Top 10 essays analyzing the character Thuy Kieu in the excerpt “Thuy Kieu sisters” by Nguyen Du

The excerpt “Thuy Kieu Sisters” is taken from the Tale of Kieu by the great poet Nguyen Du. This is an excerpt where the author has described the portraits of two sisters Thuy Kieu, the most prominent being the portrait of Kieu. Her beauty is a perfect beauty, beautiful, full of beauty – talent – love. But after all, Kieu’s talent could not go beyond the framework of the old feudal concept “Hong face silver destiny”.

After the general introduction of the two sisters and the portrait of Thuy Van’s own beauty, Nguyen Du took Thuy Van’s beauty as a background, highlighting Thuy Kieu’s beauty:

“Kieu is sharper and more salty…

Had demanded a sharp, two graphics resource officers”

Similar to the way to describe Van’s portrait, the author still uses the style of comparison, metaphor and convention. Using the way to describe and bring out the standards of nature to compare with the beauty of Kieu. It seems that for Kieu, the author has focused on evoking the beauty of the eyes, because the eyes are the windows to the soul, the expression of intelligence and intelligence. Both the sharpness of the mind and the sweetness of the soul are related to the eyes. The conventional image of “the autumn water lane” has vividly evoked a sparkling, clear, and flexible eyes. And “spring paint” describes delicate eyebrows on a youthful face.

Indeed, the beauty of Kieu is extraordinary and splendid, to the point of making nature jealous and envious. That proves that Kieu’s beauty has gone beyond the limits of natural laws, beyond imagination. That beauty has a strong attraction that makes it “tilt the water”, no ladder can be assessed. “Success has to demand one, talent can draw two” has absolutely affirmed that Kieu’s beauty is unique. But not only beauty, Thuy Kieu is also a smart and intelligent girl, very talented:

“Intelligence is inherently divine…

A Silver Heaven’s destiny is even more human.”

The author brings Kieu’s talent and wisdom to the top, because God is endowed with everything. The absolute words are used such as: inherent, mixed, full of smell, floor, eat, … According to the concept of feudal aesthetics, she is full of talents – exams – exams – paintings. The extreme leftist author’s talent is also to praise her special heart, the “Bac mah” chorus that Kieu composed is the voice of a sad and sentimental heart.

Thus, through the excerpt “Thuy Kieu sisters” we have seen a unique portrait of Nguyen Du’s Kieu. The beauty of Kieu’s talent and beauty has reached a great level, but it is that talent that foretells a turbulent and painful future in Kieu’s life. Although depicting portraits, beauty and talents, it reveals the soul and foretelling fate that is a rare talent of Nguyen Du.

Making the brilliant success of Nguyen Du’s masterpiece Truyen Kieu is not only in deeply reflected and humane content; The artist’s masterful art of “falling in love” is also in the way of building realistic and breakthrough character portraits. This is shown most clearly in the excerpt “Thuy Kieu Sisters”, which is the best in building a portrait of Thuy Kieu’s character.

The opening four sentences are a general introduction about two beautiful characters, the first two daughters of the family member of the Vuong family. Symbolic images combined with metaphors are rhetorical measures in ancient poetry and literature, showing that the beauty of the two sisters Thuy Kieu is really ethereal, pure as apricot as snow of nature. These newly-grown daughters were introduced concisely but respectfully by Nguyen Du:

“The skeleton, the spirit snow,
Each of them is ten-and-a-half ten.”

They are beautiful from the outside to the soul inside. After the general introduction is a portrait of Ms. Van. Still using conventional writing style combined with a system of selected words, the next four verses seem to draw before our eyes the image of a pure, innocent, very dignified, gracious young woman that easily blends in with the general public. around.

This is the perfect beauty of a gentle, pure, carefree person, without a single trace of dust from the “moon mold”, “his features” to his smile and voice. But the artist doesn’t seem to have much effort in describing this character. His pen is also for the character Thuy Kieu. The poet described Thuy Van, thinking that Thuy Van’s beauty could not be more than that, and then Thuy Kieu appeared, Thuy Van was just a background to enhance the beauty of Kieu. Just two sentences:

“Kieu is sharper and more salty,
Compared surface is the more talented back.”

As a lever, the poet has raised the main character to a great height in both talent and beauty before the eyes of the reader. At this point, the author does not stop at the outer appearance but delves into Thuy Kieu’s talent, inner personality, “salty sharpness”, “one or two leaning water”. If in her Van, the gentle, dignified beauty is easy to conquer around: Clouds lose hair, snow gives skin color, in Kieu, the “sharp and salty beauty easily causes jealous, sulky creatures: ” United jealous loser poor petal blue willow hon”.

Our ancestors have commented on the beauty of the two sisters Kieu, one is “the beauty of the gentle chi”, the other is the “the holy chi that is said to be so reasonable. In fact, the external beauty is remarkable, but more interesting is still the talent and personality of the character. The author has used many architectural sentences in a minor way to let Thuy Kieu’s talent and beauty be introduced to its critical level:

“Spirit Skeleton/Spirit Snow
Cloudy lose hair color snow ceded skin color
Autumn water / spring paint
United jealous loser poor petal blue willow hon
Had demanded a sharp, two graphics resource officers.”

And yet, Nguyen Du did not regret praising her with a series of words denoting absolute value: “Intelligence in nature” “Mixing the profession of painting, enough scent of singing”. yin, a private profession eats away at the lake, taking a zhang”‘. Without a single word pushing, the words and images are contrasted with each other and the words express absolute value, really creating a solemn and poignant rhythm, which further enhances Thuy Kieu’s talent.

Two different beauties but the construction style is the same. The author builds the image of a character with pure curves: autumn water, spring mountain, moon shape, facial features, hair of clouds, skin of snow, etc. Said to be Thuy Kieu’s sisters, but the poem is only intended to introduce introduce Miss Kieu with her sharp beauty, talent but sharp talent to the point of “jealousy” and “willow”, in which talent is the real thing.

In short, the short poem, complete and tight layout, the art of depicting the master, with skillful writing, shows the character’s charisma and personality, from the appearance, the inner self is revealed. make a deep impression on the reader’s heart, and predict what will come to each character: Thuy Van’s life will not know what “storms” are, while Thuy Kieu’s life will inevitably “fail”. , life “stage segment”.

World cultural celebrity – national great poet Nguyen Du is a genius poet of Vietnam. Mentioning Nguyen Du, people think of “The Tale of Kieu” – a masterpiece of Vietnamese poetry and literature. Along with the background of medieval literature and exploiting the topic of misfortune of women in contemporary society, in Nguyen Du’s poetry, special attention is paid to portraying the beauty, beauty and talent of the character. . The character Thuy Kieu is one of the characters that affirms the pinnacle of Nguyen Du’s writing style, the image of Thuy Kieu is most clearly shown in the excerpt “Thuy Kieu sisters”.

The excerpt “Thuy Kieu Sisters” is an introductory poem about Thuy Kieu sisters, it can be said that this is the best and most beautiful poem of the fairy tale. At the beginning, the poet briefly introduces Thuy Kieu’s background, position and beauty:

“First of all, the two women accused russia,

Thuy Kieu is Thuy Van’s sister.

Skeleton way snow spirit,

Each of them is ten-and-a-half ten.”

The family of Mr. and Mrs. Vuong Vien has two daughters and Thuy Kieu is the eldest sister in the family, she is described with beautiful metaphorical metaphors rich in sensuality “Spirit of the skeleton” – a ethereal beauty, graceful, pure and pure as apricot as snow. That beauty “ten of ten” means a perfect, comprehensive beauty with no shortcomings, at the beginning of the poem, the poet really aroused the readers’ curiosity to know about Thuy’s beauty. Kieu. However, the poet still does not directly describe the beauty of Kieu but describes the beauty of Thuy Van first, after erecting a portrait of Thuy Van’s beauty, Nguyen Du from that beauty asserts herself. Dinh Kieu is a great beauty:

“Kieu is sharper and more salty,

Compared surface is the more talented back.

Autumn water, spring paint,

United jealous loser poor petal blue willow hon.

One or two tilted the water to the side.”

The poet’s intentions are very skillful and highly effective, Van’s beauty is already too beautiful, causing the Creator to give up and give in, but Kieu’s beauty is even more beautiful, so beautiful that it makes me nature must be jealous, beautiful “tilt the water to tilt the city”. Her eyes are clear and bright like autumn water, her eyebrows are as delicate as the spring mountain shape, that beauty is tender, sharp and salty. Kieu’s beauty really went far beyond the standards of nature and the framework for women in contemporary feudal society. Nguyen Du’s poems are as beautiful and sexy as Kieu’s beauty, with a variety of pen styles combining metaphorical and anthropomorphic measures, creating a very beautiful silhouette. Still not stopping at beauty, Kieu’s comprehensive beauty covers both talent and beauty. “Success requires one, talent can draw two”, Nguyen Du did not regret the absolute beauty words to talk about Thuy Kieu’s talent. :

“Intelligence is inherently divine,

Mix the art of painting, enough smell of singing.

The palace of the five syllables,

A private profession eats away at the lake and takes a zhang.”

In Thuy Kieu, intelligence is already “inherent in heaven”, adding outstanding talent, outstanding in all aspects: Cam, exam, exam, painting, any art are good and “eaten” all over the world. Summer. She knows all the steps and plays the harp fluently, moreover she is also good at composing music, playing the lute and singing about the fate of the gods, causing pain and sorrow to anyone who listens. The words “inherent in nature”, “mixing the profession”, “full of smell”, “level”, “eat off” have shown an absolute value in Thuy Kieu’s talent. It can be said that, through Nguyen Du’s description of Thuy Kieu, readers have a strong impression of an outstanding and rare character image.

However, Kieu’s outstanding talent brought bad predictions about her future, about beauty the ancients had a sentence “Hong face silver destiny”, but about talent it said that “The word talent is associated with the word ear”. one rhyme”, in both aspects Kieu is outstanding, it is difficult to avoid the law of fate, the waves and tragedies in her later life. The outstanding female beauty Thuy Kieu is not only a perfect talent but also a virtuous daughter:

“The style is very ink red pants,

The green spring is about to arrive the next week.

Softly drooping the veil,

The wall is crowded with bees and butterflies.

She lives in an affluent, well-educated family, is well-educated, follows the framework of family etiquette, is polite, and leads a very restrained, discreet and disciplined lifestyle. That’s why, even though she was of age, she didn’t pay attention to those who were bees and butterflies.

The portrait of Thuy Kieu is a portrait of beauty, character and fate. Talking about the beauty and talent of Kieu, poet Nguyen Du has really appreciated and appreciated the beauty and dignity of women. Besides, the premonitions about the future of Kieu’s life show the poet’s humane compassion. The character Thuy Kieu in the excerpt “Thuy Kieu sisters” has highlighted the talent of the great poet Nguyen Du to portray the character in poetry.

In the excerpt from Nguyen Du’s Sisters Thuy Kieu, we not only see a beautiful Kieu girl with a beautiful beauty. But through the author’s ingenious poems, we also see that she is a talented person, rich and profound inner beauty. Nguyen Du used wonderful poems to talk about the beauty of Thuy Kieu:

“Kieu is sharper and more salty

Compared surface is the more talented back

Autumn water, spring paint

United jealous loser poor petal blue willow hon.”

Her face is not sketched in detail and completeness like Thuy Van, but only through her beautiful eyes the reader can feel all her wonderful beauty. That is also the talent of Nguyen Du. The author continues to use conventional pen to describe the beauty of Thuy Kieu: “Autumn water, spring paint”, how beautiful her eyes are, they are bright and clear like water. Fall. Thin, long eyebrows like spring mountains. Those eyes also evoke an extremely diverse and rich inner world, which is a sensitive and delicate soul.

She is more beautiful than nature, more than creation, her salty sharpness is “the flower of jealousy, the willow is less green”. The words jealous, hate show anger, anger of nature. Since then, it also implicitly signaled her turbulent and tumultuous life later. Kieu not only has beautiful beauty, but her talent is rare in the past:

“Intelligence is inherently divine

Mixing up the art of painting is full of the smell of chanting”

Her talent has reached the ideal level according to the feudal aesthetic concept of “holding, examination, examination, painting” is at its peak. Among those talents, the most outstanding is her musical talent, which has become her special forte, no one can match “a private profession that eats away at a harp”. Her talent is not shown right in the excerpt, but in another part it was affirmed by Nguyen Du: “The bow is in the moon, the move is under the flower”. The songs that she composed always bring a sad, dreary sadness, causing sympathy and moving people.

It seems that right from the music of a girl who has not been caught in the dust, is always surrounded and protected, but reminds me of the sorrowful sadness of women who have lost their lives. Those songs are like predictions about her own life. Reflecting on her life, experiencing many hardships, Kieu also admitted:

“Sir, this song is destined for

Prussia in the herd of childhood days

The bow picks up the old days

And the mirror of fate is now here”

Nguyen Du was very gracious when describing Thuy Kieu’s portrait. She appeared through his poems not only beautiful in beauty but also comprehensive in wisdom and spirit. She is a representative of the fate of women in the ancient society, with beauty and wisdom, but suffering from the beatings of life and feudal society. Feeling sorry for her fate, so throughout the poem, more than once Nguyen Du had to exclaim: “Hong face has a habit of rosy cheeks that fight jealousy”. To Huu also felt sorry for her life and wrote:

“Feeling sorry for Miss Kieu like a nation’s life

Talented, why is it so professional?”

Thuy Kieu’s portrait painting was erected mainly through symbolic conventions, taking nature to describe human beauty. But her beauty far exceeded those standards. Shows the beauty of creation. Using flexible language, rich in expressive value: jealous, angry, sharp, salty, etc., contributing to highlighting the beauty of Thuy Kieu’s “turning the water on the side”.

The excerpt shows Nguyen Du’s delicate and talented pen, affirming that his number one artistic talent is indeed a “wonderful pen”. Ta Kieu is not meant to describe her shape, but to highlight her beauty and wisdom. The verses about Kieu are also predictive of an erratic fate, a life full of difficulties. Thereby also showing Nguyen Du’s respect for the beauty of women.

Speaking of Nguyen Du, we can’t help but think of Tales of Kieu. Although the work is many years old, its vitality is still intact until now. Maybe Nguyen Du has left us a masterpiece, a work of genius. In that story, we remember the most character Thuy Kieu. Through the poems of the great poet, we can see the beauty of that silver-faced girl. At the same time, through that, we can see Nguyen Du’s progressive new artistic perspective on people.

First of all, the beauty of Thuy Kieu appeared, Nguyen Du introduced her as a beautiful girl. In her we see a perfectly beautiful girl, she is beautiful in beauty, soul, affection and talent. But it was that perfection that made Kieu’s life difficult and fateful in the feudal society – where a woman’s life could not be happy.

The first is the beauty of beauty, according to Nguyen Du, she has a heavenly beauty, there is only one in the world, never two. That beauty is expressed by Nguyen Du through verses in the excerpt from Sisters Thuy Kieu:

“Kieu is sharper and more salty

Seeing the talent surface is more part

Autumn water, spring paint

United jealous loser poor petal blue willow hon

One or two tilt the water to

Had demanded a sharp, two graphics resource officers”

That is the beauty of Thuy Kieu, a beauty that tilts the water into the city, making anyone who looks at it passionately wants to conquer. But those are just men, but with the beauty that makes flowers praise and willow, it makes other girls jealous. Indeed, because beauty is only one in the world, it is the natural scenery that is jealous of her, let alone human. Not only having a heavenly beauty for Kieu, she also has a talent that shows the beauty of the young ladies:

“The bow and arrow are the five syllables

One’s own profession eats away the lake with a chapter”

She fully converges what is the talent of the girls of the past. A girl at that time was considered talented if she could recite poems and play musical instruments. In short, holding, exam, exam, drawing. And the girl here is not only beautiful but also talented at playing the piano, reciting poems, painting scenes.

Having beauty and talent, Kieu is also very emotional and lives with respect for the people around her. First of all, her father, the act of showing Kieu’s affection for her father and family is that she decided to sell herself to redeem her father. Kieu’s father was harmed, that’s why Kieu decided to sacrifice himself, deciding to become a commodity to sell himself to redeem his father. Not only that, although that girl sacrificed the word love for the cause, she did not forget Kim Trong. She decided to give love to Thuy Van, her sister. She voluntarily knelt down to bow to me so that I could marry Kim instead:

“Trust me, I’ll accept it

Sit up for me and I will say

In the middle of the broken line

Glue sticks together to wear the excess silk to wear you”

On her wanderings in the world, Kieu met two men to whom Kieu felt most grateful. That is Thuc Sinh and Tu Hai. Those two gentlemen saved Kieu from the green building. Kieu lived with them as husband and wife. It’s not because Kieu is flirting, but because Kieu is repaying them. At the same time, it was the gratitude that made Kieu love them.

However, it is because of such talent that Kieu has a difficult life. Compared to Thuy Van, both sisters are beautiful, but her beauty is loved by others, not envious like her beauty. And Kieu entered the arduous journey, entered the life of a young man twice. Suffering from being a prostitute can stay with any man. That fateful life, but Kieu did not lose herself, Kieu twice committed suicide, showing that Kieu’s soul is still ashamed.

Through the beauty, talent and life of Kieu, we can see Nguyen Du’s progressive artistic conception of people. He highly appreciates, deeply sympathizes with life and people, especially small, unfortunate people, women. The people who were despised in society were still respectfully and lovingly mentioned by him. At the same time, he also generalized the brutal nature of feudal society, expressing his anger towards those who harm others only for money, trampling on the dignity of others.

He was the first person in medieval literature to focus on raising the issue of the status of women with literary and artistic talent. He mentioned some very new but also very important issues of humanitarianism in literature: society needs to respect spiritual values, therefore it is necessary to respect the subjects who created it. those spiritual values. “The Tale of Kieu” is imbued with the spirit of praising and appreciating the magical beauty of the couple’s love.

Here we see Nguyen Du, a talented artist who has brought an image of Thuy Kieu – representing talented but unlucky women in feudal society. It was that society that trampled on the qualities and beauty that were supposed to lead their happy lives. At the same time, the poetic era also showed the progressive artistic characteristics of his people.

The image of a woman who has long been involved in music and painting poetry fosters an abundant and endless source of inspiration. Although in the feudal society “respected men and despised women”, women had little opportunity to appear in literary works, but by the sixteenth century onwards, women had entered the medieval Vietnamese literature. Male in a very natural, very authentic way. We can mention a number of works such as: ” Truyen Ky man Luc ” by Nguyen Du, ” Truyen Ky new genealogy” by Doan Thi Diem, “Chinh phu reciting song” by Dang Tran Con…

All writers and poets focus on highlighting the good qualities, tragic fate, unfortunate life of a woman, but pay little attention to depicting the beauty, beauty, and unique talents of women. uniqueness of female characters. However, coming to the pages of Nguyen Du’s poetry through the work “The Tale of Kieu”, although also exploiting the unfortunate topic of contemporary women, Nguyen Du still pays special attention to depicting and portraying the beauty of portraits. , beauty, human talent, character. And it was his writing style that contributed significantly to the success of the work. This is shown through the image of the character Thuy Kieu in the excerpt “Thuy Kieu sisters”. First of all, in the first four verses, the poet gives an overview of Thuy Kieu’s position, background and beauty:

The first two women accuse Russia,

Thuy Kieu is Thuy Van’s sister

Skeleton way snow spirit,

Each person looks ten by one.

That is Thuy Kieu born in a family of Vuong, she is the eldest sister in the family. To introduce her beauty, the poet used a very evocative convention and metaphor: her character is graceful, graceful, and elegant like apricot tree; The spiritual attitude is pure and pure as snow. It is a perfect beauty, comprehensive from the inside out, from the appearance to the “ten-and-ten” soul. Thus, with only the first four short verses, the author has generalized the necessary information of the character, and at the same time highlighted the beauty of Thuy Kieu. From there, opening up the emotions for the whole poem, readers can see the inspiration to praise the people in the poem. After constructing the portrait and beauty of Thuy Van’s character, the poet focuses on describing the beauty of Kieu in comparison with Van’s:

Kieu is sharper and sweeter

Compared surface is the more talented back

Kieu’s beauty is different and superior to Van in both talent and beauty. It is intellectual “sharpening”; “salty” about the soul. First of all, the beauty and beauty of Kieu. Continuing to use the conventional method to symbolize the beauty of nature as a measure of human beauty through a series of images: Thu Thuy, Xuan Son, flowers, willows, Nguyen Du has shown the beauty. of a beautiful lady. But when describing Kieu, the author does not describe in detail like in Van, but on the contrary, the author focuses on one point of view, which is the eyes of “Lan Autumn, Thuy, Spring Son”: The eyes are bright and deep like autumn waters; elegant eyebrows like spring mountains.

This is the way to draw “label points” for the character. Because the eyes are the window to the human soul. And through those eyes of Kieu, we can see the pure, deep and strangely attractive soul of the character. Kieu’s beauty is a beauty that goes beyond the standards of nature and the framework of a feudal woman, so: “Flower jealous – willow hate” and even tilt the citadels, the country:

United jealous loser poor petal blue willow hon

One or two tilt the water to

The art of anthropomorphization (jealousy flower – willow grudge) combined with the art of exaggeration (idiom: Tilting the water into the city) has the effect of evoking the beauty of Kieu; and has the effect of predicting her fate and life. Because that beauty evokes contradictions and discord (different from Van: lose – yield: harmony, peace), so her life will surely be full of troubles and difficulties: “Thanh Lau twice, Thanh Y twice. “.

Next is the talented beauty of Kieu. If when describing Van, the poet only focuses on depicting beauty and beauty without paying attention to describing talent and soul, then when describing Kieu, the poet only describes a part of her beauty, the rest spends a lot on talent. ability: Sac had to ask for a talent to draw two. Only one verse that the poet has mentioned both beauty and talent. In terms of beauty, Kieu is number one, but in terms of talent, no one dares to be second before her. Kieu’s talent can be said to be one, not two in the world. Because she is endowed with intelligence, Kieu is full of talent in every field of art: holding – examination – exam – painting.

All have reached the idealization level according to the aesthetic concept of the feudal rites: “Mixing poetry and painting with the scent of chanting”. In particular, Kieu’s talent is emphasized in her talent: “The five-syllable level of the palace / The private profession eats the zither”: she memorizes the steps and plays the harp (ancient lute) fluently. Moreover, she is also good at composing music: “The song of the house is chosen by the hand, so the chapter / A fate of fate is even more human”. Every time she plays the piano, she sings the song “Bac fate” that makes the listeners suffer and sad. The song is the soul, the song that follows Kieu’s life, expressing a heart full of emotions and a life of turmoil and unhappiness.

Thus, through the above analysis, readers can see that the portrait of the character Thuy Kieu is a portrait of character and fate. Kieu’s beauty is a different beauty that makes nature jealous. Kieu’s talent is superior to other people, so it is certain that according to a common law of fate “Talent goes with the word Tai, one syllable” or “The word talent, the word well-mannered, hates each other”, so Kieu’s life is the life of a young man. life of red face silver fate, lewd and cruel.

Here we see the unique talent of Nguyen Du in portraying the character. From the portrait beauty, the poet expresses premonitions about the character’s personality, life, and fate. And although, at the beginning of the excerpt, the author introduces Thuy Kieu as her sister, and her sister is Thuy Van, but after that, the poet describes the character of Van first, Kieu later. It is an artistic intention of the poet in creating the “leverage” device. That has the effect of emphasizing and highlighting the unique beauty, outstanding in both beauty, talent and love of the character Thuy Kieu.

Therefore, although we use the same art of symbolic convention when describing the two characters, we see different levels of intensity in each person. The poet only uses four sentences to describe Van, the rest spends twelve sentences to describe Kieu; The author when describing Van only focuses on describing beauty, but when describing Kieu, “beauty has to ask for one, talent has to draw two”. However, every character appears very vivid, specific, authentic, with different beauty, personality, and fate. Closing the poem, Nguyen Du used beautiful words to evoke her life:

Very stylish in pink pants

Green Spring is about to arrive the next week

Quietly drooping the curtain

The wall is crowded with bees and butterflies.

Thuy Kieu lives in an affluent, very well-educated family and she is at the age of bunting her hair in a brooch, being allowed to marry and set up a family “until the end of the week”. The expression “Triple with veils” describes a discreet, very disciplined lifestyle of a well-educated child. Therefore, for the “bee and butterfly” men (only men who flirt with women without good intentions), Thuy Kieu never cared. The two ending sentences are pure and loving as if protecting and covering her. She appeared as a flower still pistil in a “smooth” scene, never once gave off fragrance for someone.

Through the portrait of the beauty and talent of Thuy Kieu, we can see that Nguyen Du really appreciates and upholds the beauty values ​​of women. The premonitions of a talented but unlucky human life are derived from the poet’s sympathy and compassion for people. That is the shining human beauty in the talented pen of the great national poet – Nguyen Du.

In the poem Dear Mr. Nguyen Du, poet To Huu wrote:

“Whose poetry shook heaven and earth,

It sounds like water echoing thousands of autumn words.

A thousand years later remember Nguyen Du,

Poetry is like a mother’s lullaby in the days…”

Nguyen Du is the genius poet of our nation. Tales of Kieu is a masterpiece of ancient national poetry shining with humanity, in terms of art, this poem is an excellent model in terms of language, description of scenes, descriptions of people, descriptions of love, narratives, etc. .. brings to our people much literary interest.

The poem introducing Thuy Kieu sisters is one of the best and most beautiful poems in Tales of Kieu. Thuy Kieu is the central character of the poem, a talented and beautiful young woman who has been portrayed by the poet in a charming and beautiful way. The poem consists of 24 sentences: the first 4 sentences introduce the two sisters, Kieu, who are the two women of Vuong Vien’s grandparents, the next 4 sentences talk about Thuy Van’s beauty, the next 12 talk about Thuy Kieu’s talent. The last 4 sentences of the paragraph praise the virtues of the two sisters Kieu. The two sisters Kieu have an ethereal, virginal beauty like “apricot”, like snow”, each with their own, perfect, perfect beauty:

“The skeleton, the spirit snow,

Each person has a look, ten centimeters and ten”.

Thuy Van’s beauty is the beauty of a “dignified” and “differently solemn” young woman – very noble: her “full” face is as bright as the moon, her eyes are phoenix, her lips are smiling like flowers. , voice as clear as jade.. What could be more beautiful than her hair, skin color? – “Cloudy lose hair color snow ceded skin color”. The poet used symbolic conventions to describe Thuy Van’s beauty, creating sexy metaphorical images. Ta Thuy Van first, describing Thuy Kieu later is an artistic intention of Nguyen Du to affirm Kieu as a great beauty:

“Kieu is sharper and more salty,

Compared surface is the more talented back”.

Thuy Kieu’s face is very beautiful “tilting the water to tilt the city”. Beautiful eyes as clear as autumn water, delicate and beautiful eyebrows like spring mountain shape; a loving, green beauty that makes “jealous flowers lose, willows are less green”. The poet’s personal writing style is varied and diverse: combining metaphorical, anthropomorphic, and even artistic methods with the subtle use of ancient poetic materials to create poems. sexy beauty. The silhouette of the beauty is sketched with two or three lines that break the convention but are very emotional, leaving the reader with many emotions and respect:

“Autumn water, spring paint.

United jealous loser poor petal blue willow hon.

One or two tilted the water to the side.”

Hoa Cong as given preferential treatment to Kieu all “Success has to claim one, talent has to draw two”. Innate intelligence “natural nature”, outstanding talent: talented poetry, good painting, good piano; Every art she is excellent at, also becomes a “vocation”, “eats off” the world:

“Intelligence is inherently divine,

Mix the art of painting, enough smell of singing.

The palace of the five syllables,

A private profession eats away at the lake and takes a zhang.”

Nguyen Du has spared no expense in praising Thuy Kieu with a number of words denoting absolute value: “inherent in nature”, “mixing jobs”, “all kinds of smells… floors… private professions are broken”. ..”

When describing Thuy Kieu’s talent, the poet not only speaks of the greatness of the present but also implies her prediction of her future, the beautiful beauty “jealousy… “Silver fate” that she composed “is more brainless” as it evokes in our souls a “fatal” obsession that the poet affirmed: “Blue sky habit of rosy cheeks fighting jealousy”, .. For nearly two centuries, this portrait of this beauty through the poem Sisters Thuy Kieu has left an affection in the hearts of millions of Vietnamese people. It was a warm and fuzzy feeling for Vuong’s first daughter, and that was Nguyen Du’s true talent in the art of depicting people.

Virtue is the root of man. Thuy Kieu is not only talented but also virtuous. She received an education according to the framework of the cult and the family ordination. Although living in the scene of “very stylish and red pants”, she has come to “record week” but she is a well-educated and virtuous young woman:

“The gloom drapes the veil,

The wall is crowded with bees and butterflies.

In short, Thuy Kieu is a beautiful character in Tan Thanh School. The poet Nguyen Du, with his humanitarian inspiration and talented poetic talent, describes Thuy Kieu in the most beautiful hexagonal poems. He gave the character a lot of love and deep respect. An ingenious combination of symbolic conventions, creative use of rhetoric, especially comparative metaphors, a refined, concise, symbolic and evocative poetic language to paint a portrait. the brightest poetic beauty in the country’s ancient literature.

Thuy Kieu has a foreign “background”, but under the genius pen of poet Nguyen Du, she appears with many good qualities, imbued with national identity. The human beauty exuded from Thuy Kieu’s image is the literary beauty of this poem.

The work of the great poet Nguyen Du’s Tale of Kieu is an outstanding work, because the story is not only successful in terms of content and plot, but also has great artistic value. Among them, Nguyen Du’s style of describing people, especially the description of the beauty of two sisters Thuy Kieu in the excerpt “Sisters Thuy Kieu”.

In the excerpt, Nguyen Du has specifically built the beauty of Thuy Kieu perfectly, complete in both form and interior, a unique beauty, excellent housekeeper that no one in the world can match. Nguyen Du was extremely profound and skillful when describing in detail Thuy Van’s character and then using it as leverage to highlight the beauty of Thuy Kieu:

“Kieu is sharper and more salty

Had demanded a sharp, two graphics resource officers.”

Presenting the feeling of the beauty of Thuy Kieu in the excerpt Thuy Kieu Sisters, the poetic description of the style, the author has used extremely subtle and ingenious methods of convention. The image of a girl is not only extremely talented and wonderful, but also has all the quintessence of talent in the world. It seems that the author has a very favorable affection for the character of Kieu, not only full of talent but also extremely deep inside Thuy Kieu, a filial, dignified and virtuous son.

Nguyen Du has used all his feelings and talents to describe Thuy Kieu, Nguyen Du’s Thuy Kieu shows up with the beauty of his eyes as clear as autumn water. Those eyes are so soft and gentle, attracting many glances, moreover, the eyes are combined with thin, thick eyebrows, showing the mountain shape of a spring mountain full of life. . The beauty of Thuy Kieu is a beauty of a noble soul, just by those eyes we can feel a springtime is blooming and full of dreams for the future of Thuy Kieu.

However, is it also a harbinger for Thuy Kieu’s fifteen years of wandering and turbulence, her fate and her tribulation in the future. Thuy Kieu is so beautiful that “Jealousy flowers lose to the willows, but they are less green”, that is, so beautiful that the flowers yield to the moon. Seeing Thuy Kieu’s beauty, even nature and plants must be ashamed because they feel that they are no longer as fresh and beautiful as Thuy Kieu’s beauty.

Author Nguyen Du has used the most favorable words to describe the beauty of Thuy Kieu – an extremely splendid beauty. That also seems to be an omen that the author has foretold for readers to foresee Thuy Kieu’s future path of many misfortunes. Because from ancient times, there is a folk saying that “Hong face silver destiny” Thuy Kieu with such beauty must be difficult to avoid “silver destiny”.

Through the portrait of Thuy Kieu, the reader has felt her unique and wonderful beauty, and at the same time saw that beauty is a beauty that brings many difficulties and challenges to the child. This girl is full of talent.

One of the unique features of Tales of Kieu is the art of description. Referring to the description, one cannot help but mention Nguyen Du’s style of describing people and the quote that is considered the best about Nguyen Du’s talent for describing people is “Thuy Kieu sisters”. In which the author pays special attention to Thuy Kieu’s beautiful beauty that is not confused with any beautiful girls.

The first four sentences give an overview of the characters Thuy Kieu and Thuy Van about the initial objective view:

“First of all, the two women accuse

Thuy Kieu is Thuy Van’s sister

The skeleton of the spirit snow

Each person looks ten by one.”

With conventional penmanship, the author has evoked the noble, graceful and pure beauty of the young woman in two sisters Thuy Kieu: “Apricot core, spirit snow” with apricot character, spirit like snow. It is the perfect beauty of the body, the soul of both are beautiful “ten of ten” but each has its own beauty. The first verse summarizes the character’s characteristics: “Kieu is more and more sharp and salty. but”. She is sharp in intellect and salty in soul. To describe the beauty of Thuy Kieu, the author must use up to 12 verses to be able to portray all of her:

“Kieu is sharper and more salty

Compared surface is the more talented back

Autumn and water spring paint

United jealous loser poor petal blue willow hon

One or two tilted the water,

Had demanded a sharp, two graphics resource officers.

Intelligence is inherently divine,

Mixing the art of painting is full of the smell of soaked songs.

Bow and love are five syllables,

A private profession eats away at the lake for a while.”

Describing the beauty of Kieu, the author still uses conventional images: autumn water, spring mountain, flower, willow. Especially when painting the portrait of Kieu, the author focuses on depicting the beauty of her eyes. The image of “Autumn water, spring paint” is a conventional image, and also a metaphor, evoking a beautiful, clear, glittering, flexible eyes like autumn water, feathers. You are as delicate as spring. Those eyes are the windows to the soul, showing the elite part of the soul and intellect. Ta Kieu, the author is not as specific as when describing Van, but only describes the eyes in the way of eye-catching – drawing souls for the character, evoking the general beauty of a beautiful beauty page. That beauty makes the flowers jealous, the willows angry, and the water slanted.

Nguyen Du does not describe the character directly, but describes jealousy, envy or admiration, fascination with that beauty, showing that this is a beauty with depth, charm and strange attraction. Beauty has hidden noble inner qualities, talent and special love of Kieu. Ta Thuy Van only describes beauty, and Thuy Kieu, the author describes one part, then spends two parts to describe talent. Kieu is very smart and multi-talented “Intelligent is inherent in heaven”.

Kieu’s talent reached the ideal level according to the concept of feudal aesthetics, meeting the requirements for holding, exams, exams, painting “Mixing the profession of painting with the scent of singing and singing”. The author described his talent as a forte, talent, her own profession “The palace of the merchant with the five syllables, the private profession that eats the lake and the one Zhang”. Not only that, she is also good at composing music. Kieu’s silver bow is the voice of a sad and sentimental heart

“The hand song chooses the chapter,

A god of silver destiny is even more brainless.”

Talented, Nguyen Du shows both Kieu’s love: Portrait of Thuy Kieu is a portrait of character and fate. The beauty that the Creator must envy, the other beauties must envy, the innate intellectual talent that is “hybrid” with all kinds of scents, the sentimental sentimental soul that makes Kieu unable to avoid a cruel fate, erratic, arduous fate because “The word talent, the word destiny, hate each other”. “The sky is blue, but the pink is jealous”.

Kieu’s life must have been a life of beauty and fate. It can be said that the author was very delicate when describing the character of Thuy Kieu: The author described the portrait of Thuy Van first to highlight the portrait of Thuy Kieu, praising both of them. Two but different colors in each person: only four verses are devoted to describing Van, of which 12 verses are devoted to describing Kieu, Van only describes beauty, Kieu both talent, beauty, and love are all specified. That is the leverage tactic.

In summary, the excerpt shows Nguyen Du’s unique character-describing style, depicting his own features of beauty, talent, personality, and character’s fate with classical art style.

For a long time, “The Tale of Kieu” by the great national poet – Nguyen Du has been considered a work of unique value, marking a remarkable development in both the content and art of the Nom story in the XNUMXth century. XVIII. Although, “The Tale of Kieu” by Nguyen Du was composed based on the novel “Kim Van Kieu Story” by Thanh Tam Tai Nhan in China, but Nguyen’s intentions, artistic ideas and artistic creativity Du in “Truyen Kieu” has new breakthroughs, imbued with profound humanistic, humanitarian, humanistic and human values. And one of Nguyen Du’s unique and ingenious artistic creations that made the work successful is the art of depicting people. This is shown very clearly, very specifically in the excerpt “Thuy Kieu Sisters” through the portrait beauty and talent of the character Kieu.

The excerpt is located at the beginning of the work, introducing Kieu’s family background. When introducing members of the Kieu family, the author focuses on describing the talents of Thuy Van and Thuy Kieu. After constructing the portrait and beauty of Thuy Van’s character, the poet focuses on describing the beauty of Kieu in comparison with Van’s:

“Kieu is sharper and more salty

Compared surface is the more talented back”

Kieu’s beauty is different and superior to Van in both talent and beauty. It is intellectual “sharpening”; “salty” about the soul. First of all, the beauty and beauty of Kieu. Continuing to use the conventional method to symbolize the beauty of nature as a measure of human beauty through a series of images: Thu Thuy, Xuan Son, flowers, willows, Nguyen Du has shown the beauty. of a beautiful lady. But when describing Kieu, the author does not describe in detail like in Van, but on the contrary, the author focuses on one point of view, which is the eyes of “Lan Autumn, Thuy, Spring Son”: The eyes are bright and deep like autumn waters; elegant eyebrows like spring mountains.

This is the way to draw “label points” for the character. Because the eyes are the window to the human soul. And through those eyes of Kieu, we can see the pure, deep and strangely attractive soul of the character. Kieu’s beauty is a beauty that goes beyond the standards of nature and the framework of a feudal woman, so: “Flower jealous – willow hate” and even tilt the citadels, the country:

“United jealous loser poor petal blue willow hon

One or two tilt the water to “

The art of anthropomorphization (jealousy flower – willow grudge) combined with the art of exaggeration (idiom: Tilting the water into the city) has the effect of evoking the beauty of Kieu; and has the effect of predicting her fate and life. Because that beauty evokes contradictions and discord (different from Van: lose – yield: harmony, peace), so her life will surely be full of troubles and difficulties: “Thanh Lau twice, Thanh Y twice. “.

Next is the talented beauty of Kieu. If when describing Van, the poet only focuses on depicting beauty and beauty without paying attention to describing talent and soul, then when describing Kieu, the poet only describes a part of her beauty, the rest spends a lot on talent. ability: Sac had to ask for one talent to draw two. Only one verse that the poet has mentioned both beauty and talent. In terms of beauty, Kieu is number one, but in terms of talent, no one dares to be second before her. Kieu’s talent can be said to be one, not two in the world.

Because she is endowed with intelligence, Kieu is full of talent in every field of art: holding – examination – exam – painting. All have reached the idealization level according to the aesthetic concept of the feudal rites: “Mixing poetry and painting with the scent of chanting”. In particular, Kieu’s talent is emphasized in her talent: “The five-syllable level of the palace / The private profession eats the zither”: she memorizes the steps and plays the harp (ancient lute) fluently. Moreover, she is also good at composing music: “The song of the house is chosen by the hand, so the chapter / A fate of fate is even more human”. Every time she plays the piano, she sings the song “Bac fate” that makes the listeners suffer and sad. The song is the soul, the harp that follows Kieu’s life, expressing a heart full of emotions and a life of turmoil and unhappiness.

Summary: Kieu’s portrait is a portrait of character and fate. Kieu’s beauty is a different beauty that makes nature jealous. Kieu’s talent is superior to other people, so it is certain that according to a common law of fate “Talent goes with the word Tai, one syllable” or “The word talent, the word well-mannered, hates each other”, so Kieu’s life is the life of a young man. life of red face silver fate, lewd and cruel.

Here we see Nguyen Du’s unique talent in portraying people. From the portrait beauty, the poet expresses premonitions about the character’s personality, life, and fate. And although, at the beginning of the excerpt, the author introduces Thuy Kieu as her sister, and her sister is Thuy Van, but after that, the poet describes the character of Van first, Kieu later. It is an artistic intention of the poet in creating the “leverage” device. That has the effect of emphasizing and highlighting the unique beauty, outstanding in both beauty, talent and love of the character Thuy Kieu. Therefore, although we use the same art of symbolic convention when describing the two characters, we see different levels of intensity in each person. The poet only uses four sentences to describe Van, the rest spends twelve sentences to describe Kieu; The author when describing Van only focuses on describing beauty, but when describing Kieu, “beauty has to ask for one, talent has to draw two”. However, every character appears very vivid, specific, authentic, with different beauty, personality, and fate.

Thus, with the conventional style of using the beauty of nature to describe the beauty of people, Nguyen Du has successfully portrayed the beauty of two sisters Thuy Kieu. Thereby, we can see the inspiration to praise the beauty, human talent and the premonition of a talented and human life in Nguyen Du.