Top 10 best analytical essay on Che Lan Vien’s song “Song of the ship”

Che Lan Vien is one of the poets with abundant creative ability with a rich and intense association and imagination. In particular, the poem “Singing the ship” is a poem marking the steady growth of Che Lan Vien on the path of revolutionary poetry and is one of the outstanding achievements of Vietnamese poetry since the late 1945s. XNUMX.

“Singing the ship” was inspired by a socio-economic event of the Party and the State. It was the movement of lowland people to participate in the construction of the Northwest in the years 1956 – 1960. Responding to that movement, there were many writers and artists carrying backpacks on the road. As for Che Lan Vien, for health reasons, he could not participate.

And the poem was born as a testimony of the poet’s soul with emotions of aspiration that are both vibrant, contemplating and feeling about life that crystallizes Che Lan Vien’s experience over the years. . Poetry is also the voice of Che Lan Vien’s heart when he could not reach the northwest of the poet. In the first two stanzas, the poet expresses his desire to go on the road. “This ship is going to the Northwest, will you?”

Using the pronoun “Anh” is the clone of the lyrical subject. Che Lan Vien emerges from subject to object, creating a dialogue between two people in a poet. Creating a clone conversation is also the poet’s way of persuading himself in the form of persuading others. “Friends go away, I keep Hanoi heaven” verse shows the poet’s anxiety when not being able to go to the northwest.

Next, the poet uses symbolic images such as “thousand wind, moon” symbolizing the vibrant reality in the Northwest. The image of the “hunger ship” is his soul that is hungry for life, arid, withered. The first stanza is both an invitation and an urge to go on the road. Coming to the Northwest at this time is not only an aspiration but also a personal need, not only a responsibility but also an essential job as a citizen and artist ego.

In the second stanza, the poet continues to emphasize the poetic ideas towards responsibility, the role of the individual must be dedicated and sacrificed to create the shape of the country. The poet uses a system of rhetorical questions with a high density in the first two stanzas with sharp and intelligent arguments that show the relationship between the individual and life, between the writer and reality, between the artist and the artist. art with life.

In that argument, coming to the Northwest to a distant land is a necessary job that comes from the responsibility of a citizen and the responsibility of an artist. The nine middle stanzas continue to be successful feelings. the poet’s glasses for the resistance. In it, he used a lot of symbolic images and comparative art to express his patriotism. The poem is warm, trusting and full of sincerity expressing the feelings of Che Lan Vien very well.

And for him, the most fulfilling happiness is returning to the people, returning to the closest and most sacred things in his life, finding the life of his soul, the joy and value of his life. . The image of the people in Che Lan Vien’s affections as a “guerrilla brother” with a brown shirt is a very real image that recreates the difficult and arduous life of the nation during the years of resistance.

But that brother still holds the gun, still heroically doing the revolutionary war. The act of giving a shirt is even greater than the material value, greater than the spirit of camaraderie and suffering. Two verses: “When I live, it’s just a place to live / When I go, the land has turned my soul” is a condensed verse. as a maxim containing a profound discovery about the laws of human emotion. When we live, maybe land is just a geographical concept, but when we go, land suddenly becomes flesh and blood, becoming an indispensable part of every person’s life.

The poem is philosophical but not dry and rigid. All are condensed by the poet from his own heart. Besides, the poet also shows the military love in the emotional circuit towards love and its magic. In particular, the poet emphasized the spiritual revolutionary sentiment.

Leaving the homeland to follow the call of the country. The last four stanzas of that poem are the joyful, excited, and vibrant heart of Che Lan Vien. The poet seems to have a makeover from a hesitant and hesitant self to a voluntary self, a passionate and passionate self that wants to find the Northwest.

The poem is the expression of the poet’s enthusiasm, passion, and joy with his desire to go to the Northwest, to all regions of the Fatherland, and to return to the people. The poem also shows the unique relationship between the individual and life, between the writer and reality, between the poet and the burning desire to go on the road.

“Singing the ship” leads our souls, when excited, anxious and full of happiness to come to the Northwest, to the “sacred land” of the Fatherland to enjoy the sweet aftertaste of the country. love of the motherland. There was reading Che Lan Vien’s poetry before the August revolution – a “mysterious lonesome” poem by the art world full of horror images with “scenes of thousands of autumn trees, the ghosts of Hoi groping each other”. With the “blood of the skull” and “the marrow of the brain” of the “ruined world”…, we can see that “the singing of the ship” is a new march of the young soul in the “light and silt” of the new life.

The poem was born in the context of “the whole country on the road” after long years of war and poverty. The great joy of life has become an inexhaustible source of inspiration for artistic creation. That is especially meaningful for the romantic writers and artists who have become a “hidden” time, hiding in the personal “me” of a melancholy, estranged from the reality of life, and now return to live among the people. In the new opportunity “break the loneliness, we get along with people”. Poet Che Lan Vien wrote the title for the poem with four concise verses:

“Northwest? What is unique about the Northwest

When my heart turned into ships

When the Fatherland on all sides sings

My soul is the Northwest, but not anymore”.

The whole poem is the journey of the soul ship carrying the aspiration to the road, the magical incarnation of the romantic poetic soul in the midst of a meaningful life, and at the same time the return to his own poetic soul. the vast life of the people. Only the Northwest, a vast land rich in potential of the Fatherland is beckoning, when the desire for a new life in the heart has turned into express trains carrying the energy of love for the country.

When the Fatherland on all sides sings, the poet’s soul is also a fertile land with new potentials longing for sympathy to bring sweet fragrance to life: “My soul is the Northwest. but nowhere else.” In fact, there is not yet a specific train line and a specific train to the Northwest. Creating the image of “ship” and “Northwest”, the poet has shown a profound artistic intention.

“Northwest” is not only a remote place of the country but also a symbol of the people’s vast life, the source of inspiration of literature and art. And the “ship” becomes a symbol for the poet’s soul who is yearning to escape from the narrow life around to come to the people, to life. Poetry is not only the product of the artist’s soul, but also a product of circuTaxances.

Therefore, the poem “Singing the ship” cannot be obtained when the historical situation does not create the premises, hints and hints to the poet. The country’s construction in the early years of the first five-year plan outlined a great orientation to build socialism, awakened the people’s sense of self-control, many poems of the same time were expressions of The liveliness of the song brings the aspiration to build the country. Naming the poem with the image “Singing the ship” is also an expression of the call of the poet’s soul:

“The country is vast, my life is small

The train called me to go, why did the pregnancy come out?

There is no poetry in the closed heart

My soul waits to meet you up there.”

The “ship” is both the incarnation and the incarnation of the poet’s lyrical ego. When the ship invites to depart: “This ship goes to the Northwest, will you go”? “The train called you to go, why did you leave?” When it’s a dream ship filled with romantic feelings and aspirations: “Outside the door? The ship is hungry for the moons”, “Please flap your wings quickly”, “take the dreams! Who said the ship doesn’t dream”…

Reading this poem, we again encounter artistic creativity in the poetic style of Che Lan Vien. Poetic images always create unexpected and interesting associations that help readers realize new values ​​of life, through delicate and sexy words, imbued with meaningful and profound philosophies. “When my heart has turned into ships”, then that soul ship is heavy, loaded with spears, remembering cars:…

“I miss my brother, the guerrilla brother…

I miss my brother, my brother is in touch….

I miss you! Pink fire illuminating silver hair….

I suddenly miss you like winter misses the cold….

Remember the foggy version, remember the cloud-covered pass.

That feeling of nostalgia will fill the gaps of time and space, taking us through the rapids of psychological challenges and guilt before life. There is no place in this country that is far away, there is no challenge to keep our hearts from coming to life.

Just like the poet once confided, the poet’s return “from the valley of pain to the field of joy”. Who would have thought that Che Lan Vien himself had a poetic life “escape” away from reality to the extreme (in the “Death period”):

– “Who came back last autumn

Pick up the gold leaves for me?

With fresh flowers, all the petals fall off

Come here and bring the spring to life!”…

is a tearful Che Lan Vien when he returns to real life, with all his affection and respect for the new value of people’s life:

“I meet the people again like a deer returning to an old stream

Grass welcomes new year, two, swallows meet season

Like a hungry child who meets milk

The cradle stopped suddenly met the hand that extended.

“Meet the people” is to return to the source of life, to return to the joy of the youth of the soul, to the new energy of inspiration, with boundless compassion and generosity. Comparative images, metaphors of classes and classes to express the profound meaning of the “resurrection” of the soul of the romantic poet. All those noble meanings become a source of sacred emotions, singing songs full of emotions.

The poet suddenly discovered: “Oh Northwest, you are the mother of the poetic soul”. When the poet’s soul has filtered out emotions from life, many stirring memories appear in his heart. This is not the first time the country has sung to call us to the Northwest. Over the years, following the call of the Fatherland, generations have crossed the forest waterfall in the campaign “Nine years to make a Dien Bien – So red flowers, so golden history” (To Huu).

And now is the song calling us back to “The people’s season, sowing ripe rice” to regain the old dream, regain the souls, the golden hearts that once hurt in the fire… engrossed in affection, awakened in our hearts the love of our homeland:

“I suddenly miss you like winter, I miss the cold

Our love is like the petals of a golden flower,

As spring comes, the forest birds’ feathers turn blue

Love makes the land strange to the homeland.

The sweetness of love is like the sweet cold in winter, there is no cold to call winter. The memory of “missing you” becomes richer in meaning, “my love” becomes more precious, vivid and sacred, it is that love that has the power to touch people’s hearts and move creatures. The harmony between the song of the soul and the song of a new life has sublimated the poet’s new emotions. The law of good art formation also arises from that miraculous incarnation and incarnation.

The poet’s lyrical “I” has expressed the typical mood of the “I” common to everyone. The poet’s lyrical “I” has expressed the typical mood of the “I” common to everyone. The song of the ship becomes the emotional chorus of many souls who are yearning to dedicate themselves to the Fatherland, contributing to building a strong and rich country. The flexible rhythm creates the climax of poetic emotions, keeping the singing both fast and melodious.

Listening to the feelings in his heart, reflecting through life’s experiences, the poem becomes a sincere heartfelt confession that both reveals and connotes a general philosophy of life. This is a poem that shows quite nicely the artistic techniques of Che Lan Vien’s forte.

Returning to life, living among the people not only finds new inspiration for composition, but really returns to oneself, to the true poetic soul of a true artist.

The song “Singing the ship” has many verses, many poetic images among the best of Che Lan Vien’s life and revolutionary poetry. The revolution and the people have sublimated poetic emotions, revived the soul of the poet, and the poet himself has honored the beauty of the people and the revolution, and honored the status of revolutionary poetry. As Xuan Dieu said: “Revolutionary literature, literature with hardships and sacrifices, is also a kind-hearted and sincere literature, poetic and musical literature”.

In the North in the years 1958 – 1960, there was a movement to mobilize the people in the lowlands – mainly young people to build the economy in the Northwest mountainous region. It was this socio-economic event that inspired Che Lan Vien to compose the song The Song of the Ship.

In the North in the years 1958 – 1960, there was a movement to mobilize the people in the lowlands – mainly young people to build the economy in the Northwest mountainous region. It was this socio-economic event that inspired Che Lan Vien to compose the song The Song of the Ship.

But not only that, the poem is a song expressing the desire to return to the people, to integrate into the great life of the country, of the great people’s love. It is also about finding the source of the poetic soul. The song of the ship with two opening stanzas: It is a concern, an urge to go on the road.

Next, the nine middle stanzas are reminiscences about the memories with the people during the resistance war, expressing the desire to return to the people. Finally, the last four stanzas of the poem are the song of passionate passion. To understand this poem, it is necessary to first understand the two images that have symbolic meaning throughout the poem. It is the “ship” image and the “Northwest” image.

In fact, there is no train or train to the Northwest. The ship in the poem is a symbol of the desire to set out for a vast life, a great people, to a noble dream, a source of artistic inspiration. That’s why there are verses: When my heart has turned into ships, The train is hungry for the moons, The ship is calling you away, the stars have not yet left, There is no poetry in the middle of the closed heart, My soul is waiting to meet you up there …

The image of the “Northwest” is not only the Northwest but also the vast Fatherland, where there is a hard life but full of love with countless unforgettable memories. Going to the Northwest also means returning to your own heart, your soul with pure feelings, deep affection for the people and the country! So there are verses:

When the country on all sides sings,

My soul is the Northwest, where else?

On the Northwest! oh ten years northwest,

The sacred land, the mountains and forests were heroic.

Where the blood of my soul permeates the earth,

Northwest, you are the mother of the poetic soul…

Understanding the meaning of the above two basic symbolic images, we will immediately understand the name of the poem and the verses with the title, see the broader generality, beyond the specific things of those four verses. Right after the preface was an urge to go out with questions that urged, urged, and encouraged the departure. The hustle and bustle of the voice reveals itself in the poet’s anxious self-questioning words:

– Is this ship going to the Northwest?

– Do you hear the wind calling?

– The train called you to go, why did you get pregnant?…

Here there is the bifurcation of the lyrical subject. You are someone else, but you are also yourself. The poet wondered but sounded like he was convincing someone. It is this plus many contrasts (friends are far away / he keeps the heavens in Hanoi, the country is vast/ his life is small, poetry / closed heart…) that vividly expresses the author’s ideas, A new life is calling and urging the artist to go beyond the narrow life around.

Next is to recall the memories with the people during the resistance war. In this part, the poet evokes sacred and beautiful memories in the days of arduous resistance against the French colonialists in the heroic Northwest.

Talking about the resistance war against the French, Che Lan Vien’s poetry contains a deep love. War of Resistance! The past ten years have been like a flame. A thousand years later, they are still able to light the way.” This is understandable, because for the poets and pre-war writers and artists who accompanied the revolution after 1945, the resistance war against the French had one The special meaning is that it has marked the transformation of both their lives and their artistic path to integrate into the cause of the people and the revolution.

Going to the Northwest is going back to the fond memories of flesh and blood in my heart, waking up not only the past recollections but also the aspiration in the present with many artistic inspirations. Going up with the Northwest is returning and integrating with the immense life of the country, of the great people’s love. In order to express the deep meaning and great happiness of that return, the poet uses five consecutive images:

I meet the people again like a deer returning to an old stream

The stork welcomes the second lunar month, the swallow meets the season

Like a hungry child who meets milk

The cradle stopped suddenly met the hand reaching out

The comparison images above, each image is simple, close and sexy. In Che Lan Vien’s flashbacks, the people showed a close relationship with the people whom the poet called brother, sister, and mother. That is the specific image of people: the guerrilla brother, the younger brother in contact, the old mother, the younger sister… They were all of one mind, fighting and sacrificing themselves in the resistance war against the French recently. via.

The poet has portrayed the image of these people associated with silent, great contributions, with love and protection, full and extensive care. From the image of a guerrilla brother with a patched brown shirt that he took off for his children to the image of a brother contacting the open forest and waiting, from the Na village to the North village for ten years, he always successfully completed the task. its service. How moving is the scene where the old mother spends night and night at the fire of grace to take care of the soldier’s son for a long season!.

I miss you! Pink fire illuminating gray hair The year I was sick, I stayed awake for a long time. You and I were not a bloodshed. But all my life I will always remember my foster care. Being an image built in a specific realistic way, but especially typical of the sister who raised the army, Che Lan Vien suddenly had unexpected associations about beauty:

I suddenly miss you like winter, I miss the cold

My love is like a yellow flower ant

As spring comes, the forest birds’ feathers turn blue

Nostalgic for the Northwest with fond memories of love just said, the poet leads to deep reflections with high generality:

where we stay that lead a stay

When we take the soul land

Love makes the land strange to the homeland.

At this point, the poem’s resonance becomes more exciting and attractive. The urging voice of the Northwest, of the country, of the people and of life is also the voice of the people’s heart, the poet’s heart earnestly invites: Does the country call us or does our heart call? Up to the Northwest has been a burning desire. Hurry up to go to the intimate feelings “My love is waiting, mother’s love is waiting”. Go to the Northwest to see the new construction “The train should flap its wings quickly, My eyes crave a hundred ga red tile roof” and to find inspiration full of poetic dreams:

Ten years of the golden war, we were in pain in the fire

Now I’m back, I’m going to bring my gold

Take all the dreams?

How many children do not dream?

Every late night without drinking a moon

My heart is like a ship, I also drink

My pink face in the big spring spring.

A prominent feature of Che Lan Vien’s poetry expressed right in the song “Song of the ship” is the harmonious combination of intellectual substance and love words, between sincere contemplative emotions and profound wisdom. experience and high generalizations.

Thanks to the technique of using interrogative sentences with a hint of prompting, prompting and affirmative sentences, with exclamation marks to express ideas, feelings, selected images, unique general thoughts, sincere feelings. The poem The song of the ship became a typical poem of Che Lan Vien.

No one who loves Vietnamese poetry is unaware of Che Lan Vien. Che Lan Vien’s poetry has a unique style: has intellectual beauty, always has a sense of fully exploiting contrasting relationships, rich in philosophical thinking with a rich and creative world of images. An excellent collection of poems, which crystallizes the thought and art of Che Lan Vien’s poetry on the path of revolutionary poetry, is “Light and Alluvium” (1960). And the poem “Singing the ship” is taken from this collection of poems.

“Singing the ship” was inspired by an economic, political and social event: the movement of lowland people to build economy in the Northwest mountains in the years 1958 – 1960. Impressed by four preface sentences:

“Northwest? Is there only Northwest

When my heart turned into ships

When the Fatherland on all sides sings

My soul is the Northwest, but not anymore”.

The four lines of the poem as the word proposition appear right after the title with the task of expressing thoughts and feelings covering the whole work. With the structure of a question-and-answer stanza, the preface clearly shows the desire to go far, go anywhere when the country needs it. “Northwest” in the stanza both refers to places and symbolizes distant lands. “The ship” is a symbol of the desire to go far to dedicate and serve. To advocate for that desire are invitations to board.

The author uses rhetorical questions that both increase the urgency and urge, and express the sadness of not knowing whether to go or stay: “Is this train going to the Northwest?”. This rhetorical question is both to ask the author and to ask people. After asking, the poet gave the opposite situation: “My friends go far away, I keep Hanoi heaven”.

But for the concept: “There is no poetry between the closed heart” Che Lan Vien has affirmed the relationship between literature and life. Literature must be associated with life, we must open our hearts to life. For a moment, he was hesitant to board the train to the Northwest, the scenery and the Northwest land appeared before the reader’s eyes.

The poet used his pen to praise the “sacred land of the mountains and forests with heroes”. This land that has been soaked with “blood” has once again revived “ripe fruit in early spring”. A new life begins after ten years of resistance. “The past ten years have been like fire”. The author compares those ten years as a flame that lights up not only the Vietnamese nation but also the way to victory.

That flame is still eternal with time: “thousands of years later, it is still able to light the way”. The special image appearing in this stanza is “Mother of love”. The mother here is the Northwest land, the North Vietnamese mothers, the mother of the Fatherland. The way of calling “son” has shown the author’s respect and desire to return to the people.

One of the content features of this poem is the concept of “people”. Under Che Lan Vien’s poetry, “the people” appear very close. First of all, there are consecutive comparison images: the cool stream welcomes “deer back to the old stream”, the spring warmth makes the grass sprout, the afternoon light lets the swallows fly, the sweet milk gives the hungry baby lap, and a light arm brings a soft cradle to a deep sleep.

These very familiar images have made the abstract concept of “people” easy to understand. People are both material and spiritual. Returning to the people is perfectly reasonable and natural. Although the poem is rich in philosophy, it is not only rich in wisdom but also rich in images.

People are described not only by beautiful images but also by familiar people: “the guerrilla brother” who gives his rice and clothes, is the “mother” – Vietnamese heroic mothers, foster mothers for cadres. “long season”; the people are the “brothers in contact” who are cunning and brave; is the brother who “squishes sticky rice to feed his troops and hides it in the middle of the forest – the Northwest land has no calendar for days – the first meal of sticky rice still radiates the scent”. The people are the people who live in love and loyalty.

In this work, Che Lan Vien also raised the philosophy that is nostalgia in love. In love, nostalgia is like the rule of heaven and earth like “winter remembers cold”. Love is as beautiful and noble as “golden flower ants”. Love also has the ability to make people change “like spring comes, the feathers of the forest birds turn back to blue”. That love has a more magical ability than “the strange land to the homeland”.

Love can make lovers fall in love with a completely foreign land, love that land like their own homeland. Che Lan Vien’s poetry always contains such philosophy. Not only the nostalgia in love Che Lan Vien also remembers the scene. The author remembers the familiar scenes with the characteristics of the Northwest land “remember the misty village, remember the cloud-covered pass – Where did you go, your heart didn’t love?

Where we stay that lead a stay

When we take the soul land”.

With this nostalgia, the poet also expressed his desire to return to the people, to return with fond memories to repay the gratitude. Ending the poem is a stanza as a movement:

“Take even dreams!

Who said ships don’t dream?

Every late night without drinking a moon

My heart is like a ship, I also drink

My pink face in the big spring spring”.

The nation’s call of the people of life becomes the inner urge, the urging of one’s own heart. Coming to the Northwest is going back to yourself, finding yourself “Now come back to regain my heart”. Coming to the Northwest is to return to the source of poetic soul and creative inspiration: “Northwest, you are the mother of poetic soul”. The stanza uses many unique metaphorical images to make the stanza more evocative and sexy, with depth and touching the reader’s heart.

The confessions of Che Lan Vien in the work “The Singing of the Ship” have shown readers the beautiful images of the Northwest – where not only the scenery and humanity, it is also the inspiration of poetry. shift. Carrying that attraction, the Northwest represents distant but hopeful lands. With her enthusiasm, Che Lan Vien has brought readers closer to the Northwest and has contributed to mobilizing them to build an economy in this place.

“Oh, an umbrella petal picked by accident

It’s also because I love life so beautiful

What to say poetry written in tears

It is to bring happiness to your heart…”

(Once you have a direction)

I don’t know how many “poems in tears” during Che Lan Vien’s life, but there are many beautiful poems like “a flower petal…”. The song of the ship” is such a poem!Composed in 1960, “The song of the ship” is an orchid in the poem “Light and alluvium” by Che Lan Vien, “The poem has caused a sensation. great resonance… has become an important turning point in the poetry of Che Lan Vien in particular, and of Vietnamese poetry in general… a new poetics, a new tone, a way of thinking appeared, new way of feeling”. (The eternal gardener – Tran Manh Hao).

The poem, in addition to 4 lines of words, also has 15 stanzas, including 60 sentences, mainly each line of 8 words, only one verse of 12 words, which is the appearance of “Singing the ship”. In 1960, the North entered the first five-year plan, building and developing economy and culture. The movement of lowland people to build a mountainous economy became a large revolutionary movement to turn the “Northwest into the future pearl of the Fatherland” (Pham Van Dong).

The poem “Singing the ship” has “brought the soul of the era to fly high” (To Huu), it has transcended the topicality and become a song that passionately expresses the desire to go on the road and stick with life. vibrant with love for the Fatherland and the people, to work, explore and create. Rich contemplative quality, iridescent intellectual beauty, sharp arguments and new and unique images… have converged and crystallized to create the true ideological and artistic value of the masterpiece poem. this work.

First of all, let’s talk about the very unique and talented stanza. The structure of the poem in the form of questions and answers. Not only asking questions, but also answering questions. Loud, passionate, excited voice:

“Northwest? Is there only Northwest

When my heart turned into ships,

When the Fatherland on all sides sings

My soul is the Northwest, where else?”.

Covering the inscription is the poet’s pride in a great love. Question and answer to affirm the awareness of your own soul. Verse 1 speaks of a beautiful and broad sentiment: not only does the poet love the Northwest, but the poet also directs his soul to all parts of the vast country with all his earnest love. The second and third sentence clearly indicates the source of that noble sentiment. The subjective condition is “When my heart has turned into ships”, “I” myself have lived with a beautiful desire to go to all parts of the beloved Fatherland to dedicate and serve.

The objective condition is the social reality, the atmosphere of the times: “When the four sides of the Fatherland sings”. It was a very beautiful, very exciting time in the North of our country. People are excited and excited to build a new country and life. Another poet praised it as “… a poem in the North – very free, so fresh music, fresh rhyme”. The fourth verse is the inevitable consequence that subjective and objective conditions lead to: “My soul is the Northwest, where is it?”.

The rhetorical question resounded proudly, showing that his soul was integrated, attached, and warmly loved the Northwest. New and attractive way of comparing and saying. The title stanza not only expresses the love of the Northwest and the love of the Fatherland, but also shows a sharp argument – a beauty in Che Lan Vien’s poetry.

“Are you going?” or “you keep Hanoi heaven?”; “Did you hear…?” and “The train called me to go, why didn’t I leave?” – Is it the mood, the anxiety about going or staying? Feeling afraid to go far, afraid of hardships… is a truth of people’s hearts, not only poets in the peaceful days after 9 years of resistance against the French. The ideological struggle takes place in every human being, that is a fact. Che Lan Vien used contrasting methods to highlight that mood and anxiety. A series of rhetorical questions appear, the poetic tone is haunting and prompting:

“This ship goes to the Northwest, will you go?

Friends are far away, I keep Hanoi heaven

… The country is vast, my life is small

…The train called you to go, why not leave!?”.

The image of the ship in the first two stanzas: “Will the train go to the Northwest?” and the “Hungry Ship of the Moons” – just a symbol of a journey far away; This ship is still “hungry for the moons”, which means that there is not much motivation to launch to space and horizons. It’s not yet “The Singing of the Ship”. That is the sophistication of Che Lan Vien’s artistic thinking.

The next nine stanzas contain beautiful emotional thoughts when the poet thinks about the Northwest and the people of the Northwest with deep and touching memories. The lesson of loyalty to the country and the people makes us grow up in spirit and let us remember forever.

The miraculous fire of resistance, the villages, the passes, the stream, the guerrillas, the contact children, the mother, the Northwest girl who “swallowed the rice to raise the army” have become memories, to be loved and remembered. , transformed the soul of a lowland resistance cadre, a poet…

The Northwest is the sacred soul of the mountains and rivers, the place where the fire of resistance burns, the miraculous fire of Dien Bien, the “sacred land of the mountains and forests, the heroic land”, the land of love “where the blood of our souls permeates the earth. – Now abundantly ripe fruits in early spring.” Proudly looking to the future with many bright beliefs:

“Oh resistance! The past ten years have been like flames

A thousand years later, there is still enough power to light the way.”

That awareness has enlightened the soul, aware of the arduous way to go, but self-conscious “I need to overcome” to return to the origin “let me go back to see my loving mother again”. “Mother” is capitalized, a beautiful word, is a beautiful image of the beloved Motherland.

The art of using precise, expressive language and creating images has made the poem “Singing the ship” take off: “sacred land”, “where blood drips”, “ripe fruit in early spring”, ” fire… light the way”, “Mother love”. Numerals of time: “last ten years”, “thousand years later” is a philosophical expression of a deeply poignant historical contemplation. For Che Lan Vien, meeting the people again is a great joy, a great desire, a great happiness:

“I meet the people again like a deer returning to an old stream,

The grass welcomes the second lunar month, the swallow meets the season,

Like a hungry child who meets milk

The cradle stopped suddenly met the hand that extended.”

A way of saying that is both familiar and strange. Five consecutive comparative images appeared to concretize and visualize the great joy and happiness “I meet the people again”. There are pictures of the natural world, there are pictures of life and childhood. The people are the source of life and happiness, the cool spring in spring to welcome the hungry deer back to their old place of love, the spring warmth that brings green and honey to the grass, and the evening light for the birds. Swallows are paired together, sweet milk for hungry babies, light arms to bring soft cradles to bring good sleep, beautiful dreams for babies…

There are dreamy images. There is a warm image of deep affection. These comparisons also have a profound aesthetic meaning: to return to the people is to return to the source of happiness, which is ethical and natural. That philosophy becomes deeper and more penetrating because it is expressed in a selective, symbolic, sensual, poetic language.

For Che Lan Vien, meeting the people again, returning to the people’s hearts is to reflect on their hearts, to repay their gratitude, to live faithfully in human love. The people have sacrificed, devoted themselves, supported and shared. Revolutionaries, soldiers and cadres were nurtured and cared for by the people with love. The people mentioned by the poet are specific people representing all walks of life in the ethnic community with many qualities as beautiful as ten gold, bright as jade.

The people are industrious and heroic, that is “my brother, brother of the guerilla”, before going to war, with “the brown shirt he wore on the night of the army station – The brown shirt he had been patched for a lifetime – The last night he took off give it back to me”. As “my brother, my brother communicates” like a shuttle in the deep forest full of enemies, “In the morning of Na village, in the afternoon I went to the North village – Fifteen years, I have not lost an envelope …”. As the mother of the Northwest:

“I miss you. Pink fire shines on gray hair,

Five sick children, awake for a long season,

Mother and son are not blood clots

But for the rest of my life, I will always remember the kindness.”

“Rose fire illuminates gray hair” is a very beautiful image. The warm pink fire of love illuminates the silver hair of the gentle mountain mother. Mother and child are not blood relatives, not “cut blood”, but mother raised me like her own child, so “all my life I will forever remember the adoption”. Words indicating the length of time such as: “a long season”, “forever”, “remember forever”, associated with the word “remember”, the word “wake” has shown a deep and meaningful love relationship, loyalty is very proud.

Remember the person and then remember the scene. Soldiers in the “green army” Tay Tien “Remember the mountains, remember to play with”; The cadre who went downhill remembers Viet Bac as “Remembering each bamboo forest – Ngoi Thia, Day river, Le stream is full”. Che Lan Vien remembers the Northwest with the nostalgia of “turning the soul”:

“Remember the mist, remember the cloud-covered pass,

Where is the heart without love?

Where we stay that lead a stay,

When we take the soul land!”.

The two words “remember” describe inconsolable nostalgia. Remembering the dew version, remembering the cloud pass is a distant nostalgia, a fog-covered nostalgia in nostalgia, restlessness. Those mists and cloud passes have been “where my soul permeates the earth”, have been attached to you, to me, to my mother… with many deep memories of a difficult time, so “Where is the heart of the past?” don’t love?” Asking yourself is also to measure your own heart, measure love and affection.

If the land is good, the birds will perch, at first it is “just a place to live” to make a living, to survive. Only by living to the fullest, sticking to the “place of residence” with enthusiasm, with love, can you “When we go, the land has turned into a soul.” From the details, images, and specific emotions The body, the author has generalized, has raised it to contemplation, philosophical reflection, with a deep sense of upholding the beautiful moral “living to the fullest, living faithfully to the people, to the motherland”.

My memory is a beautiful memory. Remember “squeezing sticky rice to feed my army, hiding it in the middle of the forest… The first sticky rice meal still radiates the scent”. Remember me in the love of the army and people. Miss you with so many turmoil, recovery:

“I suddenly miss you like winter, I miss the cold

Our love is like the petals of a golden flower,

As spring comes, the feathers of the forest birds turn blue,

Love makes the land strange to the homeland.

If we know how to live in happiness and love, the boat of our hearts will anchor at the people’s wharf. “I suddenly miss you like winter and miss the cold”, nostalgia is as natural as the law of life. The waves miss the shore, the winter miss the cold, I miss you, that’s the power of love, “My love” between you and me is inextricably linked, strong (like an ant’s wing), poetic (like a yellow flower) . It is also a very poetic way of saying it, very innocent.

Love has beautified the two of us, like when spring comes, birds mate and flock together, feathers become more attractive, the singing of humpbacks calls the flock more beautiful, more lovely. In the above paragraph, the author writes: “When I go, the earth is more igneous” and here, he raises another sound, another sound: “Love makes the land strange to the homeland”. Those are the verses where the language is compressed, condensed, and practiced as a maxim of life and beautiful behavior, affirming the laws and concepts of life and love.

The contrasts and comparisons are applied creatively to write poems with the beauty of the language in balance, harmony, and images with evocative colors. Philosophers and philosophies in Che Lan Vien’s poetry are clothed with poetic costumes and images, on the one hand, he avoids the restriction of “deep thoughts but dry”, on the contrary, he created poems, the brightest poems, verses in the memory of many people.

The last four stanzas talk about the song on the way. The ship from “hungry for the moon” has now become a “dreaming” ship, “drinking a moon”… The poetic tone is throbbing, expressing the joy and excitement of setting off. At this point, the new ship became a living aspiration, a desire to set out. Going to the Northwest, going to all parts of the country, is to answer the call to “go on the road” of the country, to follow the call of conscience, of brother’s love, of mother’s love waiting, waiting. All motivated:

“Is the country calling me or my heart calling?

My love is waiting, mother’s love is waiting

Please flap your wings quickly

My eyes long for a hundred ga red tile roof.

The train “flaps its wings”, “eyes crave the red tile roof hundreds of stations” – is a way to say romantic, passionate. Go to the Northwest in the jubilant atmosphere of the festival – the great festival of the people going to build the country:

“Turn around and go, hold your hand and come,

The ground is hot with the hot sap of the harpoon.”

The last stanza of the poem sounded. There are verses that expand to 12 words. The last two lines use a seamless “bridging” measure. Along with the ship came more dreams, fantasies, moon, pink face, and spring spring:

“Take dreams too! Who says ships don’t dream?

Every late night do not drink a moon?

My heart is like a ship, I also drink

Your pink face is like a big spring spring.”

“My pink face” is a metaphor for the reality of life when “the season of the people’s rice growing and whispering”, about the poetic creations achieved when the poet returned to the Northwest – the mother of the soul. poetry – return to the people. The last stanza affirms a true artist’s belief. Returning to the people is to regain “the tenth gold of my true heart, to stick with the reality of the country and the people, to discover and create, so that “we also drink your pink face in the stream”. big spring”.

“Singing the ship” is the passionate singing of Che Lan Vien. The most poignant lesson is to know how to return to the people, to live in the hearts of the people to work creatively to dedicate and serve, to discover and to… repay the love. The poem also speaks in the most emotional way about living a beautiful life in the love of a couple, in the love of the country and the people. The title of the poem is “The singing of the ship” evokes in our minds a beautiful idea of ​​living beautifully, living with ambition, living with aspiration like a ship “flapping its wings” flying high, flying far away. great career.

Singing the ship” has focused on Che Lan Vien’s artistic style: sensitive, talented in creating images (metaphor, simile), using contrasts and a series of rhetorical questions to argue, to self-debate to make ideas and themes deeply expressed.The voice of the poem is multi-vocal, changing, and becomes more and more bustling at the end like a march.

The most unique feature of “The Singing of the Ship” is that there are some very good verses, closely combining philosophy with emotion, between intellect and image. Up to now, the way to the Northwest has not had a train line and a train, but Che Lan Vien’s “Singing of the ship” still attracts us because it is true literature, it gives us a feeling and understanding of the reason for living and living. love.

Che Lan Vien’s first session came to poetry with a terrible sadness and horror. That breath goes into the book Dieu Tan haunts with ghosts lazily returning from the underworld full of ghosts.

The haunting at that time reflected on the soul of a young man who soon pessimistically avoided life. Then, after the revolution, the holy resistance brought a new breath of passion and passion into his poetry, leading him to reach the aspirational horizons. The song of the ship was born in such circuTaxances.

The poem is a song on the way, the desire to get out of the personal ego, break through the narrow cage of the individual ego to go to distant lands, to the big life, also to the world. to the people of the country, with dreams the source of artistic inspiration. The poem opens with a vibrant, stirring, prompting, alluring sound.

Does the Northwest have its own, the Northwest

When my heart turned into ships

When the Fatherland on all sides sings

My soul is the Northwest, but not anymore.

The rhetorical question was raised as if it were going deep into people’s hearts, the author wondered, self-explained, self-analyzed and then self-negative. The Northwest – the land that once had a blood relationship with the poet for more than ten years of arduous struggle, that land is now in need of cultivating hands. Then why can’t the author go? And he did not only return to the Northwest “having its own Northwest”.

The Northwest is the aspiration that he is aiming for, beyond not only stopping in the small Northwest region but the country also has many lands that need human hands, the eight souls of the author also want to move towards, the author’s footsteps. I also want to go to rocky lands that promise a lot. Those are the lands that Hoang Trung Thong once put his strong faith in.

This is a long way to come

On the hill of sunny sand trees

Between two empty streams

Our team is happy to plow.

(The song breaks the ground)

With the refrain when – when in the two verses “When our hearts became ships, when the Fatherland on all sides sang” there was a beautiful coincidence between individual aspirations and the requirements of the land. country. It is the meeting and blending of the general and the particular. When people’s hearts are motivated by a desire to contribute, it is also when the Fatherland is in need of hands and minds.

The Northwest is not only a place that evokes the desire to contribute, but it also attracts the poet’s soul with artistic ideas, here the author has used the method of homogeneity in each pair of objects. “My heart has turned into ships” and “my soul is the Northwest” means that when the poet’s soul turns to life, life itself evokes many emotions for the poet.

The Northwest is a country that has embraced and cherished many memories during the ten years of resistance, so when coming to the Northwest, it is also the author who returns to his heart, back to the origin of the nation. When saying “our soul is in the Northwest”, it is also the time when the author considers himself as belonging to the Fatherland, to the people. It is the affirmation of absolute unity between the self and the self.

Is this ship going to the Northwest?

Friends go far away, I keep Hanoi sky

Do you hear the wind calling

Outside the window of the ship is hungry crescent moons.

The verses with a prompting tone seem to have expressed the author’s feelings and emotions. In fact, at that time, there was no train to the Northwest, but the ship in the poet’s mind still set off in an atmosphere of excitement and excitement.. Here, the author used the method of dichotomy. lyrical topic for self-dialogue.

The poet invites himself “will you go”, but in fact, that question is not only for the author but also for all generations of young people living in Hanoi, and beyond, all over the world. Vietnam. The poem changes from inviting to urging.

Do you hear the wind calling

Outside the window of the ship is hungry crescent moons.

The lyrical ego keeps wondering between the two spaces of Hanoi and the Northwest, between the two lifestyles of enjoyment and dedication. The verse creates two opposing images: “the country is vast / my life is small”. Now, will he live for the country or for himself? But then the poet affirmed that life only really has meaning when he goes to the Northwest, and if he just clings to the sky of Hanoi, selfishly living for his individual self, his soul will barren, your life is no longer poetic.

There is no poetry in the closed heart

Your soul waits to meet you up there.

The country is calling, but if you don’t leave, how can you find new artistic inspirations, how can you see that life still has a lot of meaning? Actually, Che Lan Vien’s return journey is not without thoughts and torments, but it is a return to the people, to the country, to beloved memories and also to return to his heart, so he did not hesitate to extend his arms to receive the “moons”. Embracing the moon is like a journey to find poetry, to find new inspirations for art.

In the Northwest, oh ten years in the Northwest

The sacred land of the mountains has become a hero

The place where the blood of my soul is soaked in the ground

Now, the fence has absorbed the early spring fruit.

The stanza is filled with memories of ten years of arduous resistance. That land once recorded many resounding victories, it is also the place where the blood of many fallen heroes is soaked for the beautiful springs to come, for life to bear fruit.

In the passionate nostalgia for the sacred Northwest, there is a feeling of pride, there is even a moment of silence when thinking about the deceased, but the remaining feelings are still an abundance of flowers before spring. . And when he returned to the heroic sacred land of the Northwest, the author could not hold back his heart. I should have let out an emotional cry.

I meet the people again like a deer returning to an old stream

Grass welcomes two swallows in season

Like a hungry child who meets milk

The cradle stopped suddenly meeting the outstretched arm.

With the feelings of the present, the four verses are like a song from the past. Going back to the people means going back to what is most familiar and closest. The author returned to the river in the heart of the people carrying a sea of ​​memories, a sea full of memories. It was the people who gave the poet life. His soul was nourished by the people’s sweet milk.

The poetic lines flowed abundantly as if to express the author’s absolute joy when he was returned to the loving and affectionate arms of the people. That happiness is expressed by Che Lan Vien with powerful comparison images: “deer return to the old stream”, “grass welcomes the second lunar month”, “swallow meets season”, “child meets milk”, ” the cradle stops meeting hands”…

All have shown the poet’s deep gratitude for the great merits of the people. It was the people who guided him, carried him through the dream and tragedy of the Decay to come to a life full of “light and silt”, full of faith, love and meaning.

Meeting the beloved land again, the author seems to relive in the midst of many memories of an arduous resistance war with a deep sense of love for the army and people. His address is imbued with a passionate affection, he considers himself a son of the Northwest, a son of the Fatherland.

I miss you the man you guerrilla…

I miss you, my son, I contacted…

I remember the pink fire shining on the crane’s hair.

People appear by specific people, specific actions. Those are you, me, and your mother – who have been closely associated with the author for ten years in the resistance school, who represent the people with warm family feelings. “I miss my brother”, “I miss my brother”, “I miss my mother”, the poetic structure is repeated in a painful verse? That nostalgia is deeply imprinted in the author’s heart as a reminder, as a reminder of a meaningful past.

The resistance war was full of hardships, they had to give each other every piece of rice and clothes. The tattered shirt that was sent back to the author not only brought the warmth of the guerrilla brother, but also sent back many of the love and ideals of the former for the latter. Just like that, generation after generation stood up to protect the beloved Northwest land in love and protection, in the will and determination, in intelligence, courage and courage.

But perhaps the most touching is the love that the poet has for his mother. I miss my mother’s red fire shining on gray hair The year I was sick and awake for a long season I was in love with not a cut of blood. But for the rest of my life, I will forever remember the kindness.

The verses are filled with deep gratitude, sincere attachment of a heart, a heart that can think and live. The author remembers the old adoptive mother with all respect. It was the person who warmed, protected, and softened the pain on the skin and in the author’s soul. For the poet, every time he thinks about his mother, he thinks about a solid and reliable support.

The author’s nostalgia goes from specific people and faces to general nostalgia about the people. Remember the mist, remember the cloud-covered pass. With the allusion to remember used in a verse, it has been able to express the rushing and rushing memory. The author did not know how to compress and arrange to fit, so he lowered a verse full of contemplation: “where there is no love in the heart”.

The love for this land, for the people here as a necessity, the warm land, the benevolent people, there is no reason why the author forgot. Remembering “fog”, remembering “cloud cover” is remembering all the scenery and people of the Northwest. That nostalgia is raised to a reason of life.

where we stay that lead a stay

When we take the soul land.

The two verses have a philosophical color, philosophy but not dry, philosophical but still full of emotions, still rich in moving people’s hearts. “When I stay, I’m just a deer living in the land” – people are really indifferent, indifferent to what they already have, especially with the land, an inanimate image, but when we’re gone, we If you can’t grasp it, you will feel sacred and regretful, because it seems to be a part of your soul, a part of your flesh and blood.

“When we go, the land has turned into a soul” – in fact, the land and people have had a close relationship for a long time, but people have not felt it all, now people go far away to realize that the land also has a soul . The soul of the land or rather the soul of the person who sent it back to the land.

The poem is written about the land, but it is actually to talk about people’s hearts, to talk about loyalty and morality. Every village, every road that the author has gone through, has been attached to is now awakened in nostalgia, but the most passionate memory, the most passionate memory is still the memory for “you” .

I suddenly miss you like winter, I miss the cold. Our love is like ant wings and yellow flowers. As spring comes, the feathers of the forest birds return. Love makes the land strange to the homeland. My nostalgia is called back from the nostalgia for the people and the country. The particular blends into the common. The common is put above all but not so that it is indifferent to the particular. On the contrary, the common has made the particular more sacred and meaningful. The love in Che Lan Vien’s poetry is simple, sincere but no less earnest. The author often thinks of his lover in the cold winter.

The first cold of the season, I’m cold away from you

The long cold night, the blanket is divided into two halves

One for you in the wave area

One cover for yourself on the non-em side.

(The first cold of the season misses people walking by the pool)

It seems that in the cold, people are often closer to each other, people need each other more. “I suddenly miss you like winter, I miss the cold”, this is not a sudden nostalgia because in fact, in my heart there is always a shadow of you, and now living among the warm and loving people, I suddenly remember you with a “nostalgia never remember like that”. Never have I remembered you so fondly.

You and me are one, “winter” cannot be without cold and “I” cannot be without “you”. The love between you and me is simple, high-pitched but also full of fragrance and interesting colors through unique and strange comparison images. Love permeates the cold of winter, the heat of summer, the dreaminess of autumn, the fullness of spring. And now, the nostalgia for the homeland, the country is called back from the nostalgia for you.

Love makes the land strange to the homeland. Poetry as a truth about love. The love here is not just mine for you anymore. It is not only because of your love that I am attached to this land, but also the love of many people, the homeland, the village, the people. All these sentiments and affections have made the heroic Northwest land become a sacred homeland in the author’s heart. Peaceful memories continue to flow in the poet’s memory domain.

I hold your hand at the end of the campaign season

Cabbage to feed my army and hide it in the middle of the forest

Northwest land has no calendar

The first sticky rice meal still radiates the scent.

“I hold your hand at the end of the campaign season” is a beautiful image, full of promise, the completeness between personal love and common meaning. In order to bring the “squeeze” to the front line, he had to go through many hardships and hardships. Those hardships and merits cannot be recorded. But until now, the author still seems to smell the fragrant smoke of the first sticky rice meal. How many memories piled up one after another pushing each other about the urge, rattling the author’s soul into a big question.

The country calls us or our hearts call

My love is waiting for my mother’s love is waiting

Please flap your wings quickly

My eyes crave the hundred ga red tile roof.

In fact, the country is in need, but our hearts, our footsteps also want to go, and also want to return to the old dear land because there are still many people waiting for the author. “My love is waiting for you, my mother’s love is waiting” That call comes from the heart, urging the author’s soul because it is really a return to the source of creative inspiration.

The poet wants to come quickly, not to come anymore, but to fly back to the Northwest land to see the houses, the faces, the voices, the bountiful seasons.

My eyes long for a hundred ga red tile roof

The season when people sow ripe rice

Turn people and walk hand in hand to come

The ground is hot with the hot resin of the harpoon

Hot plastic needs labor and people’s bloodshed

Northwest, you are the mother of poetic souls.

The image of the people, the country excitedly goes back in all the senses of the author. Everywhere in the mind of the poet resounds the sound of life, of the Northwest region. That life, that land inspires poetry, inspires art.

Ten years of the golden war, we were in pain in the fire

Now come back, I’ll get my gold back

Including dreams, who said the ship is not dreaming?

Every late night without drinking a moon

My heart is like a ship, so I drink

My pink face in the big spring spring.

The Northwest region has had so many valuable potentials, but years of long war have buried those potentials, now it’s time to return to restore, to awaken it after a long sleep. Awakening the potential is also waking up the beautiful future of the country, of the Northwest mountains and forests. Awaken it with the desire to go, the desire to go far.

Leaving to regain the inherent value of the land for generations, regaining dreams, fantasies and replacing them with practical actions, reforming a land that has been destroyed by bombs and bullets. That ground is now arid and rocky, but it still seems to understand the hardships and labors of the human heart.

The train drinks the moon to have more aspirations, the author drinks the moon to add more inspiration. And the poem ended in the midst of a radiant image of life, radiant with hope. “My pink face in the spring big spring” is an image with great inspiration, evoking in people’s hearts, the inspiration between heaven and earth about a country in the future, a Northwest in the future filled with spring energy, spring love. .

The closing verses are written in a cohesive, chained manner, expressing the author’s outpouring of emotions. Remaining after countless nostalgia is the belief of a bright and beautiful tomorrow. That belief is confirmed in the will, energy and determination to build new lands. Che Lan Vien’s desire to leave is also the desire for life that Hoang Trung Thong once affirmed in the song “The Song of the Earth Breaks”.

Working hand

I sow life

On dry soil.

Che Lan Vien is a great poet of modern Vietnamese literature. The poet’s path of composition went through many ups and downs with turning points in the main artistic style and ideology. It was no longer the horror and mystery world in The Deceased, after 1945, he turned to focus on the genre. focused on exploiting the topic of people and the country in the resistance war.

Che Lan Vien’s poetry is full of intellectual beauty and rich in philosophical reflection with diverse, rich and creative poetic images. The song of the ship is drawn from the episode “Light and Alluvium”, the poem is inspired by an economic – political event of great significance: The movement of lowland people to build the economy. in the Northwest mountains.

The poem is an excellent crystallization between the thought and art of Che Lan Vien in his revolutionary poetic career. The verses in the title’s lyrics rise to sob, moving the reader’s heart, it has expressed the main thought throughout the work:

“Northwest? What is unique about the Northwest

When my heart turned into ships

When the Fatherland on all sides sings

My soul is the Northwest, not anymore”

The rhetorical question sounded softly, “Northwest?” contains the poet’s worries and concerns before the country’s situation is in danger. The call of the Fatherland kept echoing in his ears and Che Lan Vien’s soul was now only in the far northwest, he was no longer afraid of difficulties, nor was he afraid of dangers lurking because his heart was in harmony. Fatherland, because his heart “turned ships”.

The opening two stanzas resounded with words like urging, more bustling, earnest words, increasingly pressing questions swirling deep in the heart of the author in particular and the generation of writers and artists in general:

“This ship goes to the Northwest, will you go?

Friends are far away, I keep Hanoi heaven

Do you hear the wind calling

Outside the door? The train is hungry for the moons

The country is vast, my life is small

The train called him to go, why did the pregnant woman leave?

There is no poetry in the closed heart

My soul waits to meet you up there.”

The metaphorical image of “ship” symbolizes the great aspirations and ambitions that were flowing in the hearts of millions of Vietnamese people at that time. The sound of the ship soars like a strong and passionate call of Che Lan Vien. The anthropomorphic rhetoric of “The train is hungry for the moons” is expressive and vivid, and the “moon” is a poetic and lyrical image of nature that is also a symbol of light, faith and hope for war. resounding victory in the not too distant future.

The verb “hungry” prompts the reader to think a lot, the country is really in need of consensus, solidarity among the people, dedication and willingness to sacrifice to build a stronger and stronger Fatherland. The Northwest – a specific remote and rugged place is also a symbolic image for the country, the Northwest is the source that makes up the soul of the poem, of abundant artistic creativity.

“The country is vast, my life is small”, the contrasting art evokes anxiety and torment in each reader’s heart. We live under the protection of nature, the protection of the Fatherland, but sometimes we are startled to look back at what we have done for the country or just live a meaningless life “closed in heart” to the outside world. that.

The overflowing happiness and joy of returning to his homeland are faithfully and rustically recreated by the poet in the next nine stanzas, thereby recalling the beautiful and attached memories of the resistance period. war:

“On the Northwest! Oh ten years Northwest

The sacred land of the mountains has become a hero

Where blood drips my soul into the ground

Now abundantly ripe early spring fruit…

I hold your hand at the end of the campaign season

Squeezing sticky rice to feed my army, hiding in the middle of the forest

Northwest land has no calendar

The first meal of sticky rice still gives off the scent.”

People’s scenery has changed now, ten years of resistance have passed “like fire”, still burning in the author’s heart. Perhaps at this moment, the soul needs rest, needs the comfort of the family’s hand to soothe the pain that has been stored in the heart for many years, “Let me go back to see my loving mother again”. “Mother” here is not only the one who carries the burden of childbirth, but also the mother of nature, the mother of the beloved Motherland.

So many memories of the Northwest region are still imprinted in the author’s mind, the image of “the guerrilla brother”, “the contact brother”, the gray-haired mother, remembering the “mist version”, remembering the “cloud-covered pass” “, the images are very specific, rich in deep associations. The deep love, protection and support of the people here seem to give strength to the soldiers in the cause of building and defending the Fatherland.

Che Lan Vien with her sensitivity has also discovered a very special law in human thought: “When we stay, it’s just a place to live / When we go, the land turns into a soul”. When we first arrived in a new land, everything in us was completely foreign, the land was simply the place where we lived and existed.

But time passes quickly, gradually that land becomes familiar, each tree and grass, each human figure is deeply imprinted in our hearts, hard to fade, becoming a part of the puzzle. “souls” of people far from home. That strange transformation did not come naturally, it came from the love, attachment, and empathy of the soul, it turned the strange land into the second homeland of everyone.

The love in Che Lan Vien’s poetry is not the love of a single couple, but it also blends with the love of the country and homeland. I miss you! Nostalgia is abundant, intense “like winter remembering the cold”, attached to acacia paint, beautiful and poetic “like the petals of a yellow flower”. The love between you and me is passionate and burning in the witness of the Northwest mountains and forests, just holding hands through so many campaign seasons.

Our love has turned a foreign land into a familiar one, as close as a homeland of flesh and blood. With her talented pen full of romantic artist, Che Lan Vien does not hesitate to express love with deep wit, closeness, loyalty with colorful images, full of aftertaste of the Northwest highlands.

The call of the Fatherland resounded again strongly, the soldier went to the battlefield without a second of hesitation, he went carrying the heavy burden of responsibility on his shoulders “Does the country call or does our heart call?” Love in the rear is waiting “My love is waiting, mother’s love is waiting”. The author borrows images from folk songs to describe the noble and pure beauty of the soul, the “gold” is both noble and resilient in the face of the fierce fire, undeterred, keeping the will of his childhood. his primordial.

The song of Che Lan Vien’s ship is a unique poem that leaves great value to Vietnamese poetry. The poem is the voice of the author’s concern and earnestness in the construction of the Fatherland, the desire to integrate with the people and life. The image of a “ship” carrying Che Lan Vien’s hopes and aspirations to the far northwest land, this place is also a fertile land that nurtures poetry in the author’s soul.

Che Lan Vien was a famous romantic poet before the August Revolution with his poetry collection “Death”. Following the revolution and then going to the resistance against the French, Che Lan Vien was almost silent. When peace was restored, he had good poetry. The poem “Singing the ship” drawn from the collection of poems “Light and alluvium” is a topical poem in response to the call of the Fatherland to reclaim the Northwest.

Writing about a historical task, but the poet does not express it in a general way, but writes with a sincere and passionate emotion. A beautiful and heroic land of the Fatherland emerges into a poetic image that sparkles with the light of wisdom. The poet’s soul has turned into a dream ship, returning to the people but also returning to his own heart.

Love you since the cradle

I lie down, I cry, you sit, I lull

Take gold and wade across the river

Gold falls without regret, sorry for holding gold

Che Lan Vien opens the poem with a suicidal way of expressing the poet’s concern before a great task of the country:

“Northwest? What is unique about the Northwest

When my heart turned into ships

When the Fatherland on all sides sings

My soul is the Northwest, not anymore”

Che Lan Vien is sensitive to the political tasks of the Party and the nation. The author has transformed the common task (reclaiming the Northwest) into a separate task of each person, more deeply the task of “our soul”. “My soul is the Northwest, where else?” This is a train of dreams (there has never been a train to the Northwest), this symbol is suitable for the image of departure, evoking romantic dreams:

“Do you hear the wind calling

Outside the window, the ship is hungry for the moons.”

The author also urges people to go and reclaim the Northwest not only for the Northwest but also for opening the narrow way of life, opening the way for creativity and poetry:

“The country is vast, my life is small

The train called him to go, why did the pregnant woman leave?

There is no poetry in the closed heart

My soul waits to meet you up there.”

The poet turned the departure into a return. Return to “where blood drips my soul into the ground”. And even more earnestly “let me go back to see my beloved mother”. And even more sacred:

“I meet the people again like a deer returning to an old stream

The grass welcomes the second lunar month, the swallow meets the season

Like a hungry child who meets milk

The cradle stopped suddenly met the hand that extended”

The unexpected comparisons, the sudden details make the line of thoughts not dry but shimmering and changing. The poet recalled the deep memories of the resistance war with the people of the Northwest. Memories appear like a film reel.

The image of the people is intimately called by the poet. “I miss my brother, the guerrilla brother”, “I miss my brother, the younger brother contacted”, “I miss my mother, the red fire illuminates the gray hair”. Through each emotional detail, the poet wants to tell us the people of the Northwest are heroic and affectionate. Then Che Lan Vien led to philosophy. Reality is also just an excuse for the poet to philosophize:

“Remember the misty version, remember the cloud-covered pass

Where is the heart without love?

Where we stay that lead a stay

When I left, the earth turned to soul!”

Readers admire Che Lan Vien for discovering the laws of emotions and human soul life. The poet leads the reader to philosophy with music and pictures: “Remember the misty version, remember the cloud-covered pass”. The word “remember” both expresses the tenderness of emotions and enhances the melody for the verse. In terms of images, in the above verses, the poet closes the lens to each dear, gut-wrenching face to show appreciation.

At this point, the poet backs the lens away to capture the image of the Northwest mountains with the “mist versions”, with the “cloud-covered passes”, the fanciful images of the Northwest mountains and forests, but also the dew images. smoke of nostalgia. And the poet said to his heart, but as if seeking the sympathy of everyone: “Where has the heart gone, but the heart does not love?”. Che Lan Vien’s verse is reminiscent of Hong Nguyen’s verses:

“We go

Bring a mobile life

Through many places, I can’t remember the name of the village

Thinking about a lot of people’s houses

I miss the windy bamboo

The village goes up and down with the same thatched roof.”

(Mind)

But Che Lan Vien does not lead to a narrative, but to a philosophy:

“Where we stay that lead a stay

When I left, the earth turned to soul!”

The two verses are structured in the opposite way (When we stay – When we go) have expressed two states of the human soul and the allusions and alliteration create a sound for philosophical poetry which is easy to dry. From his own reflection, the author has discovered a universally valid emotional law.

The poet spoke for us about the attachment between people to their homeland, to the foreign lands that we used to live. The concrete “earth” has turned into the abstract “soul”. The two verses are very Che Lan Vien! From philosophy, the poet suddenly switched to expressing specific and personal vibrations. Quartet of poetry changed strangely, but did not break because it was still thinking seamlessly:

“I suddenly miss you like winter, I miss the cold

My love is like a yellow flower ant

As spring comes, the forest birds’ feathers turn blue

Love makes the land strange to the homeland.”

The stanza is like a turning of the forest road presenting a new landscape. But then we still recognize Che Lan Vien’s voice. Still from emotions, specific images lead to philosophical reflections. Emphasizing personal feelings again, the verse becomes agitated. “I suddenly miss you like winter, I miss the cold”, very strange comparisons, sparkling with intelligence, not pure emotion.

After all, it is not a personal feeling, even though the poet says earnestly “Our love is like the petals of a golden flower”; but “generally” as Xuan Dieu said. The sparkle of the color “golden flower ant wing” like “a feathered forest bird” is the sparkle of wisdom. The author seems to discover each close relationship of things like winter with cold, like spring with “wild birds turn blue”. And the poignancy of music, images, and colors to prepare for a new philosophy: “Love makes the land strange to the homeland”.

Each person feels and is imbued with the philosophy. And so the author has reached the depth of the theme “Singing the ship”. Then the poet urged to go on the road to build the Northwest homeland. All reminiscences, nostalgia, philosophies are aimed at fulfilling this historical task:

“Is the country calling or our hearts calling?

My love is waiting for my mother’s love is waiting

Please flap your wings quickly

My eyes long for a hundred ga red tile roof.”

Building the Northwest homeland for “mother”, for “em”, who is not earnest, not enthusiastic? Particularly for poets, the Northwest is also an inspiration, a source of creativity, a source of poetry, a sacred spiritual value, so how meaningful is the “return”!

“Northwest, you are the mother of the poet’s soul

Ten years of the golden war, we were in pain in the fire

Now come back, I’ll get my gold back.”

The author ends “Singing the ship” with beautiful romantic ideas and passionate love (wide is love for life and narrow is love for you):

“(…) Who said the ship doesn’t dream?

Every late night without drinking a moon

My heart is like a ship, I also drink

My pink face in the big spring spring”

Che Lan Vien when his soul was renewed, the poet was sensitive to the tasks of the revolution. When the country had a need to expand the Northwest, Che Lan Vien had a poem in response to the war and it was precious that he had a good poem, surpassing the mediocre illustrated poetry. His inherent intellectual quality is enriched with new and revolutionary emotions that make “Singing the Ship” attractive.

It is only a pity that a superhuman linguistic talent like him abuses words with sacred meanings, such as the word “mother”, for example, making the reader a little skeptical about the true feelings of the poet. Once, many students, students and intellectuals fell in love with his poetry, reveling in the philosophical discoveries in his poetry:

“Where we stay that lead a stay

When we go, the land has turned to soul.

The song of the ship was written by Che Lan Vien in 1960 and printed in the volume Light and Alluvial. That was the time when the North, after years of victorious resistance, had just undergone a period of economic recovery and began to enter the first five-year plan.

That special situation has given rise to a sense of art in the world of writers and artists associated with the construction of a new life of the people, voluntarily going to difficult areas of the country, integrating into the local life. people’s lives because only then can we find happiness and find the source of artistic creativity.

The song of the ship is not just a poem that takes political events as a starting point and focuses on expressing the main idea of ​​encouraging young people to go on the road to build the Fatherland. The poem is also the heart of those who are deeply attached to the people and the country. The invitation to the Northwest became an urge, an invitation for souls to come to the hard and generous life of the people. From a current issue, the poem opened up thoughts about life and art.

The poem’s title “Singing the train” is symbolic because of the fact that there has never been a train or train to the Northwest. The image of the ship in the four lines of the poem is a symbol of the poet’s soul that is longing to set out on the road, to go beyond the narrow life, to go around to the big life. The Northwest, in addition to the specific meaning of the name of a remote land of the Fatherland, is also a symbol of the great life of the people and the country, the source of artistic inspiration. The poem opens with an earnest invitation:

Is this train going to the Northwest?

Friends go far away, I keep Hanoi sky

Do you hear the wind calling

Outside the door? The train is hungry for the moons.

We encounter the lyrical subject clones himself to dialogue with himself with a series of questions that gradually raise the level to reveal the desire to go on the road. Not only is it a self-advocacy, the verse is also a word of encouragement, persuading people to go to faraway lands and integrate into the vast life of the people. Che Lan Vien borrowed the image of nature to evoke people’s desire to go on the road:

Do you hear the wind calling

Outside the door? The train is hungry for the moons.

The poet speaks to others and also speaks to himself. The long arduous resistance war has ended successfully, the country has entered the process of rebuilding and building a new life, which is in dire need of everyone’s contribution. That great life is the source of all artistic creation. But art cannot arise when the artist does not open his heart to all the echoes of life.

From the contemplation of her own poetic life, Che Lan Vien gave passionate advice: go out of your narrow ego and blend in with everyone, go beyond the horizon of the ego. I am small to reach the horizon of it all. Following that path, one can find true art and meet one’s own soul in the vast life of the people:

There is no poetry in the closed heart

My soul waits to meet you up there

That is why the soul of Che Lan Vien’s poetry wants to transform into a train of thought, yearning to go on the road, eager to get drunk, eager in the journey back to the vast life, to the people. The desire to come to the vast life, to the people became the poet’s inspiration and sincere feelings. That desire once resounded in his poetry:

Oh, does the swallow fly, swallow?

To remote islands, to fuzzy islands

Wherever you have not gone, your heart will come

When he returned, his heart held the branches of poetry.

In the poem The song of the ship, the desire to set sail is expressed more and more specifically, more passionately and passionately: “When my heart has turned into ships”, “Let the ship flap its wings for me”. hurry. My eyes long for a hundred ga red tile roof”, “My eyes remember people’s faces, my ears remember voices”… That desire becomes more intense than ever when there is a meeting between the demands of the people, the country and the people. emotional needs of the poet “The country calls us or our hearts call”. Here the call of the great life, of the people, of the country has really become the inner urge of the poet himself.

Someone once said: “If you leave, you will come back”. Going to the Northwest is also for the poet to return to the heroic land that was once associated with his life, to witness the initial results of the revolutionary achievements:

In the Northwest, oh ten years in the Northwest

The sacred land of the mountains has become a hero

Where blood drips my soul into the ground

Now abundantly ripe early spring fruit

Blood dripped and trees sprang up, bearing fruit. Two opposing poetic ideas show us the great vitality of the Northwest: from death, life continues to sprout green. The verb “to” does not make a strong impression, but it has a profound effect on the reader’s heart. Blood “sprayed” rather than blood flowing, blood pouring. It shows the silent but persistent, long-term sacrifice of the people of the Northwest in particular and of the Vietnamese people in general. The loss of sacrifice is great but it is not strong enough to burn away the will and desire.

As long as you keep faith in life, this life is still lovely, worth living and it motivates people to bring the desire to contribute. Covered in the song of the ship is the poet’s intense desire and great happiness when he returns to the people:

I met the old people back to the old stream

The grass welcomes the second lunar month, the swallow meets the season

Like a hungry child who meets milk

The cradle stopped suddenly met the hand reaching out

Expressing that great happiness, the author uses consecutive comparative images. These images have both poetic and smooth beauty: “deer return to the old stream, grass welcomes the second lunar new year, swallows meet the season”, and there is a harmony between their own needs and aspirations with reality: ” hungry children meet milk, the cradle stops suddenly meets the hand that reaches out” has emphasized the extreme happiness and profound meaning of returning to the people.

For the poet, returning to the people is not only a joy, a desire but also a natural, in accordance with the law. To return to the people is to return to the endless source of life, to what is close and deep in our hearts.

The aspiration to return to the people is expressed by the author through sincere feelings, specific feelings, and deep memories associated with the people who represent the sacrifice and care of the people. people in the war. People here are no longer an abstract general concept, but appear through images and concrete, close, and dear people.

People, it’s “your brother, the guerrilla brother” with “the brown shirt he wore on the night of the police station, the brown shirt he spent a lifetime patching, the last night he sent it back to his son”; is “my brother’s brother, I’m in contact, I’m waiting for you in the forest, I’m waiting for you”; is the old mother “red fire shines on gray hair, Five children are sick and awake for a long season” … With the words: “I miss my brother”, “I miss my brother”, “I miss my mother” … , husband’s poem quality, full of memories called out from the poet’s nostalgia for the people.

The way of addressing the lyrical subject reveals a close and intimate affection for the people who have been closely attached to him during the years of resistance. Reading these verses, one can see the deep, earnest, passionate and intense vibration of a poetic soul in the shining moments of enlightenment of a truth in life and also the truth. The reason of art: must return faithfully and stick with the people. The country and people have revived a poetic soul that once locked itself in a lonely, closed self.

From fond memories, nostalgia about the people, the author has raised them to rich generalized contemplations, truths drawn from his own experiences:

Remember the dew version, remember the cloud-covered pass

Wherever I go, my heart is not in love

Where we stay that lead a stay

When I went to the land, my soul was transformed!

I suddenly miss you like winter, I miss the cold

My love is like a yellow flower ant

As spring comes, the forest birds’ feathers turn blue

Love makes the land strange to the homeland.

The stanza is the poet’s heart stretching along with nostalgia. That nostalgia gnawed in the mind of the poet. It is the nostalgia of the mountain villages with clouds and mountains. The poet has gone to many places, but there is no place to love to remember in the poet’s soul, so that “when we live, it is just a place to live, when we go, the land has turned into a soul”.

Talking about love in nostalgia, Che Lan Vien’s verse sparkles brightly with colors, stirring up emotions. Che Lan Vien has wittily, uniquely and deeply expressed the close relationship, the close attachment between lovers. But the love here does not stop within the limit of couple love but also the crystallization of deep feelings for the homeland.

Talking about love, but towards the interpretation, the explanation brightens up the whole poem. Che Lan Vien talked about the miracle of love. It is love that has turned strange lands into closeness like our homeland, into the flesh and blood of our souls. The verse is full of philosophy, but that philosophy is rooted in feelings, from sincere feelings, so it is not dry, still natural and simple. Those are the best verses of Che Lan Vien’s poetic life.

The song of the ship is a beautiful poem by Che Lan Vien, which has contributed to beautify the part of poetry written about the construction of socialism. The poem shows a new vision of the poet before life, before people. But perhaps what is condensed in the work is the deep philosophical reflections, deep in the reader’s soul, the vibrations of the poet’s attachment to the people and the country. And for that reason, each person realizes their own path to immerse themselves in a new life, to live in sincere emotions like the poet’s own.

Che Lan Vien (1920 – 1989) real name is Phan Ngoc Hoan, born in Cam Lo, Quang Tri. He composed very early and is famous for his poetry collection Dieu Ruan published in 1937 and is considered as a typical romantic poet of the New Poetry movement. Before the August Revolution, Che Lan Vien once wrote: To me all is meaningless, All is nothing but suffering, once begged: Give me a cold planet, A starry star at the end of the sky. far away… to hide, to avoid all the sufferings and afflictions of life.

After the Revolution, in the miraculous incarnation of the country and the nation, the poet also made an incarnation to integrate with the surrounding life and also to find himself. Peace was restored, the people The North excitedly embarked on the work of building a peaceful life and building socialism.

In 1958, our Party and State launched a movement to reclaim and develop the economy in the highlands. This movement has been enthusiastically responded by people in the lowlands, especially in densely populated areas such as Ha Nam, Nam Dinh, and Thai Binh. Young people are considered to be the pioneering force to the Viet Bac, the Northwest broke land to reclaim land, build farms, and change the face of the old war zone.

During the nine-year resistance war against the French, poet Che Lan Vien often went on business trips, so he lived under the care and love of the North Vietnamese and Northwestern compatriots. That precious sentiment inspired the author to compose the poem The Song of the Ship.

The poem is both a passionate and passionate song of a poetic soul who has escaped from the narrow sky of the small ego to the vast horizon of the self as the people and the country; just expressed the poet’s deep gratitude and longing nostalgia for the Northwest – the second homeland, where there are people who have bonded, shared hardships, lived and died with them during the anti-war period. France.

The song of the ship is arranged according to the sequence of mood development. The tone and sound also change according to the mood circuit. The first two stanzas are concern and an invitation to go on the road. The nine middle stanzas express the desire to return to the people, evoking memories of the war full of affection for the people and the country. The last four stanzas are the song of excitement, confidence and passion. The four main lines of the poem are the main ideas of the poem’s theme, which summarize the author’s thoughts and feelings:

Northwest? What is unique about the Northwest

When my heart turned into ships

When the Fatherland on all sides sings

My soul is the Northwest, but nowhere else.

Rhetorical question: Northwest? is a word of self-questioning heart, containing a very real concern and concern in the mood of the poet in particular and the class of writers and artists in general at that historical moment. The first two stanzas are exhortations with pressing questions. The poet chooses the image of the ship and the Northwest landmark as the artistic symbol of the poem:

Is this ship going to the Northwest?

Friends go far away, I keep Hanoi sky

Do you hear the wind calling

Outside the door? The ship is hungry for the moons.

The country is vast, my life is small

The train called him to go, why did the pregnant woman leave?

There is no poetry in the closed heart

Your soul waits to meet you up there.

The poet compares his soul to a ship that is opening at full speed in a journey to move forward, whose destination is the country, the great and noble people, and a life full of nourishment and inspiration. poetic soul. The song of the ship here is a symbol of the desire to leave, to distant regions, to the people, the country and also to the dreams, the sources of artistic inspiration.

At that time, there was no train to the Northwest, so the image of the train in this poem was completely symbolic. It is a ship in the mind that aspires to harmonize with the nation, the country and the belief in a bright future. Che Lan Vien has borrowed the image of nature to evoke people’s desire to go on the road. Longing for open horizons: Do you hear the wind calling, Outside the window? The ship is hungry for the moons. The poet speaks to others but also speaks to himself.

After defeating the enemy, the rebuilding of the country needs everyone’s contribution. Get out of your narrow ego and blend in with everyone. Following that path, one can find true art and meet one’s own soul in the vast life of the people.

There is no poetry in the closed heart

Your soul waits to meet you up there.

Che Lan Vien has affirmed the relationship between literature and art and real life, because the rich and colorful life is the storehouse of materials and the endless source of inspiration for artists. That shows a completely new poet Che Lan Vien, different from Che Lan Vien – a romantic poet before the Revolution who was deadlocked and desperate in the midst of a cramped and complicated life.

The Northwest, in addition to the specific name of a land, is also typical for all remote regions of the country, where there is a hard life but heavy love, where unforgettable memories of the who have gone through the resistance war, which is beckoning everyone to come together and rebuild their homeland.

Coming to the Northwest, the land of heavy sense of love is coming to the people who have protected and protected our officers and soldiers during the long resistance war against the invading French colonialists. For that reason, the urge to go to the Northwest is synonymous with the call to your own heart, to your soul, with pure and passionate feelings.

If the first two stanzas are concern and urge to go on the road, the next nine stanzas are happiness and aspiration to return to the people, recalling the deep and meaningful memories of the years of resistance. ; Interspersed with shimmering images of reminiscence are contemplations, summed up in a quiet poetic voice. Starting with the landscape and people of the Northwest, it has now changed:

On the Northwest! oh ten years Northwest

The sacred land of the mountains has become a hero

Where blood drips my soul into the ground

Now abundantly ripe early spring fruit.

In this stanza, old and new images are interwoven both creatively and meaningfully. Thinking about the Northwest, happy and sad memories about the scenery and people keep popping up in the poet’s mind. After ten years of separation, in the past Where the blood dripped my soul soaked the ground, Now abundantly ripe early spring fruit. All of these create a solid foundation for the rich spiritual and emotional life of people. Higher than that, it becomes the flame that illuminates the dark path:

Oh resistance! The past ten years have been like a flame

A thousand years later, there is still enough power to light the way.

I’m gone but I need to get over it

Let me see you again, dear Mother.

In the poet’s mind, coming to the Northwest is coming to the familiar land of his soul, is making a journey back to the Mother of the people – the loving Mother of the Fatherland. Che Lan Vien summarizes the journey back to the people with comparative images that are both realistic and lyrical, showing the depth of emotion and the height of artistic creativity:

I meet the people again like a deer returning to an old stream

The grass welcomes the second lunar month, the swallow meets the season

Like a hungry child who meets milk

The cradle stopped suddenly meeting the outstretched arm.

To express the deep meaning and great happiness of returning to the people, the author used a series of comparative images to deepen and expand the meaning of things and things. The poet realizes that it is very natural for writers and artists to return to the people, in accordance with the law like deer returning to old streams is a familiar place, like grass to welcome New Year’s Eve. Swallows meet seasons to receive vitality and display beauty.

Going back to the people is about going back to the source of life and happiness; It is about the place where you have nurtured, protected, and taken care of yourself. This is a necessary and timely action for the literary and artistic class to gain more faith and strength on the path of artistic creation: Like a hungry child who meets milk, the cradle stops suddenly meets a hand . The desire to go to the Northwest reminds me of a heaven of memories of the arduous, dangerous but warm years of resistance:

I miss you guerrilla man

The brown shirt he wore on the night of the police station

The brown shirt for a lifetime is torn

The last night he undressed the child.

I miss you, my son is in touch

Dear forest, I’m ice, jungle I’m waiting

In the morning in the Na village, in the afternoon I go to the North village

Ten years round! Haven’t lost an envelope.

I miss you! Pink fire illuminating silver hair

Five sick children, a long season awake.

Mother and son are not blood clots

But for the rest of my life, I will always remember the kindness.

The poet’s aspiration to return to the people is expressed by the poet through sincere feelings and deep memories associated with each person representing the sacrifice and care of the people during the resistance war. People here are no longer a general concept, but specific and close people.

It was a guerrilla brother with a brown shirt for a lifetime of mending, The last night he took it off for his son, the brother to contact, The forest, I was ice, the forest I was waiting for; She is the mother of pink fire shining with silver hair, Five children suffer from pain and sleep for a long season, … With the words and friendly address: I miss my brother, I miss my brother, I miss me, … the poet has shown loving affection for the people who have been attached to them by blood and flesh, sharing each squeeze of rice and clothes in the difficult situation of the resistance war.

Those are the people who sacrificed silently for the revolution, for the resistance war. The verses about the people of the Northwest express the poet’s gratitude, sincere attachment and poignant emotion. Every road, every village, every mountain, every river is associated with unforgettable happy and sad memories.

From reminiscing about unforgettable memories, the poet has elevated and generalized emotions into a profound philosophy of life. The following stanza is a discovery of the laws of human soul-life emotions:

Remember the dew version, remember the cloud-covered pass

Where do you go, your heart doesn’t love?

Where we stay that lead a stay

When we take the soul land!

The love here is not only limited to the love of the couple, but also the deep feelings for the homeland and the country. The poet talked about the miracle of love. It is love that has turned foreign lands into as close as one’s own homeland, into the flesh and blood of our souls: When we stay, it’s just a place to live, When we go, the land becomes our soul / Philosophy drawn from sincere feelings and emotions, so it is not dry but still natural and simple. In the next stanza, the verse suddenly changes to another vibe and thought about: love and strange land:

I suddenly miss you like winter, I miss the cold

Our love is like the petals of a golden flower,

As spring comes, the forest birds’ feathers turn blue

Love makes the land strange to the homeland.

When it comes to love and nostalgia, Che Lan Vien has a unique and interesting comparison. Nostalgia in love, between you and me is inevitable, just like the law of heaven and earth: winter comes to remember the cold. Our love is like golden flower ants – a specialty of the Northwest mountains and beautiful like feathers. birds in spring. The author has concretized the abstract concept of love into images that are close and familiar to people, especially mountainous people.

The third stanza carries the sound of the song on the road with excitement, rush and attraction. The soaring, romantic lyricism combined with a vibrant, motivating tone. This is a word of encouragement, encouragement and affirmation once again of our determination to go to the Northwest, to open new farms and economic zones for the country:

The country calls us or our hearts call

My love is waiting for my mother’s love is waiting

Please flap your wings quickly

My eyes crave the hundred ga red tile roof.

Our eyes remember faces, our ears remember voices

The season when people sow ripe rice

Turn people and walk hand in hand to come

The ground was hot with the hot resin of the harpoon.

That desire drives the poet’s soul because going to the Northwest is also about returning to the source of poetic soul and artistic inspiration. The years of hardship, great sacrifices, and the sufferings of the war have now ended: The season of the people spreading the ripe rice, the earth is hot with the hot resin of labor. The urge to go to the Northwest to come here has merged into one with the need to harmonize with the people and the country. The poet found there the strength to rise:

Hot plastic ten years people’s bloodshed

Dear Northwest, you are the mother of poetic souls,

Ten years of the golden war we suffered in the fire,

Now come back, I’ll get my gold back.

Poet Che Lan Vien borrowed symbolic images often found in ancient folk songs to express the noble beauty of the soul. Like gold that is not afraid of fire, the poet has been trained and tested in the difficult, painful and glorious reality of the long resistance war so that now he has really acquired the ten quintessential gold of the attached soul. flesh and blood with the people and the country. The poem ends with symbolic artistic metaphors of very high ideological and aesthetic value, converging the spirit of the whole poem:

Take all the dreams!

Who said ships don’t dream?

Every late night without drinking a moon.

My heart is like a ship, I also drink

My pink face in the big spring spring.

With rich artistic techniques of description, metaphor, comparison, symbolism…, in the song “Song of the Ship”, Che Lan Vien has successfully created many unique images that evoke rich associations for readers. . The inspiration covered in the poem is gratitude and happiness in the attachment to life, the people and the country of a soul that has moved from the valley of pain to the field of joy.

The train of thoughts, full of dreams and aspirations, is traveling to distant lands of the Fatherland, and is also a fertile land that nurtures the poetic soul, promising bountiful golden seasons in the not too distant future. People commented that Che Lan Vien’s poetry was intellectual poetry.

Very true, because the poet works hard to think and research to create something new and unique but still passionately lyrical. It can be considered that the poem The Singing of the Ship represents the artistic style of Che Lan Vien – a famous revolutionary romantic poet of modern Vietnamese poetry.