Top 6 essays analyzing the dialogue between the souls of Truong Ba and De Thich in “The soul of Truong Ba, the butcher’s skin” by Luu Quang Vu (grade 12)

Luu Quang Vu was a quite famous poet in the sixties of the twentieth century, loved by many readers. In the early eighties, Luu Quang Vu completely switched to the stage field. In just seven or eight years, he wrote about fifty scripts and most of them were staged. Luu Quang Vu’s drama expresses the aspiration for beauty, good, for the perfection of human personality, quite fiercely fighting with evil and evil, especially fighting against negativity to make life clean. better, better. The play Truong Ba’s Soul, the butcher’s skin, and especially in the following dialogue between Truong Ba’s Soul and Emperor Thich, showed us Luu Quang Vu’s desire for a good life: Unable to be inside a the other side, the outside is the other way. I want to be whole me…. Living off other people’s belongings and possessions is not a good thing, after all, even my body has to live off of the butcher. He simply thought of letting me live, but he didn’t need to know how to live.

These lines are the words Luu Quang Vu wants to convey the concepts of happiness, the reason of life and death. As we all know, Truong Ba’s soul, the butcher’s skin was composed by Luu Quang Vu in the direction of exploitation, folk plot to convey his thoughts on life and happiness, expressing a profound philosophy of truth. living, human reason, combining criticism with some negatives in the current way of life. Although exploiting themes from folk plots, in this play Luu Quang Vu has a very unique creation: in folk tales, when Truong Ba’s soul was brought into the body of a butcher, the spirit of Emperor Thich was brought into the body of a butcher by the Emperor Thich. Truong Ba still lives calmly, but in this play, Truong Ba’s soul lives very turbulently, there are always intense inner conflicts. Truong Ba’s soul had to go through fierce struggles with the body in which it resided – the butcher’s body full of instinctive lust. And Luu Quang Vu was full of drama culminating in when Truong Ba’s soul was about to fall into the hands of the butcher’s wife, almost the purity of Truong Ba’s soul was overwhelmed by the body, plus the alienation of other people. Family members made Truong Ba’s soul even more painful and pitiful. In order to untie the knot of this dramatic situation, Luu Quang Vu allowed Truong Ba’s soul to come to a decisive decision that he could not prolong his life forever: “It is impossible to be inside one thing, outside another way. Okay. I want to be whole me.” This line speaks to the tragedy and irony of Truong Ba’s soul, which is the contradiction between a beautiful soul and a rude, mundane body.

This line clearly shows Luu Quang Vu’s point of view and philosophy on life. Luu Quang Vu believes that human life is a unity between soul and body. Soul and body must be in harmony. There can be no noble soul in a mortal, sinful body. When a person is completely dominated by the instinctive needs of the body, that is, the material needs completely dominate the spiritual life, it is not possible to have a pure and noble soul. That said, here Luu Quang Vu does not have to completely deny the need for material life, but just wants in life we ​​must know a harmonious combination between material life and spiritual life. If we only care about the spiritual life without worrying about the material life, our life will not be very good, we will live in illusion with the metaphysical beauty of the soul. So we should never let the material life bring down the spiritual life.

And in the next line, Luu Quang Vu continued to present his view on life: “Living on other people’s belongings and possessions is a no-no, even my body has to live. thanks to the butcher. He simply thought of letting me live, but he didn’t need to know how to live!” This line proves that Truong Ba’s soul is well aware of his ironic and tragic situation. Truong Ba’s soul was deeply saddened by realizing the growing disparity between soul and body. This disparity has been shown since Truong Ba’s soul entered the butcher’s body, his shape changed, his actions changed, and his family members were increasingly alienated, Truong Ba is no longer the same person. Truong Ba is the same as before.- “no longer the old gardener Truong Ba” (from Truong Ba’s wife), “I am not your grandchild”, “my grandfather is dead”, “the hand that killed the pig” His hair broke the bud, the hairy feet were as big as a shovel, and he stepped on and crushed the newly planted precious ginseng! My grandfather never was so rude and cruel! , “You’re so ugly, so evil! get out! Old butcher, go away” (words of Cai Gai)…

Truong Ba’s soul could not live forever in such suffering and torment; Therefore, he protested and did not accept that Emperor Thich allowed himself to live on the butcher’s body. This protest prepares for the drastic and decisive action of Truong Ba’s soul, which is to choose death, return the body to the butcher, so that the soul is at peace, no longer tormenting suffering.

Luu Quang Vu (1948 – 1988) was one of the most talented playwrights of modern Vietnamese art, who had great merit in helping to revive a theater scene that was in danger of falling behind. Luu Quang Vu’s drama is attractive mainly by the conflict in the way of life and the concept of life, thereby affirming the desire to perfect human personality. The play Truong Ba’s Soul, the butcher’s skin is the most famous work of Luu Quang Vu, completed in 1984 by the author, first performed in 1987. The excerpt belongs to scene VII and the end of the play, questioning The issue of the reason for human life through suffering inside on one hand, outside on the other and cures the problems of philosophy of life. Through the dialogue between the soul of Truong Ba and De Thich, Luu Quang Vu clarified the desire to live as himself.

The contrast between the characters appearing in the work is increasingly expressed in detail, the dialogue between the characters appearing in the work has shown them in detail. The clear difference has shown these things in detail, Truong Ba understands the great value, longs to return to his flesh: “I want to be fully me”, “Be me fully”. whole”, he understood the relationship between his body and his soul, the tension between his body and his soul made him suffer and torment, he wanted to return to his true flesh. , lived his life, he understood the value of the life he was experiencing.

The wish that Truong Ba is wishing for, even though it is small, it is not easy, Truong Ba seems to be conveying the philosophy that the author wants to express in his work. his desire with the body, he longed to return to being himself.

He dares to take full responsibility for himself, does not want to live on, does not want to live life on other people’s bodies, through this excerpt, the author wants to affirm the desire that the author is expressing, the desire to become a To be yourself, longing to get what’s yours, accepting reality, Everyone longs to live, but living being yourself is the most precious life, that’s why he wants to “be the whole me”, live his life, on his body, responsible for his actions.

Truong Ba’s soul longs to return to his life, when given a test to enter the body of a monk, the body and soul seem to be deeply expressing the contradictions and competition between the soul, the soul and the soul. With the soul of a 60-year-old, when entering a 10-year-old child, this contradiction becomes more acute than ever.

Those contradictions are deeply reflected in every detail and action of the character, he does not accept this life, that life inherently has many contradictions, but living in another’s body is extremely difficult. , he cannot accept, Truong Ba’s choice at this time is to return to being himself. It is a great struggle when he is gradually facing the harsh contradictions of body and soul that appear in the work.

The contradiction between the two people makes the contradiction of the work more and more advanced, Emperor likes the concept that life is just living, but Truong Ba’s soul thinks that living should be himself, making me complete, and being in harmony with the whole world. both physically and mentally.

Human existence consists of a human part and a human part. The sub-part is instinctive. The human part belongs to the personality, the beautiful nobility of the soul. The child part and the human part created the true human being. Here the two images of the soul and the body are also metaphors for the child and the human part. One side represents what is beautiful, high bar; one side represents vulgarity, vulgarity. Author Luu Quang Vu emphasized that it is impossible to have a noble soul in a mundane body. People are only truly happy when they are able to live as themselves, harmonize body and soul, inside and outside, content and form in a complete unity, not a patchy, inconsistent life: One side inside, another outside”.

To live true to ourselves, each of us needs to know how to balance caring for the soul as well as appreciating and caring for the essential needs of the body. Through that, Luu Quang Vu also contributed to the criticism of two types of people: one who only knows how to improve his appearance and follow material desires without taking care of his spiritual life. The other type always disregards material values, neglects to take care of themselves only to keep the soul beautiful. Through the body and soul, Luu Quang Vu upholds the idea that living as oneself is the true happiness of human beings. So in life we ​​must know how to fight with vulgarity and overcome adversity to perfect our personality. Only then can we be ourselves – be fully ourselves.

Luu Quang Vu is a talented playwright of Vietnamese modern art. “Zhang Ba’s soul, butcher’s skin” is one of Luu Quang Vu’s most famous works. The work has honored the beauty of the workers’ souls in the struggle with temptations and the desire to live as themselves. That meaning is expressed truthfully and vividly through the dialogue between the souls of Truong Ba and De Thich.

Luu Quang Vu is a multi-talented artist. He used to write poetry but is better known as a playwright. “Zhang Ba’s soul, butcher’s skin” is a play written in 1981, then released to the public in 1984. This play is written based on a folk tale, but there have been changes, adding development details that make the meaning of the story deeper. The dialogue between the spirits of Truong Ba and De Thich is in picture VII and the ending of the play.

When he met Emperor Thich, Truong Ba expressed his wish: “I can’t carry on carrying the butcher’s body anymore, I can’t!”. The word “can’t” is repeated twice, showing the determination and iron will of Truong ba when he decided to leave the butcher’s body. Facing the surprised and unexpected attitude of Emperor Thich, Truong Ba continued to voice his view of a beautiful life: “It is impossible to be one thing inside, another outside”. The explanation is an admission of adversity that Truong Ba had to endure: inconsistency inside and out. Inside is a noble soul, a beautiful personality; the outside is the vulgar flesh, the desires, the instincts. The inconsistency is because Truong Ba’s soul has repeatedly compromised with instinct. This is what weighed heavily on Truong Ba’s soul, causing him to worry, suffer and torment. Since then, Truong Ba has raised his legitimate aspiration: “I want to be whole me”. “Integrity” is the harmony of the inside and the outside, between the soul and the body. Truong Ba wants his soul to be fused with his body in order to live properly. For Truong Ba, life is not just about existing, but living must be yourself, do what you want, and return to being your whole self.

Before Truong Ba’s requests and arguments, Emperor Thich still expressed surprise, feeling puzzled by that strange thought: “What’s wrong!”, “But what do you want?”. Emperor Thich also advised Truong Ba to accept the present life because: “So you think everyone can be themselves whole? […] on earth and in heaven, and you too.” Emperor Thich believes that everyone is living in an inconsistency inside and out, so accept it and learn to compromise with the present. The evidence that Emperor Thich gives shows a point of view: to live is to exist, how to exist depends on surrounding circuTaxances and conditions; People cannot change the situation but can only submit to what they do not want. Considering the reality of life, this is a view shared by many people, although it is a bit negative.

Not accepting the explanation and argument of Emperor Thich, Truong Ba bluntly condemned that attitude of life: “He simply thought that he would let me live, but how he lived, he did not need to know!”. The lines have bluntly condemned the wrong actions and thoughts of Emperor Thich. Living is not just a mere existence, is to follow instincts and circuTaxances, but it must be a meaningful life, living as yourself, overcoming trivial pleasures to protect the core values ​​of the soul. tall and beautiful.

The dialogue behind is the struggle between “to be or not to be”. In response to Emperor Thich’s question, Truong Ba expressed his wish: “The butcher’s body is still intact, I will return it to him. Bring his soul back to life with this body.” Emperor Thich thought that was inappropriate: “How can you exchange your precious soul for a butcher’s mediocre soul?”. Truong Ba again denied: “Mediocre, but true of him… they were born to live together”. High determination can push words into more drastic actions: “If you don’t help, I will jump into the river or stab a knife in the neck, then my soul will be gone and the butcher’s body will be gone. “. Those strong, bold words are not easy for anyone to say, but for Truong Ba, the desire to “live as yourself” has prompted the soul to need a change to remove adversity in a way. radical: death. Only when he dies can Truong Ba be Truong Ba, his noble soul is fully preserved, himself is at peace and in exchange for the resurrection of a husband, a father, a grandfather in his heart. the hearts of those he loves.

In the middle of the dialogue is the cry of the Girl and the departure of the boy Ti. Emperor Thich wanted Truong Ba to enter his soul into Ti’s body: “If you live in the boy’s body, it will be fine”. This sentence once again shows the superficial and immature thinking of Emperor Thich. In fact, Emperor Thich once again assimilated the definition of “living” and “existing”. Before that proposal, Truong Ba had a moment of hesitation. For Truong Ba, life is still precious, Truong Ba still wants to continue living. But thinking about the days of living under the butcher’s body, imagining the future when living in the body of Ti, Truong Ba came to a decision: “I can’t rob Ti’s immature body.” , “Please save it! You have to save him!… for the child… Please help me one last time.” The concept of a noble life is even brighter through the dialogue: “There are wrongs that cannot be corrected. Forced patching only makes it worse. The only way is to never be wrong again, or make up for it with another right.” The dialogue not only illuminates an eternal life thought: “living as yourself” but also criticizes the way of life: “to live is to exist” and condemns the irresponsible work of officials.

The main dialogue is a further development from the original plot. With his talent in setting scenes, creating dialogues, and inner monologues, Luu Quang Vu has given readers invaluable life truths. That truth of life is not only true for that era, for the people in that situation, but it is meaningful for everyone, at all times, across the streets and alleys. It is this that has raised the value of Luu Quang Vu’s work, so that in the future, the play will still be recreated as a memorial to a talented playwright and a message to future generations about a concept of a good life.

The play “Zhang Ba’s soul, butcher’s skin” has seven acts, the textbook excerpt is the end. Through the tragedy of Truong Ba, Luu Quang Vu has brought to readers and viewers the beauty of the workers’ souls in the struggle against counterfeiting and vulgarity, protecting the right to an authentic life and aspiration. perfect personality. From a folk plot, Luu Quang Vu has adapted it into a modern oral play, posing many new issues with profound ideological, philosophical and humanistic meanings. The dialogue between Truong Ba and De Thich, Luu Quang Vu made clear Truong Ba’s desire to live as himself.

Due to having to live off the butcher’s body, Truong Ba’s soul has to comply with some obvious needs of the flesh. The kind, pure, upright soul of Truong Ba in the past, now has to live on loan and dependence, so it is poisoned by the mediocrity and vulgarity of the flesh. Immersed in the adversity of the tragedy of not being able to live as yourself and the tragedy of being rejected by loved ones – Truong Ba decided to light incense and call Di Thich to die to return the purity and integrity of the soul.

“You already won, the body is not mine… But why would I give in to you, surrender to you and lose myself?”. The monologue shows the fierce inner struggle in Truong Ba. In fact, that struggle was conveyed by the author Luu Quang Vu through the dialogue between Truong Ba and the butcher’s carcass. It is the struggle between body and soul; between the sublime and the vile; between good and bad; between noble and vulgar; between desire and lust. It is also the struggle to perfect the personality.

This struggle was won in favor of the body, but Truong Ba’s soul himself did not succumb, did not submit, but sought every way to live as himself – this is Truong Ba’s noble personality. “I can’t carry on carrying the butcher’s body anymore, I can’t!” The line has two negatives “I can’t”; “Impossible” shows that Truong Ba’s determination to leave the butcher’s flesh is the iron will of Truong Ba when he understands his irony adversity.

“Can’t be inside one way, outside another. I want to be whole me.” The saying shows Truong Ba’s adversity, the inconsistency of the inside and the outside: “inside” is Truong Ba’s soul, emotions, thoughts, and noble personality. The soul is the elite that governs the body. The inner opposite is the “outside” – the butcher’s raw flesh. But “the outside” needs to be understood in a broad sense as living circuTaxances, instincts, natural needs, and instinctive desires. The alienation of Truong Ba’s soul is because the soul has given in, sold itself, and compromised with instinctive needs. This is Truong Ba’s torment, suffering and concern. The two cannot be reconciled because there cannot be a noble soul in a sinful mortal body.

“I want to be whole.” This is Truong Ba’s strong desire, the desire to live in harmony. “Integrity” means that there must be harmony between inside and outside, between content and form, between body and soul. There can be no life that is “soul and body”. Life is not according to nature, not according to nature, living without being yourself is a cruel tragedy.

Truong Ba should accept that life because “it’s all the same on earth and in heaven”. Emperor Thich pointed out that not only Truong Ba is living in an inconsistency inside and out, but everyone is like that. Therefore, Emperor Thich advised Truong Ba not to try to make the marble roll backwards, but accept it, know how to compromise, learn to accept.

Emperor Thich took the psychology of the crowd to impose on his life views. Emperor Thich cited himself and the Jade Emperor as not being able to live as himself: “On the outside, I can’t live according to what I think on the inside. But also Ngoc Hoang. It is people who sometimes have to mold themselves to deserve the title of Jade Emperor.” Thus, according to Emperor Thich, “no one can live as himself”. Documents of Mr. Phan Danh Hieu. Because to live means to exist, how it still exists depends on the circuTaxances and conditions that people are forced to submit to. This is a false conception of life that deserves condemnation.

Truong Ba makes a comparison of furniture, material things and self. “Living on other people’s belongings and possessions is not a good idea, after all, my body also has to live on the butcher.” Borrowing furniture and material possessions from others is a no-no; living off, living on, living as parasites on other people’s bodies is a shameful thing to condemn. Truong Ba frankly: “He simply thought that I would live, but how he lived, he did not need to know!”. The line criticized Di Thich’s misconception by thinking simply about life. With Emperor Shakyamuni, life is existence, it doesn’t matter how it exists. For Truong Ba, life is not only a biological existence, but also a meaningful existence.

The lines of Truong Ba and De Thich in this part are mainly about Truong Ba’s struggle – that is the struggle to overcome adversity to win over oneself to protect the beautiful soul. “The butcher’s body is still intact, I will return it to him. Bring his soul back to life with this body.” But De Thich rejected because De Thich thought that Truong Ba’s precious soul could not replace the mediocre soul of the butcher. Truong Ba argued that: “Mediocre, but true to him… they were born to live together”. To affirm with his determination, Truong Ba became strong: “If you don’t help, I will jump into the river or stab a knife in the neck, then my soul will be gone and the butcher’s body will be lost.”

Truong Ba’s strong will comes from the desire “to live as himself”, and to “live as himself” at this time, Truong Ba has no other way than death. Because only when he dies can he truly be himself, to restore the noble beauty of his soul. For Truong Ba, the most beautiful paradise where the soul can reside after death is resurrection in the hearts of those who love him.

Emperor Thich wanted Truong Ba to enter his soul into Ti’s body: “If you live in the boy’s body, it will be fine”. This saying of Emperor Thich once again shows a simple, one-sided way of thinking – life is existence. The essence of this way of thinking comes from the very life of Shakyamuni. The gods and goddesses never die, so live is to enjoy. This way of life directly affects that thought leading to the mistakes of Indra.

At the request of Emperor Thich, Truong Ba hesitated: “Let me think for a moment.” Truong Ba’s hesitation shows that life is precious, it is even more precious to exist forever. This hesitation also shows that Truong Ba is very eager to live, still wants to live. Truong Ba continued to experience an intense inner struggle. He envisioned his future life in the body of a ten-year-old boy: “Maybe I still have to go to Sister Lua’s house… How will my wife and children think and behave? , when my husband, my father brought the body of a boy to ten …”.

Truong Ba finds everything absurd, especially when he sees his loneliness when: “Still having to live for so many years. I’ll be alone in the crowd… I’ll be like a guest sitting at someone’s house… I’ll be helpless and lost.” What makes us appreciate about Truong Ba is his noble soul: “I can’t take the young body of Cu Ti” and it is also the death of Cu Ti and the desire to save the boy’s life. make Truong Ba become strong. Truong Ba implored Di Thich “Please save it! You have to save it!… for the child… Please help me one last time.”

De Thich still wanted Truong Ba to continue to exist, but Truong Ba frankly pointed out De Thich’s mistake: “There are mistakes that cannot be corrected. Forced patching only makes it worse. The only way is to never be wrong again, or make up for it with another right.” He also advised Emperor Thich to do the right thing, which is to bring Cu Ti back to life. Truong Ba’s good thoughts and his noble sacrifice finally changed Emperor Thich’s mind. Cu Ti was allowed to live, but Truong Ba returned to himself, not “the monstrous creature named Truong Ba’s soul, butcher’s skin”.

Truong Ba’s soul entered the familiar scene in the family and stuck in the hearts of those who loved him. Truong Ba resurrected his soul in the hearts of loved ones. His soul is forever immortal in the green of the garden and immortal in those who love him.

Human existence consists of a human part and a human part. The sub-part is instinctive. The human part belongs to the personality, the beautiful nobility of the soul. The child part and the human part created the true human being. Here the two images of the soul and the body are also metaphors for the child and the human part. One side represents what is beautiful, high bar; one side represents vulgarity, vulgarity. Author Luu Quang Vu emphasized that it is impossible to have a noble soul in a mundane body. People are only truly happy when they are able to live as themselves, harmonize body and soul, inside and outside, content and form in a complete unity, not a patchy, inconsistent life: One side inside, another outside”.

In order to be true to ourselves, each of us needs to know the balance between taking care of the soul as well as appreciating and caring for the essential needs of the body. Through that, Luu Quang Vu also contributed to the criticism of two types of people: one who only knows how to improve his appearance and follow material desires without taking care of his spiritual life. The other type always disregards material values, neglects to take care of themselves only to keep the soul beautiful.

Through the dialogue between the two characters Truong Ba and De Thich in The Soul of Truong Ba, the butcher’s skin, Luu Quang Vu upholds the idea that living by oneself is the true happiness of human beings. Therefore, in life we ​​must know how to fight with vulgarity and overcome adversity to perfect our personality. Only then can we be ourselves – be fully ourselves. To make the success of the excerpt in particular and the work in general, Luu Quang Vu used a number of artistic tricks: Reinventing the folk plot. The art of setting scenes, creating dialogues, inner monologues. The character’s actions are suitable to the situation and personality, contributing to the development of a story situation with an objective philosophical depth.

Luu Quang Vu (1948 – 1988) was one of the most talented playwrights of modern Vietnamese culture, who had great merit in helping to revive a theater scene that was in danger of falling behind. Luu Quang Vu’s drama is gradually absorbed mainly by conflicts in the way of life and conception of life, thereby affirming the desire to perfect human personality. The play Truong Ba’s Soul, the butcher’s skin is the most famous work of Luu Quang Vu, completed by the author in 1984, first performed in 1987. The excerpt belongs to scene VII and the end of the play, questioning. The problem of human life through suffering inside on one hand, outside on the other, contains problems of philosophy of life. Through the dialogue between the spirit of Truong Ba and De Thich, Luu Quang Vu clarified the desire to live as himself.

The contrast between the characters appearing in the work is increasingly expressed in detail, the dialogue between the characters appearing in the work has expressed them in detail. The clear difference has shown these things in detail, Truong Ba understands the great value, longs to return to his flesh: “I want to be fully me”, “Be me fully”. whole”, he understood the relationship between his body and his soul, the torn between his body and his soul made him suffer and torment, he wanted to return to his true flesh. , lived his life, he understood the value of the life he was experiencing.

The wish that Truong Ba is wishing for, even though it is small, it is not easy, Truong Ba seems to be conveying the philosophy that the author wants to express in his work. his desire with the body, he longed to return to being himself. He dares to take full responsibility for himself, does not want to live on, does not want to live life on other people’s bodies, through this excerpt, the author wants to affirm the desire that the author is expressing, the desire to become a Be yourself, aspire to get what’s yours, accept reality, as long as you don’t have to live on someone else’s body.

Everyone aspires to live, but living as yourself is the most precious life, that’s why he wants to “be fully me”, live his life, on his own body, take responsibility for his actions. me. Truong Ba’s soul longs to return to his life, when given a test to enter the body of the tit, the body and soul seem to be deeply expressing the contradictions and competition between the soul, With the soul of a 60-year-old, when entering a 10-year-old child, this contradiction becomes more acute than ever.

Those contradictions are deeply reflected in every detail and action of the character, he does not accept this life, that life inherently has many contradictions, but living in another’s body is extremely difficult. , he could not accept, Truong Ba’s choice at this time was to return to being himself, he did not want to live on other people’s wages, did not want to live on other people’s bodies. It is a great struggle when he is gradually facing the harsh contradictions of body and soul that appear in the work. The contradiction between two people makes the contradiction of the work more and more advanced, Emperor likes the concept that life is just living, but Truong Ba’s soul thinks that living should be himself, making me choose whole, be in harmony with the whole world. both physically and mentally.

Human existence consists of a human part and a human part. The sub-part is instinctive. The human part belongs to the personality, the beautiful nobility of the soul. The child part and the human part created the true human being. Here the two images of the soul and the body are also metaphors for the child and the human part. One side represents what is beautiful, high bar; one side represents vulgarity, vulgarity. Author Luu Quang Vu emphasized that it is impossible to have a noble soul in a mundane body. People are only truly happy when they are able to live as themselves, harmonize body and soul, inside and outside, content and form in a complete unity, not a patchy, inconsistent life: One side inside, another outside”.

To live true to ourselves, each of us needs to know how to balance taking care of the soul as well as appreciating and caring for the essential needs of the body. Through that, Luu Quang Vu also contributed to the criticism of two types of people: one who only knows how to improve his appearance and follow material desires without taking care of his spiritual life. The other type always disregards material values, neglects to take care of themselves only to keep the soul beautiful. Through the body and soul, Luu Quang Vu upholds the idea that living as oneself is the true happiness of human beings. Therefore, in life we ​​must know how to fight with vulgarity and overcome adversity to perfect our personality. Only then can we be ourselves – be fully ourselves.

The beauty of the soul is a great measure to help them get rid of the vulgar things, the everyday desires of people. Being alive is important, but being yourself is even more important, that’s why Luu Quang Vu has shown and reflected the real value of society through unique story situations, through profound contradictions. appear in the work. Finally, he also wanted to convey the message: “No matter how difficult life is, you should maintain the desire to live as yourself”.

Luu Quang Vu is a talented playwright of Vietnamese literature. His works are not only topical, but also have great human value. The work of Truong Ba’s Soul, butcher’s skin is a successful work both in terms of content and art. The dialogues in the play not only portray the character’s image but also show the author’s attitude and view on the way of life, the reason for living and the true value of man. The dialogue between Truong Ba’s soul and the butcher’s body and De Thich is such valuable dialogues.

The character Truong Ba is a typical image representing the beauty of an honest and pure soul, free from trivial desires and desires. When he died unjustly because Nam Cao crossed his last name wrong, was imported into the flesh of a butcher to live a new life, that was when tragedy struck. From that day on, he became like a different person, all the clumsiness, sloppiness, vulgarity in the butcher’s body made everyone in the family sad, disappointed, and alienated from him. The first wife held her hand in pain, the daughter-in-law who understood the story also felt pain when the family gradually changed, the grandchildren who were very loved and respected also refused to accept him. Truong Ba was extremely miserable, could not bear to live in such tragic and unfortunate circuTaxances, a pure soul could not live in an evil body and then gradually lost himself like that, Truong Ba had Arguing violently with the butcher’s corpse.

Seeing Truong Ba’s soul separate from his body, the butcher’s body sarcastically said: “Useless, that poor, poor soul …”. Truong Ba’s soul also did not submit to the harsh and cruel words of the butcher. The soul still insists that it is impossible to live with that profane and corrupt body, a body that knows only petty desires, an ugly and disgusting body. Truong Ba affirmed that: “I still have a life of my own: intact, clean, straightforward, …”. The butcher’s corpse laughed, gloated, and sarcastically at the arguments given by Truong Ba’s soul, he showed all the things that made Truong Ba’s soul feel ashamed of himself to protect his words. him. In this controversy, it seems, the soul gradually becomes weak, accepts the bitterness because what the flesh says is true, the pure soul is being controlled by the body and can’t do anything. . The words uttered by the butcher’s corpse were sarcastic, criticizing Truong Ba’s soul, causing Truong Ba’s heartache, the more he prevailed, showing satisfaction and gloating. Powerless before all the arguments offered by the flesh, the soul accepts, endures, torments, it seems that Truong Ba himself has been pushed into the dead end, with no reason, no way out, the pain in Truong Ba’s soul keeps a larger and larger one, cutting into the high, beautiful wall of the spirit that he has maintained and built for so long.

The content of the conversation is not just a normal conversation and argument, but it also has a deep meaning. Truong Ba was returned by Emperor Thich to live with relatives and family, but it was an evil and shameful life. What is mean, poor, and vulgar are gradually overwhelming, reigning and destroying, gnawing at what is noble and pure in the soul. The struggle between the soul and the body to protect oneself and protect the thoughts and views of oneself is the struggle between spirit and matter, between morality and sin, between the “child” part. and the “person” part of an being. The values ​​of benevolence, altruism, noble and intense aspirations are always opposed to false, selfish, and trivial aspirations.

Through the painful experiences of living in the body of a butcher, Truong Ba when he met Emperor Thich frankly expressed his desire “I want to be whole me”, he also bitterly admitted “Can’t live inside one side, the other is outside.” Before Truong Ba’s stubbornness, Emperor Thich had all his words to dissuade, he said that living was happiness and living in life was not always what we wanted. Emperor Thich advised Truong Ba to enter the butcher’s body, but Truong Ba refused. In order to be himself, Truong Ba accepted to leave to return the butcher’s body to the butcher’s soul, return an intact butcher to his wife, asking Emperor Thich to bring Cu Ti’s soul back. again.

From those two dialogues, we further understand that human is the harmonious crystallization between form and content. To live a valuable life, to live in the true sense of life must be fully yourself, not being able to “live off, live on” to others. So is today’s social life, not only having a beautiful appearance, a pleasing form but also needing to have intellectual intelligence, acumen and a rich soul. Assessing a person cannot only be judged on appearance but also on their personality and personality. People want to be valuable, need to reconcile those two things.

I still feel the pain of those who just sell their professional conscience because of their face, position, and ambition, they run for power just to have a name while not being able to take on the task. . Those who flatter because they want to be favored, a dua. Those who for the desire of money, wealth, and self-expression are willing to violate the law of drug trafficking, theft, and looting of other people’s property. That, is worthy of criticism and condemnation.

The desire for money and fame, power and fame makes people gradually lose themselves, they trample on their own honor and dignity to get. After all, they cannot be happy, nor can they bring happiness to everyone. Therefore, to have lived is to know how to dedicate one’s soul to life, to know how to keep oneself from getting dirty when in bad circuTaxances. No one can live their own feelings, and no one can live their own life. Must make efforts, try, perfect yourself in both form and soul, must conquer the ladder of noble values ​​with your own person. Because each person will have their own value and the happiest person in life is when they can be themselves.

With the language of dialogue rich in philosophy, interesting dramatic situations, attracting viewers, Nguyen Quang Vu has created a unique dialogue, giving readers thoughts and unforgettable echoes.