life and the spiritual world of people expressed in their purest and most powerful form, although their artistic language has differences. I was passionate about theater from a young age and wrote poetry from a young age, but it was only when I was over thirty years old that I dared to pick up the pen to write my first play. I think that the profession of playwright requires a fairly seasoned experience of life and a certain understanding of theatrics. There have been quite a few successful poets since adolescence, but it seems that no one succeeds in writing plays before the age of 30… The motivation that prompted me to write plays is also the motivation that makes me write poetry, that is the aspiration. wants to be expressed, wants to express his soul and the world around him, wants to participate in the intense flow of life, to be given and given.”
Luu Quang Vu’s drama explores many themes and explores all aspects of human and social life. Luu Quang Vu plays can be divided and sorted into many types based on the plot of the script. His father had a saying that “there is a new story to translate”. It can be roughly understood that “traditional” is the plot, there must be a plot to create a work, a new stage has a drama to act. Luu Quang Vu’s plays are often built on a solid plot, mainly focusing on important issues and events in life. Exploiting folk motifs, based on which to write scripts imbued with his personal and style, has given Luu Quang Vu’s drama a considerable depth. It makes his drama rich in themes, attractive in plot, attractive in the art of character building.
Among Luu Quang Vu’s scripts, the volume of plays directly exploited from folk plots is not much, but most of them have achieved relatively high artistic efficiency. The most typical is Truong Ba’s Soul, butcher’s skin. This play was written in 1984, but it was not until 1987, in the atmosphere of democratic renewal, that it was released to the public. Critics say that this is one of the best plays of Luu Quang Vu. As soon as it was premiered, the play shocked public opinion, creating an atmosphere of lively debate in the press and in the theater world. The broken troubles stemming from Truong Ba’s borrowed life in the butcher’s corpse have made us see: Life is precious, but it can’t be lived all the time. Living borrowed, patchwork, without harmony between soul and body only brings tragedy to people. Life is only valuable when people can live as themselves, live in a unified whole. The play “The Spirit of Truong Ba butchers” not only deals with an individual’s life but also poses social problems. The bureaucracy, irresponsibility of Nam Cao Bei Dau has taken the lives of innocent people and caused many troubles. The patchwork correction of Emperor Thich was the unfortunate premise for Truong Ba’s incomplete life of soul and body. Every misplaced correction contains in it more tragedy than joy. Truong Ba’s decision to permanently give up his fake borrowed life at the end is a fierce and painful protest.
The excerpt from the butcher’s soul is part of Scene VII – the final scene of the play, which is titled Escape from Adversity. The focus of the drama class is the dialogue between the soul and the corpse of Truong Ba. Therefore, the dialogue here can be considered as a monologue as well as a dialogue. It is a special line, containing both contradiction and action, promoting the dramatic situation to the highest level. The dialogue between Soul and Body is the culmination of the play’s philosophical thought. That dialogue, along with the attitudes and dialogues of the closest relatives, led to drastic action – resolutely rejecting Truong Ba’s life of a patchwork of soul and body. Luu Quang Vu allowed his character to choose a seemingly negative but necessary and correct path: Leaving this world to be himself, to keep in the memory of loved ones good memories. about yourself. Some researchers believe that “the struggle between “Zhang Ba’s Soul” and “Butcher’s Skin” is actually a battle between two souls in one body.
The author gave such a title to talk about Truong Ba, a noble soul, a simple benevolent soul, who had to live in the body of an ordinary butcher who was dominated and controlled. While the butcher’s flesh is rude, bulky, murky, blind, and powerful. Through the title, the author wants to say that being alive is a precious thing, but Truong Ba’s life is a shameful life because he has to live on other people’s bodies, has to live with tolerance. vulgarity, commonplace, and being dictated to, assimilated by it. Lesson learned: when people have to live in vulgarity and depend on it, it will inevitably be dominated by it, dominate and gradually destroy what is pure, noble and precious of people. .
Luu Quang Vu inherited the ideas of folk tales. He also emphasized the more important role of the soul than the body. A series of fictional supporting characters have spoken for that idea of the author. While all relatives, including the wife, denied and shunned Truong Ba in the butcher’s body, the daughter-in-law sympathized with him even more. Although she also realizes how many contradictions appear in Truong Ba’s person. In simple, simple words, she said quite rightly, quite basicly about the soul: “Teacher still teaches us: what is important on the outside, only your loving heart and high intelligence. people are substantial”; “How can the soul have a shape, because it is not square or round, but happy, sad, happy, angry, love, hate …”. Through a series of dialogues of the characters, the playwright has shown a dialectical view of the soul-body relationship. Those who live with the soul or body of another are equally unstable, and are no longer themselves. Even if a good soul resides in another body, it will also be deformed, because it is governed by the habits and instincts of that body, moreover, it is always tormented in the guilt of falsehood and selfishness. . Not to mention a series of other consequences and problems as happened in previous plays. This struggle also warns of the overwhelming possibility of the body, of the trivial needs over the desire to live a beautiful life.
The life of a patchwork of souls and bodies was a tragedy for Truong Ba and it was even more painful when he realized that this loan also brought much suffering to his loved ones. It is scarier than death. The spirit of Truong Ba said to his daughter-in-law: “You have made me suffer. Perhaps the day you buried the teacher’s body in the ground, thinking that he was dead, you would not suffer as much as now.” Perhaps this is also a reason why Truong Ba came to accept death and return the butcher’s body. From the right philosophical thought on the relationship between the soul and the body, Luu Quang Vu has come to a beautiful conception of how to live: to live honestly as you are, to live for everyone, for the happiness and goodness of people. . Truong Ba died but he was still alive, living in emotions, in everyone’s “memory”, living in Life, without having to borrow other people’s bodies. It is a thought that is both dialectical, optimistic and noble. That profound idea was later expressed boldly by Luu Quang Vu in the play People in Memory – a gold medal performance of the National Professional Theater Festival in 1985. This script has a structure. quite unique. The characters appear simultaneously in different spatial planes. The living and the dead. Having died is just losing their body, their thoughts, spirits, aspirations, and dreams are still alive. Live in the career, in the daily nostalgia of people living today. Through the words of a dramatic character, Luu Quang Vu revealed his concept of life and death: Human beings exist in three realms. It is the world of the living and the silent. The third realm: The realm of those who are living IN OTHER MEMORY, those who are not forgotten… And it can be said that this concept has dominated a series of his other plays.
The butcher’s soul is a culmination of Luu Quang Vu’s creative career. In 1990, at the first International Theater Festival held in Moscow, for the first time abroad, the play was evaluated as the best of the festival. In 1998, the play “Spirit of Truong Ba butchers” toured the US in the Vietnam – America theatrical exchange program (VATEI) which was considered a great cultural event. Writer Ho Anh Thai – who witnessed the vibrant atmosphere of the show in the US later recreated it in the article Sleepless Night in Seattle (borrowing the name of a famous American film).
Author Phan Ngoc also had high praise for the author of this play: “In my opinion, Luu Quang Vu is the greatest Vietnamese playwright of this century, a cultural writer… There is a Drama Luu Quang Vu’s method that the whole of Southeast Asia can absorb: “Vu is a Prote, a mythical god who can change shape depending on his preferences… There is no one like Vu in his talent to bring out the eternal in what is eternal. ordinary people, turning fairy tales and legends into current affairs, using the false to tell the real, using the rude to affirm the noble”.
The article analyzes the title of the work “Zhang Ba’s soul, the butcher’s skin” number 5
Luu Quang Vu (1948-1988) was a modern Vietnamese dramatist, poet and writer. With his natural talent, he has left many outstanding works in the hearts of the Vietnamese public. Typical in the series of works that made the Vietnamese stage exciting at that time was the play “The three skins of the butcher’s soul”. This is a unique work not only in terms of content but also in its title, which arouses curiosity about the meaning of the story.”
The title of Third Soul, butcher’s skin immediately reminds readers of two images of “soul” and “skin”, as well as these are two important elements of a human being. While the flesh is a concrete part of the body, which is real things, the soul is a very abstract thing. No one has ever seen a soul, but it is believed that the body contains a soul. The soul is that body, but the contradiction in this play is the soul of one person in another.
If the butcher’s skin is a symbol of the outer appearance, the third soul is the representative of the spirit world. The ancients used to say: “don’t look at the face but take the picture” because it is impossible to judge someone’s quality and personality by looking at the appearance. While the third soul is a symbol of ethereal beauty, its opposite is the grim, ugly face of the butcher’s body. Two things that seem to be incompatible with each other are having to pair up, pairing together.
The name of the play has raised the contradictions and conflicts within each person. It reflects the lives of people when they have to fall into bad situations, they may have vulgar and fake speech acts, but there are beautiful things hidden deep in those souls. The author condemns society for not allowing people to live with themselves. Moreover, he also wants to send readers a message that: in any situation, you need to try to master yourself, stay away from vulgar and brutal lifestyles and keep yourself noble. , brightly. Try to put aside personal low desires to reach for the good things in life. If the mind is bright, everything will be as bright as a mirror. This will also help to keep our mind and body as one. Life only really has meaning when we live in accordance with our own thoughts and desires.
Reading “Three Souls, butcher’s Skin”, readers can see themselves in it. Especially through the meaning of the title and the death of the character Truong ba, one can see that people’s desire to live with themselves becomes stronger in any circuTaxances. Death is not necessarily the end, but it is a way for us to be comfortable, to relax and find the right soul.
The article analyzes the title of the work “Zhang Ba’s soul, the butcher’s skin” number 3
Truong Ba’s Soul, the butcher’s skin is a famous play by Luu Quang Vu, also one of the most distinctive plays of modern Vietnamese drama. The title of Truong Ba’s Soul, the butcher’s skin is a meaningful title that not only leads the reader to the story but also arouses the author’s curiosity and discovery about the play.
The spirit of Truong Ba, the butcher’s skin, was built based on an old folk tale about Truong Ba, a gardener with a talent for playing chess, but because of Nam Cao’s negligence, he was killed unjustly, in order to correct Truong’s mistakes. Dad was resurrected, but not in his own body, but in that of the butcher who had died before.
Since living in the body of a butcher, Truong Ba has experienced a lot of suffering and tragedy when gradually changing according to the habits and needs of the butcher. The folk story ends in the detail that Truong Ba is returning to his body, living a happy life with his loved ones. Luu Quang Vu’s play was developed from the very end of the story to convey profound messages about life, about the relationship between the soul and the body inside a person.
The title of Truong Ba’s Soul, butcher’s skin first shows Truong Ba’s condition when he was resurrected in the body of a butcher, showing the contrast and difference between the outer body and the inner soul. . The soul of Truong Ba, the butcher’s skin, is not only the characters in the story, reflecting the tragedy mentioned in the play but also carrying deep symbolic meanings.
Truong Ba’s soul symbolizes a pure and beautiful soul, while the butcher’s body is a symbol of the body with practical material needs of man. In the play, Truong Ba’s soul symbolizes pure and noble beauty, while the butcher’s skin is a symbol of evil, vulgarity and mediocrity. Although they are opposites, they are parts that co-exist within a person.
The title “Truong Ba’s soul, butcher’s skin” is an artistic feature when it reflects the reality of human life with the contradiction between material and spiritual needs. The title also reflects the tragedy of people when they have to live outside on one side, inside on the other, when beautiful living ideals are dominated by trivial but practical material needs.
Through the title “Truong Ba’s soul, butcher’s skin”, it also shows the profound message of writer Luu Quang Vu, which is a warning to people when they can’t control the situation, master themselves but are That situation influences leading to alienation, inner nature change. Material needs are not bad, they are the most honest and necessary needs of human beings, but they must not let bad and mediocre instincts make a good personality become distorted and blurred.
Living and being a human is a precious opportunity, but living with your ideals is even more precious. Life only really means that people live naturally with the harmony between material and spiritual needs, between inside and outside of man.
The title of Truong Ba’s Soul, butcher’s skin is a meaningful title that both contributes to the content orientation and contains the profound content that the author wants to convey.
The article analyzes the title of the work “Zhang Ba’s soul, the butcher’s skin” number 1
“Zhang Ba’s soul butcher’s skin” is a famous play by Luu Quang Vu. A title not only creates attractiveness when it arouses curiosity in readers but also has the meaning of generalizing the content of the whole work.
The title builds in the art of contrasting Truong Ba’s soul and the flesh of the butcher, meaning the contrast between the outer body and the inner soul. Therefore, Truong Ba’s soul and butcher’s skin are images with deep symbolic meanings.
If the butcher’s skin is a symbol for the outer appearance of the human body, Truong Ba’s soul is the symbol for the soul, for the inner inner world. It is the contradiction between form and essence in a person. But Truong Ba’s soul is also a symbol of pure beauty, while the butcher’s skin is a symbol of evil, vulgarity, and the inferior nature of a person.
The title of Truong Ba’s soul, butcher’s skin, is an artistic image that reflects a reality of human life when falling into adversity, having to live artificially on one side, inside another, not being able to live authentically. self. The title also conveys a profound meaning: It is a warning to people when they can’t control their circuTaxances, can’t control themselves, so that the vulgar and vulgar lifestyle can overwhelm the pure and noble lifestyle. The body dictates the soul, letting the lower instinctive desires make the personality distorted and blurred, so that the soul and body are no longer a harmonious and unified body.
The title has captured both the value of reflecting reality and the humanitarian content of the work.
The article analyzes the title of the work “Zhang Ba’s soul, the butcher’s skin” number 2
The spirit of Truong Ba butcher’s skin by Luu Quang Vu is one of the famous plays that have been received by many audiences. Through many works of his life, he has become a special phenomenon of the theater scene in the eighties of the twentieth century, and is considered a talented playwright of modern Vietnamese literature and art. . The butcher’s soul was inspired by a folk story, then written into a modern oral play. The work tells about the body exchange of Truong Ba’s soul and that of a butcher. Truong Ba, good at chess, was mistakenly killed by Nam Cao. Because they wanted to correct their mistakes, Nam Cao and De Thich let Truong Ba’s soul resurrect and merge into the dead butcher’s body. Relying on the soul in the butcher’s body, Truong Ba encountered many troubles: the chief harassed him, the butcher asked for her husband, Truong Ba’s family also felt alienated… but Truong Ba himself suffered because he had to live contrary to the law. natural, artificial. Especially the butcher’s body made Truong Ba infected with some bad habits and needs that were not his own. Faced with the risk of personality corruption and the annoyance of borrowing someone else’s body, Truong Ba decided to return the body to the butcher and accept death.
The title of the play “The Spirit of Truong Ba butchers” tells much of the main core of the story. According to folklore, when a person is alive, he has two parts, a soul and a body. When you die, the soul leaves the body. Only the body can dissolve in the earth, but the soul remains forever. But in order to live, it is necessary to have both a soul and a body. When Truong Ba was mistakenly killed, his body melted into the ground, leaving only his soul. In order to bring Truong Ba back to life, his soul must be put into another body that is still intact. Fortunately, there was a butcher next door who had just died. Emperor Thich took the opportunity for Truong Ba’s soul to enter his body. Thinking that life is revived, Truong Ba will gladly welcome a new life. But everything was turned upside down, so many problems and troubles happened that made Truong Ba uncomfortable, his family was also surprised not to know how to accept this fact.
Just like Truong Ba said: I want to be whole, there can be no perfection in a body where Truong Ba’s soul is a butcher, one inside, another outside. Truong Ba’s soul is pure, pure and noble, while the butcher is a brute and obscene person. How can two completely opposite temperaments be reconciled in the same body? The will wants to do good, but the body indulges in trivial pleasures. Sometimes the body still overwhelms the will, making Truong Ba’s soul not as intact as the original. He was sad and angry. He wanted to take care of the sprouts in the garden, but the big, rough hands of the butcher could not do what he wanted. He even broke a bud, the girl who saw him hated him even more. It’s not that it hates Truong Ba, but it hates Truong Ba’s current person, who is the butcher’s corpse. It did not see the purity of Truong Ba’s soul inside the bulky, rough body of the butcher. There are many problems that are turned upside down in Truong Ba’s life as well as in Truong Ba’s family.
The title of the work evokes an affirmation with a very profound meaning: It is impossible to live inside one thing, outside another. It is impossible to have a noble and good soul when outside there are evil deeds and actions. At the same time, this is a sentence that exposes people who are living like Truong Ba’s butcher’s skin. Live but not sincerely. Actions and thoughts are inconsistent. Truong Ba’s soul refers to the will, thought, thought, and soul, while the butcher’s skin is the body part, the external manifestation of a person. In today’s society, there are many people who have a lot of malicious plots in their heads, but on the outside, they appear to be gentle and moral. The folk saying “a man’s mouth is a man’s stomach is a dagger” is probably very true in this case. The mouth speaks well, but the heart actually has many malice.
On the other hand, the butcher’s soul is also a clever reminder for those who are dependent on others, on things that are not theirs. As Truong Ba said: Living off other people’s belongings and possessions is a no-no. I also have to live off of the butcher. He simply thought of letting me live, but he didn’t care how he lived. Life is a precious gift that nature bestows on each person. But how to live for meaning is important. Life must be to be yourself, to be in control of everything in life. At the same time, the title of the work is a wake-up call for those who are going astray, who are letting the children take the throne to overwhelm the people. In fact, there are many people who are immersed in the path of sin, in useless and even chaotic pleasures such as drug addiction, theft, etc.
All for the sake of physical satisfaction. Then one day their bodies were ruined, their health was poor, and they wept in belated regret. Everyone should look at themselves. Don’t let yourself fall into the same situation as the butcher’s skin. Precious life. But living as yourself is even more precious. Let every day be lived a meaningful day to be proud of. That is also the deepest message that Luu Quang Vu wanted to convey into the work. Up to now, even though they have performed on stage many times, the audience has always welcomed and self-criticized after each viewing.
The article analyzes the title of the work “Zhang Ba’s soul, the butcher’s skin” number 4
Luu Quang Vu is considered a special phenomenon of the theater scene in the eighties of the twentieth century with many special plays such as: Truong Ba’s soul, butcher’s skin, .. The most fake is the work “Zhang Ba’s soul, butcher’s skin”. The title of the play suggests many deep meanings, sending readers many meaningful messages. Let’s analyze the meaning of the title Truong Ba’s soul, butcher’s skin to clearly see the message the author wants to send.
Right in the title of the work Truong Ba’s Soul, butcher’s skin, the two images “soul” and “skin” evoke many impressions on readers. “Skin” is a part of the human body with specific meanings. And “soul” in the word soul, has an abstract meaning. The soul and the body are always linked together, the soul is the body.
However, a contradiction that occurs in this play is that souls are one place and people are one place. It is that paradox that makes the work attractive, it is the paradox that has raised many problems, including many lessons that Luu Quang Vu wants to convey to everyone. In the play, Truong Ba is mistakenly killed.
And when Truong Ba got his life back, he thought he would be very happy, who expected this to be a tragedy of his life. Truong Ba’s body was not intact but melted into the ground. Wanting to bring him back to life, the only way is for his soul to enter another body that is still intact.
Just when a butcher died next to his house, De Thich allowed Truong Ba’s soul to enter the butcher’s body. From an old man with a slender figure, with a noble and noble character, must be in the body of a brute, vulgar, and rude person. It was the antagonism between soul and body that turned the life of Truong Ba and his family upside down.
The title of the work has affirmed the profound meaning of the problem: Unable to live in the body, the body of someone who is not yourself. A noble soul cannot live with the body of an evil, obscene person. Through this, the author wants to send a message to everyone, live as yourself.
At the same time, the author criticizes and exposes the faces of those who live a false life, live for self-interest, “speak Buddha’s heart with snakes”, with their mouth full of beautiful words, but very malicious in their hearts. In society there are many such people, they take advantage of trust and trust to deceive others, using beautiful words but their nature is very evil.
At the same time, the title of the work also reminds those who have the habit of stagnation, like to live dependent on others, on other people’s things that they do not have. A saying by Truong Ba made many people think: “Living on other people’s belongings and possessions is not a good thing, after all, even my body has to live off of the butcher.” Truong Ba’s statement shows that he feels very desperate and stuck when he has to live on the body of another person with a completely opposite personality.
Moreover, the title of the work is a warning to people who are ignorant, choose the wrong direction of their own, and are attracted by useless pleasures. Young people are lured and lured by their friends into the road of addiction. The innocent, pure schoolboys were blinded by the game, leading to addiction to the game and then killing, stealing, and stealing. All just to satisfy their body, then one day they realize it’s all too late, irreparable.
Truong Ba’s soul, the butcher’s skin is a unique play, imprinted in the hearts of readers every time they watch it. Through the article Analyzing the meaning of the title Truong Ba’s soul, the butcher’s skin above the message that the author wants to send to everyone is: Living is only meaningful when you can live as yourself, live with benefit family and society.
In any situation, you must try to control yourself so as not to get caught in bad habits. Each individual’s efforts will help the country develop, the society prosper, the family happy.
The article analyzes the title of the work “Zhang Ba’s soul, the butcher’s skin” number 6
Luu Quang Vu is an extremely talented person, his compositions have left posterity with life lessons about people and relationships between people. In which, Truong Ba’s Soul is a famous drama. The title of the play also creates unimaginable attraction for readers. In addition, it also suggests hidden meanings in it. A title not only creates attractiveness when it arouses curiosity in readers.
When recognizing the title of the play, we can notice a strange thing that can be seen immediately: “the soul is in one place” but “the body is in another place”. it was built to create contrasting art between Truong Ba’s soul and the butcher’s body, meaning the contrast between the outer body and the inner soul. Therefore, Truong Ba’s soul and butcher’s skin are images with deep symbolic meanings. The soul and the body are inherently attached to each other, in harmony with each other, but when the soul is in one place, the body is in another, what will happen? This is one of the bottlenecks that Luu Quang Vu has satisfactorily resolved at the play itself.
It can be seen that the butcher’s skin is a symbol for the appearance of the human body, while Truong Ba’s soul is a symbol for the soul, for the inner inner world. The contradiction between form and essence in a person. Through drama, it also aims to express a profound meaning, Truong Ba’s soul is also a symbol of pure and noble beauty, while the butcher’s skin is a symbol of evil, vulgarity, vulgarity, and vulgarity. inferior nature in a person. A human being cannot live in the guise of another person. Moreover, a noble soul cannot live and cannot hide in a vulgar body. It is more painful to live like that than to die, then it is better to die.
From the very beginning of the play the suggestive features of the title also contribute to the beauty of this play. Luu Quang Vu is indeed talented in drawing readers into his works as well as expressing the hidden meanings in the dramatic layers.
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