Top 12 essays analyzing images of farmers in “Can Giuoc philanthropist” by Nguyen Dinh Chieu (grade 11) best

Nguyen Dinh Chieu is a blind patriotic poet with a deep love for the people. He left behind many valuable literary works besides the famous poem “Luc Van Tien”, “Van Te sage Can Giuoc” is the culmination of his writings, expressing the highest expression of the author’s patriotic thought. fake. With sincere admiration and sympathy, the writer built an immortal monument of the peasants – simple and sincere people who carry in themselves the beauty of the national hero who voluntarily fought the enemy and sacrificed himself for the sake of the people. the survival of the country.

First of all, they are simple farmers in the countryside. Those people only “Fuck off to work and worry about poverty”, their life is limited to the village with the work of farmers with buffalo fields, with “hoeing, plowing, harrowing, work. hand transplants are used to doing”. They turned their heads off to work and earn a living. They are just villagers who “haven’t been used to bowing and horses, never going to velvet school”, they also don’t know about “practice shields, practice guns, practice marks, practice chess”, don’t know anything about troops and soldiers. , the war of warriors. The heroic farmer Can Giuoc is very simple with a rustic, rustic quality living in the poverty of the farmer’s hunger.

However, they bring in the beauty of people who have the spirit of voluntarily fighting the enemy. Because when the enemy rioted and harassed, the court resisted weakly, their “earth of land and vegetables, pieces of rice and clothes” were robbed, and the country’s territory was invaded by the enemy. Being the people of a nation with a tradition of loving the homeland, fighting foreign invaders for generations, they voluntarily fought the enemy without waiting. didn’t bother to hide and hide, this trip was directed to the tigers”. The spirit of enthusiasm and magnanimity followed the Dong A spirit of the Tran dynasty. They volunteered to fight the enemy even though it was difficult, arduous, and dangerous because they cut off the glass, the tiger set meant cutting the orcas and catching the big tiger. The enemy at this time was extremely aggressive, in large numbers, with a hundred times more modern weapons than ours, but those cloth farmers were not afraid.

The heroic farmer fought bravely and was determined to sacrifice himself for the country. Although the enemy was strong and modern, even though they knew in advance that they would die, even if they went to war with only patriotism and hatred for the enemy, they did not flinch. How beautiful, admirable, and respectable that spirit is when just poor people dare to go into battle like real soldiers but go to war with only “clothes clothes” without a knife. , gourds, knives or knocking hats, they fight with rudimentary weapons, which are the farmer’s tools of work “with a spear in his hand” and then the bow and the milling blade… fight with the weapon. modern enemy.

They fought with their hearts until their last breath, they became the ideal monument in the hearts of the Vietnamese people with a fierce fighting spirit mastering the tough battle. The realistic and vivid picture depicting the heroic image of the farmer in the moment of the outpost was depicted by Do Chieu through the passage: “The hard work of the mandarin’s mandarin drums and drums, stepping on the fence to see the enemy as well as not being able to see the enemy. ; No one was afraid that the West would shoot small bullets with large bullets, shove the door open and rush in as if he didn’t have one. “Those who stab across, those who slash backwards, make the ghosts and ghosts unnerving; the summer before the eagles after, leave the train and the train with guns and explosions.” A series of strong verbs, prepositions, fast-paced, powerful rhythms, and sentences seem to be broken into small pieces depicting the image of a heroic martyr who risked his life to sacrifice himself for national independence, That god made the enemies panic. It can be said that the image of a heroic farmer standing out against the sky full of smoke and fire creates a magnificent monument that leaves an unforgettable impression in the hearts of the Vietnamese people.

The image of a farmer has appeared in literature for a long time such as: “Due to the generals of hich van”, “Binh Ngo Dai Cao” … but it was the first time Vietnamese farmers came to “Can Giuoc’s philanthropist” into a literary work with such a true body shape, personality, thoughts, feelings and actions. The song was born under difficult circuTaxances in the early days of the resistance war against the French. On the one hand, both to express deep gratitude to the martyrs who fell to the motherland and to praise their bravery and indomitableness, on the other hand to denounce the crimes of the French colonialists and criticize the war attitude. fighting of the kings and mandarins of the Nguyen Dynasty, on the one hand, to encourage and motivate the people’s fighting spirit.

Thus, by using lively words, flexible tone, close to peasant life, bold Southern character. Nguyen Dinh Chieu has built the image of a farmer who is sincere, rustic, poor, but tall and beautiful with a deep patriotic heart. This is the most beautiful image of a farmer in the history of national literature.

Nguyen Dinh Chieu is a talented writer when he has raised the image of a farmer in literature that has not been mentioned in recent times through the article “Can Giuoc philanthropist”. In the liturgy, the image of a farmer is clearly depicted. The image of a poor farmer who only knows how to do business quietly, all year round, only knows the field of buffaloes and works diligently. They are clearly love-hate farmers, hateful and determined to fight with the enemy when the French colonialists invaded. They fought bravely and heroically sacrificed, in the lyrics were sad words filled with tears but not tears. That is the beauty of Nguyen Dinh Chieu’s poetry.

Can Giuoc philanthropist was born in 1858, when the French colonialists opened fire on Da Nang, Vietnam. After capturing Gia Dinh citadel in early 1859, the French began a process of expanding their attack to neighboring areas such as Tan An, Can Giuoc, Go Cong… On November 15, the year of the Rooster. The soldier but the peasant, because he was so indignant with the foreign invaders, bravely stood up to fight the French garrison in Can Giuoc, destroying a number of enemy troops and the Vietnamese district official who was working as a partner for the French. . About fifteen martyrs died. Those examples have caused great emotion among the people. At the request of Gia Dinh government, Do Quang, Nguyen Dinh Chieu did the article “Can Giuoc philanthropist” to read at the memorial service for the martyrs. died in this battle.

As we know, “Can Giuoc’s philanthropist” is a rare “work of art”. “Tragic” is the stature and nature of that work of art: both monumental, majestic, painful, and tragic. Heroic in the content of fighting for a great cause. Heroic in heroic qualities, in the virtue of self-sacrifice. It is heroic in that it erected a fierce and fierce turbulent era of the country and the nation. The opening of the eulogy is two words “Oi!” It is the cry of the poet for the martyr, the sob of grief for the perilous country:

“The enemy guns, the earth rumbles; The people’s hearts are revealed” means that the Fatherland is in danger, the enemy’s guns are resounding in heaven and earth and the homeland. In the situation where the country lost their home, only the people stood up to shoulder the historical mission, fighting the enemy to save the country and save the house. And the poor farmer who only knew how to do business in a pitiful way bravely stood up to fight the enemy to regain it. Independence for the beloved Fatherland whose bravery comes from the patriotism in every human being. The patriotism and hatred of the peasants and the people in cloth clothes shows to heaven and earth and shines with justice. The main image of the article Van Te is Can Giuoc insurgent soldiers. Their origins are poor farmers who live a “orphan” life behind the village’s bamboo ramparts. Simple and gentle, industrious is to work hard in business, hang around in the village, befriend the buffalo, the plow, the harrow, very strange to the long velvet palace:

“Remember the old spirit:

Quail business; worry about poverty”

Doing business in isolation: means doing business alone, pitifully silently. Even though they are tired or struggling, they still silently suffer alone without telling anyone .“Close to do business; poverty” has shown a full life cycle with no way out of the Vietnamese farmer, the “neighborhood villager” of the South.Starting with quail, struggling to do business, trying to finally finish. in poverty. They are farmers who only know what to do and do all year round, never knowing what is called a bow, what is called a horse.

“I’m not familiar with the school, but;

only know buffalo fields, live in the village.”

They are a large class of people, living close to us. All year round with muddy hands and feet with farming, “never looked at” the soldiers and weapons fighting the enemy:

“The hoeing, the plowing, the harrowing, the transplanting, the hands are used to doing;

practice shields, practice guns, practice marks, practice chess, never seen before.”

However, when their homeland was invaded by the French invaders, those people with muddy hands and feet stood up to volunteer as soldiers to fight the enemy to save the country, save the country, and protect the occupation that they considered as a bad rice bowl. Their shirt is the great meaning that they “love” and pursue

“When I saw a white tire, I wanted to come and eat liver;

When I see the chimney running black every day, I want to go out and bite my neck.”

For the French invaders and their henchmen selling the country, they only had one attitude: “eat the liver” and “bite the neck”, only one intention: “This time, please try to break the king, this trip is devoted to the tigers. “. In the work of Van Te Nguyen Dinh Chieu, there was carved the opposition between the brave army of the homeland and the invading French invaders. The invaders were equipped with modern equipment, with “tin and copper ships”, “small-fired bullets”. , big bullets”, there are mercenaries “evil code, ghost” who are good at fighting. On the contrary, the equipment of the insurgents was very rudimentary. Military equipment is just “a piece of cloth”. The weapon had only “a scythe”, or “a machete”, a musket that fired “with a bow of straw”. However, they still managed to achieve feats: “burning the other religious house” and “cutting off the head of that two mandarins”. The Van Te re-enacted moments of fierce fighting between insurgent soldiers and the French invaders:

“The hard work of managing the drums of the flags, the drums to urge them, to step on the fences, to see the enemy as if they were not;

No one is afraid that the West will shoot small bullets with large bullets, knock on the door and rush in, risking himself like nothing.

Someone who crosses, cuts back, makes ghosts, evil spirits;

the last summer, the latter, the tin ships, the bronze ships with guns.”

The atmosphere of the battle was filled with the sound of drums urging the troops, “there are summer people first, there are eagles after” resounding through the sky and the sound of gunfire. Our martyrs considered death as nothing, attacked like a storm, roamed in the middle of the enemy station: “stepping on the fence”, “rushing the door”, “crossing and slashing”, “last summer, look back”. “. Nguyen Dinh Chieu’s voice has highlighted the brave, indomitable spirit of the Can Giuoc peasants’ martyrs. He also clearly expressed his admiration for the peasant martyr. So far, this is the first work to include the image of the peasant hero.

In the song “Can Giuoc’s philanthropist” there is also the cry of an elderly mother in her hometown waiting for her son to return, a wife missing her husband, a child waiting for a father to return to his job. Many martyrs fell on the battlefield in a heroic posture: “The five long-lasting kindnesses; I don’t know that the mortal body is in a hurry.” Country and homeland deeply mourn. A big, sad and painful space. pain:

“Walking the Can Giuoc river, the trees and grass for a few miles stretch;

looking at Truong Binh market, young and old, 2 small rows.”

The cry of the old mother, the pain of the young wife, the longing of the children are talked about with great emotion:

“In pain, the old mother sat crying and the young child, the late-night lamp flickered in the tent;

depressed instead of a weak wife running to find her husband, the shadow drifts in front of the alley.”

The martyrs lived bravely fighting, and died gloriously. Their example of fighting and sacrifice is to let us know that every country is independent and self-reliant. No one has the right to invade. They are a very proud example:

“Oh! A cloud of smoke cleared; a thousand years of splendor”

The sacrifice of the martyrs of Can Giuoc is a valuable lesson they have left behind. It is better to die with honor than to live with shame. They are a shining example for the Vietnamese people to follow and do, a lamp to illuminate the Vietnamese nation. “Live to fight the enemy, the waterfall also fights the enemy, the soul follows to help the army, forever vows to get revenge…” The merits of the heroic peasant farmer Can Giuoc will forever be in the hearts of every Vietnamese for the example. heroic, ready to sacrifice himself for the independence of the Fatherland.

“Hero’s tears can’t be wiped dry, sorry for the two words heaven and earth;

The sage’s incense tree is lit with more fragrance, bran by a kingdom sentence.”

In summary, “Can Giuoc’s philanthropist” affirms Nguyen Dinh Chieu’s passionate love for the people. Can Giuoc peasant soldiers heroically fought against foreign invaders to protect the solid independence of their homeland, where they were born and raised or that is the Fatherland that for them “it” is very important in their lives. Can Giuoc’s peasant martyr is an example of bravery and deep patriotism for generations to follow after reading this sacrificial text to build the country richer and stronger. .

In medieval literature, due to ideological limitations, works written about peasants were extremely rare and did not really achieve much success. To Nguyen Dinh Chieu – the typical flag of patriotic literature against foreign invaders in the early XNUMXth century, he was very successful in building the image of a patriotic martyr in the work of Can Giuoc philanthropist. Through this, for the first time in the history of national literature, the beauty of the new peasant appears fully and profoundly.

The philanthropist Can Giuoc was written by the author after the night of December 14, 12, the night the martyrs needed Giuoc to attack the enemy post: the uprising failed, 1861 martyrs died. With this sacrifice, for the first time in the history of national literature, literature has a new and progressive view of the image of a peasant soldier.

Nguyen Dinh Chieu has carved an immortal art monument “Unprecedented” standing solemnly of farmers commensurate with their inherent qualities in real life – the farmers who build and protect fighting to save the country. The image of farmers is the central issue of the literary essay, the object of admiration, love, and mourning, as well as the soul of the work. It can be said that the whole poem is a tragic song about peasant martyrs who sacrificed themselves for the country, although “lost” but still “brave”.

The farmers introduced by the author in the work are very ordinary anonymous farmers. Before the French colonialists invaded, they were pure farmers, simple, industrious, simple, living a dry, gentle, hard-working life: “Fuck off doing business; worry about poverty”. The burden of life fell on their small, thin shoulders. Their whole life did not come out of the village bamboo, just hanging around with the buffaloes, with the countryside. They live in a backward and poor agriculture in the mid-nineteenth century: “only dream of buffalo”.

In particular, right from the first lines of the economic essay, Nguyen Dinh Chieu affirmed and credited the farmers in an aspect that history has never acknowledged for a long time: “Ten years of merit is not certain. and the famous name floats.” It is the labor and production of material wealth to maintain and develop the national life. In a country that relies on agriculture like Vietnam, who is the main productive force if not the hard-working farmers? But history has never admitted that. Praising the development of the country, people only chant the wise men, the sons of heaven:

The reign of King Thai To, Thai Tong

The rice fields are full of buffaloes that do not want to eat,

No one mentioned the hardships of the working people. Farmers, the first beauty that emerges from them is the beauty of the people who silently dedicate themselves to bringing life and development to the country for thousands of years.

It is also because of their simplicity that they “know only buffalo fields” all year round, so they don’t know anything about military and combat. fighting sword. But such people when the French colonialists invaded, they anxiously looked forward to the court waiting for the order to fight. Abandoned by the king and mandarins, they dared to stand up alone against the enemy, taking on the responsibility of saving the sacred country voluntarily to protect their independence:

“Waiting for someone to demand, who to arrest, this time please try to break the cycle;

didn’t bother to hide and hide, this trip was directed to the tigers”.

Why do they have that strength and voluntary spirit? It can only be patriotism with blood and blood, an inconsolable hatred of the enemy that is determined not to share the sky with them. It has been three years since the enemy came to invade, ten months the enemy has stationed a garrison “covering white tires”, “running black smoke”, the farmer’s heart is full of hatred, “wanting to eat liver”, “wanting out to bite his neck”. The king and mandarin were nowhere to be seen, they were self-aware of the mission to protect their homeland, they stood up to fight the enemy with only extremely rudimentary and inadequate weapons. They were not regular soldiers of the court, never trained, unarmed. They fight with what they still use in daily life, in production:

In addition to the kidney, there is a cloth shirt, waiting to bring a knife and a nib;

In his hand he held a cymbal, only begging to buy a knocking knife.

Fire maid is beaten with straw, a bow (…) sword is used with a machete blade.

The rudimentary weapons had to fight against the advanced weapons: “gun”, “iron train”, “bronze ship”, “big bullet”, “small bullet”; It’s an egg against a rock! In return, the peasant soldiers had courage, unparalleled courage – a sharpest weapon. They have the spirit of bravery to fight and sacrifice. When they entered the battle with those weapons and weapons, they certainly knew there would be sacrifices and losses, but not because of that, they backed down and submitted. On the contrary, all of them would like to “take action, try their best”, give their best for the Fatherland. It is a noble heart, a proud mettle, a great sense of responsibility for the country. Despite only having rudimentary weapons, the martyrs were still ready to go to war, fighting with guns and vehicles:

“Expenses to manage the drums, drums urging, stepping on the fence to see the enemy as well as not;

No one is afraid that the West will shoot small bullets, big bullets, rush to the door and rush in as if he didn’t have one.

The one who pierces, the one who slashes back, makes the evil ghosts stricken with horror;

the last summer, the group behind, the tin ships, the bronze ships with guns.

The martyrs bravely rushed into the battlefield, sacrificed themselves without hesitation, all of them volunteered: “wait for anyone to claim, who to arrest”, “don’t bother to hide back and forth”, “this trip”. poured into the hands of the tiger” even with rudimentary equipment. But let’s see how they entered the battle, how many words are so much epic, fiery mettle, fighting fire of a fierce and heroic battle. The image of the peasant soldier here has appeared as a hero in the middle of heaven and earth, in the middle of the battlefield. That image has mastered the great and fierce battle, it overwhelms all. With their rudimentary weapons, they have created a rare and stormy power: “smashing the fence”, “smashing the door”, “crossing”, “slashing backwards”. They have recorded glorious feats such as burning the house to teach religion, beheading the head of two officials, making the enemy extremely scared. Ca passage is a beautiful and heroic picture of a military station, evoking a scene of heroic and powerful fighting, determined to fight selflessly for the country. They sacrificed with an extremely noble concept of life ‘It is better to die with honor than to live in disgrace’, ‘It is better to die standing than to live on kneeling’. They would rather sacrifice than have to live with the enemy, determined not to share heaven with the enemy. That is also the good tradition of our nation never to give in. Although they were gone, the worry was that “its soldiers should close the Ben Nghe River, who makes dark clouds on all sides; My forefathers are still in Dong Nai, who can save a boat ward?

With generous and energetic words, for the first time in the history of national literature, Nguyen Dinh Chieu has erected a picture of a peasant’s heroic and heroic army. Indeed, history not only deliberately ignores the merits of building the country, but also naively because it rarely mentions the role of those brave people in defending the country. Without them falling down, bleeding, would there be Bach Dang, would there be Chi Lang… resoundingly resounding? But what is recorded is only the names of generals and kings… in a certain sense, the lament “Spread hundreds of them working for one person” is correct when it comes to forgetting about the peasants. mean offices.

After the battle, a tragic ending took place – the outcome was known in advance: They – patriotic people – had heroically sacrificed: “the flesh quickly abandoned”, “the horse skin covered the body”. Death is as light as a feather, but proud and fierce. Leaving, they still care for the country, for the people, they still continue to fight. That touching spiritual feeling also followed them to the heavenly place full of light. Reading such lines, no one can hold back their tears and sorrow: “Living to fight the enemy, the waterfall also fights the enemy, the soul follows to help the army, forever get revenge.”

They are no more but their will, their example remains forever to set an example for the living, to encourage people to continue fighting to avenge the invaders. The martyrs need Giuoc, we have seen their image again somewhere in the soldiers “fifty-six days and nights digging into the mountains to sleep in the rain. The heart is not wavering, the will is not frayed” to make the famous battle of Dien Bien Phu; or the brave anti-American people “Cutting along Truong Son to save the country / The heart is exposed to the future”,…

The Giuoc-level peasant hero has disappeared, but the image of literature remains forever. They have become immortal, their names shine forever, their names become immortal. They are symbols of heroism, patriotism. Writing about peasant martyrs who gave up their lives for their homeland and country, the work contains the author’s grief and sympathy. The author’s grief is boundless. From pitying for the fate of farmers who “run out of business” in everyday life to pitying them for having to die unjustly in an unequal battle. “Drop the river can Giuoc, the trees and grass for a few miles stretch; Looking at Truong Binh market, young and old, there are two small lines. The poet and everyone cried out of pity for the martyr’s fate. Not only that, the poet also felt sorry for the survivors: “In pain, the old mother cried and cried, the late-night lamp flickered in the tent, depressed, the weak wife ran to find her husband, the shadow drifted in front of the alley. “, expressed the author’s grief sincerely, earnestly and touchingly. He also shared their pain with them.

With the philanthropist Can Giuoc, Nguyen Dinh Chieu immortalized the image of a patriotic peasant fighting against foreign invaders. He has built an immortal artistic monument of the brave peasant hero in his work. The sacrifice is like a landmark, a proof of patriotism and the quality of a working farmer. Nguyen Dinh Chieu’s song of sacrifice to the martyrs of need Giuoc deserves to be a “song of those who are lost but still proud”. It deserves to be a majestic song of Vietnamese literature.

Nguyen Dinh Chieu (1822-1888) was a passionate patriotic Confucian who hated the enemy deeply. His life had to go through many tragedies, sufferings and misfortunes. Perhaps that’s why he felt more than anyone the pain of losing his country when the French colonialists invaded our country. In 1859, the French invaders invaded the Ben Nghe River and occupied Gia Dinh citadel, he had to go to his wife’s hometown in Thanh Ba, Can Giuoc to temporarily hide. On the French side, after capturing Gia Dinh citadel, they began to carry out the process of expanding the attack to the neighboring areas. Can Giuoc was soon overrun by the French invaders. The peasants in cloth clothes, with dirty feet and muddy hands, stood up to fight. They joined the insurgent army, ready to sacrifice for a great cause. Among them many martyrs have died heroically.

Those examples of sacrifice have caused great appreciation among the people. Do Quang, the governor of Gia Dinh, assigned Nguyen Dinh Chieu to make a sacrificial essay to read at the memorial service for more than twenty martyrs who died in the night battle on December 16, 12. With admiration and boundless compassion, Nguyen Dinh Chieu wrote the article Van Sac Can Giuoc. The sacrifice not only shows the infinite compassion of the author and the people for the martyrs of Can Giuoc, but also depicts the true, tragic and heroic beauty of the peasants. patriotism against the West.

Oh oh! The earth-shattering gun; the hearts of the people of heaven.

When the Fatherland was in danger, the whole country resounded with gunfire. It is from that danger and pain, the love of the country of ordinary farmers is shown, the true beauty of their souls is revealed to heaven and earth. The heart, love of the countryside and the country of the simple peasants are shown more clearly and deeply when the author has repeatedly used contrasting comparisons in the following sentences.

Remember the old spirit:

Quail business; worry about poverty,

Not familiar with the horse bow, where to go to the velvet school;

Only know buffalo fields, live in the village.

The hoe, the plowing, the harrowing, the transplanting, the hand is used to doing;

Practice shields, practice guns, practice marks, practice chess, never seen eyes

Before, they still lived, still existed, but only “doing business”. They still live, still exist, but only in silence. In life, they have the worry of simple everyday life; They are only used to doing farm work: plowing, harrowing, transplanting, picking, making friends with buffaloes and fields. They are not familiar with “horse bow”, “velvet school”, not familiar with “marking set, chess set”. The martyrs here are just cloth farmers, not used to battle, not trained, just because of their love and hate for evil, they stand up to fight the enemy. When “the sound of the wind and crane rose and fell for more than ten months”, they looked forward to the imperial court’s order: “Watching news is like a drought and waiting for rain”. It turned out that the tragic tragedy was here: the court was weak and did not understand the patriotism of the people. The peasants’ hatred for the enemy was uncontrollable:

The smell of fried semen has been patched for three years, hates habits like a farmer hates grass….

When I saw a white tire, I wanted to come and eat liver;

Watching the chimney run black, I want to go out and bite my neck.

The image of peasants and patriotic martyrs appeared bravely and heroically. The passionate love of the country that comes from their own hearts makes them beautiful and sparkling. The beauty of patriotic peasants and soldiers is reflected in their boiling hatred of the enemy. It was the hatred of the enemy that turned into a very heroic act of revolt.

Now wait for someone to claim, who to arrest, this time, please try to break it:

Not bothering to hide, escape, this trip is to the hands of the tiger.

In the works opposing the unjustified feudal war in the past, the peasants, when they had to go to work as border guards from afar to protect the king’s territory, they left with the mood and attitude of “stepping into the boat.” , tears like rain”, here, the farmer of Nguyen Dinh Chieu is completely different. They voluntarily and voluntarily stood up to fight to protect the country and the country, which is the most essential beauty in the actions of the peasants – the martyrs of Can Giuoc. Coming here, not only the beauty in the soul but also the beauty in the actions of the patriotic peasant soldiers has been clearly portrayed by Nguyen Dinh Chieu. From the spiritual motivation of voluntarily shouldering the historical responsibility that gave them great strength. They acted and stood up against foreign invaders. Not waiting to show his father, but only “besides the kidney, there is a cloth shirt waiting to bring a sack, a knife, in his hand holding a bamboo top, just buy a knife and a percussion hat”. The image of the farmer shown in the work makes us feel both proud and sad. The righteous people seem to act as the embodiment of a whole national strength.

Facing powerful enemies with “small bullets, big bullets”, “tin ships, copper ships” with professional invaders, but the weapon they use against is just “a cloth shirt”, ” a cymbal”, only “mill knives” and just “bowls of straw”. Let’s just say that bringing those things up against the colonial guns is like walking to death. It’s so painful to see that harsh truth unfold before our eyes. It was the tragedy of the martyrs who needed Giuoc, also the tragedy of our country’s life at that grim time. This tragedy led to a century-long loss of water.

But it is also from this tragedy that brightens up the beauty of the image of patriotic peasants. With tenacity, passionate patriotism, they have done extraordinary things, they have sung the national war epic. Despite the danger, despite the disparity and opposition of the fighting situation, they still decided to fight and win, using the spirit of self-sacrifice to make up for their lack and disparity with the enemy. enemy. The fighting situation is so different, but because the martyrs fight with their own spirit, the determination to fight is not afraid of sacrifice, so the fighting effect is extremely great. Only with rudimentary weapons like:

Fire apricots, beaten with straw, also burned the other religious house,

The sword worn with a milling cutter also cut off the heads of the two officials.

Someone who crosses, someone who slashes backwards, makes the evil ma’am terrify the soul…

With only rudimentary weapons, but patriotism and national spirit have created miracles. The image of the peasant hero appeared with a glorious beauty of patriotism, seemingly overshadowing the dark period of the history of dehydration in the second half of the nineteenth century.

The sacrifice is like a monument in words, carved into the image of heroic but tragic peasant soldiers, symbolizing the patriotism and hatred of the foreign invaders of his father. That monument is a landmark that represents a great tragedy of the nation – the tragedy of the loss of the country, and signals a dark period in our nation’s history – the one hundred years of French colonialism. But heroically, in that great tragedy, the indomitable spirit of the people of the South in particular and the people of Vietnam in general still shines brightly because of the noble ideal of the martyr Can Giuoc – they are ready to make sacrifices. for the great cause, for the nation.

The beauty of the farmer has long gone into folk songs, folk songs and literature. That beauty is exploited in many different aspects. Coming to the Can Giuoc philanthropist, we come across the image of a heroic and heroic peasant soldier. It is a very beautiful image, evoking love and strength to fight for eternity.

Can Giuoc farmers endure many hardships, working day and night in the fields. The sky looks calm for a good green crop. They work hard all year round, they live honestly and honestly. Despite being poor and lacking in material things, he still has a spirit of enthusiasm and enthusiasm. That has helped them have the courage to overcome all difficulties and hardships. Rise up, voluntarily stand up to fight with boundless patriotism, deep hatred of the enemy. When the enemy came, they fought, without waiting for the king’s decree, or fleeing for people, they fought bravely with an indomitable and steadfast spirit.

Rude combat weapons, thin clothes instead of iron armor on the battlefield, but still ready to face the challenges of the enemy’s guns and spears. Without swords or big hammers, but with hatred for the crimes of the enemy, with the spirit of “death for the Fatherland to make life”, they rushed into battle like a storm, not caring about death. The bravery and courage at the head of the storm, where death can come within a few minutes, but the clothed soldiers are still proud in the fierce battle. They fought with the spirit of “it is better to die with honor than to live in disgrace” and did not surrender, kneeling in surrender. They have devoted themselves to the two beloved motherland. There is no war without sacrifices and losses.

“It hurts so much, the old mother sits crying and the young one, the late-night lamp flickers in the tent,

Frustrated, the weak wife runs to find her husband, the driver’s shadow struggles in front of the alley.”

Despite many losses, when many people have to be widowed, how many children have to suffer from fatherlessness. But obviously, for the great cause they have firmly overcome and accepted. In the enemy’s hands are modern weapons in contrast to our army’s rudimentary combat tools, but we have won a lot of victories. Can Giuoc farmers have heroically sacrificed themselves in battle, leaving they still care for the people, for the country, they still continue to fight for the homeland:

“Live to fight the enemy, the waterfall also fights the enemy,

The soul follows to help the army for eternity vowing to take revenge.

Living to worship the king, the waterfall also worships the king,

The teaching is well-known, a warm word is enough to pay it off.”

The image of the peasants in the Can Giuoc philanthropist has inspired every person, especially the younger generation, to love the homeland. The spirit and sense of citizenship, ready to stand up when the Fatherland is invaded, are enthusiastic and brave young people, firmly fighting for the beautiful things of the nation. It is an image of noble and noble people, worthy of an immortal monument for thousands of years.

The patriotic Vietnamese peasants against foreign invaders have appeared for a long time, at least over ten centuries. But in literature, the image of that farmer really appeared only in the second half of the XNUMXth century with Nguyen Dinh Chieu’s article “Vatican to the martyr Can Giuoc”. It can be said that with this sacrifice, Nguyen Dinh Chieu created the first artistic monument of a Vietnamese farmer and martyr. It is a very beautiful, very realistic image full of tragedy – tragic but heroic – just like the fight that the Vietnamese people waged during the second half of the nineteenth century, for life, for independence, sovereignty of their own country.

Yet, though sad, the poet never despairs. With belief in the eternal strength of the Fatherland, believing in the patriotism of the people; simple and earnest people, the poet always looks towards a good future. The river will be clean of invaders, the shame of losing the country will be washed away.

“As long as the Holy Emperor’s grace shines through

A torrential downpour washed the mountains and rivers.”

(Waiting for the east wind)

It is a touching and powerful belief. Perhaps before Nguyen Dinh Chieu, there had never been a poet who composed with such a clear consciousness as him:

“How many ships do you carry?

These guys crashed pen space such evil.”

His religion is nothing but patriotism and love for the people. That is the source that makes his poetry and literature have great vibes, the source that brought Nguyen Dinh Chieu’s name to a glorious position in the country’s literature. Nguyen Dinh Chieu was very reasonable, very sharp when opening his tragic song:

“Oh my! The earth’s guns roar;

The heart of the people of heaven is revealed”

Indeed, through this struggle, through this harsh, semi-complete test, the patriotism of these ordinary peasants, the true beauty of their souls, was revealed to the heavens. soil. Before, they still existed, but no one knew about them. They are still there, alive, but living in the silence of oblivion. Nguyen Dinh Chieu, with great sympathy, realizes how hard their lives have been:

“Remember the old spirit:

Business quail,

To worry about poverty.”

How much information God contained in those eight short hours told us very well about the situation of the farmer in need of Giuoc, the Mainland farmer, who was also the Vietnamese farmer that day. Their silhouettes, small and lonely in life, toiling, wandering, quietly crouching in the fields, hunched over to bear the burdens of life, the harshness and calamities of nature. However, the word society seems to be clearly visible through each word. It seemed that all that hard work was more than enough for them; It seems that they, those hard-working farmers, can no longer think about anything, worry about anything more than those “poverty worries” which are already so great.

However, the invaders invaded the country, reached the villages, reached their homes. And, those people who were bending over suddenly stood up, stretched their shoulders, and they suddenly became giants like the boy from Giong May village thousands of years ago when suddenly hearing the message of the messenger. But there is a very different basic thing that the message to save the country is not sent from the king’s palace but from the hearts of the farmers in Can Giuoc. It is the hatred of the enemy boiling over the act of stealing the country:

“The smell of sheep has been patched for three years, and hates filth like a farmer hates grass.

When I saw a white tire, I wanted to come and eat liver;

Watching the chimney run black: I want to go out and bite my neck.”

As an inevitable nuclear reaction, the high hatred of the enemy gave rise to a high aspiration: the desire to fight the enemy. It is a completely natural and also completely voluntary desire:

“Waiting for someone to ask who to arrest, this time please try to break it;

Without even bothering to run back and forth, this trip is all about the tigers.”

The real farmer of Nguyen Dinh Chieu was completely different from the farmer not long ago, “Step into the boat, tears like rain” when he had to serve as a soldier to go to the border far away to protect the territory of his family. King. Voluntary fighting, that is the most essential feature in the actions of all true martyrs. Is it the continuation between the heroic Can Giuoc fighting foreign invaders and the heroic Luc Van Tien fighting robbers with the sole motive:

“Remember the saying that you don’t have any ideas

It’s also unheroic to be like that.”

Of all things, there is nothing greater than saving the country. Seeing the right thing, you have to do it, do it impartially, without profit, without hesitation, without waiting for the right conditions to do it. That is the tragic place of the farmer Can Giuoc, it is also the epic place of the heroic Can Giuoc. Tragedy because:

“For more than ten months, the sound of the wind and crane fluttering,

It looks like a drought and it looks like it’s raining.”

They started the fight at a time when the feudal court and their military officers should have waged that battle a long time ago, but they were “unmoved” in an inexplicable way. Tragedy also for them who:

“Not used to the bow and horse, where to go to the velvet school

Knowing only buffalo fields, living in the village,

The hoeing, the plowing, the harrowing, the transplanting… the hand is used to doing

Practice shields, practice guns, practice marks, practice chess… the eyes have never seen.”

Entering the life and death of the battlefield, those people only brought enough equipment to work as plowmen. Before the fierce enemy, there were professional soldiers who had all kinds of “tiny ships”, “small bullets and big bullets”, they were just peasants with no knowledge of the battle, only “one cloth shirt”, “a top of the net”, only “milling blade”. How different is the new battle! How that battle ended is clear. That is the tragedy of the martyrs of Can Giuoc, also the tragedy of our country’s life in that harsh period, the tragedy that led to the loss of the country that lasted for a century.

But it was in that tragedy that the epic of life was sung. The epic is first of all in the tenacity of the people who are determined to win, overcome the fear of failure to win, take the spirit, sacrifice themselves for the cause to make up for all their shortcomings and differences compared to the others. with enemies:

Expenses to manage the drums of the period;

drums urging, stepping on the fence to surf, consider the enemy as well as not;

“Let’s not be afraid that the Western guy shoots small bullets, big bullets, knocks on the door and rushes in, risking his life as if he had nothing…

The boys last summer, the eagles later, let go of the tin ships and the guns and guns.”

It’s exciting, it’s heroic, it’s heartwarming. It is true that they fought as brave great soldiers. Here, mental strength has been promoted to the maximum extent and to some extent, has shown its effectiveness against the power of tactics, weapons, and equipment:

Fire apricots beaten with straw, also burned the other religious house;

The sword worn with a milling cutter also cut off the heads of the two officials.

“… The person who stabbed the person in the back slashed the person, making the evil ma’am terrify the soul…”

In Vietnamese literature, until Nguyen Dinh Chieu, there was never such a heroic picture of a soldier’s fighting posture. The image of the farmer here is the crystallization and sublimation of the highest degree of what is inherent in them. In those wonderful moments, the Can Giuoc farmer went into eternity.

Nguyen Dinh Chieu has carved a statue of a farmer – the martyr Can Giuoc. But this is not a monument of one person, but of many people, of a heroic collective. Without that collective, it is impossible to have a beautiful harmony, a fiery atmosphere that overwhelms danger, overwhelms death, with the “swimming of the fence”, “the bucket of gold in”, with the “crossers, people slashing backwards”, “the summers first, the eagles behind” like that.

The statue of Nguyen Dinh Chieu has only one common name, “Can Giuoc” and each hero on it is anonymous. They lived the lives of the anonymous masses and died the deaths of the anonymous masses. They didn’t find anything for themselves when they fought. The only thing they sent back to the claimant, which Nguyen Dinh Chieu raised as a general criterion under their monument, was this philosophy of life:

“It is better to die with honor than to live with shame.

It’s better to go fishing to catch the enemy, it’s also honorable to go back to the ancestors

It is better to bear the initials of the West, living with barbarians is very miserable.”

Completing his monument, Nguyen Dinh Chieu left a final part for praise, mourning and respectful incense:

“Hero’s tears can’t be wiped dry, sorry for the two words heaven

The sage’s incense tree is lit up with more fragrance, bran by a kingdom sentence.”

The attack of dozens of insurgents on the French colonial fortress of Can Giuoc in 1863 was the first attack of the Vietnamese army and people, opening the resistance war against the French. The amount of damage that the insurgents inflicted on the enemy was probably not much. However, the real effect they created for the resistance war, for the nation’s history, with their fervent and carefree patriotism, their willingness to fight, their unconditional and wonderful courage. Theirs is huge. They deserve to be carved into monuments to enter immortality. Poet Nguyen Dinh Chieu has gloriously completed the task of the people’s artist when sculpting that monument.

In Vietnamese literature, up to Nguyen Dinh Chieu, there has never been a more real and moving image of the people than the martyr in his article “The philanthropist Can Giuoc”. Strictly speaking, before Nguyen Dinh Chieu, ordinary people also appeared in Vietnamese literature. However, it is either the fisherman, the woodcutter looming, near and far in Ba Huyen Thanh Quan’s poetry, or the ridiculous crowd, every day is a lump of earth, when the grass becomes the ” arrogant soldiers” rude in Hoang Le Nhat Thong Chi.

The farmer appearing in Nguyen Dinh Chieu’s work is completely different. They are really ordinary people, hamlets and unicorns, who have a cloth shirt in addition to their kidneys. The nature is gentle, simple, all year round, orphaned to do business, to worry about poverty. Inside the village’s bamboo ramparts, they only know the buffalo field, in the tribal village, they are well versed in farming:

The hoeing, the plowing, the harrowing, the transplanting, the hand is used to doing.

As the poet Thanh Thao later said, “they got into Do Chieu’s poetry. It is true that poet Nguyen Dinh Chieu had a bright heart to discover them, but first of all, even though they didn’t wear a hat, they still left behind mud stains to honor poetry. That is the patriotism and respect of the peasants.

When they heard the news of the enemy’s arrival, even though they were civilians, the peasants were still full of impatience. In the old society, national affairs were first of all the affairs of mandarins. The people listen to the mandarin and act as the people. People saw the mandarin and followed. Therefore, they wait for news like drought and rain. The eyes are still waiting, but the heart is clear:

When I saw a white tire, I wanted to come and eat liver;

Watching the chimney run black every day, I want to go out and bite my neck.

Patriotism is not exclusive to anyone. What’s more, for sincere farmers, when the smell of purity has been patched for three years, they hate filth like a farmer hates grass. Therefore, even though they are hamlets and unicorns, they have only one goal left in their hands, they are ready to sacrifice themselves for the cause:

Fire apricots beaten with straw, also burned the other religious house;

The sword used by the milling cutter also cut off the heads of the two officials.

Expensive to manage the drums, drums to urge, kick the fence to surf, consider the enemy as well as not;

No one is afraid that the West will shoot small bullets, big bullets, knock on the door and rush in, risking himself like nothing.

Those who cross, those who cut back, make evil codes, man ni souls;

the summer before, the eagles after, the iron train, the bronze train, the gun exploded.

The one-on-one confrontation between patriotic peasants and the enemy was an unequal confrontation. They lost their position from the very beginning when they stood up voluntarily, there was no one to organize (who demanded, who captured), no military book, no strategy. As for the enemy troops, they were well-prepared, with a scale and rules. They lost their position in battle, but in addition to their kidneys, they had a cloth shirt and a spear in their hand, while the enemy had iron ships, copper ships, small bullets, and large bullets. But even hatred and patriotism made the peasants abandon their iron trains and firearms, risking their lives like no one else. Everyone knows the ultimate price of that action. But the noble peasants know that more clearly:

A long dream that the word Hanh, which or horse skin wrapped corpses;

Hundred years of the underworld, waiting for the lobster sword to hand over the grave.

Peasant martyrs became “heroes who lost their lives but still stood tall” (Pham Van Dong). The image of a barefoot martyr first appeared in Vietnamese literature and took on a tragic shape. It is like a towering monument carved into space and time to say to all eternity that: Waterfalls pay off young water and then owe, the reputation of the six provinces is commendable; waterfalls but like communal houses and temples to worship, the name of which has gone on forever.

The attachment, love and admiration made Nguyen Dinh Chieu inscribe in his literary poetry the tragic image of a heroic man who needs Giuoc. That image carries the weight of an era of “heroic tears never dry” and the tragic love of the blind poet Dong Nai – Gia Dinh. The heroes “live to fight the enemy – the waterfall also fights the enemy”. And their poets have rebuilt that monument “thousand years” in the memory of people’s souls with literature.

Independence, freedom and happiness are essential needs of each country in particular and the world in general. The country of Vietnam has gone through thousands of years of history of the struggle for national liberation, through many hardships, hardships, sweat and blood of many heroes poured down to have a peaceful country like today. . The merits of the soldiers are always remembered through monuments, memorial days, moreover, they are also recorded in books to praise their feats. Nguyen Dinh Chieu is one of the writers who used his talent and enthusiasm to show the merits of soldiers. His sacrificial essay “Can Giuoc philanthropist” was written in the early days of the resistance war against the French in gratitude for the merits of peasant soldiers. Through the work, we can see how heroic those soldiers were. The enemy guns sounded, the peasants and soldiers stood up to defend the Fatherland:

“Ooh!

The earth-shattering gun; the hearts of the people of heaven show…”

At the beginning of the liturgy, the author must also say “oh my!” – an exclamation, it is a hatred for the enemy and also an exclamation for the people. Here, the author has used art to highlight the will of the farmers. “Enemy guns” and “people’s hearts” contradict each other, it opens a stormy battle, the opposition between the invading forces and the loyalty to defending the Fatherland. “Ten years of work to break the field” with “a righteous battle against the West” further affirms the spirit of those soldiers who are determined to fight to protect their homeland. Thought these soldiers were the elite soldiers of the court, but no, they were all cloth farmers with simple lives:

“Remember the old spirit;

Quail business; worry about poverty..”

The farmers wear cloth clothes with daily labor, work hard, take pains to earn a living. They are people who live attached to every inch of farmland and villages, they are not professional soldiers. Before taking up arms to fight the enemy, they didn’t know the battle, their hearts were simple with everything around them, “only knew the buffalo fields in the village”, their limbs were used to plowing and hoeing. They were simple peasants who did not know the weapons for war, did not know how to ride a horse, velvet school, did not know shields, guns, and marks… Yet, when the French colonialists invaded, they incarnated. quickly became brave soldiers, standing up to defend the country.

Hearing the news of the enemy, the people were indignant but did not expect to hear anything from the court. They voluntarily went to war to repel foreign invaders. Nguyen Dinh Chieu has skillfully used descriptive words that are very vivid and true, close to the people’s words. The combat situation was quite opposite. Those martyrs were only equipped with rudimentary tools, lacking “clothes, tops, machetes, bows …”. But that crude weapon did not stop their spirit. The invaders made those gentle farmers want to “eat liver”, “bite the neck” of the country robbers. The image of those soldiers was even more bold when they dared to confront the enemy’s advanced and powerful weapons “tin ships, copper ships, large bullets, small bullets …”. Nguyen Dinh Chieu used a lot of angular language combined with strong verbs such as “stab across, slash back, push, push…” to describe their fighting spirit. They fought bravely, heroically sacrificed themselves with a fiery spirit, “the spirit of attack is like a storm, and death is as light as a feather”. That rebel soldier sacrificed himself for the great cause of the nation, for a future of the country.

Those soldiers sacrificed for the nation, leaving pain for relatives, elderly mothers and children. Nguyen Dinh Chieu as well as his relatives and people suffered from the sacrifice. Their cry is sad and unrelenting because it continues to praise the merits of the martyrs, and at the same time it urges the next generation to continue their cause. Do Chieu has been very successful in the art of portraying characters. Under his pen, the image of the martyrs appeared majestically and fiercely. The voices are all tragic, but extremely heroic to praise the beauty of the heroic farmer Can Giuoc.

“Can Giuoc’s philanthropist’s literature” is a unique work that has praised the merits of the soldiers, it will forever be a literary poem that will live forever with time. The brave and courageous Can Giuoc martyrs will forever be a beautiful image and a great example for people to follow.

In literature, it was not until the XNUMXth century when Nguyen Dinh Chieu – a patriotic Confucian used his eyes of love and respect to write “Can Giuoc’s philanthropist” that the image of a farmer really appeared. It is a beautiful image, very true and full of tragedy, both heroic and painful in the fight for independence and freedom of the country.

Those farmers, they were not born to be Giong Phu Dong, Le Loi, Quang Trung… They are just people who wear brown clothes all year round, simple and blue. But they appeared in the stormy landscape of the times: “Oh! The earth’s guns rumbled, the hearts of the people of heaven revealed. They weren’t used to hearing gunfire. The sound broke their quiet life. A life from morning to night selling his face to the earth, selling his back to heaven, a life struggling with poverty concerns. Poverty has made them so small all day, “doing away”… With just one sentence, Mr. Do Chieu has drawn a vicious life cycle with no way out of the Vietnamese people, the “people of the village of the neighboring people” of the South. The ministry, starting with quail, struggled to make ends meet and ended up in poverty. Behind that village’s bamboo rampart, they know how the “horse bow”, “velvet school” in their eyes only “buffalo is the head of the fortune”. When it comes to hoeing, plowing and harrowing, the time to practice shields and guns is strange.

Thought they would endure it forever. But no, when the invaders have invaded the country, they are trampling on every piece of land, every clump of their own homeland. Now, in the “worries” there is not only poverty but also anxiety and worry:

“The sound of the wind and crane fluttering for more than ten months, it looks like it’s a drought and it’s raining…”

Seeing the “smell of fried starch” can’t stand watching, can’t sit still and wait. The court “abandoned” them, but how could they stop their passionate love for the country. Those invaders have robbed them of their flesh and blood, they have broken the peace in the countryside, how can they not hate it. That extreme resentment has turned ordinary small people into the giant Giong in the fairy tale. When the Fatherland woes, they do not hesitate to join hands. Patriotism has turned into a boiling hatred of the enemy:

“When I saw a white tire, I wanted to come and eat liver.

The day I watched the chimney run black, I wanted to come out and bite my neck.

A massive termite, let anyone cut snakes to chase deer.

The two suns and moons are so bright, there’s no place for people to hang goats and sell dogs.”

The passionate love of the Fatherland from the heart has made them beautiful and sparkling… Lac Hong’s blood flows through them along with the anger of patriotism stronger than weakness, stronger than death. The desire to fight the enemy, the desire to fight, the desire to protect the homeland inspired them, despite “waiting for forging practice”, “banning martial arts”, “displaying military letters”, not caring about themselves only. there is “a piece of cloth”. The Giong boys of the XNUMXth century came, “stepped over the fence”, considered the enemy as well as not.

Oh my, “a piece of cloth”, “a top of the mountain”, only “milling knife”, “straw bow”, can win “copper warship”, “small bullets”. Is that the tragedy of the martyr Can Giuoc or the tragedy of that grim period. They are farmers but they amaze the battlefield. Maybe that’s why the epic was raised in sobs. The battle may have taken their lives forever, but the spirit of self-sacrifice made up for the lack of force, the difference with the enemy.

“Expenses of management. Giong drums and drums urges… the gun explodes”

The image of the clothed martyr is engraved on that murky scene of smoke and bombs: The resounding sounds (last summer, looking back…) drastic movements (burning, slashing…). The clothed martyrs have become the heroes of a memorable time. In that rebellious posture, glittering portraits of people who carry the fate of the mountains and rivers on their shoulders. They know that they are only anonymous in the heroic nation, but the most noble thing they leave behind is a philosophy of life that is suitable for all eternity:

“It’s better to go to the water to catch the enemy, and to return to the ancestors is also honored, than to suffer the first word of the West to live with barbarians very hard.” That spirit, that will is still shining in every Can Giuoc people. Living to be slaves and minions of the West, it would be better to fight hard once and bring glory to the nation. “Oh stop!” – A cry full of resentment, a cry to the heart, a cry to say goodbye to the children of Can Giuoc forever lying on their homeland. They fell on the battlefield of fire and smoke. There is still unfinished business in the country, a glimpse of an old mother’s shadow with a glimmering light in the night

“Pain now! The old mother sat crying and the child, the late-night lamp flickered in the tent!

The weak wife runs to find her husband, the shadow fades in front of the alley.”

The martyr has returned to the ancient place, leaving his old mother, weak wife and children in the middle of the world… What will happen to them in the future when poverty is still pursued, when the debt of the country has not been paid.. “Tears. A hero can’t dry his wounds because of the two words “heavenly people, a hero’s incense tree lights up a lamp to make it more fragrant, thanks to a sentence of kingdom.”

Nguyen Dinh Chieu has sympathized to see, hear and build a monumental monument that is rustic, loving. Throughout the country’s literature, the image of a farmer has been mentioned many times. But before Do Chieu, no one had publicly painted and praised the hero’s image “just a villager who loves and acts as a recruit”. Moreover, the blowing into folklore has made his “Can Giuoc philanthropist” become a poem that is both heroic and tragic, but also very close and simple.

Do Chieu is just a blind poet – “the people’s troubadour”. But the image of the peasant uprising in the sacrifice gave us a glimpse of an entire era. Proud of the small people but still brave before the brutal force. Proudly on behalf of the people, soldiers, and martyrs who have fallen down to protect the integrity of the river. They are immortal monuments, saved forever.

The life of Nguyen Dinh Chieu is one of the shining examples of patriotism, love for the people as well as the will to face the enemy. That is reflected in the work “Can Giuoc’s philanthropist” when the author has portrayed the image of a farmer becoming an immortal monument of courage and resilience. The eulogy begins with the words “Oi!” resounds loudly. It was like a poet’s cry for a martyr, a painful sob for a dangerous country. The farmers come from poor backgrounds and are in need all year round. Their thoughts all year round is how to eat enough and dress warmly:

“The hoeing, the plowing, the harrowing, the transplanting, the hands are used to doing;

practice shields, practice guns, practice marks, practice chess, never seen before.”

They are aware of their status as lowly people and do not dare to think about national affairs – which is the business of the court. When the Lang Sa invaders came to rob the country, “for three years, the mandarins’ faces were not seen” – showing the cowardice of the mandarins and the court. The sight of dehydration made them unable to turn a blind eye. The intense patriotism inherent for thousands of generations has prompted them to stand up and fight against the enemy:

“Waiting for someone to ask who to arrest, this time please try to break it;

didn’t bother to run away and hide, this trip was directed to the tigers.”

They took on a difficult job – they didn’t care about life or death, just hoping to bring the country back to peace even though the enemy army was stronger and more powerful. The gentle farmers unite themselves into teams to fight. From a simple thatched cottage, they went straight to the battlefield without ever holding a weapon, never knowing about fighting. The awakening spirit grew even stronger when looking at the weapons in their hands. The weapons of the peasants were also very rudimentary, close to their lives: straw bows, milling blades, and sticks that could not be compared with bicentric guns and bronze ships. However, the sharpest thing is their patriotism and determination to defeat their enemies. It was when the author described the battle scene of the clothed soldiers that it was truly heroic:

“The arbor was beaten with straw, and the other religious house was burned;

The sword used by the milling cutter also cut off the heads of the two officials.

The one who crosses, the one who slashes back, makes the ghosts stricken with horror,

the ones last summer, the eagles later, let the trains and ships explode.”

No more images of gentle and simple farmers. When they stepped into the battlefield, their only thought was to defeat the enemy. The image of heroes in the middle of the battlefield, mastering the battle, overwhelms everyone. Their machetes and blades “smashed across and slashed backwards”, roaming, proudly occupying the entire battlefield space, making the enemy’s soul panic. The sound of their summer, their booing, drowned out the cannons of the bronze ships. “The straw with the bow, the blade of the milling cutter also burned the enemy’s station, and cut off the heads of the two enemies.” In the face of their strength, the ferocious enemy army became pitiful.

They fought bravely and died gloriously. The sacrifice of the martyrs of Can Giuoc is a valuable lesson they have left behind. That is the spirit: “It is better to die with honor than to live with shame”. Farmers must be attached by blood to every inch of the land of their homeland, then they will feel pain when they see the enemy encroaching on each piece of the country’s land. Then it would be better to fight and die, than to be humiliated in front of the enemies who robbed the country. They are a shining example for the Vietnamese people to follow and do, a lamp to illuminate the Vietnamese nation.

“Living to fight the enemy, the waterfall also fights the enemy,

The soul follows to help the army, vows to take revenge for all eternity…”

Nguyen Dinh Chieu’s affirmation about the merits of Can Giuoc martyrs:

“Hero’s tears can’t be wiped dry, sorry for the two words heaven and earth;

The sage’s incense tree is lit up with more fragrance, bran by a verse of the kingdom”

Their merits will be recorded in the history books. Future descendants must remember, respect and admire. The farmers are small, anonymous but have made a great contribution to the defense of the country.

In summary, through the above analysis, it can be seen that “Can Giuoc philanthropist” is a tragic statue of peasant heroes. They truly deserve the patriotic tradition of our people.

“Can Giuoc’s philanthropist’s literature” is the culmination of poet Nguyen Dinh Chieu’s compositions and also the most concentrated and profound expression of his patriotic and patriotic thought. With sincere sympathy and admiration, the poet has built an immortal artistic monument of the heroic peasant soldier during the historical period of the nation’s fight against foreign invaders. It can be said that Van Te is a tragic song about a peasant hero who dared to sacrifice himself for the survival of the country.

The first beauty in them is the spirit of voluntary fighting against the enemy, who are orphans working all year round, their daily concern is to have enough to eat and clothe, not to be hungry or ragged. They know their status is lowly in society, besides collecting taxes to pay enough, they don’t dare to think about big work. The state of affairs belongs to the king and mandarins and the court. But now, the Lang Sa invaders have invaded the country and spread the smell of fish for three years, but the faces of the officers are nowhere to be seen, even if they are just cowards running long. That scene made them unable to turn a blind eye. Patriotism forged from thousands of years ago in their blood boiling blood, they voluntarily stood up to fight the enemy:

“Waiting for someone to ask who to arrest, this time please try to break it;

didn’t bother to run away and hide, this trip was directed to the tigers.”

They received for themselves the extremely difficult and huge job: cut the glass, set the tiger, that is, fight against the enemy many times stronger than themselves. Their spiritual beauty is to dare to fight, to dare to sacrifice; wholeheartedly ask for efforts, hands, and dedication to the Fatherland. The pure god who dares to fight and dare to sacrifice is how beautiful it is when they are just villagers from neighboring villages, uniting themselves into a team to fight, not soldiers of the court. From the gates of their cottages, they charged straight into battle, with no training at all. That sage grew even bigger when looking at the weapons in their hands. It can be said that their sharp equipment is their patriotism and loyalty for the country, but their bows, knives, and sticks can’t be matched with dual-center guns and bronze ships. . Its sharpness, its ability to kill enemies is only in the heart, in the courage of those who hold knives and sticks, their beauty is so heroic, but next to that heroism is pain and sadness that wants to fall. tear! So let’s see them in battle. So many words are so much epic quality, fiery mettle, fighting fire of a fierce and heroic battle:

“The arbor was beaten with straw, and the other religious house was burned;

The sword used by the milling cutter also cut off the heads of the two officials.

The one who crosses, the one who slashes back, makes the ghosts of evil spirits,

the ones last summer, the eagles later, let the trains and ships explode.”

It’s great! Someone used a very expensive (but not expensive) way of saying that the image of a hard-working, poor peasant hero has emerged into a heroic image in the middle of the battlefield, mastering the battle, overwhelming. all. Their machetes and blades pierced and slashed back and forth, tossing and turning, and proudly occupied the entire battlefield space, making the enemy’s soul panic. The sound of their summer, their booing, drowned out the cannons of the bronze ships. Straw crouched, the blade of the milling cutter also burned the enemy’s post, and also cut off the heads of the two enemies. The passage is full of verbs, phrasal verbs that describe intense action, flaming enthusiasm. In front of these heroes, the ferocious enemy soldiers with guns and bullets swam across them as if they were cowering, short, pitifully shabby. It can be said that the image of the heroic peasant farmer Can Giuoc emerges in the fiery sky, standing like a magnificent monument.

The main emotions of the sacrificial essay are tragic emotions, well-written words, boiling and rushing intonation. The art of opposing has brought to its fullest effect. All combined into a heroic, exciting battle sound of a wonderful epic. The author’s pen is completely worthy of the noble action of the peasant hero, with the extremely great ideas that the author discovered in their voluntary act of killing the enemy to save the country. Nearly thirty peasant martyrs died in the fierce and unequal battle. Their tragic death made nature and humans all mourn: “Drop the Can Giuoc river, the trees and grass for a few miles stretch; Looking at Truong Binh market, young and old, two rows of small ones. People die for the country, for the nation, how can they not be touched by the people and the country?

The artistic monument of the peasant hero is tragic in nature. It was erected in tears, in the mournful cry of the poet and of the people. This is an outstanding artistic achievement of the blind patriotic poet Nguyen Dinh Chieu. The sacrifice is like a stele, a landmark, a glorious monument of the heroic Southern peasants, of the eternally shining working people.

“Can Giuoc philanthropist” by Nguyen Dinh Chieu is a tragic statue of a heroic peasant soldier. For the first time in the history of literature, the image of a farmer has been built so completely and beautifully. With this work, Nguyen Dinh Chieu completed the picture of the heroic and brave beauty of the farmer.

In 1858, the French colonialists invaded our country. In February 2, the French colonialists captured Gia Dinh and attacked the surrounding areas (Go Cong, Can Giuoc). On December 1859, 14, the insurrection of the Can Giuoc insurgent army won its initial victory: beheading a French official and quite a few colonial soldiers, capturing the enemy’s fort. On December 12, 1861, the enemy counter-attacked, twenty insurgents were killed. Therefore, the governor of Gia Dinh at that time, Do Quang, asked Nguyen Dinh Chieu to write a sacrifice to read in the memorial ceremony of the martyrs of Can Giuoc.

The image of the peasants is not something that has never appeared in medieval literature, Nguyen Trai’s work Binh Ngo Dai Dai once mentioned them: “Dream can vi Ky, Manh Le Chi Do Four Volumes” (Construction of the People’s Republic of China) sticks make flags, the four directions gather together). This is the first time the farmer is mentioned in literature, but because of the nature of a manifesto, Nguyen Trai has no conditions to clearly portray the farmer’s portrait, but only stops at affirming his position. their position and role in the resistance war against the Ming invaders.

As for the philanthropist Can Giuoc by Nguyen Dinh Chieu, for the first time in Vietnamese literature, the portrait and the spirit of the farmer were erected so completely. They are depicted from everyday life to spiritual life, from their simple and gentle appearance to their bravery and resilience, ready to stand up to defend the country. This is a new discovery of Nguyen Dinh Chieu for farmers – the core force in all resistance wars, but they are rarely properly aware of the historical role.

At the beginning, the author has generalized the context of the times and affirmed the position and meaning of the peasant soldier: “The enemy’s guns rumbled; people’s hearts are revealed/Ten years of hard work and broken fields, not necessarily famous as floats; a righteous battle against the West, although it lost its echo like a mule”. This is an era of great tragedy and humiliation, which has produced heroic peasants with passionate patriotism. The short sentence, with only eight words: “The enemy’s guns/people’s hearts, the earth rumbles/the sky is clear” evokes the atmosphere of the boiling, tense and fierce era of our people in the process of fighting the enemy. The two sentences, though short, have an important meaning, forming a pedestal to see the beauty of the peasant heroic monument behind.

The heroic peasants, when there were no invaders, they lived and worked with a life full of hardships and hardships: “Fuck off to do business, worry about poverty”. Their life revolves around the village’s bamboo ramparts, along with hard farm work: “only knowing the buffalo field, living in the village”, “hoeing, plowing, harrowing, transplanting, hands are used to doing” they completely unfamiliar with the practice of swordsmen: “practice shields, practice guns, practice marks, practice chess that have never been seen”. Their lives were attached to the village, to their homeland, so when they heard the news that the enemy was coming to invade, they put all their trust in the court: “Being in the sky is like a drought and it’s raining” and they carry it with them. deep hatred for the enemy: “When I saw a white tire, I wanted to come and eat liver; When I see the chimney running black every day, I want to go out and bite my neck.” Not only that, they are also people who have a sense of responsibility to their homeland and country when the country is in danger, although they cannot learn military tactics, they are willing to sacrifice themselves for the peace of their homeland and country.

The farmer, who pointed with a hoe and a plow, “in the righteous battle against the West, suddenly stood up and became brave and brave heroes”. Where are the silhouettes of people who only know in the village, with limited vision, in just a moment they have grown up with a boiling fighting spirit. Weapons are equipped with rudimentary equipment, most of them are daily living items: bamboo straws, scythe blades, milling knives, etc. But their spirit is full of spirit and enthusiasm rushing to fight. with the enemy: “stepping on the fence, see the enemy as not”, “smash the door to rush in, risking his life as if there is nothing”,… Very strong and drastic action: “the one who slashes horizontally, the one who slashes back does it.” for evil code, ghost soul scripture; the summer boys, the eagles later, the iron trains, the bronze ships, exploded”. The poem describes the heroic atmosphere of the match, the author uses consecutive verbs: pedal, surf, shove, rush, stab, etc. to help describe the heroic atmosphere, decisive action, and bravery. of people who for great cause forgot themselves.

When portraying the image of a heroic farmer, the writer completely uses realistic brushstrokes, their portraits are faithfully reproduced from their appearance, to their daily hard working life, etc. Nguyen Dinh Chieu has applied many artistic methods such as comparison (hating habits like a farmer hates grass…). In particular, the opposing tactics are used a lot: dashing forward / rushing in, stabbing horizontally / slashing back, cloth shirt, tops / large bullets, small bullets, etc. The above artistic tricks have contributed to portraying the heroic and tragic beauty of the heroic farmer.

Can Giuoc’s philanthropist literature is a heroic song praising the heroic, indomitable and resilient farmers. Their images and sacrifices are proof of passionate patriotism and the philosophy of our forefathers’ eternal life: “It is better to die with honor than to live in disgrace”.