The article analyzes the excerpt “Spring day scene” by Nguyen Du number 4
Nguyen Du was born in 1820, is a son of Tien Dien village, Ha Tinh. Being the son of a family with a long literary tradition, Nguyen Du inherited his literary ability from his family, along with his attachment and love for people, which brought a unique humanitarian color in his life. poetry Nguyen Du. Living in a period of social turmoil, having been to many places and having experience with people’s lives, he understood better than anyone the hardships and hardships that the people had to endure, because that was his heart. he always looks towards the miserable, sympathizes and gives them deep love and sympathy.
Tales of Kieu is Nguyen Du’s masterpiece written about the life and fate of the talented and talented girl Thuy Kieu, not only excelling in portraying the portrait and fate of Kieu but Nguyen Du also has the talent to describe her. describe the master nature, we can see this clearly in the excerpt Scene of Spring Day.
Not only succeeding in portraying the character, Nguyen Du also brings us poems about nature that are sexy, beautiful and peaceful. The excerpt “Scene of Spring Day” is one of the best and smoothest descriptions of nature in the work. “Spring day scene” is behind the description of Thuy Kieu sisters, opening with four smooth verses introducing the spring scene:
“On the spring day, the swallow took the shuttle
Optical Thieu was past sixty nine decades
Green grass to the horizon
There are some blossoms on the white pear branch”
If summer comes, phoenix cicadas cry, winter comes snow falls, and eagles are bare of leaves, when spring comes, there are swallow wings. The swallow is the representative of spring, the representative of heaven and earth on spring day. At this time, the sky is cloudy with deep blue sky, there is “thin light” – a magical, beautiful and warm light, with swallow wings flying in the middle of space.
“Green grass to the horizon
There are some blossoms on the white pear branch”
The young green lawns stretch like carpets, far away from the “horizon” to open up a large, green space with new vitality, bringing both the hope of peace, luck and compassion. If in the sky there are silhouettes of lovely swallows, then under the horizon there are lush green lawns.
And here are the pure white pear petals, which are dotted naturally but harmoniously so the green background of the leaves, the white color of the pear flower has a sexy, attractive and attractive feature. In ancient Chinese poetry, there are also verses describing the spring period in March with very beautiful verses: “Phuong Thao Nien Bich Le has flower points”.
Nguyen Du in this work also used creatively to write about the nation’s spring, Vietnam’s spring, and nature with the soul of Vietnam. If the old verse evokes spring with flavors and lines, in Nguyen Du’s poetry not only colors and lines, but also the gentle but delicate movement of pear petals through the art of inversion, push “white” before the word “point”, making the pear blossom as if blooming in the spring air.
It can be seen that, with only those first four verses, Nguyen Du has painted a picture that is both spacious, peaceful, and lively and joyful. It seems that people’s hearts are also relaxed, happy, and excited to enjoy the wonderful nature right now.
Spring is the season of joyful reunions, walks, joyful festivals. In Vietnam, in the third period of the lunar calendar, there is a traditional festival of pedaling and digging. Nguyen Du also recreated the scene of this festival through verses:
“Thanh Minh in the March period
Mass grave was the springboard algae bar”
The club is the place where everyone’s spring trip takes place, especially boys and girls who are in their springtime, those are the happy days that people eagerly look forward to. Grave cleaning ceremony is an occasion when everyone in the family returns, cleans up grandparents’ graves, lights up the graves and burns incense to commemorate the deceased as a way of gratitude and deep gratitude. Nguyen Du, with his subtle feelings, recreated this festival scene through the following verses:
“Nearly far away, I love you
The girls are shopping for spring
Suppressing the handsome actor
Horse cars such as water wedge clothes”
The art of words is used ingeniously through a systematic combination of compound adjectives and compound nouns to paint a joyful, excited, and eager party scene. “Sisters” everyone buys themselves beautiful clothes to attend the festival, near and far, “beauties, amateurs” go out hand in hand, invite each other to date, on the way are “horses and carriages” crowded, on splendid clothes, they chirped like flocks of birds flying to the place of entertainment.
And somewhere, we see the wonderful silhouette of the beautiful Kieu sisters in it, they are also immersed in the joy and vitality of youth, of the beauties of youth at this time. After the fun part, comes the sacred and solemn ceremony:
“Straighten mounds pulled up
Gold coins sprinkled with ashes of flying banknotes”
Standing in front of the souls of the deceased, people can’t help but feel sad, nostalgic, the “squandering” of the soul. The slow rhythm of the poem is sad as if to express the sharing, the feelings of people in the world are always praying, hoping for the best things to send to their ancestors.
Then every fun comes to an end, every meeting has a parting time, invites you to have fun at dawn, laugh and talk, it’s already late in the afternoon, everyone has to leave in regret. , sadness:
“The evil shadow leans to the west,
Poetic sisters left with their hands out
Step by step along the small hill
Views landscape with bar bar surface
No wonder the water flows around
Last occasion a small bridge crossing rapids”
When the afternoon light falls, it is also a time when people’s hearts are full of anxiety. If the spring space in the first sentences is expanded and liberal, now here, the space seems to be narrower, the scene is calm and a little sad. Kieu sisters’ heart “poems” to bring each other back, but their hearts still regret the fun.
The spring scene in the evening is gentle and quiet, but not as cheerful and lively as before. The words “small”, “sound”, “nao” evoke feelings of fluttering, nostalgia. In this last paragraph, the author has used the unique art of “depicting the allegorical scene”, the scene has the color of the mood, evoking the mood of the people at that time.
Good poetry is not only beautiful, but it also has love in it. Good poetry not only expresses the dream, the heart of the poet, but also expresses the desires and dreams of those who enjoy it. The excerpt “Scene of Spring Day” shows a sensitive, delicate soul and outstanding talent of the great national poet Nguyen Du.
The article analyzes the excerpt “Spring day scene” by Nguyen Du number 3
Spring is the season of fragrant flowers and exotic herbs, the season of folklore festivals, spring has more than once entered the poetry of Nguyen Trai, Tran Nhan Tong, Han Mac Tu… Coming to the beautiful spring picture of Nguyen Du in “Spring day scene”, the festival’s spring adds a new flavor.
From the high hill, spring opens before our eyes an endless space in the warm morning sun of heaven and earth. At this time in March, the sky is not quite as clear as the autumn sky, but it is enough to print the bustling swallows flying:
“On spring day, the swallow took the shuttle
Optical Thieu was past sixty nine decades”.
The “swallow” of the swallow’s wings or the spring time itself passes quickly. On the background of that vast space, a picture of spring is as beautiful as a brocade painting with embroidered flowers:
“Green grass to the horizon
There are some blossoms on the white pear branch”
The green color of the grass as a background for the white picture of pear flowers adorns the picture more pure, gentle, and seductive. Nguyen Du has completed two key themes to describe spring, such an elegant spring is the same. We have seen the spirit of spring in Nguyen Trai’s poetry:
“The grass is as green as the fresh spring smoke
There is spring rain again, the water is patting the sky.”
Or this is the image of spring on a hillside in Han Mac Tu’s poem: “The waves of green grass ripple to the sky”. And here is the scene of the jubilant festival:
“Nearly far away, I love you
The girls are shopping for spring
Suppressing the handsome actor
Horse cars such as water wedge clothes”
There are so many “beautiful actors”, “stretching” shoulder to shoulder, foot after foot in the rhythm of the busy flow of people, the horses and carriages are rolling, the clothes are beautiful and colorful. The metaphorical way of saying “sorry for your nest” conjures up the image of a group of people traveling in the spring, chirping and joyful like a swallow or a bird.
But the most beautiful and splendid are still the young men and women, they are the soul of the spring picture. The festive atmosphere is described in detail by our great poet. It is a long-standing cultural beauty of the Eastern people. At the same time, it also shows the “style” of Thuy Kieu sisters. It was late afternoon, the sun had set over the mountain:
“Evil, the shadow turns to the west
The sisters wandered away with their hands out.”
The rhythm of the poem is slow like light footsteps like the longing of people when the festival is over. The scene is still sound still light but all moves slowly. The sun is gradually receding to the west, the footsteps of people are “loaming”, the water flows gently. But there is no more festive atmosphere.
The “whispering” of the water or the fluttering of the flow of people. Apparently the spring scene in the late afternoon was tinged with mood. The great poet seems to be foretelling that something is about to happen and will happen. In just a few minutes, Kieu will meet Dam Tien’s grave, will meet the pompous scholar Kim Trong.
With the talent of subtle observation, the sensitivity of a poetic soul, the use of vivid words and images, Nguyen Du wholeheartedly paints a picture of spring that is beautiful, soulful and unique. . It was his love for nature, country and people that inspired him to be passionate about life, keeping in the treasure of Vietnamese poetry a very special spring picture.
The article analyzes the excerpt “Spring day scene” by Nguyen Du number 9
The Tale of Kieu is a masterpiece in Vietnamese literature and is well-known to many people. In the middle and high school curriculum, many excerpts from Tale of Kieu are included to teach and introduce to students. The most typical is the excerpt Scene of Spring Day.
The excerpt is at the beginning of the work and is a verse that favors the scene. The spring day scene consists of eighteen verses and from verses 39 to 56 in the work of Tales of Kieu. The poem describes the scene of “beautiful men and women” who are eager to travel to spring, but the central image in this poem is Thuy Kieu’s sisters. At the beginning of the excerpt the author wrote:
“On spring day, the swallow took the shuttle
Optical Thieu was past sixty nine decades
Green grass to the horizon
There are some blossoms on the white pear branch”
With the typical striking style in ancient literature, Nguyen Du has sketched a picture of a spacious and colorful spring. Spring day is associated with the swallows that are migrating back after going to avoid the cold winter. Spring sunshine brings warmth and freshness to dispel the gloom of winter.
On the ground is the young grass stretching and adorned with white pear blossom branches. We can only imagine how beautiful and beautiful that scene was. Many colors from the sun, swallow wings to the color of flowers and grass seem to be blending together to create harmony and eye-catching scenery. Nature is brilliant in the spring sunshine, in the ripe spring.
After describing the scene of a spring day, the next eight verses the poet described the festival scene in the Qingming period:
“Qingming in the March period
Mass grave was the springboard algae bar
Near and far, I love you
The girls are shopping for spring
Suppressing the handsome actor,
Horse cars such as water wedge clothes
Messy piles pulled up
Gold ingot sprinkled with ashes of flying banknotes”
Through the poem, we can easily see that the spring festival consists of two main activities taking place at the same time, which are grave digging and pedaling. Tomb is a long-standing custom of our nation. On the occasion of Thanh Minh, people go to clean the graves of their ancestors and deceased relatives and sprinkle “gold ingots” or “burn paper money” to remember and pray for good things.
But besides that, on this beautiful occasion of the beautiful earth and sky tinged with spring colors, it is also the occasion when festivals and fun events take place. There are many unmarried young men and women, they meet and chat in the hope of finding the other half of their life.
In the above poem, the author used a series of descriptive words to describe the bustling atmosphere of the Qingming occasion. In that crowded line of people, there are sisters, amateurs, and beauties with well-prepared horses and costumes. And in the midst of that crowd, there were three sisters Thuy Kieu who were particularly interested and described by Nguyen Du. The verse “Sisters prepare a spring walk” is the hidden meaning for the appearance of Thuy Kieu sisters in the last six verses:
“The evil shadow leans to the west
Poetic sisters left with their hands out
Step by step along the small hill
Views landscape with bar bar surface
No wonder the water flows around
The small span of the bridge at the end of the crossing rapids”
The scene of a spring day is truly a poetic description of the scene. Thuy Kieu’s sisters’ names are not mentioned directly, but readers can still imagine the scene of the three sisters’ spring travel. This is also the opening event for Thuy Kieu’s life in the “meeting” part. The last paragraph depicts the scene of the afternoon and the Kieu sisters having to return home. Just a while ago the scene was still bustling, but it was time to end and go home.
The mood of the two sisters is “roaming” because no one will ever be happy when they are having fun. On the way back, the scene also became quieter. There are not many people busy, the atmosphere is not as bustling as before. The scenery is serene and gentle under the spring sunlight of the late afternoon. But all day Thuy Kieu met the unfortunate grave “Dam Tien” and the monk accidentally met the scholar Kim Trong. A fateful meeting and still entangled until later.
With the style of depicting the allegorical scene as well as the rich figurative and descriptive language, the picture of the spring day becomes beautiful and attractive. This is also one of the most beautiful scenes of Tales of Kieu.
After introducing the family background of Vuong Vien’s grandmother and introducing the beauty of Thuy Kieu sisters, Nguyen Du described the scene of a spring day in the Qingming period, the three sisters invited each other to go for a spring walk. The structure of the poem in chronological order. The first four sentences describe the spring scene. Eight sentences continue to describe the Thanh Minh period.
The last six sentences are scenes of the return of the Kieu sisters. The beautiful spring nature picture is woven with typical images, selected words and exquisite descriptions by Nguyen Du: In spring, the swallow shuttles the shuttle, Thieu Quang is ninety and over sixty. Grass Young green to the horizon, White pear branch with a few flowers. Time flies like a shuttle. It’s just January, February, now it’s March.
In the vast air, the swallow’s wings are still fluttering. With just two sentences: the young grass is green to the horizon, the white pear branch with a few flowers, Nguyen Du has shown the spirit of spring. The young grass spreading to the horizon is the main color as the background for the spring picture. On that immense green background, there are a few snow-white pear flowers. The wonderful harmony of colors evokes the fresh, pure, vibrant beauty of spring.
The next eight verses describe the festive scene:
Qingming in the March period,
Mass grave was the springboard algae bar.
Near and far away, you’re hungry,
The girls are shopping for spring.
Suppressing the handsome actor,
Horse cars such as water wedge clothes
Chaotic mounds pulled up,
Gold coins sprinkled with ashes of flying banknotes.
At the beginning of March, the sky was clear and the air was cool with a bit of the cold of Nang Ban’s cold, making the grass and flowers lush. According to a long-standing custom, during the Qingming period, people go to graves, that is, visit and repair the graves of their loved ones to express their memory and gratitude.. The festival atmosphere is bustling. , crowded.
Comparative metaphors: eager to eat the nest, horses like water, clothes like wedges conjure up images of groups of people going out in spring like swallows and birds chirping. The Spring Festival is busy and bustling with young men, women, amateurs and beauties from all over the world.
Around the graves, people sprinkled gold, silver paper, arranged offerings, lit candles, burned incense to pray .., Smoke drifted in the air, fragrant aroma pervaded an area. The yin and yang difference has almost been erased. The deceased and the living harmonize in the sacred spiritual realm, amidst the poetic natural scenery of spring. The last six verses describe the scene when Thuy Kieu’s sisters returned from spring travel:
the shadow turns to the west,
The sisters knitted their hands and left.
Step by step along the small hill,
Views of the grassy landscape.
No matter how the water flows around,
Last occasion a small bridge crossing rapids.
The scene still has the delicate and calm features of the spring afternoon: light sunshine, clear streams, a small bridge span across the end of the rapids. Every movement is very gentle: the sun slowly recedes to the west, people’s footsteps slowly wander, the water gurgles around..,
The space is quiet. The hustle and bustle of the festival is no more. The words slanderous, wandering, barbaric, nao not only express the nuances of the landscape but also the human mood. These two words have been tinged with the color of the heart. The joyful feeling that the spring festival scene brought to everyone just recently, but Kieu seems to have a premonition of something, something sad is about to happen.
Sure enough, the winding water led Kieu’s footsteps to Dam Tien’s cold and desolate grave and after that, she will meet the scholar Kim Trong, who has a great personality. Through the excerpt, we can see the artistry. The skillful depiction of Nguyen Du.
The poet has skillfully combined narrative and description, using words rich in figurative substance to describe the scene of spring day. The poet’s subtle allegorical writing style also partly reflects the mood of the character he loves.
The article analyzes the excerpt “Spring day scene” by Nguyen Du number 1
If in the excerpt “Thuy Kieu Sisters”, the reader can see Nguyen Du’s artistic talent of describing people in portraying the charming and talented portraits of the two sisters Van – Kieu, then come to the passage. From “Scenery of Spring Day”, readers can once again see Nguyen Du’s unique art of depicting scenes and love in spring paintings imbued with the human soul.
The excerpt “Spring day scene” is right after the description of talent and beauty of Thuy Kieu sisters. Through the poem, Nguyen Du created a picture of nature and the spring festival in the Thanh Minh period so bright and vivid. This is a premise, leading the situation so that during Kieu’s spring trip, Kim – Kieu met and freely engaged…
First of all, the four opening verses, with the unique art of punctuating more or less evocative, Nguyen Du created a picture of a beautiful spring nature, rich in spring energy:
On the spring day, the swallow took the shuttle
Optical Thieu was past sixty nine decades
Green grass to the horizon
There are some blossoms on the white pear branch.
The first two verses have the power to evoke both time and space. The spring day has gone by so quickly like a shuttlecock. The whole spring has ninety days, now January and February have passed and the third month has passed. The light of spring day is gentle, clear, spreading, spreading everywhere.
In the high sky, flocks of spring swallows are fluttering and flying. Under the ground was an endless shelf of green grass that ran into the distance. The verb “to end” makes the spring space seem to be expanding, expanding more and more in amplitude and covering the whole spring space is a green color of grass and leaves. On that verdant grass background are pear flowers with a few white colors evoking purity and freshness.
The inversion method has the effect of highlighting and highlighting the white power of pear flowers on the background of spring grass. With only four short verses, but under the pen and description of the spirit, Nguyen Du has created a picture of pure spring, pure, pure and full of vitality, bearing the breath of the Vietnamese spring soul.
The next eight verses are the scene of the festival – the festival in the spring Qingming period. In the first two verses, the author gave an overview of the two main activities of spring: the ceremony of digging graves and the festival of pedaling in the spring period in March.
Thanh Minh in March period
Mass grave was the springboard algae bar
Grave cleaning ceremony is a cultural beauty, symbolizing the morality of gratitude and gratitude to ancestors by repairing the graves of deceased relatives. After the festival is over, this is also an opportunity for talented boys and girls to meet, date, and make love in the pedaling festival. The jubilant, bustling and busy atmosphere in the Spring Festival days has been described by Nguyen Du through a system of words rich in shape and expression:
Near and far, I love you
The girls are shopping for spring
Suppressing the handsome actor
Horse cars such as water wedge clothes.
Compound words (near and far, nest brother, sister, horse carriage, clothes) combined with lewd words (excited, anxious, shopping) have the effect of evoking the atmosphere of the spring festival very crowded and bustling. . The metaphorical image: “sorry for your nest” conjures up images of bustling groups of people traveling in spring like swallows, flying birds, excited and affectionate. Comparative image: “Horses and chariots are like water; clothes like wedges” describe the crowds in the spring festival are very bustling; each group, each group of people jostling their wings to go to the festival, crowded and bustling.
In summary: By using metaphorical and comparative rhetorical devices, combined with a system of words rich in figurative and expressive properties, the poet evokes a spring atmosphere that is both crowded and busy. busy; while being both self-confident and charming in the presence of handsome men and women, talented boys and girls. In that spring festival, there was not only joy but also silence of the burial ceremony in two verses:
Messy piles pulled up
Gold coins sprinkled with ashes of flying banknotes
If the Bar Association shows up with a very joyful, bustling, and exciting atmosphere, the Grave Digging Ceremony evokes a bit of sadness and leads to good morals in life through the act of sprinkling gold and burning votive papers for people. deceased. It is the tradition of “Drink water, remember the source” and the good and faithful way of life of the national culture.
Through eight verses, the author has successfully portrayed the cultural tradition of the nation’s spring festival. At the same time, this is also a profound artistic intention of the author: to borrow the big festival as the background and premise to describe the special meeting between Thuy Kieu and Kim Trong.
To the last six verses, with the art of “describing the scene of love”, Nguyen Du described the end of the spring festival with a little bit of sadness in the soul. That is the scene of the return of the springtime sisters Kieu:
The evil shadow leans to the west
Poetic sisters left with their hands out
Step by step along the small hill
Views landscape with bar bar surface
No wonder the water flows around
Last occasion a small bridge crossing rapids.
The scene still has the gentleness and calmness of a spring day, but the sun’s shadow has “evilly turned to the west”. The exciting and jubilant scene of the spring festival has also ended. In people’s hearts are mixed emotions. The space scene has been narrowed down in the footsteps of the people leaving, the urine stream and the small bridge.
The words: “nao, evil evil, wandering, Thanh Thanh” not only have the effect of describing the state of the scene, but also express the mood of the person: nostalgia, anxiety, complete dismay. set with atmosphere with spring festival day in early morning. At the same time, sowing in the reader’s heart premonitions about something that is about to happen, such as the foreshadowing of the meeting with Dam Tien’s grave and the meeting of two talented men and women: Thuy Kieu – Kim Trong.
In summary, with the style of depicting the allegorical scene, combined with the systematic use of words, images rich in shaping and expressiveness, the author has portrayed a picture of the sunset in the spring festival imbued with the mood. of human characters. Thereby showing Nguyen Du’s talent to describe the human mood.
If in “Kim Van Kieu story” by Thanh Tam Tai Nhan, the author only has one leading sentence “one day aimed at Thanh Minh class…” and then tells about the meeting with Dam Tien’s grave and Kim Trong, but Nguyen Du relied on it to paint a picture of spring with poetry, with its own beauty, bearing bold scenes of spring and heaven in Vietnam.
Thus, through the excerpt “Spring day scene”, we see the unique artistic talent of the great poet Nguyen Du. Under the pen of creative genius, with unique artistic vibes about spring, Nguyen Du has successfully sketched a picture of nature, a beautiful, clear and vivid spring festival, imbued with people’s hearts. .
The article analyzes the excerpt “Spring day scene” by Nguyen Du number 2
In ancient poetry, nature is not only the center of beauty but also the place to send people’s feelings. And in “The Tale of Kieu” the immortal great poet Nguyen Du spent up to 222 verses describing the natural scene. In which the excerpt “Scene of spring day” can be considered as a beautiful picture in the first class.
With only 18 concise verses, Nguyen Du has sown in the hearts of readers the overflowing vitality of spring. At the same time, it helps us to receive the subtlety of Nguyen Du’s rich descriptive writing style. The verse opens before our eyes a scene of spring in the Qingming period, through the first four verses:
“On the spring day, the swallow took the shuttle
Optical Thieu was past sixty nine decades
Green grass to the horizon
There are some blossoms on the white pear branch”
Nguyen Du painted a beautiful picture of spring, especially the poet chose typical details with the characteristics of spring day to depict that picture. Reading the first two verses, we can feel the unique way of calculating the time, the art of describing the convention clearly shows the images that signal spring “swallow”, “thieu Quang” evokes warmth, gentle, affirming that spring is at its most beautiful, ripest, and most prolific.
Thereby, the second verse clearly shows that the spring day passed like a shuttle, January, February, now March, the weather is clear blue, the swallows flutter like a shuttle. in the sky, evoking a space, high and wide, evoking the flow of time and the vibrant rhythm of spring, and at the same time expressing Nguyen Du’s regret for the fast passage of time, then, Nature is more beautiful by the “green” color of the young grass, the “white” color of “a few flowers” sporadically.
“Green grass to the horizon
There are some blossoms on the white pear branch”
This is a really great picture. The author uses the method of puncturing to recreate a fresh and vivid spring picture, reminiscent of the open and proliferating. The green color of young grass evokes a strong, immortal vitality, a vast, airy and clear space. On that blue background, there are a few white pear flowers. Ancient Chinese literature was studied creatively by Nguyen Du “Phuong Thao Nien Bich / Le chi book of flowers”.
If two Chinese verses use the image of “herb” (fragrant grass) in favor of taste, then Nguyen Du replaces it with “young grass” in favor of color: light green mixed with bright lemon yellow and blue. of the sky as the background color for the picture. On it, the pure white color of pear flowers creates a harmonious, fresh and new picture.
The word “white” added and reversed by Nguyen Du makes an even stronger impression, the word “point” makes the scene more soulful and lively, not static or evocative of the painter’s hand – the poet’s drawing. Poetry painted like a creative hand adorns the fresh spring scene, making the picture more vivid.
The pen of Nguyen Du is talented, the art of color mixing is ingenious, rich in expressive language, evocative, expressing the cheerful and excited human soul through the clear, innocent and sensitive nature look. with natural beauty. Four gentle hexagonal verses – an airy but warm space of spring, a pure color that will forever leave an impression on readers’ hearts.
Spring is the beginning of a year, the season of trees sprouting buds, people’s souls are exposed, spring is also the season with the most festivals taking place, in Nguyen Du’s poetry, it is the scene of the festival. In the Thanh Minh period, the next eight verses describe the jubilant and bustling scene of the festival: “The festival is the grave, the festival is the pedal”.
The author has brought us back to the rituals and customs of the Eastern people, the burial ceremony is towards the roots, ancestors, cultural and spiritual traditions of gratitude to the past. Going to the grave is to repair and burn incense to remember the deceased, and “cycle pedaling festival” is a spring trip that is a fun game on the green grasslands of talented boys, girls, young men and women, cycling festival. Thanh is still life in the present and can find pink threads for the future.
In the next four verses, the author has described the festive atmosphere with a series of words rich in expressive nuances such as the word “excited”, “squished” “shopping” and compound words, Sino-Vietnamese words. : “Tai Tu”, “Beautiful”, “Walk”, “Horse”, “Near and far”, “Nest Anh” combined with artistic methods such as metaphor, comparison have vividly depicted Crowded, jubilant, boisterous scenes are taking place in all parts of the country.
“Strengthening the handsome actor
Horse cars such as water wedge clothes”
Thanh Minh ceremony – a typical festival in March, each couple of “amateurs and beautiful people” travel to spring, meet and date.In that line of “excited” people, there are three Thuy Kieu sisters who also shop. Integrating into the beauty and jubilation of youth The simple comparison image “horses like water, clothes like wedges”, depicting the exciting atmosphere of the festival, each bustling group of people going out to play in spring. in beautiful, colorful clothes.
They are like flocks of swallows, cypress birds chirping and flying to converge on the festival. The author also describes a beauty of our long-standing culture in Vietnam on Tet holiday. It is a golden diamond color, burning paper money to remember deceased loved ones:
“Straighten mounds pulled up
Gold coins sprinkled with ashes of flying banknotes”
The 2/4 and 4/4 poetry rhythms reveal a hint of sadness. Is that the heart full of love shared by the great poet Nguyen Du for the dead? The heart of holiness, faith and folklore, full of love. Under the poet’s delicate description, the festival and festival in Thanh Minh period is a unique harmony, proving that the poet appreciates the beauty and traditional cultural values of the nation.
If the above lines depict the bustling and joyful scene of the festival, the last six verses create a sad and sad lyrical rhythm following each step of the Thuy Kieu sisters:
“The evil shadow leans to the west,
Poetic sisters left with their hands out
Step by step along the small hill
Views landscape with bar bar surface
No wonder the water flows around
Last occasion a small bridge crossing rapids”
The union is not sad? It can be said that the above six sentences deeply describe the scene of Thuy Kieu sisters on their way back with a peaceful scene, seemingly in contrast to the previous festival scene. The scene has the gentle, gentle features of a spring afternoon with light sunshine, a small creek, and a span of a bridge that seems to dye the mood. The shadow of the sun has slanted to the west, “the shadow of the sun has turned to the west” but this is not the sunset of the scene, but it seems that people also sink into a feeling of helplessness, indescribable.
Late afternoon often evokes an indescribable feeling of sadness. Here, the fun is over, the jubilant festival is over, the human soul also “changes” with the scenery. sad but somewhat serene, quietly dreaming, space shrinks, time passes more slowly, the scenery fades, fades, quietly following the footsteps wandering on the mile on the way home, subtle regret , nostalgia of the human heart.
Every gentle movement is expressed through the mood of the beautiful, melancholy, sentimental beauty with a series of words “ta ta”, “Thanh Thanh”, “nao”, “small” that both describe the scene, just right. evokes a mood of sadness and agitation from the echoes of the happy spring day as predicted, a premonition of what is about to happen in Thuy Kieu’s sensitive soul.
And that’s right, Thuy Kieu met the unfortunate grave “Dam Tien” – a talented orphan whose fate was short and even coincidentally met the Confucian boy “great personality and talent” – Kim Trong, and then ” love inside is like outside and e” is like a predestined fate, it is clear that the scene has been tinged with the mood of the character.
Thus, the last six lines of the excerpt, with the use of special words, are descriptive of the allegorical scene – the scene associated with love – the compatible scene has made people’s hearts blend into the scene as if it was settling down with the scene. . From there, we can see the author’s sensitive mood and joy in life.
In short, by using a system of compound words and leaves rich in figurative and evocative, the excerpt “Spring day scene” deserves to be a beautiful picture in the first class, creating the attractiveness of the work. “Kieu story”. At the same time, with Nguyen Du’s ingenious nature-describing pen, the scene appeared beautiful, clear and also tinged with mood, this is the factor that creates the success of the excerpt and brings the name of the great poem. Nguyen Du is close to readers across five continents in every century.
The article analyzes the excerpt “Spring day scene” by Nguyen Du number 7
Not only is a talented writer in the art of depicting people, Nguyen Du also proves to be extremely excellent in the art of depicting nature. Every painting under his pen becomes divine and soulful, conveying the emotions of the character. The spring day scene is such a natural picture, which is not only beautiful and harmonious in color but also shows the different emotional levels of Thuy Kieu sisters.
The opening verse is a beautiful spring scene:
On the spring day, the swallow took the shuttle
Optical Thieu was past sixty nine decades.
Swallow wings swaying, flying in the sky like shuttlecocks, Nguyen Du has chosen a very typical and unique image. By this time, spring was at the end of March, at the most perfect, full, beautiful time. It is a space filled with light, brilliant, glorious.
But hidden behind the joy also shows the regret of Thuy Kieu sisters because the spring scene, spring day, spring color has passed too quickly. The two verses not only announce the time when spring is “beyond sixty” but also show a warm, sweet spring. Before that beauty, it can’t help but make people’s hearts flutter, joyful and also a little regretful about the passage of time. The next two verses, with a few strokes of the pen, Nguyen Du painted a wonderful picture of spring:
Green grass to the horizon
There are some blossoms on the white pear branch
The picture is filled with fresh green, greasy grass, that green color fills the space, stretching to the horizon, showing the strong and overflowing vitality of spring. As if to highlight the spring painting Nguyen Du “points” a few pear flowers into that picture.
Pure white pear flower, although the author does not describe the scent, perhaps the reader can imagine the fragrance as elegant, gentle and pure as the color of the flower itself. Nguyen Du’s success was to make the painting come to life, as if it was stirring full of life when using the verb “point”, making the picture not as static as in the ancient Chinese poem “Factory Lien Thien Bien”. / Le chi book of flowers” that is lively and full of life.
The beautiful picture is a subtle blend of blue and white, making the space both lush and full and pure and clear. In the beautiful spring scene is the image of a group of people going to the festival: “Thanh Minh in March period / Ceremony is the grave, the festival is pedaling”.
The author’s use of sub-par along with the art of separating the words “ceremony” and “history” into two parts helps the author describe two activities taking place in the spring festival: the tomb-sweeping festival and the pedaling festival. The verse shows the beautiful culture of our nation in remembrance of the merits of those who have passed away. That is the good tradition of our people “Drink water, remember the source”, the way of life of kindness, respect and gratitude to ancestors and ancestors: “Lifted up, piled up/Drawn into piles, the ashes of banknotes fly” .
Not only that, the verse also summarizes another cultural feature of our nation that is spring travel at the beginning of the year. This is an opportunity for young men and women to meet and enjoy the beauty of spring together. The atmosphere of the festival was very lively and joyful. The author’s consecutive use of two-syllable words: near and far, oats, brothers, sisters, etc., together with the words lewd: eager, overwhelmed, .. has shown the excitement and joy of the hearts of the people in the audience. spring festival.
To add to that bustling atmosphere, Nguyen Du also used the metaphor “sorry for your nest”, on the one hand evokes the image of a bustling group of people going on a spring trip, on the other hand, conjures up the sounds of excitement and conversations. The story, meeting, acquaintance of the lovers in the first meeting.
Not only bustling, but the space is also extremely crowded: “Horses and carriages are like water, clothes are like wedges”. Through the next eight verses, the poet not only successfully depicts the cultural beauty of our nation, but behind it is also the space to create a fateful meeting between the beautiful Kieu and the elegant Kim. swell.
It’s getting late in the afternoon, festivals and festivals have also gradually lessened, gradually decreased, Thuy Kieu sisters wandered out, the space is somewhat lonely, evoking sadness in the hearts of festivalgoers, especially during the day. Miss Kieu’s heart is full of emotions:
Step by step along the small hill
Views landscape with bar bar surface
No wonder the water flows around
Last occasion a small bridge crossing rapids
The “small” images show a small space, going into depth, it seems that everything is getting smaller and lighter, with a hint of sadness and regret at the end of the day. In the poem, the author uses three words “thanh thanh”, “nao”, “small”, rich in visual value and rich in expressive value.
In particular, the word “nao” not only describes the flowing water, but also expresses the character’s anxious, restless and emotional mood. All these slips make the scene tinged with mood. It is a feeling of wistfulness, agitation, regret and a gentle sadness. With the art of depicting love scenes, Nguyen Du not only depicts the picture of spring but also shows the sensitive and pure souls of young women.
To create the success of the spring painting, Nguyen Du has skillfully used the pen to describe the allegorical scene: not only showing a beautiful spring, the bustling spring travel scene but also showing the spiritual vibes of the spring. the depth of the character. The poetic language is rich and diverse: using ligatures and compound words rich in figurative and expressive value. The rhythm of the poem changes flexibly to express the emotions of the characters.
Excerpt from the Spring Day Scene shows the genius pen of Nguyen Du. With soulful touches, they have created a picture of nature and a bright and joyful spring festival in front of the readers’ eyes. And through that also shows the sensitive and delicate soul of the young people here, Thuy Kieu.
The article analyzes the excerpt “Spring day scene” by Nguyen Du number 10
Nguyen Du was born and raised in a great aristocratic family with many generations of mandarins. He was a great scholar and a true Confucian and also a great poet of Vietnamese literature. Nguyen Du’s Tale of Kieu is famous not only in the country but also in the world. The excerpt “Scene of Spring Day” in the first part of Tale of Kieu describes the scene of a spring day and the scene of Thuy Kieu’s sisters going on a spring trip.
“Spring day scene” is a vivid and unique spring picture with full of sound, light, .. that Nguyen Du vividly shows in Tales of Kieu. That spring day makes people feel exposed, which is reflected in the picture of nature in spring day
“On spring day, the swallow took the shuttle
Optical Thieu was past sixty nine decades
Green grass to the horizon
There are some blossoms on the white pear branch”
In the spring, birds of all kinds are also excited to fly. And the swallow is the representative bird of spring, no exception. The swallow flew back and forth like a shuttle. The verse both describes the scene and implies that the spring day passed too quickly. In addition, Nguyen Du is also talented in using descriptive words such as: “thieu Quang”, “young grass”, “white pear branch”, …
From the evocative words that Nguyen Du has sketched, a spring scene makes many people enamored and coveted for a bird’s eye view. A bright light, a blue spring sky, a few light flowers in winter. Oh! The scene is captivating! From there, creating a picture of a spring day full of life.
The natural scenery is so beautiful, poetic and full of life. And the festival scene in Qingming period is equally bustling. Crowd of people frolicking back and forth, contributing to the cold and lonely class as people often think.
“Qingming in the March period
Mass grave was the springboard algae bar
Near and far, I love you
The girls are shopping for spring”
Referring to the day of Thanh Minh period, it is impossible not to mention two festivals: “tao tomb” and “beating”. The two festivals show the solemn solemnity of the spring day scene, especially the Qingming period. Nguyen Du uses adjective verbs to express the actions of people going to the festival, which is also very bustling and busy.
Besides, Nguyen Du also used words to describe “swallows”-referring to the swallows, the birds flying in the spring often chirping and flying in flocks, this implies the scene where people are busy going out in spring. Highlight the very bustling and crowded atmosphere.
“Strengthening the handsome actor
Horse cars such as water wedge clothes
Messy piles pulled up
Gold coins sprinkled with ashes of flying banknotes”
New Year’s Day through Nguyen Du’s pen is “suppressing a talented actor”. Talented boys and girls who love each other just look forward to the spring day to have the opportunity to go out together. That is also common sense. Everyone wants to buy beautiful and gorgeous clothes to go to the festival, that’s why Nguyen Du uses the phrase to describe “clothes like wedges”.
The people walking were packed like wedges. Lo prepares herself, but also does not forget to show her sincerity to the deceased “golden ball sprinkled with ashes of flying banknotes”. This is a spiritual act to express your heart for the deceased. Through the erudite pen of Nguyen Du, the festival scene in Thanh Minh period is bustling and bustling, people are crowded, nature is bright and fresh, and the sky is high.
Every happy party comes to an end, the scene of the end of the party always evokes a feeling of disappointment and sadness. The last part of the excerpt is the scene where Thuy Kieu’s sisters are happy to return.
“Evil shadow falls to the west
Poetic sisters spread their arms and leave
Step by step along the small hill
Views landscape with bar bar surface
No wonder the water flows around
Last occasion a small bridge crossing rapids.”
The use of the word “Tai Ta” to describe and emphasize a late afternoon. That afternoon, never to describe the joy, especially when people are so eager to travel this spring. The last paragraph is a poem where Nguyen Du uses a lot of slang words such as: “Thanh Thanh”, “nao nao”, “small”, etc. These are all words that express Thuy Kieu’s secret and deep emotional mood. .
The horizon of the spring landscape, but the heart is sad. Or is it a foreshadowing that Nguyen Du especially favors Thuy Kieu. A premonition about a beautiful, talented but unlucky girl. The color “thanh bar” is a deep and sad color that Nguyen Du especially describes is also very impressive.
“Never mind the water” is also full of mood, borrowing scenes to describe love is like that, borrowing natural scenes to express human emotions. The festival scene in the Qingming period was bustling with people passing by. But somewhere in the heart of Thuy Kieu still contains a secret confidant about her own fate.
Through the excerpt “Spring day scene” by Nguyen Du, the writer’s talent for describing nature and the inner character of the character is shown. Using a lot of words, descriptive images rich in textures highlight the fresh and colorful spring day scene. From there, we can see the beautiful picture of nature and the spring festival, full of vitality, but also filled with many moods that Nguyen Du expressed at the beginning of Truyen Kieu.
The article analyzes the excerpt “Spring day scene” by Nguyen Du number 5
Nguyen Du, the great national poet, who has left Vietnamese literature with a huge volume of works. In particular, the story of Kieu is considered a “heavenly story”, telling about the life of Kieu Hong Nhan and Silver Destiny. The excerpt from the spring day scene is one of the most outstanding, both describing the unique natural scene and opening important low notes in Thuy Kieu’s life.
Excerpt at the beginning of the work, after introducing the family background and describing the beauty of two sisters Thuy Kieu and Thuy Van. The author describes the scene of spring day, the sisters go to the festival and the festival scene is cheerful and bustling. The first four verses describe the natural spring scene:
On the spring day, the swallow took the shuttle
Optical Thieu was past sixty nine decades
Green grass to the horizon
There are some blossoms on the white pear branch.
The first two verses refer to the time and space of spring. The image of “swallow shuttle” not only wants to show the warm spring weather, the birds fly back, but also wants to depict the passage of time too fast, like a spinning shuttle when weaving. Spring has three months, now it is March. In the last days of spring, swallows still flutter in the sky.
The following two verses are a beautiful picture of spring scenery with harmonious images. The young grass stretches to the horizon as the background for an endless fresh spring picture. On that cool blue background, gently dotted with pure married flowers.
The author uses the art of inversion “white” before the verb “point” to prominently depict the pure white beauty of spring flowers. Spring’s own soul appears in a vast and vast space. Flowers and grass are inanimate, but the word “point” is used at the right time to make pear petals become soulful and affectionate. The next eight verses are the festive scene in the Qingming period.
Thanh Minh in March class
Mass grave was the springboard algae bar
Near and far, I love you
The girls are shopping for spring
Suppressing the handsome actor
Horse cars such as water wedge clothes
Confused, piled up
Gold coins scatter, paper money ashes fly
On the Qingming day, the first period of March, when the weather is cool in spring, people go to graves to repair the graves of the deceased as a way of gratitude. Spring is also an opportunity to go out and celebrate the New Year. Meeting each other after a year of working has become a good custom of Vietnamese culture. After the ceremony, the grave will come to the festival, called the pedaling festival, which is an opportunity to meet friends and relatives.
These verses of Nguyen Du evoke a festive atmosphere with a series of consecutive words expressing the crowd and joy such as “nest brother, sister, amateur beauty” and the adjectives “excited” , shopping, near and far, stamping”. The image of young and elegant boys and girls wearing clothes is a spring festival like flocks of chirping birds. One can see the vitality, see the freshness, youthfulness covering the whole scene.
The phrases “sick of nests” and “horses and carriages like water, clothes like wedges” help the reader imagine this scene where people and people are connected like endless streams of water, wearing the most beautiful costumes. . During the burial ceremony, people sprinkled gold bars and stacks of banknotes in memory of the deceased, so there was a scene of “scattered gold nuggets, ashes of banknotes fly”.
Eight verses describe the festival scene of the Qingming day, both depicting the ancient cultural traditions of the festival, while also expressing the bustling and joyful scene of the festival. In the last six verses, the author focuses on describing the scene of Thuy Kieu sisters playing spring:
Evil, the shadow turns to the west
The sisters wandered, hands outstretched
Step by step along the small hill,
Views landscape with bar bar surface
No wonder the water flows around
Last occasion a small bridge crossing rapids
In the afternoon, the sun slowly sets its shadow to the west. The day of the festival has passed, Thuy Kieu sisters walk hand in hand. The scene of spring afternoon is described in a gentle and pure way: the sun is shining in the late afternoon, the small span of the bridge crosses the water slot. All activities also become slower like the sun competing for the shadow, the footsteps of people become leisurely and leisurely.
The scene was still beautiful, but it was tinged with the mood, a wistful mood that one usually has after having fun. But not only that, these words are like evil, Thanh Thanh not only has many nuances of the scenery but also reveals the mood of people.
The word “nao” evokes a sadness, sadness that only humans can feel. It seems that this verse is a premonition for the next events, when Miss Kieu meets Kim Trong and the events that are about to happen in her life. Perhaps because of this, the author himself also felt heartbroken, mourning for a fate of a poor face.
With artistic style and unique ability to describe scenes, using expensive words and words at the right time, Nguyen Du has conjured up a vivid picture of spring natural scenery, people like into that cheerful, bustling picture. Readers can feel the scene of a spring day appearing with a pure and fresh beauty, the harmony between man and nature.
The article analyzes the excerpt “Spring day scene” by Nguyen Du number 8
Referring to the great national poet Nguyen Du, one cannot forget the work Truyen Kieu – a masterpiece of medieval Vietnamese literature in general and of the author in particular. The work is written with the poet’s talented pen, conventional style and deep humanitarian inspiration. Among them, the excerpt “Scene of Spring Day” is an excerpt that clearly shows the artistic talent of this poet.
At the beginning of the excerpt, Nguyen Du opens before the reader’s eyes a natural picture of a spring day:
“On the spring day, the swallow took the shuttle
Optical Thieu was past sixty nine decades”
The image of the swallow’s wings swinging back and forth, swaying like a shuttle shows a vivid picture of nature. Poet Nguyen Du, with his penchant for describing scenes rich in evocative material, has opened up both the space and time of spring in the first two verses. At this time, spring is at the end of March “beyond sixty”, which is the most perfect time, the most complete with brilliant lights in the sky “Shadow”.
Thieu Quang describes the light of spring, which is the warm, rosy light of the gentle spring sunshine. Faced with that beauty, people can’t help but feel agitated, wistful and regret the flow of time. The following two verses are a unique highlight of the poet:
“Green grass to the horizon
There are some blossoms on the white pear branch”
Spring, the first season of the year, promises to usher in a new year filled with brilliance and success. That is why spring is a season full of life, lush plants and flowers. The picture of nature at this time is filled with blue, a green color of things stretching to the horizon.
On the background of that beautiful picture, there are a few white pear flowers, the word “shows the poet’s subtlety when describing things. In short, through the first four verses, Nguyen Du has opened up in front of the reader’s eyes. a high, wide, airy picture of nature, along with the fluttering and disquieting emotions of people before the beautiful scenery of heaven and earth in spring.From that beautiful picture of nature, the poet begins to describe the Human activities:
“Thanh Minh in the March period
Mass grave was the springboard algae bar”
In the early March period, everyone invites each other to go to the grave and light incense sticks for the deceased. The verse shows the custom as well as the fine tradition of our nation, which is the tradition of “When drinking water, remember the source”. No matter where they go, on the anniversary of their ancestors’ death, descendants from far and near gather to remember their loved ones. Along with that tradition is the Spring Festival. Everyone, from big to small, is excited and busy going out in spring:
“Nearly far away, I love you
The girls are shopping for spring
Suppressing the handsome actor
Horse cars such as water wedge clothes”
In these four verses, the poet used a series of adjectives: “near and far, nest brother, sisters, amateurs, beautiful people, eager,….” showing the crowd, bustling atmosphere. clear, bustling of the festival. People, families go to the festival, crowded like swiftlets, flying birds, the image of “sorry for the nest” shows that the pen describes Nguyen Du’s talent. The words “shopping, shopping” depict the joyful and bustling activities of people.
The scene is so crowded that the poet compares horses as many as water, clothes as many as wedges. The young men and women in the age of marriage like sisters Thuy Kieu and Thuy Van are the focus of the festival. They held hands together, jubilantly excited by the beauty of spring, also eager for the spring of their lives. In that joy, people still do not forget the deceased with the work that shows the customs and habits of the Vietnamese people:
“Straighten mounds pulled up
Gold coins sprinkled with ashes of flying banknotes”
They burn yellow paper to send to the deceased with the hope that in the Afterlife, the deceased will also live fully and happily. The last two verses are the mood of Thuy Kieu sisters when the festival ends:
“The evil shadow leans to the west
The sisters wandered away with their hands out.”
Every fun has its end, when everyone returns to their normal lives. Thuy Kieu sisters are the same, the shadow has turned to the west, it has already begun to get dark, everyone has to return home. The sunset scene at this time is described as beautiful but also sad. The image of the Kieu sisters “roaming” leaving shows a feeling of regret and a deep sadness when witnessing the end of the Spring Festival. Especially in Kieu’s melancholy and sentimental soul, the closing picture of the sunset is even more sad:
“Step by step along the small hill
Views landscape with bar bar surface
No wonder the water flows around
Last occasion a small bridge crossing rapids”
Things are becoming smaller and smaller, the narrow space also means that the beautiful spring nature picture must be closed. In the last four verses, there are three lines the poet uses the words “thanh Thanh”, “nao”, “small”, all conjuring up a picture of nature that is quiet, no longer dreamy, full of life. like at the beginning of the poem.
It is also consistent with the changes in Kieu’s mood, after the joys, she does not know what awaits in the future. The four verses as well as Kieu’s bad premonition for her life in the future, is a “small sentence occasion” crossing a prediction that Kieu’s life will turn to another direction? Thereby, we can see the talent to describe as well as portray the character’s mood through the natural painting of the great national poet Nguyen Du.
Excerpt from Spring Day Scene – a short but very complete quote when describing both the scene’s pen and the poet’s skillful character mood. Thereby, we get a beautiful picture of nature, evoking readers’ curiosity about Thuy Kieu’s life ahead.
The article analyzes the excerpt “Spring day scene” by Nguyen Du number 6
In Vietnamese literature, “The Tale of Kieu” by the great poet Nguyen Du appears as a pitiful song about the unfortunate status of women in feudal society. This has been shown through Thuy Kieu’s fifteen-year wandering period. However, before setting foot in that humiliating and miserable life, she used to live a peaceful and happy life with her family members.
The excerpt “Scene of Spring Day” located at the beginning of “The Tale of Kieu” depicting the scene where the Kieu sisters went out to play in the spring in the Qingming period is a typical example of this. Nature is a familiar land that artists can focus their pen to explore and each poet has his own way of describing it. For Nguyen Du, the natural picture of a spring day is depicted in association with the festival space. First of all, the author has vividly recreated space and time:
“On the spring day, the swallow took the shuttle
Optical Thieu was past sixty nine decades”
The weather is now in March, the swallows flying in the sky are not only a realistic image evoking a familiar scene with the characteristics of spring but also symbolize the ceaseless flow of life. time: “Time is fleeting”. Time went on silently but in a hurry, and in a moment, it was March of spring – when the “low light” – the sparkling, beautiful rays of spring sunlight competed to illuminate the landscape. In that scene, two shades of blue and white appear:
“Green grass to the horizon
There are some blossoms on the white pear branch”
The immense space is full of life and the spring color has been successfully described through the lush green color of young grass. The author also skillfully and skillfully uses the striking style when dotted in white with a few pear flowers, blue and white colors blend together to make the painting more pure and gentle. Thus, with only four verses, the poet successfully sketched the “spring day scene” full of vitality but still elegant, pure and clear, captivating people’s hearts.
In the next eight verses of the excerpt, the great poet Nguyen Du described the festival scene in the Thanh Minh period. First of all, the outline of the holiday was sketched through the time: “in the March period” with two main parts “The ceremony is the grave, the festival is the pedal”. And then the festive atmosphere with bold traditional values appears with vibrancy and fun, busyness:
“Nearly far away, I love you
The girls are shopping for spring
Suppressing the handsome actor
Horse cars such as water wedge clothes”
The festival space with the participation of “swallows”, “sisters”, “talent”, “beauties” and rich and diverse activities such as “shopping”, “flipping” have made ignite the excitement and excitement of people. Author Nguyen Du has skillfully used rhetorical measures in a flexible and smooth combination.
It is a metaphorical measure through “sorry for your nest” – an image that evokes groups of people, or couples walking side by side. It is the comparison “Horses and carriages are like water, clothes are like wedges” to describe the busy and crowded festival of people. Besides, the author also describes the quiet space of the “ceremony” part:
“Straighten mounds pulled up
Gold coins sprinkled with ashes of flying banknotes”
The sacred makes time seem still and slow. The act of remembering the dead has successfully evoked gratitude for the past and the nation’s good moral tradition of “drinking water, remembering the source”. Finally, author Nguyen Du described the scene when two sisters Thuy Kieu returned when the meeting ended:
“The evil shadow leans to the west
Poetic sisters spread their arms and leave
Step by step along the small hill
Views landscape with bar bar surface
No wonder the water flows around
Last occasion a small bridge crossing rapids”
The festival scene ends when the sky is already late afternoon, the scene is flooded with sunset when the sun “turns to the west”. The picture of nature still has the familiar spring color through the images of faded sunshine, small water gap and small bridge crossing. The flow of time and the rhythm of the poem ceases to be bustling, but slows down, and leisurely describes the sun slowly setting in the west, people leaving with wandering footsteps and the water slowly winding around.
Author Nguyen Du has used a series of words such as “ta Ta”, “Thanh Thanh”, “small”, nao” to describe the scene, and at the same time, it is also the use of the style of “describing a love scene”. ” is extremely delicate and skillful; both evokes the stillness and sadness of the scene, and successfully expresses the regretful, wistful and nostalgic mood of people’s hearts, especially the image of “bending water currents”. around” in the “disturbed.” The scene in the verse therefore also has a hint of sadness and carries a heavy human mood.
Thus, through the excerpt “Scenery of Spring Day”, author Nguyen Du has successfully described a picture of a beautiful and vibrant spring nature as well as a busy and joyful festival space imbued with indigenous culture. national culture. This was created by a smooth combination of familiar brushstrokes with the characteristics of medieval literature such as punctuated writing style, allegorical depiction, etc.
