Top 10 best analytical essay on Quang Dung’s “Tay Tien”

The war has receded, but its afterimages are still there, living forever. People will never forget “there is death that has turned into immortality” when meeting on To Huu’s poetry page, even more cannot forget the image of a soldier “standing side by side waiting for the enemy to come” deeply imprinted in Chinh Huu’s poetry. When did soldiers become such immortal monuments in poetry?

Going through hardships, stepping up to glory, Tay Tien soldiers also became “forever”, “forever living”, “forever beautiful” images. We meet them again in the emotional poems that Quang Dung sent back to the army, along with many nostalgia… As one of the soldiers of the army, Quang Dung wrote the poem with all the nostalgia. a comrade, a person who used to suffer together and stand shoulder to shoulder, not a person from the lowlands who visited the uplands.

The nostalgia sent from Phu Luu Chanh brings back many emotions…Remembering Tay Tien, first of all, remembering the days when the army was on the march. Nostalgia surges right from the opening lines:

“The Ma River is far away, Tay Tien

Remember the mountains, remember to play together”

The dear call goes with the footsteps of memories. Ma River – a place to witness and share joys and sorrows. Ma River – a place full of memories and nostalgia. Pilgrimage to the past, Quang Dung mentioned the Ma River as the first symbol of nostalgia. Nostalgia spreads over time and stretches out in space, following the Northwest roads.

Appearing in nostalgia is a picture of the Northwest mountains and forests that are both wild and dangerous, yet poetic and lyrical. The fierce magnificence appears right in the new and strange names: Sai Khao, Muong Lat, Pha Luong, Muong Hich; in unique and unusual natural images: fog, dunes, sucking, crooked …

With a unique expression, a flexible way of mixing and matching, Quang Dung has successfully expressed the attractive position of the high pass, the immense position of the forest clouds. Reading these verses, we seem to imagine the deep mountains and valleys, the caves and the water ends, the treacherous roads, the high and rugged passes that the army used to go through.

In the verse that Quang Dung wrote: “Thousand meters up, thousands of meters down”, we see a whole mountain slope opening, two regions of opposite polarity extending, towering and infinitely deep. Those dangers of the forest scene we once met in The Lu’s poetry:

“Remember the scene of the mountain forest and the shadow of the old trees

With the sound of the wind howling, with the voice of the source shouting the mountains

With shouting a fierce long song.”

In the sacred forest, poisonous water also had so many green years to leave behind, so many losses and sacrifices were always there, so that when people remember, people still have to feel heartbroken:

“My sloppy friend doesn’t walk anymore

Fall on the gun and forget about life”

The two words “sloppy oil” accumulate in there so many hardships. When it comes to sacrifice, the poet does not highlight the sadness but emphasizes the pride of the soldiers who came from the magnificent Ha Thanh. Therefore, even if they leave their youth on the battlefield when their heads are still green, the soldiers still have to see in them the motivation to move on.

And as a matter of course, with sensitive people like Tay Tien soldiers, they never only see the cruelty of the mountains and forests. Even in the wilderness and dangers, the lyrical beauty still shines under the delicate eyes of the Ha Thanh boys. It is the memory of “Muong Lat flowers come back in the night”, a fleeting nostalgia about “whose house Pha Luong rained far away”.

A night with flowers in hand, how romantic it is. Being a “slight night”, not a late night, nor a misty night, it seems to evoke both time and a fuzzy feeling – fading in the soul of a soldier. The verse “Who’s house in Pha Luong is raining far away” is let go by a series of flat tones like softening the rhythm of the poem, evoking a feeling of wistfulness, lightness, both closeness and warmth, similar to footsteps. Rest after long journeys.

Remembering that poetic beauty, the poet did not forget the warm feeling emanating from the unique flavor of the mountains and forests, evoked by the “smoke of rice” that still had the “smoke of sticky rice”. Not only preserve the victories, the ruins, but also keep many beautiful memories of the love of the army and the people, about the sweet stops of love.

Tay Tien on the stops after many days of hard marching always becomes an indispensable part of nostalgia. Memories of party nights gradually come to life:

“The barracks are lit up with torches and flowers

Hey, when did you wear your shirt?

Haunted to the manly tone of the girl

Music about Vientiane builds a poetic soul”

The poem is shimmering, bustling with torches, flowers, and the gentle folds of the highland girls’ skirts winding to the gentle, high-pitched sound of the trumpet, as if lifting the soul of the forest deep in the mountains. The two words “light up” are rich in meaning and evocative. Sparkling in bright torches, glowing in joy, the Ha Thanh soldier came from a faraway land, bursting with joy when the woman suddenly appeared both gorgeous and affectionate.

The “flower torch” that the soldier brought back in his hand, is the fire and torch lit like a forest lamp, or is it a wish that the flower still illuminates the soldier’s faith? The nights of such warm festivals are not only brilliant with the colors of the torch, the clothes, but also the sound of the “trumpet up”, the “music coming”. The poems are filled with love for the army and the people, like a fish in water, like an only child. More than once, we meet that warm and beautiful feeling in poetry:

“You guys are happy at home

Singing and laughing in the small village”
There are:

“Love each other and divide the cassava roots back”

Sharing half bowl of rice, covered with blankets sui”

But if the verses of Hoang Trung Thong and To Huu are written with realistic inspiration with gentle images, Quang Dung’s verse has a romantic beauty. That romantic sound continues to linger in the following verses:

“People go to Chau Moc that foggy afternoon

Can you see the soul cleaning the shore?

Do you remember the figure on the pole

Drifting the waters of the swaying flowers.”

Far from Tay Tien, the poet never forgets the features of the scene and the people in the high mountain pass. In the late afternoons, there are sunsets, thousands of white reed flowers, the tops of the reeds flutter like hands beckoning the figure on a single tree. The tone of the poetry here changes, no longer as joyful as in the night of the campfire festival, but gradually becomes sad. The poetic image is no longer bright and bright, but becomes blurred and vague.

The slender and graceful features have long become the unique soul of the Northwest. A vast Mai Chau with early morning dew, fluttering reeds, swinging the water. The blend of scenes and people through a few touches is enough to call back to the romantic Northwest atmosphere, leaving in nostalgia many emotions.

Immersed in each drawing is a deep and unforgettable nostalgia, unspeakable. All have been replaced by the words “have seen”, “remembered” sincerely sweet.Tay Tien looking from the depth of real memories has unforgettable memories. But perhaps the deepest in Quang Dung’s heart is the figure of Tay Tien soldier, which has long been carved into immortal heroes in memory. Let’s start with the image of the legions that don’t grow hair:

“The Tay Tien army does not grow hair

The green army is fierce and fierce”

The poem revives the image of a National Guard army. Their footsteps are printed all over the country. They volunteered to participate in the resistance war, the hardships sometimes exceeded the endurance of the boys in the capital who had just retired from school and street corners. A stark and austere truth about soldiers in wartime emerges: They live and fight in the deep forests of the mountains, lack food, lack of medicine, malaria constantly causes hair loss, baldness, and pale skin.

Quang Dung only reflects reality, not exaggeration. It is not only Quang Dung who mentioned that fact. To Huu was also heartbroken and wrote: “A drop of sweat falls / On his cheek is saffron”. But inherently carrying the temperament of a heroic conqueror, Quang Dung talks about tragedy just to evoke beauty. The soldier actively “does not grow hair”, not “hair does not grow”.

We hear in it a bit of wit and joy, also an optimism that is not afraid of suffering. The determination to kill the enemy, the hardships of hunger and cold does not reduce the inherent romance in each soldier. In the midst of combat operations, they still set aside a few minutes for themselves to remember their homeland and their beloved figures.

“Three eyes send dreams across the border / Dreaming of Hanoi’s fragrant beauty.” Romantic souls bring you back to your dreams. It’s a dream, not a memory, an emotion in the subconscious, not in consciousness, that’s the motivation for you to hold the gun firmly, as poet Nguyen Dinh Thi once said about that feeling:

“Long nights of hot marching

Suddenly, I miss my lover’s eyes.”

Remembering his teammates, Quang Dung also did not shy away from sacrifices, but surely Tay Tien is one of the few poems written about it poignantly with tragic inspiration:

“Scattered across the border of the distant land

Go to the battlefield without regretting the green life

The robes reflect him back to the earth

The Ma River roared a solo song.”

The border place where bombs fell and exploded took away the bones and blood, leaving behind green graves that had turned into immortality. Looking directly at the truth, we see there are many losses and sacrifices. But looking beyond the truth, we see that behind the sacrifice is the heroic spirit “without regret for green life”, daring to die for the country.

Green life is youth with many dream flowers. So beautiful, so promising, but our soldiers fervently devoted themselves to the Fatherland. What sacrifice is more noble, more praiseworthy? Once again, Quang Dung describes the spirit of the ancient conquistadors:

“I make a man with a thousand horse skins

Sow light like a rosemary”

In the past, the hero chose to die bravely in battle with horse skin wrapped around his body and consider it the ultimate glory, while the Tay Tien soldier “replaced his robes to reflect him back to the land.” The rhythm of the poem is slow and solemn. A very real detail mentioned in this old-fashioned verse is the image of a robe instead of a mat. Without a mat, you “return to the land” with a robe.

We don’t see the lack of poverty there, but only the hero’s aura that is on par with the mountains. The sound of the Ma River roaring is both like the cry of nature and heaven, as well as a wonderful song that brings the soldier’s death to eternity. The last lines of the poem are written like the usual lines on the grave. Even, it was also the promise of a soldier who was deeply attached to the army:

“Tai Tien people go without an appointment

The path is a deep one split

Who went to Tay Tien that spring?

The soul of Sam Nua does not return.”

Leaving is no promise of a return date, leaving is a determination to reach the destination. The spirit of “one go, no return” was instilled in the thoughts and feelings of the whole Tay Tien army. No questions about kings, no worries about privacy, all for the task of saving the country. Tay Tien that spring has become a rendezvous for all longing hearts that always want to return.

Tay Tien is both a majestic song and a deep song, both with pompous beauty and heroic beauty. Quang Dung added to the resistance poetry a masterpiece about the soldier that everyone passing must leave their own impressions.

War, the soldier is always an eternal topic for wartime artists. We see the image of soldiers in “Comrades” by Chinh Huu, “Poems about squads of vehicles without glasses” by Pham Tien Duat. But perhaps impressive, lyrical and authentic is the image of a soldier in the poem “Tay Tien” by Quang Dung. With the depiction of the image of a successful soldier, readers could not forget the image of the soldiers of Uncle Ho during the resistance war against the French.

The poem is also the author’s own nostalgia about the years of fierce war in the old battlefield. The poem opens with an earnest call:

Ma River is far away, Tay Tien

Remember the mountains, remember to play with

Phu Lao Chanh is the land that the army has passed through before. Quang Dung and many other young people in Ha Thanh put pen to paper on their way to the battlefield according to the call of the country. The verse sounds like an earnest call to the past experienced. Ma River is a big river, imprinted with many burning wars as well as leaving many nostalgia for the author’s distant times.

The nostalgia in the author’s heart is a nostalgia “playing with”. A very light word, but it seems to make the nostalgia more full, unable to lessen it. Quang Dung has concretized that nostalgia with images left in the memory of this fierce war land:

Sai Khao covered the tired army

Muong Lat flowers come back in the night

Steeping up a steep steep bend

The pig sucks the alcohol, the gun smells the sky

A thousand feet up, a thousand feet down

Whose house is Pha Luong raining far away.

With familiar landmarks like “Sai Khao” and “Muong Lat” reminiscent of those war years. Two verses with a very smooth voice, very poetic and gentle images make the reader feel the poetry and depth. The Western Army marched in the thick fog, the cold seemed to penetrate deep into the heart. A romantic, lyrical scene amidst the fierce war really makes many people admire. It is a subtle and profound sense of nature in the midst of deep mountains and forests.

In the midst of the poetic and lyrical nature, the majestic and immense images of nature and heaven and earth are sketched through the author’s pen, making the reader feel the arduous life and the difficult battle of the army. . The words “crooked”, “deep” have partly described the roughness, difficulty, and limping of the mountains and forests. It felt like the army had to overcome many mountains and face many dangers to win.

There is a very beautiful, very romantic image showing up “the gun that smells the sky”. It’s poetic and lyrical. The image of “sky-sniffing gun” is a highly artistic image, evoking a poetic scene. It is the complete opposite of the war raging out there.

Fierce battlefields, majestic and dangerous nature are the challenges that Tay Tien army needs to overcome to win the enemy. Even in the rain of bombs and bullets, the army was always optimistic. The last verse seems to settle down, idyllic and calm: Whose house is Pha Luong raining far away.

A full rhyme verse evokes times when the heart of the army is not attached to anything. The poem describes the light rain falling, covering the middle of the mountains and forests. That rain cover covered the path, covered the roads that the army passed. The fierce cruelty of nature is also described in a sinewy way:

In the afternoon, the majestic waterfall roared

At night, Muong Hich tigers tease people.

My friend is not walking anymore

Collapsed by the gun and forgot about life

The nature between the mountains and forests through Quang Dung’s pen has somewhat evoked the harshness, difficulties, hardships, and dangers. And there are many soldiers, many comrades who had to leave themselves there, unfinished youth with unfinished dreams. The calmness of the verse gives the poem a reverence and spirituality for the dead.

Following that stream of emotions is the nostalgia for the peaceful years, with the simple and affectionate people here. Unforgettable memories:

Remember, Tay Tien rice is on fire

Floating flood waters swaying flowers…

The image of thatched roofs in the late afternoon has white smoke spreading out to form a white layer on the mountain. Remember how warm and close the sticky rice season is. Those footage kept rolling and flowing in the hearts of Tay Tien soldiers. The image of the Tay Tien army appeared more and more clear and true:

Tay Tien army does not grow hair

The green army is fierce and fierce

Staring eyes send dreams across the border

Dreaming of Hanoi’s beautiful, fragrant night.

A bold and true drawing of Tay Tien soldiers. The hardships and harshness of the weather have made the young Ha become strong and callous. Although “no hair growing”, the fierce features also made the enemy fear. They are still brave, strong against the enemy and harsh weather.

Even though the war was full of storms, it still didn’t make the soldiers stop dreaming, They used to be Ha Thanh youths who put their pencils on their way to fight, in the distance there are still shadows for them to remember, they hope. motivates them to keep going. This is a respectable thing for soldiers. Quang Dung realizes the harshness of war, the losses that must be exchanged, the sacrifices that must be faced:

Scattered the border of the distant land

Go to the battlefield without regretting the green life

The robes reflect him back to the earth

The Ma River roars its solo song

This is perhaps the most heroic, most tragic poem in the poem. The soldiers bravely stayed with their comrades, with the motherland. Their youth is still there, but sacrificing for the country is “no regret”. The people are anonymous, but they always live in the hearts of people who stay. They left, but the promise of peace in the past would let those who remained to continue to fight and dedicate themselves.

Quang Dung’s poem “Tay Tien” really sows many emotions in people’s hearts. It is admiration, admiration as well as pity for what happened during the war.

In the life of Quang Dung’s soldier and perhaps throughout the life of that talented artist – the years of fighting in the Tay Tien army are certainly the most memorable, imprinted more deeply. And it is very fortunate for Quang Dung and for us, so many deep memories, so many beauty and tragedy of an unforgettable life in the West of the country with his teammates who have been recognized by the family. Poetry preserved forever with time in an excellent poem: Tay Tien.

The poem contains almost all of what is most characteristic of Quang Dung’s poetic soul, so that when it comes to Quang Dung, he immediately remembers Tay Tien, although he also has other unique poems.

The poem was formed and crystallized from a nostalgia, nostalgia for comrades and unforgettable days and memories of the poet himself in the Tay Tien army, associated with the Western land. majestic, dangerous and poetic. That nostalgia has awakened all impressions and memories to crystallize into vivid images. Often the images in the memory that are evoked do not have a clear order, it can mess up the time and space sequence, but there is still another sequence, which is the emotional circuit of the subject.

Here, the flashback circuit has shown the images of Tay Tien in turn according to a sequence of psychological movements. The beginning is the image of arduous marches in the middle of a wild, majestic and mysterious western landscape. Then nostalgia evokes beautiful, brilliant, soft and poetic images. Prominent among them are the images of young women in the West in the night of the campfire festival and the magical beauty in the afternoon mist of farewell in Chau Moc.

At this point, nostalgia must be crystallized in a focused, close-up portrayal of Tay Tien soldiers and their sacrifices. Nostalgia has gone through the poet’s recollection circuit, to the end, the author wants to send his soul to Tay Tien and the land of the West.

If we consider the act of creating poetry as a release of the emotions overflowing in the poet’s soul (that emotion is condensed from the life that has contained the author’s own experience), then Tay Tien can be considered as a typical example. The poem begins with nostalgia, nostalgia is filled in the poet’s heart, saying the words: “The Ma River is far away, Tay Tien!”

The verse sounded like a confession, but like a call, it contained both nostalgia and regret. The seven-word verse that has four words is its own name, and it is also the place to send, the place of nostalgia for the Western land (which the Ma River represents) and the Tay Tien army. This opening verse guides the entire emotion of the poem. The whole article will be the specific expression of two images that accumulate the author’s nostalgia: the West and the soldier Tay Tien.

Nostalgia for a mountainous region brings the poet into a special state, called “nostalgia for playing with”. In that nostalgia, all memories appear in images, sometimes clear, sometimes blurred, but they are all vivid and shimmering. The first image that appears are the marches of the Tay Tien army on the natural landscape. The majestic, fierce and poetic nature of the West:

“Strolling up a steep steep bend

The pig sucks the alcohol, the gun smells the sky

A thousand feet up, a thousand feet down

Whose house is Pha Luong raining far away.”

The first seven-word verse with five words is Thanh thanh (sharp, question), which successfully describes the marching road with steep, winding and winding passes, going up forever. The next verse depicts the deep height of the mountain peak submerged in the clouds. “Guns smell the sky” is both very real, and a very natural way of saying, bold soldiers.

The third verse seems to be broken in half, drawing two stages of the marching road: “A thousand meters up, a thousand meters down”. The fourth sentence is full of tones with mostly zero tones, opening up a far, wide space below eye level. In the rain covering the earth and sky, a few spots of houses appeared, as if floating on a sea of ​​rain spreading throughout the mountains and forests.

The four lines describing this march are among the most striking of the poem. The style of shaping pen is close to the style of ink painting, while highlighting a few highlights on the picture with specific details, and creating a space with three dimensions: height, width, distance, with brush strokes. blur, white spaces.

The arduous, harsh and constant marches made the soldiers exhausted and many people fell on the marching path. Quang Dung’s romantic inspiration did not ignore that fierceness.

“My sloppy friend doesn’t walk anymore

Fall on the gun and forget about life!”

For a long time, these two verses have been understood as talking about the soldiers’ sacrifices on the march. But there are also opinions that this is just a picture of the soldier’s fatigue and exhaustion with the moments of falling asleep in the middle of the march. Either way, it speaks to the hardships and harshness of the marches.

It is important to pay attention to the tone and words in these two verses: both poignant, a little sad, but also tough, a little brazen (forgetting life). The intense, wild and murky, the mystery of the Western nature is very impressively expressed in verses 11, 12:

In the afternoon, the majestic waterfall roared

At night, Muong Hich tigers tease people.

Those are also the strong impressions in the memory of Tay Tien soldiers to the West through the marches, especially in the afternoons and nights – perhaps because in these moments, the wild, mysterious , the darkness of the mountains and forests appears most clearly. The last two sentences of paragraph 1 create a turning point in terms of images and emotions, and at the same time prepare for paragraph 2.

The destination of the operations, also the place where the army could stop and rest, were usually villages. A steaming hot meal, the sweet and fragrant taste of sticky rice is the warm desire and joy of a soldier after a long march. Now it has appeared in the memory, in the nostalgia as if it has a sweet taste:

“Remember, Tay Tien, rice is on fire

Mai Chau is the season for me to smell sticky rice.”

Attention should be paid to the distinctive features of the last verse of the first stanza: new word combinations, repetition of the first consonant in the two words “Mai Chau”, “season em”, the verse consists of almost all sounds with consonant sounds. the feeling of lingering, pervasive. The second stanza of the poem opens up the different beauties of nature and people in the West: the poetic and dreamy beauty of nature and the beauty of the close love of the people. bold.

A party full of love for the army and people is described by shimmering and brilliant images under the light of torches and passionate and attractive in the music and tunes. The words lit up, the festival of flowers, behold, you consecutively expressed the excitement, intoxication, surprise, and delight of the soldiers on the night of the festival and before the appearance of the girls in costumes. brilliant nation.

The next four verses (from verses 19 to 22) describe a person sending people off to Chau Moc in a misty afternoon. These verses open up a poetic beauty of nature, the scenery is blurred, but it seems that because of that, it is more soulful and softer. The reed flowers fluttering, swaying on the shores as if they have a soul, or the poet’s soul has immersed himself in the scene and sees the medicinal spirit of the scene in each reed gently swaying and fluttering.

Likewise, the flowers floating on the flood water also carry the spirit of scenery, attachment, and love (the flowers are swaying, not swaying). Emerging on the background of the poetic natural picture is the image of a stable figure on a canoe in the middle of flood water. That image creates a strong and healthy beauty for a soft and poetic natural picture.

The pen style in paragraph 2 also has changes compared to paragraph 1. The pen strokes are flexible, transformative, using light and sound to create a shimmering and passionate look of a night of military and civilian festival. In the verses about one-way Chau Moc, the dreamy, dreamy beauty in the misty afternoon of thousands of reeds and waterfalls is drawn with delicate and soft brush strokes like those in a silk or water painting. interspersed with a couple of striking touches to create an impression.

The climax in the emotional circuit of the poem and also the central image in the author’s nostalgia for Tay Tien is in paragraph 3, depicting the image of a heroic, fierce and tragic Tay Tien soldier. The portrait of Tay Tien soldier is painted with unusual and strange strokes:

“The Tay Tien army does not grow hair

The green army is fierce and fierce.”

The romantic and heroic inspiration helped the poet discover and portray the heroic beauty of the soldier, overcoming and looking down on all hardships and deprivations. The two verses have a unique sound. The word army is more resonant and stronger than the word army, and without hair growth, it suggests a bold, unique character, like a soldier who doesn’t need, doesn’t even grow hair (which is mainly because malaria makes it worse. hair loss).

The verse creates an image of the brave, fierce and fierce appearance of the Tay Tien army. The next sentence: “The green army is fierce and fierce” shows even more that image. “Green” is pale skin due to malaria, deprivation, hardship, but through the heroic inspiration and romantic writing of Quang Dung, that green color brings the fierceness of the mountains and forests, not evocative. weak-looking, sickly.

The next two verses add another beauty to the image of the Tay Tien soldier: the pomp of Hanoi boys with a dreamy soul. In the days of fighting in the remote mountains and forests of the West and extremely arduous and harsh, Hanoi with fragrant overseas figures still appearing in dreams is nostalgia, a dreamland. The revolutionary soldier in Nguyen Dinh Thi’s poetry also once expressed his restless nostalgia for his lover’s eyes in the middle of a long night of marching.

But Tay Tien is among the few poems that talk about it poignantly with tragic inspiration. Death, even a sacrifice, cannot help but evoke feelings of sadness. The image of the graves scattered in the border of the distant land even multiplied that tragic feeling.

But the next verse strongly affirms the mettle of the youth that once did not only voluntarily accept, but also overcome death, ready to dedicate their whole life and youth to the great cause of the nation: “The battlefield: go without regret for a green life”. This is not a poetic way of saying that but is actually the spiritual courage and action of many generations of Vietnam during the years of war. It is also rare in poetry to directly describe the moment of farewell to the dead. teammates, like two sentences:

“The robe will change you back to the earth

The Ma River roared a solo song.”

Soldiers who fell on the battlefield were in short supply, their comrades could only be covered with the simple clothes of those soldiers (“A robe instead of a mat” is also understood as using a mat instead of a robe to cover the corpse, but That interpretation may not be true to the reality of the Tay Tien army). The letter “Ao” evokes an ancient and solemn feature, but not too far away. The word about evokes feelings of closeness and love: the soldier who sacrifices himself is to return to his motherland, in the heart of the Fatherland.

In the sacred moment of returning to the motherland of the soldiers’ souls, as well as the eternal moment of the comrades, the roar of the Ma River sounded like a tragic solo march. With just that sound, Quang Dung conveyed into the verse all the tragedy of sacrifice and pain in the soldier’s heart when he had to say goodbye to his comrades.

Many poets also use images of nature to talk about the sacrifices of soldiers. To Huu affirmed the immortality of the sacrificed revolutionaries with vast and lasting images of nature: “Anonymous Tran Phu souls – Blue waves of the sea, green trees and mountains”. Vu Cao borrowed the image of a flower to immortalize the sacrifice of a girl from Xuan Duc village:

“I will be the flower on the mountain top

Four fragrant seasons forever fragrant flowers.”

And Nguyen Duc Mau compares the agarwood tree to the life of a soldier:

“Living well with simple beliefs

The sacrificed body smells of the earth and the sky.”

Such symbolic images tend to celebrate the greatness and immortality of sacrifice, blurring the pain of loss. With the image of “The Ma River roars to a lonely song”, Quang Dung speaks of terrible pain but not tragic but intense and full of strength. At this point, the circuit recalls the memories of Tay Tien that went in its movement, and the poet returned to the present. Currently, it is a great distance from former comrades, with the land of the West of the Fatherland:

“Tai Tien people go without an appointment

The way to the abyss is one embryo”

It is a vast distance in space and time. But overcoming all the distance, Tay Tien has become an inseparable part of the poet’s soul. Or in a stronger and more poignant way, the poet’s soul was forever attached to the land of the West, to the West. The verse switches to using the colloquial pronoun “who”, because that is not only for the poet but also for all those who have been attached to the Tay Tien and Western armies.

Tay Tien is an excellent poem, crystallizing the talented soul and creative talent of poet Quang Dung in many artistic aspects: image, language, tone. The images in the poem are quite diverse and created with many different styles, creating rich aesthetic nuances.

In the poem, there are two main types of images: Western nature and Tay Tien soldier, and at the same time there are images of the lives of the Western people associated with Tay Tien soldiers. Taking a closer look, it can be seen that in each type of image (nature, people) there are also two main forms, creating two aesthetic nuances that coordinate and complement each other.

Nature has something fierce, harsh, wild, majestic (“Sloping up a steep steep bend – Pigs suck the clouds, guns smell the sky”; “In the afternoon, the waterfall roars – Muong Hich tigers tease at night. people”, “Song Ma roars with a solo song”). Besides, there are poetic images of nature, hidden in the mist, in the rain, swaying with flowers… (“Sai Khao dew fills the tired army – Muong Lat flowers come back in the night”, “Whose house is Pha Luong raining far away”, “Chau Moc in the afternoon dew”, “soul wipes the shore”, “Flowing flood of flowers swaying”).

The human image also appears with many nuances, which are mainly magnanimous and pompous. Heroism is in the will, the proud posture, overcoming and disregarding hardships, deprivations and sacrifices. And magnanimity is in the soul that is sensitive to nature, passionate about human love, and even desires and dreams. The author has used many styles of writing in describing and constructing images. Sometimes describing a close-up, stopping at quite specific details, sometimes backing away to cover a wide landscape, opening a liberal and majestic picture of the West.

If you imagine it in the way of painting, you can see two main brushstrokes: there are strong, bold, strong strokes, and there are soft strokes that create a hidden beauty. The distinctive feature of Tay Tien’s language is the combination and mixing of many stylistic nuances with specific layers of vocabulary.

There is a solemn language, with ancient colors (mainly in paragraph 3, which directly describes the image of Tay Tien soldiers and their tragic sacrifices; there is a layer of colloquial and vivid words of the language. speaking every day, boldly in the style of a soldier: remember to play with, the gun smells the sky, the term brother, forgets life, the tiger teases people, …).

A creative feature in the language of the poem is having unique and novel word combinations that give new meanings or nuances to words (e.g., remember to play with, night air, guns smell the sky, rain in the distance. , Mai Chau in the baby season, flowers swinging, fragrant Kieu, returning to the land, …). The use of place names is also a remarkable feature in the language of the poem. Places both create the impression of specificity and authenticity of the picture of nature and human life, while also evoking the attraction of a foreign land.

The whole poem is covered in nostalgia. That nostalgia evokes memories, images with many different emotional states, expressed in tones suitable for each emotional state. In the first paragraph, the main voice is earnest, rejoicing, which is raised into calls and exclamations (“Song Ma is far away, Tay Tien!”, “Remember oh Tay Tien rice is on fire”). In the second paragraph, when recreating the memories of the nights of festivals filled with love of the army and the people, the poetic voice changes to a joyful innocence, and then a sorrowful, manic feeling when recalling the farewell scene in a misty afternoon in Europe. Moc.

The tone of the poem becomes solemn and heroic, then settles down tragically in the third stanza, recreating the image of Tay Tien soldiers and their sacrifice. At the end, the voice of the poem returns to sadness, a painful nostalgia in the distance, parting with teammates and the West. Tay Tien is an immortal memorial in poetry, engraved with images. images and vibrations of a heroic and fierce time, of a young generation who used to “go to the battlefield without regretting a green life”.

The passing of the resistance war against the French left an indelible mark on the nation’s soul. It is the convergence point of millions of patriotic hearts for the environment, challenging the tenacious and indomitable fighting spirit of our people. The resistance war also gave rise to many beautiful images, the most beautiful being the image of a soldier.

In addition to famous poems such as Comrades of Chinh Huu, Me of Hong Nguyen…, Quang Dung’s Tay Tien is a unique poem that gathered a large force from all walks of life. young people from all over the streets of Hanoi. There are many young students from the petty bourgeois intellectual class who have just left the school books to participate in the national struggle.

All these people left with the common ideal of the nation to fight to protect the independence and freedom of the Fatherland. They left without an appointment to return to fight with the purpose of “Death to the Fatherland.” That image is the pride of an entire generation, once reflected in a song at that time:

The National Guard Corps once departed,

There’s no such thing as a return date.

In the group of people eager to go to war, in the ranks of young intellectuals yesterday were sometimes self-defense fighters fighting on the streets and barricades of Hanoi, but today are present in the Tay Tien army. , lowly appeared a face: Quang Dung, the author of the poem.

Like many young intellectuals of Hanoi that day, Quang Dung was also eager to join the Tay Tien army with a youthful zest and a little romance of the young “aristocrats” influential in the West. Conqueror soaks: Leaving home wearing a war robe, or: Sowing Thai Son is as light as a red fox.

That is why young people like Quang Dung are willing to accept all hardships and sacrifices to fight until the last day of victory. In Tay Tien, Quang Dung lived and fought with this unit for a while and then transferred to another unit.

One day sitting at Phu Luu Chanh, Quang Dung remembers about his teammates, remembers the arduous but heroic war days, remembers the old unit, remembers the marching roads that he and his unit used to go through. That nostalgia gradually grew in Quang Dung, turning out into two verses:

Ma River is far away, Tay Tien!

Remember the mountains, remember to play with.

The combat life of Tay Tien and the places that the unit went through must be very deep memories in the poet’s soul. Probably a part of Quang Dung’s life with Tay Tien was an active life in the mountains. Therefore, when the poet remembers Tay Tien, he immediately remembers the Ma River, remembers the mountains and forests with many happy and sad memories, the impression of a harsh mountainous region has left an indelible mark in the poet’s soul.

Therefore, Quang Dung remembers the past months with a lot of love, but does not know exactly how to call that nostalgia. Remember to play with! The two plays used here are very favorable, expressing a nostalgia that has no picture, no amount but seems to be very heavy and full of immensity. That nostalgic mood has been encountered not only once in the folk song:

When I leave, I miss you to play with

or:

Remember who is rejoicing,

Like standing on a fire, like sitting on a pile of coals.

Quang Dung uses nostalgia in folk songs to further symbolize his nostalgia, what an expensive detail! Right from the beginning of the poem, he described that mountainous area so earnestly that it caught the reader’s attention immediately. Remember Tay Tien, remember the Ma River and the overlapping mountains and forests, remember the marching path:

Sai Khao covered the tired army

Muong Lat flowers come back in the night

Steeping up a steep steep bend

The pig sucks the alcohol, the gun smells the sky

A thousand feet up, a thousand feet down

Whose house is Pha Luong raining far away.

The path of the military operation coincided with the harshness and ferocity of each border forest. Reading the poem, without thinking about the content inside, we can already imagine the path described by Quang Dung. The structure of the verse is always bared with crisscrossing bars, stretching out endlessly and endlessly like a long, winding road.

The music is smooth and constant. The Tay Tien army walked in the thick fog of the mountains and forests, all shimmering in the mist, like reality, like a dream. However, each place evokes in the reader the image of a foreign land, far away; If we just try to replace Sai Khao with another name, that magical mist disappears immediately. The Tay Tien army marched on a road of thousands of miles, with the obstacles and bumps of the road.

Having sloped up a bend but still steeply steep, having gone up a thousand meters high and then a thousand meters down, it is true that it is a high altitude, zigzag difficult to walk. All these characteristics describe the difficulty of the Tay Tien army when marching. It captures the impression of a mountainous region that is fierce and harsh.

Quang Dung has very subtle but also very mischievous ways of using words: high mountains touch the clouds to form attractive dunes, and to describe the height of the mountain, only three words gun smelling the sky sounds so funny. Is that the name of the soldier that Quang Dung recorded as an insider?

Anyway, through the words, details and tonal combination of the poem, it also painted in front of us the image of a mountainous region that the Tay Tien army once went through. There are verses that use all rhymes very well: Whose house is Pha Luong raining far away.

After a thousand meters up, a thousand meters down, the Tay Tien soldier was like standing on a high mountain, looking down at the valley covered in rain. The houses seem to be floating in the white rain. The flatness of each word spreads out, immensity, describing the rain curtain covering the valley. The mountains and forests overlap, the impression of the mountainous region is also harsh and intense:

In the afternoon, the majestic waterfall roared

At night, Muong Hich tigers tease people.

Just two verses that sow in our hearts all the harshness of this mountainous region – a murky mountainous region with wild animals threatening humans. The two words Muong Hich walking together sound like a tiger’s foot. It is a strange thing that if we replace this place name with two other words like Chau Thuan for example, the effectiveness of the verse will immediately decrease.

Through the description of Quang Dung, a borderland of mountains and forests appears with all the harshness and ferocity of nature. Those were the difficulties that Tay Tien soldiers had to overcome on the march. The difficulty and hardship of the Tay Tien road suddenly reminds us of Ly Bach’s verse:

Thuc chi nan, nan u toward the bar of heaven.

(The road of Thuc is difficult to go, harder to go to the blue sky).

Those are all the hardships and dangers brought by nature that the Tay Tien soldier had to endure.

My friend is not walking anymore

Fall on the helmet, forget about life!

Quang Dung speaks the truth on the road of Tay Tien. Many soldiers were lying on the marching path. There is a strange thing that shines through the whole poem is that Tay Tien soldier, when he collapsed, still tried in the position of a soldier, died but the gun was still there, the soldier’s luggage was still in the next position. continue the journey.

The hardships, hardships and harshness of the marching road and the nature of a foreign land tested the Tay Tien soldier in a terrible way. There were soldiers who made it through, and there were also many who had to stay behind. The soldier dribbled through the rain and sun, went from one difficulty to another, endured one challenge after another without seeming to respect; When exhausted, he had to collapse, he also tried to collapse in the posture of a soldier.

Even though Quang Dung told the truth about a mountainous area that obscured people, it was the noble qualities of a soldier that brought them to the top, beyond hardship and deprivation. Quang Dung is an insider, the forest is a Tay Tien soldier, that’s why the poet writes about the hard life of the Tay Tien soldier in a very touching way.

The harshness, suffering and ferocity of a border region, the hardships that the soldier Tien had to endure and the unforgettable impressions. Quang Dung about the soldier Tay Tien is not like other poets; he told the truth about the suffering and sacrifice of a soldier for a while. However, the image of the Tay Tien soldier did not become sentimental, on the contrary, more and more beautiful. Describes the soldier’s character with a marble, but is “tragic”.

Saying the hardships to enhance the victory and saying the sacrifices to raise the image of the soldier to the height of the era is also a way of “drawing clouds on the moon” in painting. Because what is the value of victory when it is easy to win, without sacrifice? And the image of soldiers will not be so beautiful if they do not go through the arduous trials of the harsh combat life.

Waves clapping the tops of pine

Hardship is a debt owed to the hero.

It is an experience summarizing the value of victory, the value of human qualities. Amidst many hardships and hardships, the impression of joy, though meager, is even more memorable:

Remember, Tay Tien rice smoked up….

Floating flood waters swaying flowers.

It seems that in order to return our state of mind to equilibrium after falling before the fighting life of the soldier Tay Tien, Quang Dung recalled many happy and warm images. Smoke from the kitchen, the aroma of sticky rice evokes the warmth of a peaceful and happy life. Its heat is enough to make the heart gradually warm up after moments of witnessing the hardships of the soldiers, the flower torch is an evocative image, evoking the joyful feeling like witnessing a crowded festival. .

Two hours, I was both surprised and happy, it acted out the soul of a Tay Tien soldier. In the whole poem, the music is mellowed into music, the sound of the trumpet, subtly the joyful image of life) as if he didn’t know the battle. The music image of Vientiane building a soul is a beautiful, poetic image, describing the rich soul of Tay Tien soldiers. They organized a fun festival, after many harsh trials of the fierce mountains.

And even though he knew that he would continue to endure hardships and sacrifices, Tay Tien soldiers still danced, sang, joked, remained optimistic and loved life. Maybe only the next day one of them has to lie down in the mountains and forests, but today makes their souls still daydreaming, dreaming of beautiful images of poetry and painting, building a poetic soul.

And so, they are ready to accept any next challenge, considering it as a normal thing that soldiers have to accept. No tension, no compulsion, all hardships and sacrifices for soldiers are normal and inevitable, so they are still optimistic, still loving life, still living with a young and fresh soul.

Likewise, the Tay Tien soldier can still remember the shape of a canoe, or a flower on the floodwaters. These images are very ordinary, thought that after many mental challenges, soldiers will forget. But no, they still remember. These images are deeply imprinted in the hearts of Tay Tien soldiers, encouraging them to fight, even though they continue to accept new challenges:

Tay Tien army does not grow hair

The green army is fierce and fierce

Staring eyes send dreams across the border

Dreaming of Hanoi at night, the fragrant beauty of the army does not grow hair! Is there any other way of saying that evokes so many emotions! So, does the image of the Tay Tien soldier become weird? No! That is the heroic image of the famous “Bad Guard” who was once cold, so his hair fell out, and in addition, the way that the army did not grow hair partly created the image of a hero with a heroic appearance. and horizontal.

The army does not grow hair, the army is green again, that green color may be due to the branches and leaves, but mainly because of forest malaria. The terrible fevers left a deep impression on the soldier. We were touched by the image of the poet Tay Tien, and suddenly remembered the image of the soldier in some contemporary poems:

The face has turned the color of illness,

Where is the freshness of the past days.

Tay Tien soldiers also endured those terrible fevers, however, it did not dampen the soldiers’ will but on the contrary they fought more bravely, more resiliently, the army was green but still fiercely fierce. The heroic mettle of the Tay Tien soldier is recorded by a balanced comparison. If in the above stanza, the soldier is threatened by the tiger, then they also fight with the brave spirit of a forest lord.

The following verse supports the previous verse soars like the aura of the quality of the Tay Tien soldier. Describing the heroic fighting spirit of the winner of such a comparison, Quang Dung really understood the soldiers and got along with them. Fighting bravely like that, but the soldier Tay Tien still had a very delicate life in Hanoi:

Staring eyes send dreams across the border

Dreaming of Hanoi’s beautiful, fragrant night.

The soldier went out from the school roofs, fought but still did not forget the rear. Ahead is the battle, emotions expressed through dreams, reality, dreams. The fragrant beauty evokes the graceful figure of the capital’s daughter, the word fragrant is used to mean like “the color of the country and the scent of the sky”! Quang Dung’s soldier left, bringing with him the pompous demeanor of an intellectual young man, the style that helped the soldier live a rich psychological life after each fierce battle.

This spiritual life is the source of motivation for soldiers to continue fighting to gain independence and freedom for the beloved Fatherland. And so, the soldier accepts the sacrifice:

Scattered the border of the distant land

Go to the battlefield without regretting the blue sky.

Just try to do the job of separating the two verses into one sentence at a time. Oh! The incredibly tragic impression that the first verse gives is powerful. I don’t know why, every time I read this verse, I get lost in thought and tears keep flowing! On the long, bumpy road of the mountains and forests, the Tay Tien army kept going and sometimes there were people who had to separate from the formation.

Soldiers’ graves sprang up. The poem is tragic. The following verses like an invisible lift, brought the first verse up, the carpet has now become tragic. It is tragic and heroic because Quang Dung can say one core thing in a soldier’s personality: knowing sacrifices, knowing hardships but still leaving to liberate his homeland.

They left without regret for a green life, because that beautiful life was dedicated to a noble cause: fighting for the Fatherland. They went and fell peacefully without any attachment, death as light as a feather:

The robes reflect him back to the earth

The Ma River roared a solo song.

Quang Dung’s use of the word ao dai makes the verse become ancient, ao dai, not a war robe; a soldier like the famous generals in the past is a glorious thing. In the same way, soldiers consider sacrifice on the battlefield a sacred duty. The Tay Tien soldier fell and rested on the ground.

The land gave birth to him and welcomed him back after fulfilling his duty. He returned to the land as an act of heroism. The poem begins with the image of the Ma River, and ends with the roar of this river. The river sent him off to fight and picked him up again:

Tay Tien people go without an appointment

The way to the abyss is a split embryo

Who went to Tay Tien that spring?

The soul of Sam Nua does not return.

Quang Dung reaffirmed once again the indomitable will to leave is not to return. It is also the determined will of an entire generation, of an era.

The hardships and sacrifices of the resistance war are unforgettable memories. There will never be another time so hard and so heroic. And it is also difficult to get the second Tay Tien poem.

The comradeship, the closeness of the comradeship is always an eternal topic for poets to find the land of many memories. Experiencing so many ups and downs of history, the sacrifices and hardships that the soldiers have gone through to bring peaceful life to many people, they also reveal their lovely and mischievous features. soldier. Quang Dung also mingled with the “soldier nature of Ho” to build a statue of a soldier that is both beautiful, majestic and full of mettle:

“The Ma River is far away, Tay Tien…

The soul of Sam Nua does not return.”

The poem “Tay Tien” is like a beautiful memory when we think of Quang Dung. Tay Tien is an army unit established in 1947, tasked with coordinating with the Laotian army against the army of the French colonialists. The soldiers in this army are mostly young Hanoians. At the end of 1948, Quang Dung transferred to another unit. Not long after leaving the Tay Tien army, at Phu Luu Chanh, with nostalgia for the West, he wrote the article “Remembering the Tay Tien”, after which he changed his name to “Tay Tien”. The poem is believed to be in the book “Clouds of the head of the umbrella”. At the beginning of the poem, Quang Dung exclaimed:

“The Ma River is far away, Tay Tien

Remember the mountains, remember to play together”

Immersed in the persistent nostalgia, Tay Tien place is associated with the heroic Ma River, it is not only a close friend to each soldier but also a historical witness. The word “remember” is repeated in the second verse emphasizing nostalgia. In particular, when combined with the word “play with” to create a highlight to prolong that nostalgia, it seems to permeate every corner of the poet’s mind. That nostalgia continued to cover Quang Dung’s next verses:

“Sai Khao mist covered the tired army

Muong Lat flowers come back in the night

Steeping up a steep steep bend

Pigs suck alcohol, guns smell the sky

A thousand feet up, a thousand feet down

Whose house is Pha Luong raining far away”

In these stanzas, we especially emphasize the landmarks that have been with the soldier in the past years: Sai Khao, Muong Lat, Pha Luong… Places where the Tay Tien army has passed, stopped to rest. rest. The poet used a series of figurative words “crooked”, “deep” to describe the difficult terrain that soldiers had to march through. In addition, the image of the “sky-sniffing gun” is the brightest and most valuable detail for the whole stanza above.

The gun symbolizing war, is “smelling the sky”, human’s desire for peace and freedom. This is also a mischievous feature of the soldier in Quang Dung’s poetry. Standing on the top of a steep, hunched slope, they looked down at “Thousand meters up, thousands of meters down” and saw that the fairy was majestic, magnificent, but also lyrical, “Whose house is Pha Luong raining far away”.

With only the first 8 verses, Quang Dung was able to describe the nostalgia for Tay Tien’s nature, for the Tay Tien soldier that was both beautiful and true. The poet continued to use his sharp pen to sketch the image of a soldier who has times of fatigue:

“My sloppy friend doesn’t walk anymore

Fall on the gun and forget about life!

In the afternoon, the majestic waterfall roared

In the night of Muong Hich, tigers tease people”

The image of Tay Tien soldiers on the marching road sometimes seemed to have to submit to nature or sacrifice “falling on the gun to forget life”. Some people think that the poet’s meaning here shows that the soldiers were so tired that they collapsed to rest, but there were also people who thought that they sacrificed, they fell into a beautiful autumn sleep.

But no matter how we look at it, we can see that the fierceness of nature and the war has pushed the soldiers into the vortex of a life-or-death struggle for the future of the country. The word “afternoon”, “night” even more depicts the wildness and majesty of the Northwest mountains and forests, which are always full of difficulties and challenges that are lurking for soldiers. Then the Tay Tien army still passed:

“Remember, Tay Tien, rice is on fire

Mai Chau My season is fragrant sticky rice”

Two very simple poems describe the poetic daily life with the image of “rice on smoke”, “sticky rice”. Quang Dung continued to reminisce about that heroic army with a romantic, pompous and a little bit of romance. naughty:

“The barracks are lit up with torches and flowers

Hey, when did you wear your shirt?

Knuckle up to bring her timid tone

Music about Vientiane builds a poetic soul

Those who go to Chau Moc in that foggy afternoon

Can you see the soul cleaning the shore?

Do you remember the figure on the pole

Drifting the water, the flowers swaying”

The verse has both images, music “Kèn”, the light of the “torch”, which is in stark contrast to the difficult and dangerous scenes that the soldier has experienced in the previous part. The poet not only focuses on the image. The soldier’s photo has a romantic color but also depicts a portrait of a majestic soldier monument with sharp, sharp but true language:

“Westward marching army does not grow hair

The green army is fierce and fierce

Staring eyes send dreams across the border

Dreaming of Hanoi’s beautiful, fragrant night

Scattered the border of the distant land

Go to the battlefield without regretting the green life

A robe to change a mat, I return to the land

The Ma River roars in a solo song.”

With only 8 verses, Quang Dung described the hardships and harshness of the Northwest mountainous weather with the raging malaria that made the army “cannot grow hair”. Then they still daydream, remembering their loved ones where they left home, and their loved ones on the front lines. Not only do they face terrible weather, but they also have to risk their lives to protect their homeland.

The metaphorical image of “clothing” instead seems to carry a feeling of pity. The soldiers bravely sacrificed themselves, they bravely stayed with the motherland. Mother Earth embraces them like children who need to be protected and protected. This is the poem with the most heroic and tragic sound of the poem. Even the “Ma River” had to roar to express its infinite grief.

“Going to the West, people go without any promises

The way to the abyss is a split embryo

Who went to Tay Tien that spring?

The soul of Sam Nua does not return.”

The end of the poem is a sadness that remains in the reader’s heart – a gentle but poignant sadness. Tay Tien still seems to be inviting, sowing in the poet’s heart a feeling that is difficult to put into words. In the analysis of Tay Tien by Quang Dung, we can imagine a majestic and magnificent natural image and also build it. a statue of a heroic soldier worthy of praise and admiration.

With a sharp pen, deep poetic voice full of emotions, “Tay Tien” is like a new wind blowing into Vietnamese poetry a new wind – a region of deep heroic memories.

Quang Dung is a typical poet of the group of soldiers’ poems. With heroic and romantic poetry, his compositions have resonated in the hearts of readers to this day. And “Tay Tien” is one of such works.

Tay Tien is the name of an army with the majority of students from Hanoi. The army was established in early 1947 and the company leader was none other than Quang Dung. At the end of 1948, Quang Dung transferred to another unit. In the village of Phu Luu Chanh, he wrote the poem “Remember Tay Tien” and later printed it in “Clouds of the head of the umbrella” and renamed it Tay Tien. The highlight of the work is the romantic and tragic inspiration of each verse. The beginning of the work is a long lasting nostalgia.

“The Ma River is far away, Tay Tien

Remember the mountains, remember to play together”

The author named the Ma river – a witness who followed the marching footsteps of the army. Quang Dung remembers his teammates, “remembers the mountains”. That nostalgia kept raging and gnawing, and then it turned into a voice calling “Tay Tien”. The artistic feature of the first two verses is the rhyme “Oh” and the word “play with”. With the success of that feature, the poet has fully expressed his heart. His memory was endless, raging, inconsolable. Memories from the bottom of my heart then resounded.

Remembering Tay Tien is remembering the difficulties and hardships during the march. A series of places are mentioned by the poet in the next sentences: Sai Khao, Muong Lat, Pha Luong, Muong Hich, Mai Chau. These are all attractive and desolate places, which are proofs of the arduous journey of Tay Tien soldiers.

“Sai Khao mist covered the tired army

Muong Lat flowers come back in the night”

These two verses clearly express the romantic inspiration in Quang Dung’s poetry. In the cold night in the highlands, the fog covered, although “tired” but the marching road appeared still beautiful, still dreaming “flowers come in the night slightly”. The next verses clearly show the harshness of nature on the march. A series of words to describe the bumpy journey of that journey have honestly described the unspoiled nature in the mountains and forests: “sloping up and down, steeply steeping the road”.

The poem “sloping up a bend, steeply steep” as if it was cut in two clearly describes the bumpyness of the mountain and the journey. That is further multiplied by “thousands of feet up a thousand feet down”. That path kept repeating the same message one after another. However, in front of that beautiful wild nature is the image of “a gun to smell the sky”. This is a beautiful, romantic image of Tay Tien soldier.

In the midst of majestic natural mountains, the soldier carried a gun on his shoulder. The verse makes the reader feel like the point of a gun can reach the sky. This image affirms the soldier’s determination to conquer all heights and go to “any difficulty to overcome – every enemy to win”. In the midst of that wild nature, the soldier’s spirit is still very firm:

“My sloppy friend doesn’t walk anymore

Fall on the gun and forget about life

In the afternoon, the majestic waterfall roared

In the night of Muong Hich, tigers tease people”

With his honest pen, Quang Dung recreated the painful truth of the operation. There have been many people who have passed away, “you are not walking anymore”. But that image through Quang Dung’s poetry is not tragic, but heroically “falls on the gun and forgets life”. The heroic soldier sacrificed himself by the gun and hat in a proud posture “on the battlefield without regretting the green life”. The image of the martyred soldier has gone deep into the hearts of readers to this day.

It is true that “the monument of liberty is built with blood and tears”. New difficulties came to the army. That is the danger of the forest, the wild place is always lurking “tiger teasing people”, “screaming waterfall”. But not because of that, Tay Tien soldiers flinched. On the contrary, they still optimistically remember the warmth of the people here “remember, oh Tay Tien, the rice is up in smoke – Mai Chau is the season you smell sticky sticky rice”. The creative pair of words “season you” contains a lot of love and nostalgia of the author. Quang Dung’s poetry has not only harsh reality but also romantic and joyful moments:

“The barracks are lit up with torches

Hey, when did you wear your shirt?

Haunted to the manly tone of the girl

Music about Vientiane builds a poetic soul

Those who go to Chau Moc in that foggy afternoon

Can you see the soul cleaning the shore?

Can you see the figure on the Doc Moc?

Drifting the water, the flowers swaying”

This poem changes the atmosphere of the whole poem. With a cheerful and optimistic tone, the author showed the reader the pomp of Tay Tien soldier. The night of the cultural festival filled with militia love was imprinted in Quang Dung’s mind, making him unforgettable. The image of beautiful Thai girls in traditional clothes, timid in the music of the trumpet, surprised the soldier, “Behold me”.

With a romantic soul, the poet painted the dreamy vision of Chau Moc in the misty afternoon with “soul reed”, “swinging flowers”. Is that flower the image of a boatman on the floodwaters? The innocent charm of people and landscapes has been painted into a wonderful picture through Quang Dung’s poetry. Following the poetic circuit is the image of Tay Tien soldier with strange and strange beauty:

“The Tay Tien army doesn’t grow hair

The green army is fierce and fierce

Staring eyes send dreams across the border

Dreaming of Hanoi at night, fragrant overseas”

The realistic writing style was once again thoroughly implemented by Quang Dung. “The army does not grow hair”, the “green army” is the result of the battles of malaria. During this period, our soldiers fought in extremely difficult circuTaxances, lacking food, medicine, even combat equipment. … Our soldiers often die sick rather than die in battle.

But even with such a look, the soldier of Tay Tien was still proud, majestic, not weak, “strong and fierce”, “glaring eyes”. The poem clearly shows the romantic and tragic inspiration of the poet. The determination to kill the enemy “send a dream across the border” did not reduce the soldier’s romance. They still remember their homeland, still remember the daughter of Ha Thanh.

“Scattered across the border of the distant land”

Go to the battlefield without regretting the green life

The robes reflect him back to the earth

The Ma River roars in a solo song”

There is a smell of death in this verse. A gloomy, melancholy color covers the stanza. But under Quang Dung’s pen, it appears tragic but not sad. The spirit of the soldier was clearly revealed. They are determined to go “without regret for a green life” to bring independence to the nation. They fell but still carried in them warm blood. “The robe instead shows him to the land” as an understatement. The fallen soldier returns to the vast motherland. Once again, the image of the Ma River appeared as if sending off the soldier’s soul.

“Western people go without an appointment

The path is a deep one split

Who went to Tay Tien that spring?

The soul of Sam Nua does not return.”

Quang Dung once again affirmed the iron will of Tay Tien soldiers. They left without “appointment”. They have left without a date to return, they are determined to regain independence for the nation. The spirit of “one go, no return” of Tay Tien soldiers as well as those of Uncle Ho at that time. With realistic artistic writing style and romantic inspiration, Quang Dung created a wonderful poem.

The portrait of Tay Tien soldier was clearly depicted through the author’s poetry and nostalgia for his squad. Indeed, “Tay Tien” deserves to be the epic poem of Vietnam’s revolutionary poetry at that time.

Tay Tien is a soldier’s poem about the soldier – the National Guard during the 9-year resistance war against the French. Quang Dung used a gun to fight the enemy while writing poetry, so his poetry was very honest and generous. The poem was written by Quang Dung in 1948, when the nation’s holy resistance war entered its third year, the resistance journey was still full of trials and tribulations.

Tay Tien speaks of Quang Dung’s nostalgia and pride about his dear comrades, who were born and died in a war. The poem’s opening is a heart-wrenching call. Nostalgia, nostalgia like being suppressed, suddenly overflowed:

“The Ma River is far away, Tay Tien!

Remember the mountains, remember to play with”.

The word “oh” rhymes with the word “play with” making the tone of the verse become earnest, deep and resonant. The two words “remember” are like two pressing notes that describe the burning nostalgia of “playing with”. From Phu Luu Chanh, he remembered the Ma river, the western mountains and forests, and the Tay Tien army – a unit of soldiers that operated in the western mountainous areas of Thanh Hoa, Hoa Binh, and Son La – on the Vietnam-Laos border in the past. the early years of the war.

Many beautiful memories of a time of war suddenly come to life. The village names, the names of the old mountains and forests of the past and love appeared, suddenly became close, making the soldiers’ souls flutter:

“Sai Khao mist covered the tired army.

Muong Lat flowers come back in the night.”

The Sai Khao, Muong Lat…the wonderful places that once imprinted the footprints of the Tay Tien warriors. In the “fog”, in the cold, foggy “night”, the brave group had to overcome extremely arduous marching paths. Day after day, night after night, through the oil fields, the “tired army” amidst the misty sea of ​​the western mountains and forests; The “tired army” seemed to be “covered”, weighed down in fatigue and hardship, but suddenly, “flowers returned in the night”.

The fatigue, the hardships seem to have dissipated. After the bar consecutively expressing the lightness and lightheadedness in the young soldier’s soul, he reached his destination after a long and challenging march: “Muong Lat flowers returned in the dark of night”. The battle took place badly. between the mountains and forests of the West. The steep passes “uncurvy”, “deep” have never been imprinted with human footprints! The “sucking clouds”. The heights of the mountains, the depths of the valleys, of the streams, test the courage like blocking the advance of the army:

“Uphill, steep slope,

The pig sucks the alcohol and smells the sky.

A thousand feet up, a thousand feet down

Whose house is Pha Luong raining far away”.

The words: “deep”, “crooked”, “sweet” are selected and used as engravings and drawings with special shaping value, showing the slopes and dunes that the house has built. poets and teammates had to overcome in the days: “clothes barefoot go to hunt for the enemy” (Hong Nguyen). “The gun that smells the sky” is a anthropomorphic image reflecting the fun, youthful innocence and love of life of a young soldier.

There is a verse consisting of two sub-paragraphs, the brave bravery of the Tay Tien soldier is measured by: “Thousand meters up / Thousand yards down”. Mountain after mountain, pass after pass, going up and down again, the army walked in the fog, in the rain forest. From the heights of “thousands of feet”, the warriors looked into the distance.

Muong villages, houses on stilts looming. The verse, full of sound, by evoking the joyful, light-hearted emotions that rose up in the soul of the young soldier who was very optimistic and loved life when looking into the distance through the forest rain: “Whose house is Pha Luong raining far away in the sea. “.What happened on those long, bloody and arduous journeys? The tone of the verse suddenly fell, faltering:

“The sloppy guy doesn’t walk anymore.

Fall on the gun and forget about life!”.

The two “friends” sounded like a silent cry. During the hardships of “dripping oil”, during the long days of marching and fighting, how many dear comrades “didn’t step any more”… said goodbye to the army, “forgotten life”, forgot about comrades and friends, lying in bed. forever at the foot of the pass, the corner of the mountain. The four words “falling on a helmet” represent an extremely tragic sacrifice: falling down, collapsing on the march in the middle of a battle while the gun is still in hand, the hat is still on the head.

Although Quang Dung has replaced the word “death”, the word “sacrifice” with the phrase “no more steps”, “collapse” …, “forgetting life!”, but still overflowed with grief and mourning. The truth of war is still the same! The thing is that Quang Dung’s poem, although talking about the death of a soldier, does not suggest sadness, on the contrary, in mourning, there is pride affirming: Because of independence and freedom, there are many wars. Heroic soldiers have fallen on the battlefields, in the fierce posture of “falling on the helmet …” like that.

The scene of the battlefield is not only high pass, cloud dune, steep slope, not only the rain, the forest mosquitoes squeeze the mountain, but also the many challenges of the sacred forest of thousands of generations with a wild and secret, heroic look. majestic and majestic. Afternoon after afternoon, night after night, the battlefield resounded with the “roar” of the waterfall, of the “true human tiger”.

In a vast space of a great place, from Pha Luong to the desolate Muong Hich, death is lurking and threatening. The sacred forest hides many “magical” secrets, anthropomorphized as more intense. The waterfall “roars”, the tiger “teases people” as if to test the courage of Tay Tien warriors:

“In the afternoon, the majestic waterfall roared

At night, Muong Hich tigers tease people”.

Overcoming hardships, sacrifices, soldiers’ luggage is full of beautiful memories of military love. Forget how to “smoke rice”, the rich flavor of “the season of fragrant sticky rice”. In the rich flavor of the steaming rice bowl, the sticky sticky rice flavor is still accompanied by the deep love of the people of Mai Chau village, of the “season of children”. Two words “remember oh” evoke a lot of sadness, lingering, poignant and sweet:

“Remember, Tay Tien rice is on the smoke

Mai Chau is the season for you to smell sticky rice.”

The second part of the song “Tay Tien” includes 8 sentences about the “flower torch festival” and the misty afternoons of Chau Moc plateau. Poetic voice, sad. The poet asks himself “did he see” and “remember”. The talent, talent and romance of the warriors are talked about very well in the night of the “floral torch festival”. The word “there” is a pronoun to return from afar, evoking a lot of surprise and love.

In the flickering torchlight, the appearance of Muong girls, Thai girls in the Northwest, and Lao girls in vibrant national costumes brought joy to the young soldiers of the Tay Tien army. happy, friendly military people. There is the “many tune” of the mountains and forests, and there is a melodious song “building a poetic soul”. There is a graceful “shy” posture of “her”, of “forest flowers” dancing and dancing:

“The barracks are lit up with torches,

Behold, I never wore my clothes,

Humming up the timid girl’s tune,

Music about Vientiane builds poetic souls”.

The word “bump” is a divine drawing. “Burning” is to light up, burning brightly from the torches in the night of the “flower torch festival”. It also means jubilantly jubilantly through the “man-tone” sound, through the passionate and passionate voice of Thai folk songs and Lao folk songs. Remembering Tay Tien is remembering the afternoons of the plateau, remembering the children. canoe boat, remembering “soul wipes the shore”. Remember a lot, remember forever “the figure on a single tree”, remember never to forget the poetic image “Drifting water and flowers swaying”.

If you don’t live strongly, live the life of a young soldier in a difficult battle, it is impossible to write poems with such strange, beautiful and poetic flavors. The melody of the poem is low and light as if lulling our soul into a dreamland.

The quality of music and poetry exudes from poetry, showing the unique aesthetic of Quang Dung’s poetic pen, and at the same time depicting the beauty of the soul of Tay Tien soldiers: in hardships and trials, in hardships. and die, they are still optimistic and love life, innocent and dreamy.

This is one of the best poems in the poem “Tay Tien” that shows the delicate and talented perception and expression of the beauty of nature and humanity, and at the same time very innocently captivated the reader. :

“Those who go to Chau Moc that foggy afternoon,

Do you see the soul cleaning the shore,

Do you remember the figure on the cane,

Drifting the water and the flowers swaying.”

In the third part, Quang Dung erected a majestic and tragic monument to the Tay Tien army. The army of forest channels walking in the sea of ​​​​fog, in the dunes in the rain, overcoming many high mountains, high passes, steep slopes, “clothes barefoot in search of the enemy”, suddenly appeared:

“The Tay Tien army does not grow hair,

The green army is fierce and fierce

Staring eyes send dreams across the border

Dreaming of Hanoi at night, fragrant overseas”.

The poem captures in a true and heroic way the fierceness of war, of a rebellious nation standing up with spears and spears against the iron and steel of the enemy. The poetic image is placed in a contrasting position to affirm the brave, heroic spirit, the souls with many beautiful dreams. “The army does not grow hair”, “the green army”, looks emaciated, sick from forest malaria, but the posture is extremely majestic: “strong and majestic”.

It is also a traditional way of saying in national poetry praising the strength of Vietnam: “Three armies, Pi tigers and gas in Nguu hamlet” (Pham Ngu Lao), “Three armies of tigers – Shining swords” (Truong Han Sieu) , “The good soldier is picky about the tiger – This one chooses the fang” (Nguyen Trai), … And in the early years of the resistance war against the French, soldier Uncle Ho brought Vietnamese strength from thousands of years old to the battle with his will. brave, tasted so much bitterness and sweetness, so many hardships, fought bloody battles in the deep forest.

Quang Dung creatively inherited the nation’s classical poetry to write such generous poems. Most of the Tay Tien army officers and soldiers are young people, students, and students of 36 streets and wards, where thousands of years of literature are located. As “The boys who are not yet white owe their heroes …” went out to fight the enemy with many beautiful “dreams” and “dreams”:

“The glaring eyes send dreams across the border,

Dreaming of Hanoi at night, fragrant overseas”.

Dream of victory. Dreaming of destroying enemy posts, stealing enemy guns and killing enemies. “Grim eyes” evokes a fierce fighting posture that is unmatched when fighting in close combat, when roaming in the enemy’s fortress! At the same time, in their luggage and in the hearts of young soldiers, they carry many wonderful dreams. Remembering the old street of the old school, dreaming of a beautiful dress, a “fragrant overseas figure”, dear Hanoi. The verse “Dream night in Hanoi’s fragrant overseas beauty” shows the talent and pomp of a Western soldier. Up.

As for the soldier in the song “Dong Chi” by Chinh Huu, the nostalgia for the fields, the “house that doesn’t let the wind shake”, the original well… The nostalgia of Mr. Ve Quoc Quan in the poem Hong Nguyen’s “Remembering” is a full-fledged, loving, deep, earnest love of the countryside:

“Three years and then sent back to the homeland,

The roof of the tent, The sound of the muzzle at night,

Red soil plow, Few young wives

Worn by the rice mill for late night soup”

Thereby, we can see that the nostalgia, the dream of the soldier in the battlefield as a farmer, or the urban petty bourgeoisie are both beautiful and lovely because of the nostalgia, that dream expresses a passionate love for the homeland. . If someone thinks that Quang Dung’s verse carries the dream of falling, of sadness, of a petty bourgeois tail… then it’s really sad. Time and readers over the past half century have affirmed the unique beauty of Quang Dung’s poetry because it contributed to enriching the portrait of “Uncle Ho’s soldier” in the resistance war against the French.

The price of independence and freedom is measured by the great stature and mettle of the nation, recorded in the blood and blood of the people, but first of all, the blood and blood of thousands and tens of thousands of soldiers on the battlefield. The noble idea: “Fatherland or death” was expressed by Quang Dung in tragic poems that moved people’s hearts:

“Scattered by the graves of the distant land

Go to the battlefield without regretting the green life.

The robes reflect him back to the earth

The Ma River roared a solo song.”

How many dear comrades of the poet fell in the fire. With a very simple “clothes to change mats”, without “horse skin covering corpses” like the old stalwarts, the brothers have peacefully “returned to the land”, forever lying in the arms of their mother – dear Fatherland. You have “decided to die for the Fatherland”.

The two words “about land” are very creative. The sound of Ma River waterfall “roaring” echoes in the middle of the mountains and forests as if resounding in the hearts of teammates. It is like the trumpet sound in the song “Calling on martyrs”, like a series of cannons exploding in the middle of the mountains and forests of the war zone, bearing the nuance of a noble and sacred oath. Putting the death of unknown heroes in the middle of a large space, in the midst of a vast and majestic nature, the verse “scattered across the border of the graves of the land” has made the pain of loss and sacrifice even more immense. was raised to the level of magnificence and magnificence.

Even more sublime is the ideal of fighting for independence and freedom of the Fatherland which is affirmed as an oath, a strong belief: “The battlefield goes without regrets of green life”. Cumulative” (Che Lan Vien). The above verses of Quang Dung are really on par with the soldiers of Tay Tien, with their comrades who gave their lives for the Fatherland and sacrificed themselves in the midst of the mountains and forests of the Vietnam-Laos border.

Quang Dung described and praised the soldier Tay Tien who carried the spirit of unknown heroes, heroes of the times, went to war with “love of rivers and mountains”, with the determination “The battlefield goes without regret for a green life”. They have continued on the path of their ancestors, their ancestors, who brought blood and bones to maintain the mountain. They lived a simple life, loved life, knew how to dream and desire, and were very innocent and optimistic.

They lived heroically, died gloriously, willingly giving their blood and “green lives” to the people and the country. The poet has shaken mourning, pride! Later in the poem “Lao River” also talking about the “far-away graves” of the elite children in all the countryside, Che Lan Vien was moved and choked:

“I don’t just drink poetry when I cross the rivers of Laos

Meet thousands of graves

And hundreds of copies of Lao American bombs burned to ashes!

Overnight at Zebanhien, a little boy from the Red River

Overnight Zebangphai is Phu Tho man

The ball is tight, the ball is covered with a palm tree instead of a brush ball.

Nghia Binh boy sleeps in Xe-kong

Compress the scent mixed with the scent of the forest

Lao girls visit the grave

You guys have never held hands and danced smack-dong…”

It is true that “There is death that turns into immortality” (To Huu). Many Vietnamese poets, including Quang Dung, wrote songs expressing the brave fighting will and glorious sacrifice of the Patriot soldiers in the Ho Chi Minh era. The last stanza of the poem, sound The melody becomes earnest, deep and reviving. Still the sound of the heart fluttering with nostalgia. So many unrelenting memories:

“Western people go without an appointment

The way to the abyss is a split embryo

Who went to Tay Tien that spring?

The soul of Sam Nua does not return.”

That spring, when “The resistance trumpet sounded in the mountains and rivers” (Ho Chi Minh), the Tay Tien army marched out. They went to the battlefield with the promise: “One past, never return”. That is the oath, the determination of an entire generation of “The battlefield goes without regret for a green life”. You have bid farewell to your homeland. Who else died after the days of blood and fire? Dear friends, teammates, those who “The soul of Sam Nua does not return”. But the homeland still forever embraces the image of him – a soldier in the Tay Tien army.

The poem has ended, but its melody still resonates in our souls. There are poems for a while but there are also poems that are forever. Good poetry without age is like spring without date. Those are Ca Deo of Huu Loan, Me of Hong Nguyen, Comrade of Chinh Huu, Tay Tien of Quang Dung, and many works of writers and poets in the resistance war against America. Tay Tien is one of the The best poem written about a soldier holding a gun to defend the Fatherland, typical of Vietnamese poetry during the war against the French.

With a romantic penmanship, with the talent and heroic style of the poet-soldier, Quang Dung has carved into time, poetry and people’s hearts the image of the unknown soldier Thang Long – Hanoi. , of the heroic Vietnamese nation. Before the martyr’s soul, we light a candle of incense, bow with gratitude and respect to the poet and the glorious soldiers in the Tay Tien army.

The nature of the mountains and forests of the Northwest is poetic and lyrical, but behind it is a wild look full of dangers lurking. In front of the majestic scenery of the country, the image of the soldier Tay Tien of Quang Dung appears as an immortal monument, bearing the beauty of both majestic and talented romantics of the children of Ha Thanh.

Tay Tien poem has faithfully recreated the cruelty of war, the hardships that soldiers had to go through on the way of resistance. However, they never backed down from difficulties and challenges, these great soldiers still lived optimistically, loved life and fought bravely.

Quang Dung (1921-1988) whose real name is Bui Dinh Diem, was originally from Ha Tay (now Hanoi). He is a multi-talented artist who can both write and write poetry, as well as draw and compose music. But when it comes to Quang Dung, first of all, he must be a talented poet, his voice is both innocent, delicate and no less romantic, especially when he writes about his Son Tay soldier.

His main compositions include: Clouds in the head of the umbrella (1986), Quang Dung’s poetry (1988). In 1948, Quang Dung moved to another unit, at Phu Luu Chanh he wrote the poem Me Tay Tien, which was renamed Tay Tien and printed in the collection of poems Clouds in the head of the umbrella.

At the beginning of the poem, the author recreated the majestic, wild and beautiful natural scenery of the West along with the arduous march of the Tay Tien army. Young soldiers are not afraid of danger, they keep moving forward with the innocent and optimistic spirit of youth:

“The Ma River is far away, Tay Tien!

Remember the mountains, remember to play with

Sai Khao covered the tired army

Muong Lat flowers come back in the night

Steeping up a steep steep bend

Pigs suck alcohol, guns smell the sky

A thousand feet up, a thousand feet down

Whose house is Pha Luong raining far away

My friend is not walking anymore

Fall on the gun and forget about life!

In the afternoon, the majestic waterfall roared

At night, Muong Hich tigers tease people

Remember, Tay Tien rice is on fire

Mai Chau is the season for you to smell sticky rice”

The main emotion throughout the work is the author’s nostalgia when thinking about old memories at his old unit. “The Ma River is far away, Tay Tien” the verse sounds like a poet’s heart, an earnest call full of regret and filled with nostalgia for the glorious past. The poet remembers Tay Tien with the nostalgia of “playing with” so painfully, vastly and deeply. Nostalgia is always permanent, covering both the space and the soldier’s heart.

The natural picture appears very vividly with the places “Ma River”, “Sai Khao”, “Muong Lat”, “Pha Luong”, “Muong Hich”, “Mai Chau” these are the landmarks associated with army corps, was the marching area of ​​Tay Tien soldiers.

A remote and treacherous land that many times seemed to overshadow the will of the soldier, Uncle Ho, “fog covered the tired army” high mountain terrain with dense layers of fog covering the path. The tired army now had to face the skin-crushing cold of the Northwest. The rugged mountainous terrain is “sloping up and down, steeply steep”, the road is not flat and easy, there are parts of the uphill that are bumpy and winding, sometimes it is “deep” like an abyss, just a moment’s attention. A soldier can die instantly.

The thick fog obscured the view, the small winding road added to the slippery ground, the army was still walking in hardship, each drop of drizzle fell like a bitter cold. Quang Dung cleverly uses contrasting art to describe the fierceness of the Northwest mountains and forests “Thousands of feet up, thousands of feet down” vivid and creative verses that evoke the scene before the reader’s eyes. majestic, desolate, mysterious nature with full of dangers “screaming majestic waterfall”, “tiger teasing people” at night.

It is indeed a place of “sacred forest with poisonous water”, but those difficulties could not stop the soldiers’ footsteps, they still walked with unyielding courage and in the soldiers’ eyes, the Northwest was a land. lyrical and full of human love. The images “flowers in the night” and “rain in the distance” are fanciful, creating a feeling of relaxation and lightness for readers. The people of the West appear very simple, affectionate, they are attached to the revolution, lovingly protecting the soldiers of Tay Tien.

Quang Dung described the vast and dangerous nature of the mountains and forests to highlight the image of soldiers on their arduous and self-sacrificing journey. The army had been going for many days in a row, they were really exhausted, now this “tired army” needs to rest to regain strength and spirit to move on. The image of “a friend who doesn’t walk anymore” is an understatement and avoidance of Quang Dung, there are soldiers who have died on the battlefield unable to continue with their comrades.

The author mentions death indirectly to avoid causing too deep pain, reducing the will of the army to fight. The soldiers are admirable, they are ready to sacrifice themselves for the Fatherland, they are young and brutal and love life very much “falling on the gun and forgetting about life”. A death as light as a feather can’t make soldiers tremble, their souls still fly mischievously mixed with talented romance.

The next stanzas of the author’s poems are reminiscent of the beautiful and deep memories of the love of the army and the people in the jubilant and bustling nights:

“The barracks are lit up with torches and flowers

Hey, when did you wear your shirt?

Haunted to the manly tone of the girl

Music about Vientiane builds a poetic soul

Those who go to Chau Moc in that foggy afternoon

Can you see the soul cleaning the shore?

Do you remember the figure on the pole

Drifting water, flowers swaying”

Tay Tien Army has been attached to the battlefield for many years, there are so many memories imprinted in the hearts of every person. After days of hard fighting and hardship, “The barracks burst into flames”, the boys and girls held hands and danced to the “embarrassed” music of the highland ethnic minorities.

The beauty of the people here is so shimmering, the mystery is a little wild, captivates the souls of many pompous and romantic young soldiers in Hanoi. Along with that is the scene of the Northwest River on a romantic afternoon but with a hint of sadness, like the poet’s anxiety about the fate of the nation, before the war situation is coming to a drastic and difficult point.

The army continued its battle march, the soldiers were depicted by the author as long, proud and immortal statues, their portraits appeared with both tragic and talented and romantic beauty:

“The Tay Tien army does not grow hair

The green army is fierce and fierce

Staring eyes send dreams across the border

Dreaming of Hanoi’s beautiful, fragrant night

Scattered the border of the distant land

Go to the battlefield without regretting the green life

A robe to change a mat, I return to the land

The Ma River roars in a solo song.”

The strong and tragic quality is shown with the sky-high aura “Tay Tien army does not grow hair”, this is a fierce and powerful image of a soldier, even in the deep forest facing malaria. raging, even if their skin turns pale because of illness, they never give up their determination and fight hard.

The soldier wears a green military uniform carrying many dreams and hopes for a bright future, a country without the shadow of enemies. The “glaring eyes”, “the fierce” show the fierce and powerful aura that makes the enemy fear. But sadly, Tay Tien soldiers also sometimes died in the battlefield “scattered with the borders of the distant lands”, the anonymous graves where the border they lay down when they were too young, leaving their future behind. future, leaving the elderly mother who is waiting for her beloved homeland.

Soldiers are worthy of respect, they sacrificed for the Fatherland without a moment’s hesitation in fear of “no regrets in green life”. Their departure caused heaven and earth to mourn, and the Ma River appeared at the end of the poem as the poet’s respectful heart wanted to send off the soldier in the last moments of his life, the unknown soldier. He was forever lying on the fierce battlefield.

The portrait of the soldier is also described by the author through his pomp and romance. They are all city boys because of their great karma, leaving the bustling urban place. These guys are still young and full of dreams, longing for love “sending dreams across the border”, they dream of beautiful and gentle Hanoi girls like Kieu. All create an image of a young soldier, loving life with the intense desire for happiness of youth.

The last stanza resounded as strongly and fiercely as an affirmation of the army’s determination, it was also an oath of loyalty to the country, ready to sacrifice for national independence:

“Tai Tien people go without an appointment

The way to the abyss is a split embryo

Who went to Tay Tien that spring?

The soul of Sam Nua does not return.”

The brave and confident Tay Tien soldiers showed a fighting spirit full of enthusiasm “the one who left without making an appointment”, they left without a date to return, leaving with a spirit of readiness to sacrifice to protect the country. , for national independence. Despite knowing the “deep” journey to divide the embryo, the soldier swore an oath to the country “The soul of Sam Nua does not return”. The soldiers’ souls seem to have overcome their trivial personal dreams, now they carry on their shoulders a huge mission: Ready to fight, ready to sacrifice for national independence.

Tay Tien is the most unique poem that contributes to bringing Quang Dung’s name to a new level of art. With his talented and romantic pen, Quang Dung has successfully built the image of a soldier who is both tragic and talented, the two poetic qualities cannot be separated but blended together to create the attractiveness of the work. The majestic and magnificent natural image was built as a background, contributing to highlighting the beauty of the optimistic and loving Tay Tien soldier.

Tay Tien is an excellent poem, which can be considered as a masterpiece of Quang Dung, which appeared at the very beginning of the resistance war against the French colonialists. Poet Tran Le Van, a close friend who has lived for many years, used to print a poem with Quang Dung writing about the situation of Quang Dung composing the poem Tay Tien as follows:

The Tay Tien army, after a period of operation in Laos, returned to form the 52nd Regiment. Company Captain Quang Dung stayed there until the end of 1948 and was transferred to another unit. Leaving the old unit not long ago; Sitting in Phu Luu Chanh (Ha Dong), he wrote the poem Tay Tien. Around the end of spring 1947, Quang Dung joined the Tay Tien army.

It was a unit established in early 1947, tasked with coordinating with the Laotian army, protecting the Vietnam-Laos border, and defeating the French army in Upper Laos as well as in the western North of Vietnam. The area of ​​operation of the Tay Tien army was quite wide, including the provinces from Son La, Lai Chau, Hoa Binh, western Thanh Hoa to Sam Nua (Laos) and then around to the west of Thanh Hoa. These places, at that time, were still very wild and dangerous, with high mountains, deep rivers, dense forests, and many wild animals.

The Tay Tien soldiers were mostly Hanoi adults, belonging to many different classes, including pupils and students (Quang Dung belonged to this number). The life of Tay Tien soldiers was very difficult, sick without medicine, more died from malaria than from fighting.

However, they lead a very optimistic life and fight very bravely. Overcoming all the harsh challenges of war and extremely difficult living conditions, they still retain their pomp, politeness, love of life and also very romantic. Tay Tien poem has two outstanding features: romantic inspiration and tragic nature.

Romantic inspiration is expressed in the poet’s emotional ego. It uses high levels of imagination, makes extensive use of exaggeration and exaggeration, and contrasts methods to highlight the extraordinary, creating a strong impression of grandeur and beauty. Western nature, through the romantic pen of Quang Dung, is perceived with a beauty that is both diverse and unique, majestic and poetic, wild and warm.

The images of girls and people in the West deepen the mysterious and poetic nature of the mountains and forests. The romantic nature is expressed mainly as inspiration towards the great, ready to sacrifice everything for the common ideal of the community and the whole nation.

Tay Tien did not hide the marble. But compassion without pity. The marble is represented by a magnificent and heroic tone, sound, and color. The romantic quality harmonizes with the tragic quality, creating the unique beauty of the poem.

Since its birth, Tay Tien has been widely circulated among soldiers and poetry lovers. But then, due to the somewhat simple and childish concept, this poem was considered a dream fall, with the fall of old-fashioned heroic romantic thought. Therefore, for quite a long time, Tay Tien was rarely mentioned. It was not until the Doi Moi period, in the trend of rethinking literary values, that Tay Tien poem was restored to its place in literary history.

The poem consists of four stanzas: Paragraph l: The arduous march of the Tay Tien army and the majestic, wild and fierce natural scenery of the West.Paragraph 2: Beautiful memories of the love of the army and people in the night festival and the poetic western river scene. Paragraph 3: Portrait of Tay Tien soldier. Paragraph 4: The oath of attachment to Tay Tien and the West. The connecting circuit between the passages of the poem is the emotional circuit. poet’s mood.

The poem was written in a fond nostalgia of Quang Dung about his teammates, about the memories of the Tay Tien army associated with the majestic, wild and poetic natural scenery of the West. The poem is Quang Dung’s memories of Tay Tien; memories, memories are replayed spontaneously, one memory calls to another, one evokes another like a wave after another.

Quang Dung’s delicate and talented pen has made those memories come to life and readers have the feeling that they are living with the poet in those reminiscences. The dominant emotion throughout the poem is a painful nostalgia (2), covering both space and time:

“The Ma River is far away, Tay Tien!

Remember the mountains, remember to play with

Sai Khao covered the tired army

Muong Lat flowers come back in the night”

Nostalgia for the old unit overflowed, unable to hold back, the poet exclaimed out loud. The two words “play with” like drawing a specific state of nostalgia, visualizing nostalgia; the scene of high mountains, deep slopes, abysses, thick forests, etc., the following verses appear in succession:

“Strolling up a steep steep bend.

Pigs suck alcohol, guns smell the sky

A thousand feet up, a thousand feet down

Whose house is Pha Luong raining far away”

This stanza is a proof in the poetic painting (pictorial poetry) (3). With only four verses, Quang Dung painted a monumental picture that very well described the dangerous and fierce, wild and attractive of the western mountains and forests – the area of ​​operation of the Tay Tien army. The first two lines of the poem, the valuable words that create the twists and turns, the clouds, the sky-sniffing guns, perfectly describe the treacherous, overlapping messages and sky-high heights of the western mountains and passes.

The two words “smells the sky” are used very innocently and also very boldly, both funny and mischievous of the soldier. High mountains seem to touch clouds, clouds float into “sweet” dunes. The soldier who climbed the high mountains seemed to be walking on clouds, the tip of his gun reaching the top of the sky.

The third sentence is like breaking in two, describing the mountain slope soaring up, falling almost vertically, looking up at the towering heights, looking down into the depths. Reading the fourth sentence, you can imagine the scene of soldiers pausing on a mountain slope, looking out into the distance through a space filled with forest fog, mountain rain, and glimpses of houses as if they were floating. middle of the sea. These four verses work together to create a special sound.

After the three lines are drawn with sinewy lines, the fourth is drawn with a very soft stroke (the fourth sentence is completely flat). This rule is similar to the use of colors in painting: between warm colors, the author uses a cool color to soften like a massage of the whole stanza.

The overlap of the western mountains and passes in the poem Tay Tien is reminiscent of a few verses in Chinh Phu’s recitation: “The picture of the mountains near and far, – If it’s broken, it’s connected, low momentum is high”. As for its wilderness and dangers, it is reminiscent of the verse in the poem Thuc Dao nan Cau Ly Bach: “The road of Thuc is difficult to go, harder than going to the blue sky” (Thuc Dao chi nan, nan nau become heaven! ). The wild, fierce, full of terrible secrets of the mountains and forests of the West, continued to be exploited by the poet.

It is not only opened up in space, but also explored in time, which has always been a terrible threat to humans:

“In the afternoon, the majestic waterfall roared

In the night of Muong Hich, tigers tease people”

The wild and rugged western mountains and forests, through Quang Dung’s pen, appear with all the high mountains, deep abysses, steep slopes, forest rain, mountain dew, roaring waterfalls, fierce tigers, etc. Strange land names (Sai) Khao, Muong Lat, Pha Luong, and Muong Hich), images rich in visual value, multi-rhymed verses read aloud, hardships are soothed by verses with many rhymes at the end of each stanza. , have worked well together, creating an unusual world that is both diverse and unique in the mountains and forests of the western part of the country. The verse ends abruptly with two verses:

“Remember, Tay Tien’s poetry is up in smoke

Mai Chau is the season for you to smell sticky rice”

The scene was so warm. After many hardships through the forest, crossing mountains, wading streams, climbing passes, the soldiers stopped to rest in a certain village, gathered around the steaming rice cookers. The smoke still lingers and the scent of glutinous rice in the season dispels the fatigue on the soldiers’ faces, making them feel refreshed. These two verses create a feeling of mellow and warmth, preparing the mood for the sad reader to move to the second stanza.

The second stanza opens up another world of the West. The wild and dangerous landscape of mountains and forests gradually receded and disappeared to suddenly reveal the beauty, poetic and graceful beauty of the West. The bold, strong, sinewy lines in the first stanza are replaced by soft, flexible and delicate lines.

Quang Dung’s talented pen is also revealed most clearly in this poem. Quang Dung’s romantic poetry is attracted to the mysterious beauty of people and landscapes in foreign and distant lands. In that scene, that person is shown in a period of time that brings out its shimmer and magic most clearly: the scene of a festival night of flickering torches and the scene of a misty afternoon on a vast river.

The scene of a cultural festival night of Tay Tien soldiers with local compatriots coming to entertain is described in very real but also very dreamy and virtual details:

“The barracks were lit up with torches.

Hey, when did you wear your shirt?

Haunted to the manly tone of the girl

Music about Vientiane builds a poetic soul”

The whole barracks “lighted up”, jubilant, and lively when the musical night began. In the shimmering light of the torch, in the wailing sound of the trumpet, the whole scene, the whole person seemed to be leaning, intoxicated, ecstatic, ecstatic. The two words “behold me” express a look of surprise, surprise, fascination, and joy.

The central character, the soul of the musical night, are the girls in the mountains and forests of the West, who suddenly appear in splendid dresses (“Siamese dresses ever”), both shy and affectionate (“” shy girl”) in a colorful dance from a strange country (“man dance”) has attracted the souls of Tay Tien boys. , the scene of the river in the West evokes a feeling of immensity and blur:

“People go to Chau Moc that foggy afternoon

Can you see the soul cleaning the shore?

Do you remember the figure on the pole

Drifting water, flowers swaying”

The space of the river in an afternoon is covered with a dew color. Rivers and shores are quiet, wild like prehistoric times. On that river, which is full of fairy and legendary colors, stands out the soft and flexible figure of a Thai girl on a canoe.

And like being in harmony with people, the forest flowers also “dangle” as a charm on the flood water. Quang Dung’s talented pen does not describe but only evokes the natural scenery of the country through his pen like a soul. fluttering in the wind, in the trees (“I can see the soul cleaning the shore”). He not only brings to mind the beauty of nature, but also evokes the sacred part of the landscape.

Reading and analyzing Tay Tien, we seem to be lost in the world of beautiful wealth, the world of dreams and music (4). The first four lines of the poem hum like a song, like a melody that sings out the ecstatic and passionate souls of the Tay Tien soldiers. More than anywhere else, in this poem, poetry and music are so intertwined that it is difficult to separate.

With that in mind, Xuan Dieu has a right to think that reading Tay Tien’s poem, we feel like we have music in our mouth. On the majestic, dangerous, and fierce nature of the mountains and forests (in the first paragraph) and grace. in the form, poetic, and beautiful of the West (in the second paragraph), in the third stanza, the collective image of Tay Tien soldiers appears with a tragic beauty:

“The Tay Tien army does not grow hair

The green army is fierce and fierce

Staring eyes send dreams across the border

Dreaming of Hanoi at night, fragrant overseas”

Quang Dung has selected and refined the most typical features of Tay Tien soldiers to sculpt a collective monument that summarizes the general face of the whole army. The marble and the hero are the two main materials of the monument, they blend, penetrate each other, rely on and support each other to create a tragic beauty – the common aura of the whole monument. Poetry of the period. During the resistance period, when writing about soldiers, they often talk about dangerous malaria. Chinh Huu in the article Comrade directly described the disease:

“You and I know every chill,

Fever, sweaty forehead”

As for To Huu, when drawing a portrait of the national guard in the song Fish of water with very specific images: “A drop of sweat falls, – On his cheek is saffron” he also did not forget the influence of that evil disease. Quang Dung in Tay Tien did not hide the hardships, difficulties, dangerous diseases and great sacrifices of soldiers. Only, all of that, through his pen, is not described in a naked way but through a romantic look.

The hairless heads of the Tay Tien soldiers are not thrilling, sensational images, the product of the poet’s imagination far from reality but contain a harsh reality. The Tay Tien soldiers, some shaved their heads to facilitate fighting with the enemy, others suffered from malaria until they lost their hair and were bald.

The pallor of hunger and malaria of the soldiers, through Quang Dung’s gaze, still exuded the majesty and fierceness of the tigers in the sacred forest. That majestic majesty is also shown through their angry (dreamy eyes) eyes. Tay Tien soldiers, through Quang Dung’s pen, are not heartless giants.

Quang Dung’s multi-dimensional look helped him see through their majestic and fierce appearance, their souls, their burning hearts, their longing for love (“Dream night in Hanoi’s beautiful beauty” ). Thus, in this stanza, Quang Dung sculpted a collective statue of Tay Tien soldiers not only with lines depicting the outer appearance but also expressing the dreamy inner world of the soul. their.

Quang Dung’s pen, when creating the collective image of Tay Tien soldiers, did not drown the reader in tragedy and tragedy. His inspiration when sinking into tragedy is supported by the wings of the image, of the romantic spirit.

That is why the sadness evoked through the images of soldiers’ graves scattered in the cold, remote border wilderness, on the one hand, has been greatly mitigated by the ancient Sino-Vietnamese words; solemnly: “Scattered by the graves of the distant lands”; on the other hand, the same sadness was also blurred before the ideal of self-forgetfulness and self-sacrifice for the Fatherland of Tay Tien soldiers (“The battlefield goes without regret for a green life”).

They seem wretched and worn out in shape, but shining with ideal beauty, bearing the appearance of the old stalwarts, considering death as light as a feather. Tragic truth: Tay Tien soldiers collapsed on the side of the road without even a mat to cover their bodies, through Quang Dung’s gaze, were wrapped in luxurious robes (5). That sadness was alleviated by the way of speaking (he returned to the land), and then was completely drowned out in the fierce roar of the Ma River:

“The robe will change you back to the earth

The Ma River roared a solo song.”

In that fierce and heroic sound of nature, the death and sacrifice of Tay Tien soldiers are not tragic but imbued with a tragic spirit. The main tone of this third stanza is solemn, expressing the poet’s infinite painful feelings and respect and reverence for the sacrifices of his comrades. The poem closes with four verses, once again, highlighting the general atmosphere of a Tay Tien era. , the common spirit of Tay Tien soldiers. The poem’s rhythm is slow, the voice is sad, but the soul of the poem still exudes magnanimity:

“Tai Tien people go without an appointment

The way up to visit an embryo division.

Who went to Tay Tien that spring?

The soul of Sam Nua does not return.”

The spirit of “one go, no return” (one past, no return) was instilled in the thoughts and feelings of the whole Tay Tien army. The souls and emotions of Tay Tien soldiers are still attached by flesh and blood to the days and places that Tay Tien has passed.

“That Spring in the West” has become a moment of no return. The nation’s history will never repeat such a dreamy, romantic and heroic time in such a difficult and arduous situation. so fierce.

In the poetry of the Vietnamese resistance war in the period 1945-1954, Quang Dung is one of the typical poets. He is a multi-talented poet, most prominently in the field of poetry with the famous collection of poems “Clouds of the head”, of which the most outstanding is the poem Tay Tien.

Tay Tien poem expresses the poet’s nostalgia for the majestic, romantic and peaceful Northwest nature:

“The Ma River is far away, Tay Tien

Remember the mountains, remember to play with

Sai longing to fill the tired army

Muong Lat flowers come back in the night”

The poem opens with a nostalgia:

“The Ma River is far away, Tay Tien

Remember the mountains, remember to play together”

The poet named Ma River – a river flowing through some western provinces of Thanh Hoa, a river associated with the long battle of Tay Tien soldiers. Therefore, in the poet’s perception, the river is a historical proof, a companion during the journey. But now “the Ma river is far away…” all the memories of a time of firestorm are far back in the past.

However, the nostalgia for teammates is still hot and fresh as ever, so that the author has to say “Tay Tien”. The poet called the name of the Tay Tien army as if it were his closest relatives. With just that one word “oh”, the reader feels like he can feel the pent-up emotions, the nostalgia, the passionate and burning love of the poet. Along with the nostalgia for the Tay Tien army is the nostalgia for the natural mountains and forests: Remembering the mountains, remembering to play with.

Only one line of poetry, but with the phrase “remember” we seem to understand the feelings in the heart of the poet. The poet remembers the natural scenery, remembers the place imprinted with the footsteps of the Tay Tien army with nostalgia for “playing with”. Quang Dung is so talented when he fills all the emotions and feelings in that nostalgia. “Remembering to play with” is a nostalgia that is unclear, indeterminate, elusive, a nostalgia that makes people able to escape reality to immerse themselves in old memories. In folk songs, there were also such nostalgia:

“Remember to always play with when you leave”

Or Xuan Dieu also wrote:

“Interest to raise your heart to play with”

However, the nostalgia for “playing with” in Quang Dung’s poetry has a great obsession, leaving an indelible impression in the hearts of readers. The two verses carry a bit of sadness and nostalgia, recalling dear memories. I seem to understand more than the soul of an artist, Quang Dung seems to be tearing himself away from reality to immerse himself in nostalgia “playing with”.

From that nostalgia, the image of the Tay Tien army appeared: “Sai Khao mist covered the tired army”. There are many places mentioned in the poem, there was an opinion that: “the names of the land, the names of the villages, the names that make you want to cry”, that is the place that imprinted the footsteps that the army used to go. Through each land, the place is like a living witness to the journey of the army.From the above verse, we can clearly imagine the journey.

The Tay Tien army walked in the dense fog of the mountains and forests, their images seemed to sink, hidden in the fanciful mist. The image of “fog” evokes the harshness of the weather and climate in the West. During their journey, they had to travel in dense fog, thus inevitably feeling tired.

If the above verse describes the harsh conditions of the weather, the lower verse depicts the beauty of the natural scenery and the soldier’s soul: “Muong Lat flowers come back in the night”. Quang Dung is really talented in using words. If many people say flowers bloom, the poet says “flowers come back”, which is an extremely unique personification. The flowers appear in the “night vapor”, strangely enough, why not the night of dew?

Is it possible that in the cold frosty night we will not be able to see the flowers. Then, the poet left the flower in the “night steam”. Through the two words “slightly night”, we seem to imagine a shimmering, fanciful space of the mountains and forests here. In that space, colorful flowers become more beautiful and splendid. The two verses are like two contrasting lines, showing the two outstanding poles of the harsh Western land, but extremely poetic and beautiful.

And perhaps Tay Tien soldiers must have been very delicate and romantic to be able to feel the beauty of the mountains and forests here. The difficulties of the living situation did not lose their richness in the spiritual world. soul. Thus, the first four lines of the poem have shown the feelings of “Western progress”, as much as you miss the scene, you will miss the people, especially the nostalgia for teammates – people who have been together in birth and death, storm where the storm raged.

“Strolling up a steep steep bend

The pig sucks the alcohol, the gun smells the sky

A thousand feet up, a thousand feet down

Whose house is Pha Luong raining far away”

Four verses are considered to be excellent poems, showing Quang Dung’s talent, mixing, rhyming, and using words. At the same time, it is a picture of the majestic and intense nature of the West. In the first verse, the dense density of trance has created a thorny, unevenness in each sentence. Is it the bumpy and meandering road of the road? The pairs of words “slope” conjure images of steep, arduous, and extremely difficult slopes.

And if the “crooked” suggests steep and arduous slopes, the “abyss” not only suggests altitude, but also suggests something cold, drawn by the height of the abyss. How arduous the march was, I felt like I could hear each of the soldiers’ labored and labored breaths.

They walked on the marching road but seemed to be floating in the middle of the sea of ​​clouds, the gun point touching the sky. The verse not only evokes height but also shows something mischievous, innocent, and full of soldier’s wit. The road now suddenly becomes far away, but not over: “Thousand meters up, thousand meters down”.

The poet put a comma in the middle of a good verse is an artistic intention, that comma makes the verse fold in half so that we can imagine a winding road with many difficulties and obstacles. The poem is written with a unique contrasting artistic technique. The road is like a thousand yards, a thousand yards … Going up, it’s very high, but down, it makes people dizzy because one side is a steep vertical slope and the other is an unlimited abyss.

It is clear that the Northwest nature is very fierce, it is like a test of the courage and iron will of man. Tay Tien soldiers must be very brave and brave to overcome these difficulties. The verse seems to describe the scene but to highlight the stature of the Western soldier’s will.

If the above three verses are planted with many syllables, the lower verse is created by a series of equal tones: “Who’s house in Pha Luong rains far away”. The advancing Western soldiers sometimes stopped on the journey. They stopped to look at the people’s stilt houses nestled in the deep mountains and valleys. Somewhere along the way, soldiers saw houses on stilts that seemed to bring warmth to their children in arduous battlefields.

Quang Dung very realistically described the march of the soldiers. It seems that the names of other lands and villages have become too familiar to them. Then the image of soldiers appeared very impressive.

“My sloppy friend doesn’t walk anymore

Fall on the gun and forget about life”

Someone once said that, in these two verses, the soldier fell asleep with his gun, but there was also an opinion that the soldier “didn’t step any more” was their sacrifice. Put in the whole, we should understand the soldiers who died. Their sacrifice was peaceful and gentle. For them, death is just feet not walking anymore, death is just falling into a deep sleep. The soldier here died in a marching position: his hat was still on his head, his gun was still in his hand. It seems that we have seen the soldier who died in the resistance war against the US:

“And he died while shooting

Your blood spews like rainbow bullets.”

(Le Anh Xuan)

Although immersed in the beautiful sacrificial posture of the soldiers, the image of the Northwest’s natural scenery still haunts the poet’s mind:

“In the afternoon, the majestic waterfall roared

In the night of Muong Hich, tigers tease people”

The nature of the West is described through the sound of the author’s roar, the tiger’s roar, the two verses that evoke the fierceness of the sacred forest with poisonous water, deep with the cup. Especially with the words denoting the time “afternoon, night and night”, the reader seems to understand somewhat the hardships and hardships that Tay Tien soldiers had to go through. The harsher the nature of the Northwest, the more courageous the soldiers. Quang Dung wrote about the march of Tay Tien soldiers with the understanding of an experienced person.

“Remember, Western rice goes up to smoke

Mai Chau is the season for you to smell sticky rice”

On the march, soldiers remember the warm meals of comradeship, remember the taste of military and civilian love. The fragrant season of sticky rice is wrapped with tangerines, entwining the taste in people’s minds. It seems that in Quang Dung’s poem, we can still feel the aroma of sticky rice, the past memories are still fresh.

The two verses close with the image of high mountains and abyss, the fragrance of sticky rice lingering to open another time in the next paragraph:

“The barracks are lit up with torches and flowers

Hey, since when do you wear clothes?

Haunted to the manly tone of the girl

About the Shepherd who built a poetic soul”

The night of the festival is full of light, the light of the torches is like a fire flower in the night full of colors, bustling, and bustling with the sound of the man-made trumpet. If the natural scenery of the West evokes the dark charm of the mountains and forests, now all has receded. The soldiers were immersed in the melodious trumpet sound, in the bustling and joyful music. In that natural landscape, Tay Tien soldier appeared with heroic and pompous beauty:

“The Tay Tien army does not grow hair

Green army holds the lobster

Staring eyes send dreams across the border

Dreaming of Hanoi at night, fragrant overseas”

At this point, the image of the new soldier is fully displayed, the poet uses the word “army” with a strong and energetic poetic rhythm. The army was described very unusually: “Tay Tien army does not grow hair”, malaria has made the hair of the soldiers not grow. This “green army” can be understood as the green color of camouflage leaves or malaria that has made the soldier’s complexion pale.

Should we understand that these are the sequelae of malaria. On the march, the soldiers had to go through many sacred forests and poisonous water, trying to ask how they could avoid that strange malaria.

“The eyes send dreams across the border

Dreaming of Hanoi at night, fragrant overseas”

The dream here is the dream of fighting for the country. The word “glaring eyes” suggests the determination to fight of the Tay Tien soldier, the desire to sacrifice himself for every inch of the homeland, reflecting the great ambition and ambition of the youth. “Scattered border of graves far away”.

While poetry during the anti-French resistance war avoids talking about sacrifice and loss, Quang Dung talks a lot about it, because war avoids loss and sacrifice. In the above verse, the poet uses many Sino-Vietnamese words to honor the soldier’s death. At the border of the country, there are many unknown graves. Tay Tien soldiers were unknown soldiers but they made the country. That’s why the lyrics do not sag but are more heroic in the next verses: “Go to the battlefield without regretting the green life”.

The verse talks about the beauty in the life ideals of Tay Tien soldiers, who have devoted their lives without regret to the triumphant song of the nation’s nation: “no regrets” as well as evoking bravado and eloquence. , regardless, the verse is like a soldier’s catchphrase. How many people have left, lived according to the motto of deciding to die for the country, that is Vu Xuan, Dang Thuy Tram:

“We go without regretting our lives

But how can you not regret the age of 20?

But everyone regrets the age of 20

Then what to do with the country?”

(Song of those who go to the sea)

Soldiers sacrificed for that motto, so Quang Dung saw them off:

“The robe will change you back to the earth

Tay Tien roared the solo song”

The “coat” was originally an important shirt that the king gave to the soldiers of the past when going to war. In fact, Tay Tien soldiers did not have a robe to cover the body when they were buried. In Quang Dung’s image, the brothers returned to the motherland in the luxurious clothes of the old warriors.

The image of that robe both beautifies the death of a soldier and comforts those who are still alive. The lyrics do not suggest melancholy, weakness, or pain, even if they are written about sacrifices and losses. Sending off the soldier to his beloved motherland, there was the roar of the Ma River: “The Ma River roared its lone march”.

If in the philanthropist Can Giuoc, the literary scholar Truong Quynh Nhu is the cry of man for man, here Quang Dung talks about the cry of nature. This is the heroic song of martyrs, a very sacred farewell ceremony. Not the cry of man but the cry of nature, what you guys have done forever.

Tay Tien soldiers know that leaving will never come back, will have to face the deep road, split the embryo but still go because the country needs them.

Quang Dung wrote about Tay Tien soldier with all the nostalgia, compassion, admiration, pride and regret. The poet writes in a realistic and romantic style but leans more towards romance. The poem is unique in image building, rhyming, harmonizing, and pacing. All have revived in the hearts of readers an unforgettable period of the nation.

Reading Tay Tien, we will better understand the beauty of the soldiers against the French, understand more about our country in a war period, understand more about the value of peace, the loss and sacrifice, so that we can appreciate the days more. live in independence and freedom today.